Ten years of my art was lost in a fire I accidentally started – but I made better work from the ashes

A devastating fire in my studio forced me to approach painting and life in a new way

Two weeks before the first lockdown I was in my studio putting the finishing touches to my most ambitious body of paintings to date. The studio was packed with hundreds of works of art. For the past four years I had been working with the Syrian writer Professor Ali Souleman and the documentary filmmaker Mark Jones. Ali lost his sight in a bomb blast in Syria in 1997 and we had been attempting to translate his experiences of war and displacement into a collection of paintings – to make the unseen seen. Ali and Mark were coming the very next day for an unveiling. The studio was overstuffed, no pause or resting place for the eye anywhere. It was, in hindsight, a self-portrait of a restless mind.

I’ve always been driven by obsessive-compulsive tendencies: counting and control, endless tinkering, seeking a never-coming calm. A patch of work caught my eye. Could it be a bit more darkened and burnt? I felt an itch behind my eyelid, a twitching fidget. I should have waited until I could move the boxes. I couldn’t wait. I switched on the blowtorch and passed it over the surface. It would only take a moment. A moment was all it took.

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‘They took my world’: fashion giant Shein accused of art theft

Artists say firm with murky ethical record is stealing their designs

Vanessa Bowman paints the world around her: the 19th-century village church, her back garden, the leaves on the trees in the fields where she walks her dog.

Once she has chosen a scene from her rural Dorset idyll, she puts brush to canvas, sometimes poring over the details for days in her studio.

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Feud over ‘antisemitic’ Wailing Wall painting closes Israel museum

Exhibited artists cover up their work in protest after piece portraying ultra-Orthodox Jewish man is removed

Four overlapping black and white rectangles make up Israeli artist David Reeb’s painting Jerusalem. On two, an ultra-Orthodox Jewish man is portrayed praying at the Western Wall – known also as the Wailing Wall – from two different angles, his hands pressed against the stone. Opposite the images, thick brushstrokes spell out phrases in Hebrew: “Jerusalem of gold”, the title of a nationalistic song – and “Jerusalem of shit”.

The work was among several explicitly political, daring pieces featured in an exhibition that opened in December at the newly renovated Ramat Gan Museum of Israeli Art near Tel Aviv.

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Donatello bronzes moved in Italy for groundbreaking exhibition

Renaissance works transported for first time since the artist installed them in churches 600 years ago

A collection of bronzes sculpted by Renaissance master Donatello have been moved for the first time from the Italian churches where he installed them 600 years ago so that they can be displayed at a ground-breaking exhibition in Florence

Three of the four pieces, a relief, a statue and two bronze doors, from Siena Cathedral and San Lorenzo baptistery in Florence, are also being restored to their former glory using techniques ranging from chiselling with porcupine needles to thermographing to discover structural weaknesses.

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Russian billionaire on EU sanctions list quits as Royal Academy trustee

Exclusive: Petr Aven’s donation returned after he was called one of Putin’s closest oligarchs in the list

A Russian billionaire named in EU sanctions “as one of Vladimir Putin’s closest oligarchs” stepped down on Tuesday as a trustee of the Royal Academy, which has also returned a donation he made towards a Francis Bacon exhibition.

The RA – which had had been among UK cultural institutions and bodies facing calls to sever ties with Russian oligarchs after Russia’s invasion of Ukraine – said that the billionaire banker Petr Aven would be stepping down with immediate effect.

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‘One diamond could have bought two airports’ – the Filipino recreating Imelda Marcos’s gems stash

The mind-boggling hoard of jewellery the plundering first lady tried to smuggle out of the Philippines is being remade as sculpture by artist Pio Abad – with all its sparkle gone

Over his three terms as president of the Philippines from 1965, Ferdinand Marcos and his wife Imelda were able to cream off some $10bn of the nation’s assets through offshore banks. New revelations that a close associate of the dictator was also able to maintain an account with Credit Suisse as late as 2006 therefore comes as no surprise to Manila-born Pio Abad. For a decade the artist has been making work under the title The Collection of Jane Ryan and William Saunders, a reference to the aliases the couple used with the Swiss bank.

“It’s funny when a 10-year project becomes news,” says Abad, who is now London-based. “These institutions are very culpable for what happened in the Philippines.”

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‘A brutalist hanging gardens of Babylon’ – the maddening, miraculous Barbican hits 40

Conceived as a utopian city within a city, the labyrinthine London landmark had a troubled path on its way to being hailed as an architectural icon. But is this world-class arts centre now in danger of being turned into a shopping mall?

It looks like something from a wildly imaginative sci-fi comic, an impossible vision of worlds slamming into each other in a fantastical collage. Elevated walkways leap across the sky while a trio of towers rise up like serrated blades, their edges sawing at the clouds. Beneath them, fountains cascade and cafes spill across lush waterside terraces, while an art gallery and library jut out overhead. A tropical conservatory wraps around the top of a subterranean theatre, next to a cinema buried beneath a crescent of apartments. And the entire multilayered edifice floats above a 2,000-seat concert hall carved into the ground.

This is no sci-fi comic, but a cutaway diagram of the Barbican arts centre dating from 1982, rendered in vivid orange, red and green. Somehow, this miraculous Escher-like wonder really did get built, and it hits 40 this month, with celebratory events and a handsome new book modestly titled Building Utopia.

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The show can’t go on: Russian arts cancelled worldwide

Concerts, dance recitals and exhibitions have been postponed indefinitely after Vladimir Putin’s invasion of Ukraine

The Russian invasion of Ukraine has prompted responses from the cultural sphere, with Russian artists and companies beginning to feel the repercussions of decisions taken by the Kremlin. Not only has Russia been stripped of two prestigious events – the Champions League men’s final and Formula One’s Russian Grand Prix –but an increasing number of performances by Russians are being cancelled worldwide.

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Doomed ship of gold’s ghostly picture gallery is plucked from the seabed

Eerie photographs recovered from the 1857 wreck of the SS Central America are now being published for the first time

It is one of the most famous treasure wrecks ever discovered, a steamer named the “ship of gold” after it sank in 1857 off the coast of South Carolina with one of the largest cargoes of gold ever lost at sea. Miners who had struck it rich in the California gold rush were among those bringing home to New York their hard-earned wealth, only to lose their lives when the SS Central America was struck by a hurricane, sinking nearly a mile and a half beneath the waves.

When nuggets, ingots and coins were recovered from the seabed in various expeditions between 1988 and 2014, the world was dazzled. But, with reported values of tens of millions of pounds, it sparked a complex legal case that landed its original treasure-hunter in jail.

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‘Bleak, marginal and unpopular’: Australia unveils divisive exhibition for Venice Biennale

Marco Fusinato describes his experimental noise project as ‘discordant intensities’, with his curator hoping that people who hate it will ‘hate it right away’

Marco Fusinato is counting on his forthcoming show at the Venice Biennale being immediately disliked.

Outlining his contribution as Australia’s representative at the world’s oldest art show this week, the 57-year-old Melbourne-based contemporary artist and noise musician said Desastres was the product of a nightmarish two years enduring the world’s longest lockdown.

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The brave woman who symbolises Ukraine: Mark Neville’s best photograph

‘This image is from a collection I made called Stop Tanks With Books. I have sent out 750 free copies to try to stop the war’

This was taken in May last year in Myrnohrad, an industrial town 50 miles from Donetsk, a stronghold of the illegal Russian occupation in eastern Ukraine. Then, as now, fears of a Russian invasion were high. While much of the west thinks the threat of conflict started only a few weeks ago, it’s been the reality for Ukrainians for almost a decade.

I was walking around Myrnohrad taking photos with a big portable flash and a plate camera when I saw this woman sit down and light a cigarette. She looked so confident and self-absorbed. I speak a little Russian, so I told her I was taking pictures of ordinary life across Ukraine and asked if she would pose. She agreed without hesitation.

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‘They fill me with emotion’ … Benin celebrates the return of its looted treasure

Priceless treasures stolen by the French army over a century ago have finally been returned to the African nation. Our writer joins the emotional celebrations

At first glance, it seems to be just another day in Cotonou, Benin’s largest city. Motorbike-taxis are everywhere, filling the streets of the country’s economic capital with dust and noise. But inside the swanky presidential palace, something seismic is talking place: over a century after they were looted by the French army, 26 treasures that once belonged to the nation have gone on display to the public.

Art of Benin Yesterday and Today is more than just a stunning show of these ancient works, though. It segues from the looted 19th-century artefacts to work by 34 of the country’s contemporary artists. “This is a form of regained dignity,” says local art historian Didier Houénoudé, “and the culmination of a long fight started by African countries shortly before independence.”

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Two of Nigeria’s looted Benin bronzes returned to traditional palace

Colourful ceremony marks artefacts’ homecoming more than a century after they were pillaged by British troops

Two Benin bronzes were returned on Saturday to a traditional palace in Nigeria, more than a century after they were pillaged by British troops, raising hopes that thousands more artefacts could finally be returned to their ancestral home.

The artefacts, mostly in Europe, were stolen by explorers and colonisers from the once-mighty Benin Kingdom, now south-western Nigeria, and are among Africa’s most significant heritage objects. They were created as early as the 16th century onwards, according to the British Museum.

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Row about Congolese statue loan escalates into legal battle over NFTs

Gallery at site of uprising against colonial rule accuses US museum of stonewalling request for artefact

A statue depicting the angry spirit of a Belgian officer beheaded during an uprising in Congo in 1931 is at the centre of a tug of war between a US museum and a Congolese gallery at the site of the rebellion.

The statue of Maximilien Balot, a colonial administrator, has travelled to Europe but the Virginia Museum of Fine Arts is accused of stonewalling requests for a loan to the White Cube gallery in Lusanga in the Democratic Republic of the Congo

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Benedict Cumberbatch swans about on the baffling cover of Vanity Fair’s Hollywood issue

Scowling, sodden and surrounded by waterfowl, the actor adorns the new Hollywood issue as an icon of … what exactly?

The customary brouhaha erupted yesterday after the release of Vanity Fair’s annual Hollywood Issue cover photos, the most striking of which depicts an angry Benedict Cumberbatch emerging fully clothed from a hot bubblebath sesh with a bevy of swans.

The Hollywood Issue increasingly feels like it belongs to a different era, when fashion magazines and actors’ star power were at their respective heights. These days, the printed press is clinging on for dear life (Entertainment Weekly announced just last week that it will be ceasing its print edition), and in Hollywood no one performer is bigger than a franchise. So the Hollywood Issue, which trades in the nose-to-the-window glamour of movie stars, has a more forlorn quality than it used to.

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Lovers overlooking Sarajevo 20 years after the war: Chris Leslie’s best photograph

‘The couple were just strangers blocking my view. But as they reached out and embraced each other, it seemed an optimistic image representing the young people of a city that had suffered’

I first visited and photographed Sarajevo in 1996. I had been volunteering in neighbouring Croatia and managed to hitch a ride in to Bosnia in a UN vehicle. The war and siege had ended a few months before and the city was enjoying its long-awaited peace. Sarajevans took to its scarred streets in huge numbers, meeting with friends and drinking coffee safe in the knowledge that they wouldn’t be struck down by a sniper or shell.

The destruction of the city at that time was jaw-dropping, surreal and seemingly total: rows upon rows of broken, bombed-out high-rise flats; shell craters and explosion indents everywhere; hospitals, offices and factories all in ruins. This was urbicide, a late-20th-century Dresden or Stalingrad. Everyone who lived through the nearly four-year siege had a nightmare to share.

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