Cinema legend Ellen Burstyn: ‘It was never my intention to be a movie star’

As she prepares to smash an Oscar record, the great actor talks about drawing on her own suffering, missing her violent mother – and surviving the Hollywood ‘hamburger machine’

Ellen Burstyn is struggling to make herself heard above the sirens that are screeching across the city. “I live on a road that’s very popular with police cars and ambulances,” she says down the line from New York. She had been trying to tell me about the Oscars when she was interrupted by the racket. If she is nominated in March – and, with the odds of her winning best supporting actress currently at 5/1, she almost certainly will be – this would make her the Academy’s oldest acting nominee, having turned 88 this month. “At the moment, it’s Chris Plummer,” she says excitedly. “But I would beat him by 42 days! What a great crown that would be to wear.”

If her performance in the Netflix drama Pieces of a Woman wins her a nomination, it will be her seventh. Over the last 50 years, Burstyn has been recognised for her portrayals of a jaded wife in The Last Picture Show; of a mother whose child is demonically possessed in The Exorcist; and of a widowed waitress who hits the road with her young son in Alice Doesn’t Live Here Anymore. In Same Time, Next Year, she played a married woman who meets annually with her lover; in Resurrection she was a car crash survivor who acquires healing powers; and in Requiem for a Dream she starred as the mother of a junkie who becomes an addict herself.

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21 things to look forward to in 2021 – from meteor showers to the Olympics

From finally seeing the back of Donald Trump to being in a football stadium – the new year is full of promise

You probably found a few things to enjoy about last year: you rediscovered your bicycle, perhaps, or your family, or even both, and learned to love trees. And don’t forget the clapping. Plus some brilliant scientists figured out how to make a safe and effective vaccine for a brand new virus in record time.

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Tanya Roberts’ publicist retracts report that said actor had died

The former Bond girl was mistakenly reported dead after being hospitalised following a fall at her home

Tanya Roberts, who played Roger Moore’s love interest in A View to a Kill and later starred in the sitcom That ‘70s Show as Midge Pinciotti, has been hospitalised after falling at her home.

Her publicist, Mike Pingel, mistakenly reported the 65-year-old dead on Monday, leading multiple outlets, including the Guardian, to publish stories saying she had died. Pingel later told the Associated Press that Roberts was still alive as of 10am in California but was in a poor condition.

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Look further afield for good television | Brief letters

Best TV shows | The European Economic Area | ‘Bigly’ | Classical music | Renaming the Severn Bridge

While I thoroughly enjoy your annual lists of the best TV shows (The 50 best TV shows of 2020, 22 December), I cannot help noticing that non-English speaking programmes are never included. In recent years some of the most gripping and enjoyable shows have come from Germany (Babylon Berlin and Dark, for example), Scandinavia and other European countries. Perhaps, now that we are adrift politically, it is the time to embrace the wonders of European television.
Christina Neal
Cullercoats, Tyne and Wear

• However long it takes to rejoin the EU (Could Britain rejoin the EU? It seems like a hopelessly lost cause – but so did leaving, 1 January), the first aim should be to join the European Economic Area. That would at least restore some of the freedoms which Boris Johnson’s government has deprived us of.
Alan Pavelin
Chislehurst, Kent

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How You’ll Never Walk Alone came to define Liverpool FC’s spirit

The Rodgers and Hammerstein number became a football anthem via the late Gerry Marsden, bringing euphoric determination to every era of Liverpool FC from Shankly to Klopp

“It never stops creating goosebumps,” is how Liverpool manager Jürgen Klopp describes it. “It never stops feeling really special.”

Our team’s anthem – Gerry and the Pacemakers’ You’ll Never Walk Alone – was not the reason Klopp came to Liverpool, but he’s talked about the moment he first heard it ringing out around the ground, and how that reassured him that he’d made the right choice to move to Merseyside. Indeed, if you could condense Klopp’s entire philosophy into one song – sticking together when times get tough, trust in the abilities of others, a conviction that better days are ahead – it would be You’ll Never Walk Alone. It’s been the club’s anthem since it topped the UK charts in 1963, providing joy and comfort during the triumphs and tragedies of the decades that have followed. Fans are now mourning the death, at 78, of the man who sang it – Gerry Marsden.

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‘I did hate TV’: Selina Scott on Trump, Prince Andrew, Frank Bough and the BBC

She was one of television’s biggest names, before giving it all up to live on a farm. She talks about her friendship with Princess Diana, the horror of tabloid harassment – and the extraordinary sexism she faced

Selina Scott has come in from the cold. She lights a fire and makes herself a cup of tea – black, no sugar. The former “golden girl” of the BBC lives on a farm in North Yorkshire with a couple of dogs, a handful of rare belted galloway cattle, a waddle of ducks and swans, and the odd otter. The room looks dark and bleak, and the internet isn’t working well, so we struggle to Zoom. “I’m going to move you into another room.” Scott still pronounces room aristocratically as “rum”, but her voice is different from the old days. Back then, it was more of a stately caress, offset by a youthful giggle. Today, her voice is deeper, more flinty, though still with a hint of grandeur. The Yorkshire roots of her childhood have re-emerged and planted themselves firmly in the peaty soil.

It’s 40 years since she made her name presenting News at 10, followed by BBC Breakfast Time, The Clothes Show, The Selina Scott Show for NBC, the magazine show West 57th for CBS and a brief stint at Sky. Scott wasn’t any old presenter. She bore an uncanny resemblance to Princess Diana (or, as she prefers it, the younger Diana bore an uncanny resemblance to her) and, like Diana, she became the nation’s sweetheart. Like Diana, she was hounded by the press – in a way that no other journalist has been. And like Diana she decided to walk away from it all at the peak of her fame. Unlike Diana, she lived to tell the tale.

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The vagina dialogues: 33-metre artwork draws far right’s ire in Brazil

Juliana Notari’s hillside sculpture sparks clash between Bolsonaro-supporting right and leftwing cultural community

A 33-metre reinforced concrete vagina has sparked a Bolsonarian backlash in Brazil, with supporters of the country’s far-right president clashing with leftwing art admirers over the installation.

The handmade sculpture, entitled Diva, was unveiled by visual artist Juliana Notari on Saturday at a rural art park on the grounds of a former sugar mill in Pernambuco, one of Brazil’s most culturally vibrant states.

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Gerry Marsden, frontman of Gerry and the Pacemakers, dies aged 78

Singer known for hits You’ll Never Walk Alone and Ferry Cross the Mersey dies after short illness

Gerry Marsden, the lead singer of Gerry and the Pacemakers, known for hits including You’ll Never Walk Alone and Ferry Cross the Mersey, has died at 78 after a short illness.

He shot to fame in the 1960s as the leader of the Merseybeat band at a time when Liverpool was the centre of the musical universe.

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Sci-fi movies leave me empty. Isn’t the real world dramatic enough? | Prove me wrong

Science fiction is just a bunch of loud noises, special effects and unbelievable plotlines, argues Alison Rourke. Shelley Hepworth tries to prove her wrong

Alison: Shelley, I think sci-fi movies are a waste of time. If I’m going to spend a couple of hours watching something, I want the characters, and how they relate to each other, to be the hero of the story. When I watch sci-fi, it seems like the machines, the special effects and the fantasy are the main point of the film. I know for some people that’s about escapism, but how can it provide an escape if what’s on screen is fundamentally unattainable in real life?

Sorry, but it just leaves me empty. Prove me wrong, Shelley.

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Irish state broadcaster apologises over TV comedy depicting God as rapist

RTÉ New Year’s Eve show included mock news report about God implicated in sexual harassment case

Ireland’s state broadcaster, RTÉ, has apologised after an outcry over a television comedy sketch that depicted God as a rapist.

A countdown show on New Year’s Eve included a mock news report about God being the latest prominent figure implicated in a sexual harassment scandal.

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Stowaway tells how he survived 11-hour flight to UK in new film

South African man, now known as Justin, speaks for first time of friend Carlito Vale, who died after 430-metre fall, in Channel 4 documentary

A South African man who survived an 11-hour flight from Johannesburg to London after hiding in a plane’s undercarriage has told of the last words he exchanged with a friend whose body fell from the same British Airways flight as it came in to land at Heathrow.

“He said: ‘We made it,’ and then I passed out with the lack of oxygen,” said the man, who was then known as Themba and who has spoken publicly for the first time about the desperate journey both men undertook in 2015.

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Larry King, TV chatshow veteran, in hospital with coronavirus – reports

The 87-year-old is reportedly being treated at the Cedar-Sinai medical centre in Los Angeles after contracting coronavirus

Veteran talk show host Larry King, 87, is being treated at a Los Angeles hospital for Covid-19, according to multiple US reports. CNN, his employer for many years, said he had been in hospital for a week.

“Larry has fought so many health issues in the last few years and he is fighting this one hard too, he’s a champ,” ABC News reported a source close to the family as saying, after the story was originally reported in a showbiz column.

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George Saunders: ‘These trenches we’re in are so deep’

The Booker-winning author on what Russian short stories can teach us, late-life realisations and why he doesn’t like social media

George Saunders was born in Texas in 1958 and raised in Illinois. Before his first novel, Lincoln in the Bardo, won the 2017 Booker prize, he was best known as a writer of short stories, publishing four collections since 1996 and winning a slew of awards. In 2006, he was awarded both a Guggenheim and a MacArthur fellowship. His latest book, A Swim in a Pond in the Rain, draws on two decades of teaching a creative writing class on the Russian short story in translation at Syracuse University, where he is a professor. Saunders lives in California but was in the middle of a snowstorm in upstate New York when this interview took place via Zoom.

What prompted you to turn your creative writing class into a book?
I was on the road for a long time with Lincoln in the Bardo. When I came back to teaching, I just thought, man, after 20 years of this, I really know a lot about these stories. There was also that late-life realisation that if I go, all that knowledge goes too. I thought it would be just a matter of typing up the notes, but of course it turned out to be a lot more.

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Flea: ‘There is joy in obsession. But I’m not sure it’s healthy’

The musician and actor, 58, on falling in and out of love with his band, growing from pain, and writing lessons from Patti Smith

I’ve always viewed life as an opportunity. That might be to explore or to learn. I’m never more excited than when I find a new thing to be excited about. That might be something as simple as table tennis – but if I get excited about table tennis, I want to become really good at table tennis! There’s no midpoint with me. I’m always searching for new ways to develop myself, whether they’re physical, spiritual, emotional, intellectual or whatever. I like my drive.

My generation had an unhealthy relationship with drugs. This is going to sound like real old-man shit, but regarding the young generation, I don’t worry about them doing that. I worry about how much time they spend in front of computers and phones. I worry that living in the moment has been lost.

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Battle for Brixton’s soul as billionaire Texan DJ plans 20-storey tower block

Residents vow to stop Taylor McWilliams’s scheme to develop a site that looms over the famous Electric Avenue street market

The outcome of the fight may help shape London’s future skyline. In one corner is a Texan millionaire DJ and property developer who has put forward plans for a 20-storey office block in Brixton, next to a conservation area and the district’s famous Electric Avenue.

Taylor McWilliams’s property company Hondo, which owns most of Brixton market, claims the proposal will “deliver” 2,000 jobs in the area and generate £2.8m every year for the local economy.

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‘Like a mission to Mars’: making David Attenborough’s A Perfect Planet

Disco-dancing crabs, flamingos under a volcano … and a frog freezing itself alive. Behind the scenes of the BBC’s new nature documentary

Ed Charles, producer, Weather and Oceans
We were really lucky on this series in that we had finished our filming and were in the edit when coronavirus hit, so it was something that we could do remotely. I’ve been working on this project since 2016 so it has been a long time in the making.

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Italy begins year of Dante anniversary events with virtual Uffizi exhibition

Gallery puts seldom-seen Divine Comedy sketches on display online to mark 700 years since poet’s death

Eighty-eight rarely seen drawings of Dante’s The Divine Comedy have been put on virtual display as Italy begins a year-long calendar of events to mark the 700th anniversary of the poet’s death.

The drawings, by the 16th-century Renaissance artist Federico Zuccari, are being exhibited online, for free, by the Uffizi Gallery in Florence.

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Football, flights and food: how the EU reshaped Britain

As Brexit’s tangible effects kick in, we look at the impact the EU’s most far-reaching project has had on British society

Historians of the future will judge the politics of the half century before the Brexit transition ended on 1 January 2021. What, though, of social and cultural historians, those who study how we live?

Perhaps the most symbolic cultural artefacts of the last 50 years will turn out not to be a blue flag but a bottle of Blue Nun, a block of mozzarella, a Ryanair boarding printout or a ticket to a Bayern Munich v Manchester City football game.

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Robin Williams’s widow: ‘There were so many misunderstandings about what had happened to him’

Susan Schneider Williams watched her husband suffer with undiagnosed Lewy body dementia before he killed himself in 2014. Her new film tries to educate others about the condition – and put to rest assumptions about his death

After Robin Williams died in August 2014, aged 63, a lot of people had a lot of things to say about him. There was the predictable speculation about why a hugely beloved and seemingly healthy Hollywood star would end his own life, with some confidently stating that he was depressed or had succumbed to old addictions.

Others talked, with more evidence, about Williams as a comic genius (Mork & Mindy, Mrs Doubtfire, The Birdcage, Aladdin); a brilliant dramatic actor (Dead Poets Society, Awakenings, Good Will Hunting, One Hour Photo); and both (Good Morning, Vietnam; The Fisher King). One thing everyone agreed on was that he had an extraordinary mind. Comedians spoke about how no one thought faster on stage than Williams; those who made movies with him said he never did the same take twice, always ad-libbing and getting funnier each time.

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‘All that mattered was survival’: the songs that got us through 2020

Butterflies with Mariah, Bronski Beat in the Peak District, Snoop Dogg on a food delivery ad … our writers reveal the tracks that made 2020 bearable

When it came to lockdown comfort listening, there was something particularly appealing about lush symphonic soul made by artists such as Teddy Pendergrass and the Delfonics. But there was one record I reached for repeatedly: Black Moses by Isaac Hayes, and particularly the tracks arranged by Dale Warren. Their version of Burt Bacharach’s (They Long to Be) Close to You is an epic, spinning the original classic into a nine-minute dose of saccharine soul. But their cover of Going in Circles, another Warren exercise in expansion, is their masterpiece, reimagining the Friends of Distinction original as a seven-minute arrangement with stirring strings and beatific backing vocals that builds into a story about lost love that transcends the genre’s usual parameters. A perfect, if slightly meta, balm for the repetitive lockdown blues. Lanre Bakare

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