It was gutsy of Hillary Clinton to stand by Bill. But it made political sense too | Barbara Ellen

After helping make the Clintons into a Democratic super-brand she wanted her turn at power

A woman who has been cheated on has a complex social role to play – she must be devastated, dignified and instantly unforgiving (banishing the sexual miscreant), as though she’s been given Gloria Gaynor’s I Will Survive to act out in some ghastly, very public round of emotional charades. No one knows this more than Hillary Clinton, who, in some eyes, committed a heinous feminist faux pas by forgiving her husband, Bill, for his multiple infidelities.

Instead of the “Go on now, go – walk out the door!” narrative that is practically the cheatee-national anthem, Hillary “stood by her man”, even as she denied becoming a Tammy Wynette caricature. She has been relentlessly questioned, mocked and distrusted on account of this decision, arguably suffering more for her husband’s betrayals than he ever did. Now, interviewed with her daughter, Chelsea, about their new The Book of Gutsy Women, she cited “the decision to stay in my marriage” as the gutsiest personal thing she ever did. Just the gutsiest, Hillary – or also the smartest, the only outcome that made any kind of sense?

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Monty Python at 50: a half-century of silly walks, edible props and dead parrots

In this rare glimpse inside the BBC archives, we reveal the exasperated internal memos, the furious letters from wing commanders – and David Frost’s bid to bring them down

In a memo sent in 1969, the BBC head of comedy seems to have lost his sense of humour. “Please will you have a word with the writers?” said Michael Mills. “I haven’t reacted to the funny titles that have appeared on the scripts so far. I hoped that they would cease of their own accord.”

The titles that irritated him included “Bunn Wackett Buzzard Stubble and Boot”, apparently a spoof legal firm, which came to be shortened to Bunwackett. The show, meanwhile, had the working title The Circus. Now, though, Mills had had enough: “The time has come when we must stop having peculiar titles and settle on one overall title … Please would you have words with them and try to produce something palatable?”

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The Climbers review – stirring tribute to China’s mountaineering hero

Bombastic and unsubtle this paean to Fang Wuzhou may be, but its vertiginous set-pieces put many US blockbusters to shame

Produced by celebrated spectacle-peddler Tsui Hark for co-writer/director Daniel Lee, this is the latest in a run of preposterously patriotic yet enjoyable Chinese event movies. It pays stirring tribute to Fang Wuzhou, a humble, Mallory-worshipping mountaineer who led a successful ascent of Everest in May 1960, declaring “the whole world will remember this day”.

Nobody really does, unfortunately. No doubt this is down to the loss of the expedition’s camera equipment during an avalanche, with the consequent shortfall in photographic evidence prompting some in the climbing community to have their doubts. The film compounds his nightmare by having Fang (Wu Jing) return to base camp to learn his beloved Ying (Zhang Ziyi) is departing to study meteorology in the Soviet Union.

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‘Manhattan of the desert’: civil war puts Yemen’s ancient skyscrapers at risk

In addition to the conflict’s huge human cost, Yemen’s rich cultural heritage has been ravaged, from the Queen of Sheba’s reputed throne room to the mudbrick high-rises of Shibam

On the edge of the vast Empty Quarter desert that dominates the Arabian peninsula, white and brown towers rise together out of the valley floor like tall sandcastles. Once they welcomed weary caravans traversing the Silk Roads: now they stand as testimony to the ingenuity of a lost civilisation.

This is the ancient walled city of Shibam, nicknamed the “Manhattan of the desert” by the British explorer Freya Stark in the 1930s, in modern-day Yemen, a country also home to an untold number of other archeological treasures. The kingdom of Saba, ruled by the legendary Queen of Sheba, and many other dynasties of the ancient world rose and fell here, their fortunes linked to Yemen’s position at the crossroads of early frankincense and spice trades between Africa and Asia.

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Dr Fred Sai obituary

Campaigner for reproductive rights and health in the developing world

The harrowing experiences that Fred Sai faced as a young medical officer in Ghana in the 1960s fuelled his concern about the link between frequent childbearing and preventable death and sickness in mothers and children, and turned him into a passionate campaigner for reproductive rights and health in the developing world.

In his early clinical work, Sai, who has died aged 95, came across many children with protein-energy malnutrition, or kwashiorkor, which in the language of the Ga ethnic group to which he belonged means “the disease of the displaced child”. “I realised that fully a third of my child patients had mothers who were pregnant or had a young sibling born very soon after them,” he told the Lancet in 2012. “The abrupt stopping of breastfeeding was making them sick. I thought that one way to help these women was to teach them family planning and the importance of spacing children properly.”

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Joker review – the most disappointing film of the year

Why so serious? Todd Phillips’ solemn but shallow supervillain origins movie has a strong performance by Joaquin Phoenix but is weighed down by realist detail and tedious material

The year’s biggest disappointment has arrived. It emerges with weirdly grownup self-importance from the tulip fever of festival awards season as an upscale spin on an established pop culture brand. Last year we had Luca Guadagnino’s solemn version of Suspiria, and now it’s Joker, from director and co-writer Todd Phillips: a new origin myth for Batman’s most famous supervillain opponent.

Joaquin Phoenix plays Arthur Fleck, a pathetic loser and loner in Gotham City, some time in the early 1980s. Arthur is a former inpatient at a psychiatric facility but is now allowed to live with his elderly mother, Penny (Frances Conroy), in her scuzzy apartment. Poor Arthur has a neurological condition that means he is liable to break into screeching laughter at inopportune moments. He has a crush on his single-mom neighbour Sophie (Zazie Beetz) and pines to be a comedian, hero-worshipping cheesy TV host Murray Franklin (Robert De Niro). But he can only get a job as a clown in grinning makeup and floppy-toed shoes twirling an advertising banner outside a store, where he is bullied and beaten up by young thugs passing by. One day, after the humiliation and despair become too much to bear, Arthur gets hold of a gun and discovers that his talent is not for comedy but violence.

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Judge orders removal of #MeToo posts accusing Indian artist

Google and Facebook told to take down sexual harassment claims against Subodh Gupta

The high court in Delhi has ordered Google and Facebook to remove all anonymous social media posts accusing the artist Subodh Gupta of sexual harassment and ordered Facebook, which owns Instagram, to reveal the identity of the person behind the account that first made the allegations.

Last year, many well-known Indian men, mostly in the film and media industries, had their names mentioned at the height of the #MeToo movement including Gupta, one of India’s leading artists.

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The Last King of Scotland review – Ugandan history without the drama

Crucible, Sheffield
Tobi Bamtefa gives a swaggering, thundering performance as the dictator Idi Amin, but this adaptation of Giles Foden’s novel is stodgy and plodding

Swaggering and lumbering, fickle and childish, Tobi Bamtefa thunders between laughter and malice as the former Ugandan dictator Idi Amin in this adaptation of Giles Foden’s novel, directed by Gbolahan Obisesan. The president’s greed and gruesome misogyny glisten like beads of sweat under the weight of his charm and bravado. But even this confident lead performance can’t rescue a stodgy, overwritten script and humdrum production in which tensions fizzle, plot holes reign and actions lack consequence.

Daniel Portman plays Nicholas Garrigan, a fresh-faced Scottish doctor thrown into the position of Amin’s personal physician. A chirpy, stuttering romantic, he chooses to see the new president as a beacon of hope for the country. But Garrigan’s intentions are never clear. With Amin’s charm so immediately overshadowed by his brutality in Steve Waters’ altered timeline, we don’t understand why the wilfully ignorant and quickly complicit doctor is so enamoured with the president; he has to turn a blind eye so fast he’s left spinning on the spot for the rest of the show. With his ethics bludgeoned too soon, his cowardice is amplified and our sympathy for him is significantly reduced.

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Morrissey ejects anti-far-right protester from Portland concert

The protester held two signs, one condemning anti-Islam party For Britain, and another that said ‘Bigmouth indeed’

Morrissey has ejected an anti-far-right protester from a show in Portland. During his performance at the city’s Moda Center on Monday night (30 September), a woman held up two signs. One depicted the logo of the anti-Islam party For Britain struck through by a red line. The other read: “Bigmouth indeed.”

In fan footage from the concert, Morrissey can be seen addressing the woman after the second song of the night. “Let’s be quite frank,” he says. “When you with the sign are removed, I will continue.” His fans then join in as he repeatedly shouts “go”, “we don’t need you” and “goodbye”, calling upon his lighting technician to bring up the house lights.

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‘A majestic figure in every sense’ – stars remember Jessye Norman

She was a diva so grand she needed to Rolls Royce just to get across the street. Martin Kettle kicks off stars’ tributes to the great American soprano

Jessye Norman’s voice was a force of nature, a gift from the gods. When you went to hear her sing, you always knew exactly what you would get. Sumptuous, creamy and voluptuous tone was Norman’s trademark, along with a meticulous attention to text and expression. For some, it was all too grand and undifferentiated, like a meal in which the richness of the food was overwhelming and unchanging in every course. But the sheer vocal splendour that Norman produced was the sort of sound that comes only once in a lifetime.

Yet Norman was not just an unforgettable voice. She was an unforgettable public presence – an African American presence – in every event in which she participated. The knowingness that marked her vocal art extended seamlessly to her public conduct. Her choices on Desert Island Discs did not include her own recordings (which, given her personality, they might easily have done) but Martin Luther King’s “I have a dream” speech. She was a majestic figure in every sense, and she knew from the start of her career to the end that she was also an embodiment of her black brothers and sisters. She would never be anybody’s second-class citizen. And she never was.

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Prince Harry’s Instagram takeover barks up the right tree

While his captions weren’t up to much, the prince’s takeover of the National Geographic’s Instagram on his tour in Africa had a larger purpose

When celebrities become guest editors of corporate social media accounts, it usually results in dozens of pouting selfies. For this reason, Prince Harry’s takeover of the National Geographic Instagram account to encourage people to “look up” and get lost in the beauty of trees is a weirdly enticing concept.

On Monday, the Duke of Sussex curated a set of images of forest canopies each taken by National Geographic photographers, which went out to the publication’s 123 million followers. The idea was to highlight the importance of conservation while spotlighting the Queen’s Commonwealth Canopy campaign, which will result in two national parks being created in South Africa, where Harry is touring. As part of the campaign, 50 countries have either dedicated indigenous forest for conservation or committed to planting millions of new trees to combat climate change.

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Geena Davis: ‘damaging stereotypes’ on screen limit women’s aspirations

Actor speaks out as film industry study on characters in leadership roles finds women four times more likely than men to be shown naked

The promises of positive change for women on screen that followed her role in the groundbreaking film Thelma and Louise have failed to materialise, leaving girls today with few role models, according to the actor Geena Davis.

The media continue to have a huge influence on how the world views women and girls, and how they view themselves, she said. But few current roles show women in powerful positions, and continue to reinforce damaging gender stereotypes.

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Art that survived Isis and Saddam regimes to go on display in London

Emotionally powerful exhibition of Iraqi Kurdish artists will include paintings peppered by bullets

Kurdish artworks that survived Saddam Hussein’s use of chemical weapons as well as Islamic State’s cultural vandalism will go on display at a London gallery this week.

Iraqi Kurdish artists have made paintings and art installations from artefacts including Assyrian reliefs from 700 BC peppered by Isis bullet holes and the farewell “death” notes of a charity worker smuggling aid to Isis-controlled Mosul.

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Safe space: the new cinema welcoming women in male-dominated Kabul

Cinema once thrived in Afghanistan until Taliban censorship. Now, new ventures are slowly reviving it

The majority of Kabul’s cinemas cater largely to audiences of young men, and tend to show Bollywood films produced in Pakistan and India. For some young Afghan men, the cinema is a rare occasion for public expressions of joy: audience members cheer on the films’ heroes and sometimes dance along.

For most women, however, fears of harassment in a male-dominated space have made cinemas feel unwelcoming.

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Face of China: the retro appeal of Chairman Mao – in pictures

Many in China may prefer to forget the chaotic and bloody decades under the rule of Chairman Mao Zedong, but 70 years after he founded the People’s Republic his face is on memorabilia in shops across the country. The Great Helmsman has had a kitsch makeover, appearing on everything from posters, fans and ornaments to mugs and plates

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Beach towels and Brexit: how Germans really see the Brits

Exhibition at Bonn’s House of History documents ‘unrequited love’ of all things British

The strategy that Germany’s diplomatic corps proposed to keep Britain in the European community was unconventional and bold.

In November 1974, the then German chancellor Helmut Schmidt was desperately searching for the right words to convince British Eurosceptics to vote to remain a member of the European Economic Community.

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Philip Pullman: ‘Boris Johnson doesn’t mind who he hurts. He doesn’t mind if he destroys the truth or not’

He is a master of blending fact and fiction but, as Philip Pullman says, today’s politicians are on another level

I meet Philip Pullman 24 hours after he has got into trouble for idly musing on Twitter that he would like to hang Boris Johnson. “It was a silly joke,” he admits, looking slightly embarrassed as he enters his sitting room with a plate of biscuits for us, perching them on teetering stacks of books beneath which there is said to be a coffee table. He says his publishers were a bit miffed: threatening to murder the prime minister was clearly not how they had agreed to start the publicity campaign for his forthcoming children’s novel, The Secret Commonwealth, and Pullman had to publicly retract his words after there were complaints. “But,” the 72-year-old author adds, his tone brightening, while one of his dogs clambers on to his lap and the other maintains a vigil beside the biscuits, “the upshot was I gained 2,000 followers on Twitter!”

Pullman creates magical realms in his award-winning fiction, writing it in his 16th-century farmhouse in a village outside Oxford, where he lives with his wife and his ukuleles and cockapoos and overflowing shelves. But if I expected to meet someone otherworldly, I was wrong. Pullman, who has two sons and several grandchildren, is very much of this world, and can talk in detail about the shadowy machinations of Dominic Cummings as well as the designs of Victoria Beckham and the woodworking videos he sometimes gets hooked watching on YouTube. His observation of the government is not one-sided: he tells me that Michael Gove, as education secretary, once invited him to discuss literacy. Pullman told him that “the basics” weren’t grammar and spelling, as Gove believed, “because everybody who’s got a word processor knows you correct those at the last minute,” but rather nursery rhymes, songs, a love of language itself. Nothing came of it, “but I’ll give him credit: he was very courteous and he listened, and there was a civil servant making notes. And Gove cracked a joke about me being ‘at the heart of the Magisterium now’, so he had plainly read my books.”

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How the battle of Mosul was waged on WhatsApp

In an extract from his new book, James Verini gives his first-hand view of the bizarre, bleak conflict with Isis in 2016

‘Guilt and shame’: journalist James Verini on the US role in the destruction of Iraq

In Mosul, it was obvious, the jihadists would make their grand last stand. Smaller fights would follow, but this would be the showstopper. It would be not just the biggest and most devastating battle of this war, but the biggest battle, in a sense the culminating battle, of what was once known as the war on terror. When it was only half done, a Pentagon spokesman would call the fighting in Mosul “the most significant urban combat since WWII”. I was in Mosul when I read that. I had gone to Iraq for the first time in the summer of 2016, to write about life in the Islamic State’s wake. I got a month-long visa. I ended up staying the better part of a year.

Every CTS [Iraqi Counter Terrorism Service] position I saw in Mosul was as insecure as the one in Zahra [in the east of the city]. No checkpoints, no regular sentries, sometimes not even a perimeter. Locals wandered in and out. The soldiers were usually obliging. Near the triage station in Gogjali, on a slope overlooking east Mosul, was a nascent neighbourhood, a scattering of freestanding structures, half-finished homes, cinderblock foundations. Some were inhabited by their owners or refugees, others abandoned. One of the latter, a modest one-storey house that once aspired to two storeys, had held enemy fighters or served as a stopping place for them as they tried to escape the city. On the cement floor of the small courtyard was a discarded Rhodesian ammunition chest rig and by that, in a sink, a pile of hair of what had once been a beard. Occasionally you came upon just such perfect tableaux.

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The Immoral Majority review: how evangelicals backed Trump – and how they might atone

As a scandal-ridden presidency lurches towards impeachment, Ben Howe offers valuable insight into how it came to this

In his new book, Ben Howe attempts to explain something that should never have occurred: why most white evangelicals voting in 2016 chose Donald Trump.

Many observers thought Trump could not win because evangelical Christians could not support someone whose life (and tweeting) was so at odds with their beliefs and practices. Indeed, Trump failed to win a majority of evangelicals in any Super Tuesday primary.

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US cinemas ban masks and costumes at Joker screenings

Following concerns about the potential for violence, several chains will not allow face coverings or clothing that ‘would make other guests feel uncomfortable’

Major cinema chains in the US have announced that they will enforce bans of masks, costumes and toy weapons at screenings of Joker, the new film starring Joaquin Phoenix as Batman’s nemesis, as concerns about the potential for violence connected to the film’s release on 4 October circulate.

Landmark Theatres says on its website that “no masks, painted faces or costumes will be permitted into our theatres”. AMC Theatres, the US’s largest cinema chain with more than 600 venues, has said in a statement that they are “working with law enforcement” and that their standard policy allows audience members to wear costume but “we do not permit masks, face paint or any object that conceals the face … [or] weapons or items that would make other guests feel uncomfortable”.

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