‘My coolness has disintegrated’: how pop stars cope with fatherhood

Pop’s mothers have told of guilt, loneliness and record-label prejudice – so do men face the same problems? Wayne Coyne, Tom Fletcher, Ghetts, Thurston Moore and others respond

This summer, two of the world’s biggest pop stars became parents for the first time. Katy Perry told an interviewer that after becoming pregnant, “a lot of people have asked me: are you going to go away?” Presumably, though, nobody has enquired if new dad Ed Sheeran will be exiting the music industry with immediate effect. Perhaps they should.

In recent years, female artists such as Perry – but rarely their male counterparts – have been speaking with increasing candour about the anxiety, guilt, unrealistic expectations and logistical nightmares involved in balancing parenthood and pop stardom. Paloma Faith said the toil of touring with a young baby made her ill, and that her record company assumed her sales would divebomb because “people wouldn’t find a mother as appealing”. In 2018, Cardi B cancelled a tour due to begin six weeks after the birth of her daughter, saying she had “underestimated this whole mommy thing”.

Continue reading...

The Crown has slipped: how the Netflix epic captures our relationship with the royals

While the fourth series has come under fire for factual inaccuracy, it is just one of many series to reflect the royals long history of mythmaking

‘Let’s get it over with,” sighs Prince Philip as he reluctantly prepares to venture towards a crowd of adoring subjects. On the one hand, this moment in The Crown has the ring of truth: realistically, why would members of the royal family be enthusiastic about meeting yet another mob of curtsying, awestruck plebs? It must be tremendously boring. And yet, on the other hand, how dare they? Who pays their wages?

A few things have become clear during the fourth season of Peter Morgan’s Netflix epic. Firstly, it’s just as well The Crown isn’t on the BBC. Because if it was, the nation’s enraged rightwing culture warriors would have descended upon Broadcasting House and stormed it. Secondly, this is a portrait of managed decline. And finally, The Crown means The Queen. But Olivia Colman’s Elizabeth II is more Canute than Britannia – not ruling the waves but nobly, if eventually absurdly, trying to hold them back.

Continue reading...

Elliot Page: star of X-Men and Juno announces he is transgender

Actor takes aim at transphobic politicians and ‘those with a massive platform who continue to spew hostility’, saying they ‘have blood on [their] hands’

Elliot Page, who rose to fame as the lead in teen pregnancy comedy Juno as Ellen Page, has announced he is transgender.

“Hi friends,” he wrote on a variety of social media platforms, “I want to share with you that I am trans, my pronouns are he/they and my name is Elliot.”

Continue reading...

The Prom review – is Ryan Murphy’s musical the first film of the Biden era?

Taste the treacle as Nicole Kidman’s Broadway liberals rebuke a rural high school – and learn a few things about themselves

Like High School Musical on some sort of absinthe/Xanax cocktail, The Prom is an outrageous work of steroidal show tune madness, directed by the dark master himself, Ryan “Glee” Murphy, who is to jazz-hands musical theatre what Nancy Meyers is to upscale romcom or Friedrich Nietzsche to classical philology.

Meryl Streep and James Corden play Dee Dee Allen and Barry Glickman, two fading Broadway stars in trouble after their latest show closes ignominiously; it is called Eleanor!, a misjudged musical version of the life of Eleanor Roosevelt with Dee Dee in the title role and Barry as Franklin D Roosevelt. Barry also has financial difficulties (“I had to declare bankruptcy after my self-produced Notes on a Scandal”). After unhelpful press notices turn their opening night party at Sardi’s into a wake, Dee Dee and Barry find themselves drowning their sorrows with chorus-line trooper Angie (Nicole Kidman) and unemployed-actor-turned-bartender Trent (played by The Book of Mormon’s Andrew Rannells). How on earth are they going to turn their careers around?

Then Angie sees a news story trending on Twitter: a gay teenager in Indiana has been prevented by her high school from bringing a girl as a date to the prom. The teen in question is Emma (a nice performance from Jo Ellen Pellman, like a young Elisabeth Moss), her secret girlfriend is Alyssa (Ariana DeBose) and it is Alyssa’s fiercely conservative mom (Kerry Washington) who is behind the ban. Our heroic foursome declare that they will sweep into hicksville with all their enlightened values and glamorous celebrity, and campaign against this homophobia, boosting their prestige in the biz. They gatecrash a tense school meeting, declaring dramatically: “We are liberals from Broadway!”

Continue reading...

Nigerian pop star Davido: ‘Africans were made fun of. Now everyone wants us’

The singer was taking a good-time sound to the world – but after his song Fem became the anthem of the EndSars protesters, he joined them on the streets

The buoyant, trumpeting chords of Fem, the opening track on Davido’s fourth album, A Better Time, suggest an artist who is vivacious, free of self-doubt, revelling in the limelight. David Adedeji Adeleke, 28, is part of a generation of Afrobeats artists who have blown the African dance-pop genre on to the global stage over the last decade; his songs have become the feelgood soundtrack of Nigeria’s nightlife, and made him one of his continent’s biggest pop stars.

Yet “Fem”, meaning “shut up” in pidgin, has taken on a different meaning. Last month, Lagos governor Babajide Sanwo-Olu pleaded with EndSars protesters, who had taken a stand against police brutality. The largest protest movement in Nigeria for decades had erupted, incensed at the abuses by the infamous and since disbanded Special Anti-Robbery Squad (Sars). As the protesters outside the government secretariat in Lagos grew impatient, a DJ at the demonstration suddenly played Fem, already a hit across the country. Scores began belting out his lyrics, drowning out the governor’s futile pleas. In a culture where reverence for authority figures can be brutally enforced, protesters recast the song into a defiant statement.

Continue reading...

‘The Aids epidemic is not yet over’: inside a project with a vital message

For World Aids Day, a new audio project will play important speeches and clips that catalogue the ongoing fight against HIV/Aids

“Hey Hey! Ho Ho! Homophobia has got to go!”

This was a chant from New York’s ACT-UP demonstration in 1989. Now the audio clip of this protest will echo throughout Greenwich Village in the coming month.

Continue reading...

Helena Bonham Carter says The Crown should stress to viewers it’s a drama

Actor who plays Princess Margaret adds her voice to calls for Netflix to add a disclaimer

Helena Bonham Carter has said The Crown has a “moral responsibility” to tell viewers that it is a drama, rather than historical fact, in the wake of calls for a “health warning” for people watching the series.

The actor, who played Princess Margaret in series three and four of the Netflix hit drama, told an official podcast for the show that there was an important distinction between “our version”, and the “real version”.

Continue reading...

Rita Ora apologises for breaking England lockdown with party in restaurant

Singer admits ‘inexcusable error of judgment’ after Met police called to birthday party

The singer Rita Ora has apologised for breaching lockdown rules by holding a “small” gathering with friends for her 30th birthday.

Ora admitted a “serious and inexcusable error of judgment” after celebrating with friends at a restaurant in Notting Hill, west London, on Saturday night.

Continue reading...

Hugh Grant’s Undoing: how romcom leading men embraced the dark side

No more Mr Nice Guys! With his role in the HBO miniseries, Grant – like Richard Gere and Vince Vaughn – has swapped charm for smarm, reflecting a changing society

Hugh Grant made his name in the 90s as a squeaky-clean charmer, but anyone who has been keeping tabs on his career will not have been surprised to see him show up in the HBO miniseries The Undoing as an unhinged philanderer, attacking a man with his bare teeth in a prison-yard brawl. For a while now, the actor who used to warm our hearts has been doing his best to chill our blood. And he has been doing it pretty well: as a scheming politician in A Very English Scandal, as a scheming investigator in The Gentlemen and, best of all, as a scheming theatre impresario in Paddington 2. As mid-career renewals go, Grant’s has been one of the best and The Undoing, six hours of top-notch trash that wraps up tonight, has made the most of its newly depraved star.

The reinvention of the romantic lead is hardly a new phenomenon – it is more than 75 years since Murder, My Sweet turned Dick Powell from a fresh-faced musical star to a whisky-addled noir antihero, but in recent years it has become an especially popular trope. Richard Gere, who, like Grant, found screen stardom by flirting faux-modestly with flattered young ladies, has lately gone to great pains to show off his ugly side. He forged a career from playing wealthy, winsome suitors, but his recent turns as a hedge-fund magnate (Arbitrage), a moneyed philanthropist (The Benefactor), a high-flying politician (The Dinner) and a Murdoch-esque media mogul (MotherFatherSon) have all helped to flip the twinkly-eyed archetype on its head. Gere’s message is clear: I’m not the white knight you all thought I was.

Continue reading...

‘To say, I saved the world – that’s the magic of games’: Bethesda’s Todd Howard

With a background including Elder Scrolls, Fallout and forthcoming epic Starfield, how does the acclaimed developer see games in the next five years?

When you’ve got a discography like Todd Howard’s, full of critically acclaimed games in the Elder Scrolls and Fallout series, it must be hard to pick a favourite. But there is one game he remembers more fondly than anyone else does: the first he ever worked on.

“Terminator: Future Shock,” he says. “When [Bethesda] came to Fallout, people were saying, oh, you’re doing a post-apocalyptic open world! In 3D! But we already did that in Terminator. It’s an underrated game that not a lot of people played. I think Quake came out right afterwards, that might have had something to do with it, and understandably so … Future Shock was made with eight or 10 people and it did a lot of things that no game had done. I remember it got critiqued at the time, which annoyed me to be honest. But now the things it did are commonplace.”

Continue reading...

Barefoot in thorns: Gaza through the eyes of a Palestinian photographer

My Gaza by Jehad al-Saftawi is a personal account of peoples’ suffering as they go about their lives under Israeli blockade

Working as a journalist in Gaza, says Palestinian photographer Jehad al-Saftawi, is like walking barefoot in a field of thorns. “You must always watch where you step. Each neighbourhood is composed of its own intimate social network, and travelling through them with a camera makes you a significant suspicion.

“You’re caught between the two sides of the conflict: the rulers of Gaza limit what you can photograph and write about, imprisoning and torturing those who disobey. At the same time, the Israeli army sees you as a potential threat that must be eliminated, as has been the fate of many Palestinian journalists.”

Continue reading...

Scandal’s Kerry Washington: ‘My mother’s nightmare was for me to be a starving actress’

She hit the big time playing the high-powered political fixer Olivia Pope. In real life, she has spent years campaigning for Kamala Harris and her fellow Democrats. So what’s someone who lives and breathes politics doing in Ryan Murphy’s musical The Prom?

In a rational world, somewhere deep in the Democratic National Committee headquarters, a small staff would be hard at work planning Kerry Washington’s presidential bid. “Washington 2028: Tough on Scandal” or “2032: Ms Kerry Goes to Washington” – the slogans just write themselves. Whether Washington could be persuaded to run for office is another matter. She is, she insists when we meet via a video call, too self-effacing for politics. “I feel you really have to decide that you’re the one, like: ‘I’m the one to solve this problem!’”

She is much more comfortable directing attention elsewhere. “For most of my career, I was really a character actor,” she says. “People didn’t connect that the girl from Ray was the same girl from Last King of Scotland, was the same girl from Save the Last Dance. And I loved that, because I got to disappear into these other people and it wasn’t about me.”

Continue reading...

Culture secretary to ask Netflix to play ‘health warning’ that The Crown is fictional

Oliver Dowden says younger viewers might take historical drama’s portrayal as fact

The culture secretary plans to write to Netflix and request a “health warning” is played before The Crown so viewers are aware that the historical drama is a work of fiction, he said in an intervention that prompted criticism.

Oliver Dowden said that without the caveat younger viewers who did not live through the events might “mistake fiction for fact” following complaints that the fourth series of the drama had abused its artistic licence and fabricated events.

Continue reading...

Life after Covid: will our world ever be the same?

From cities, to science, to politics, six Observer writers assess how a post-pandemic world will emerge into a new normal

Here are some things that the pandemic changed. It accustomed some people – those whose jobs allowed it – to remote working. It highlighted the importance of adequate living space and access to the outdoors. It renewed, through their absence, an appreciation of social contact and large gatherings. It showed up mass daily commuting for the dehumanising drain on energy and resources that it is.

Continue reading...

Darth Vader actor Dave Prowse dies aged 85

Former weightlifter and actor best known for playing Darth Vader in the Star Wars movies has died, his agent has said

David “Dave” Prowse, the actor best known for playing Darth Vader in the original Star Wars trilogy, has died at the age of 85, his agent has said.

Agent Thomas Bowington said: “It’s with great regret and heart-wrenching sadness for us and million of fans around the world, to announce that our client Dave Prowse MBE has passed away at the age of 85.”

Continue reading...

Camilla Pang: ‘You have to acknowledge the hilarity of what it is to be human’

Prize-winning author Camilla Pang talks about her autism and ADHD diagnoses and her desire to challenge myths about neurodiversity

This month Camilla Pang won the Royal Society book prize for her debut, Explaining Humans: What Science Can Teach Us about Life, Love and Relationships. She has a PhD in bioinformatics from UCL and works as a postdoctoral researcher. Dr Pang was diagnosed with autism spectrum disorder at the age of eight and attention deficit hyperactivity disorder at 26.

Why did you decide to write this book?
I inadvertently wrote the book in my PhD thesis on bioinformatics, and my supervisor, bless her, said this is great, but it doesn’t belong here. One of the things people on the autistic spectrum do is organise our world in a way that makes sense to us using objects and sequences. For me, those sequences involved looking at the fundamentals of matter, and what that meant in terms of science. Even if I was just kicking a pile of leaves, I would do it repetitively in order to find the laws about how things react, and how they can be predicted. So from kicking leaves to Post-it notes to eventually reading about science, I constructed a map to navigate the world. Over time, it became bigger and notebooks piled up, so I ended up with a piece of work that I thought might be useful to someone else. And that’s the ultimate goal, isn’t it? You want to connect with people.

Continue reading...

Russian Roulette: The Life and Times of Graham Greene review – addicted to danger

A new biography, by Richard Greene, insists there was more to the author than ‘sex, books and depression’

When Gabriel García Márquez, in the presence of Fidel Castro, asked Graham Greene if it was true that he’d played Russian roulette with a loaded revolver, Greene assured him he had, several times. Castro, one of several world leaders with whom Greene had audiences over the years (Gorbachev, Ho Chi Minh and Pope Paul VI were others), calculated the odds and said he shouldn’t be alive. Greene thought the same. He’d expected to die young (“I’d rather die of a bullet in the head than a cancer of the prostate”) but survived to the age of 86.

The Russian roulette story has been disputed; Greene may have played it with blanks or empty chambers. But Richard Greene (no relation) takes it as the central premise of his biography: the novelist as risk-taker and adventurer, with a history of self-harm and an addiction to danger. An early trip to Liberia, to investigate modern slavery, set the tone. Greene knew there were risks – being shot at by soldiers, bitten by snakes or infected by lassa or yellow fever – but they only spurred him on. He was accompanied by his cousin Dorothy, who found him frightening: “If you are in a sticky place he will be so interested in noting your reactions that he will probably forget to rescue you.”

Continue reading...

Encrypted apps and false names: new Taiwan book club takes no chances

Amid Beijing’s crackdown on Hong Kong, publisher says joining clubs to discuss free speech and democracy has again become an act of resistance

In the early 1950s in Taiwan, 19-year-old Tsai Kun-lin was arrested and jailed after joining a book club. The young man spent more than a decade on Green Island, building the prison that held him as a political enemy of the authoritarian rulers who would hold Taiwan under martial law until 1987.

Decades later, a 90-year-old Tsai is living in Taiwan’s thriving democracy, but says a book club has once again become an act of resistance.

Continue reading...

Director Asif Kapadia: ‘Diego and Maradona were two different people’

Film director recalls the long and rocky road to meeting the mercurial subject of his film

Football is a huge part of my life. I was 14 when Diego Maradona scored the two goals against England – the hand of God and the wonder goal. Despite the first goal, I always thought he was the best player in the world. I’ve always been a fan of outsiders, rebels.

Everyone wanted to be Maradona. He was the global phenomenon. The pope wanted to meet him. Fidel Castro would sit and listen to Diego tell a story.

Continue reading...