Dolls found in rubbish dumps, radio parts and discarded flip-flops are among items used to create surreal costumes by a Kinshasa collective highlighting political and environmental issues
As a child, Shaka Fumu Kabaka witnessed the atrocities that took place during the six-day war between Ugandan and Rwandan forces in his home town of Kisangani in June 2000.
“It was not even our war, but a war between two foreign armies,” he said.
Continue reading...The performance artist on her new 10-hour work, rethinking her distance from feminism, and why she told Malcolm McLaren her avant garde covers band was ‘unmanageable’
Anne Bean has been revisiting her past. On 21 August the pioneering performance artist is taking part in a 10-hour “durational live event” as part of PSX: A Decade of Performance Art in the UK. Not only did this require her to look back on five decades of practice – her past work, she tells me, is “intimately linked” to her present – but it’s taking place at Bermondsey’s Ugly Duck, a stone’s throw from the Butler’s Wharf studio in London in which she worked from the mid-70s to the mid-80s.
Many artists at the time, including Derek Jarman and Andrew Logan, squatted in warehouses there, and in her time Bean has worked with everyone from slapstick clowns the Kipper Kids to artists such as Paul McCarthy and Rose English, as well as sharing bills with Psychic TV, Genesis P-Orridge and Cosey Fanni Tutti. She even opened for Roxy Music as part of the pseudo-pop band Moody and the Menstruators, an avant garde performance covers group she founded in 1971. Bean has often used sound in her work and loves music – her father was a classical and jazz musician – but Moody was never supposed to be a real band, more “a subversive exploration of the boundaries between art and music”.
Continue reading...Following the Taliban’s military takeover of the country, westerners continue to leave. Afghans hoping to escape Taliban rule have gathered in Kabul, with many making desperate attempts to flee. There was chaos at the airport, where troops used guns and helicopters to clear the runways, and several people died in frantic last-minute attempts to escape by clinging to departing planes
Continue reading...Turning her camera on her customers, the sex worker and photojournalist exposed the male gaze to itself – and opened up a world of shame and desire
“As a rebellious preteen, I sat down and made a list of my life goals,” writes Cammie Toloui in her photobook 5 Dollars for 3 Minutes. “It was pretty simple: 1. Sex. 2. Drugs. 3. Rock’n’roll.”
Born in the San Francisco Bay Area in the Summer of Love, Toloui was in the right place to hit these targets, and by 1990 was a member of a feminist punk band, Yeastie Girlz, and working at the Lusty Lady strip club. Stripping was part-rebellion and part-necessity because Toloui was studying photojournalism at San Francisco State University and the Lusty Lady paid well, but when she was given an assignment to shoot her own life, it also became a project. Deciding not to photograph herself or her colleagues, because female nudes have been seen so many times before, she trained her camera on the customers.
Continue reading...Anonymous artist posts Instagram video charting his coastal tour in an ageing camper van
Banksy has confirmed that he is indeed the author of a number of works that have appeared recently in seaside towns on the UK east coast.
An Instagram video clip, just over three minutes long called “A Great British Spraycation”, shows the elusive artist taking a summer road trip in a beaten-up camper van with cans of spray paint stashed inside a cooler.
Continue reading...Oxburgh Hall in Norfolk gives tiles a special coating to stop bats slipping off as part of £6m roofing project
Bats have probably been in the attics of Oxburgh Hall for centuries. But how can they return for a good day’s sleep when the National Trust puts new and unfamiliar tiles on the roof?
The trust on Thursday revealed the lengths to which it has gone to keep the bat residents of a historic manor house in Norfolk happy during a £6m reroofing project – including specially adapted tiles which they can happily scoot up.
Continue reading...Sotheby’s to sell 11 works in Bellagio hotel and casino, in one of most valuable Picasso auctions yet
Las Vegas: the city of sin, where you can gamble away your savings, get married on a whim, dine on an octuple bypass burger at the Heart Attack Grill – and soon, it has been announced, take part in one of the most valuable Picasso auctions ever staged.
Sotheby’s has announced it is to sell 11 Picasso works owned by MGM Resorts, which have a combined value of about $100m (£72m).
Continue reading...While Romantics insist artists are born not made, some of the best painters, sculptors and modern artists followed conventional teaching
Genius cannot be taught but skills can. And even the wildest, most visionary of artists relies on the techniques they were taught. If you want to make digital art, you need to learn to code. A training in film will help with moving-image art. So much is obvious. But today we’re in thrall to a vacuous Romanticism that insists artists are born not made.
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Continue reading...Exhibition at Fitzwilliam Museum in Cambridge to tell story of little known civilization that flourished from eighth to third century BC
Wisdom, as Bob Marley put it, is better than gold. From next month however, the precious metal is central to a major new historical exhibition in Cambridge using loaned artefacts telling the story of an ancient civilization little known beyond Kazakhstan.
Golden objects unearthed from ancient burial mounds built by the Saka warrior people of central Asia – a culture which flourished from around the eighth century BC to the third century BC – will go on display at the Fitzwilliam Museum.
Continue reading...The author of an acclaimed new book tells how Hitler used works by psychiatric patients in his culture war
On a winter’s day in 1898, a stocky young man with a handlebar moustache was hurrying along the banks of a canal in Hamburg, north Germany. Franz Karl Bühler was in a panic, fleeing a gang of mysterious agents who had been tormenting him for months. There was only one way to escape, he thought. He must swim for it. So he plunged into the dark water, close to freezing at this time of year, and struck out for the far side. When he was hauled on to the bank, soaked and shivering, it became clear to passersby that there was something odd about the man. There was no sign of his pursuers. He was confused, perhaps insane. So he was taken to the nearby Friedrichsberg “madhouse”, as it was known then, and taken inside. He would remain in the dubious care of the German psychiatric system for the next 42 years, one of hundreds of thousands of patients who lived near-invisible lives behind the asylum walls.
Bühler’s incarceration disturbed him, but it also marked the beginning of a remarkable story, one in which he played a leading role. It reveals the debt art owes to mental illness, and the way that connection was used to wage history’s most destructive culture war.
Continue reading...Barry Joule, a close friend of the artist, says the gallery has not kept to a pledge to stage exhibitions of the works
When more than 1,200 sketches, photographs and documents from the studio of Francis Bacon were donated to the Tate in 2004, it was described as one of the most generous gifts the gallery had ever received, estimated to be worth £20m. Now the donor is threatening to cancel the gift, accusing the gallery of reneging on pledges to stage exhibitions of the material.
Barry Joule, a longstanding friend of Bacon, had wanted the items to go to the Tate, as it had been the artist’s favourite gallery. Over the years, he kept expecting the Tate to do justice to it with an exhibition, as he says they had planned on accepting the gift. He wrote repeatedly to curatorial staff, asking when the show would happen.
Continue reading...Jennifer Hudson, St Vincent and other music stars also feature in touring-themed photoshoots conceived by rocker-photographer
Images of recording artists including Cher, Iggy Pop, Jennifer Hudson and Grimes will feature in one of the world’s best known photographic commissions.
For the 2022 Pirelli calendar, the rock star and photographer Bryan Adams has captured superstar singers as if they were touring – precisely what they have been unable to do for more than a year.
Continue reading...‘Shortly after arriving, I was kidnapped by a militia group who said I was a spy. A decade later, I went back to show life and beauty returning to the city’
I spent my childhood in Madrid and I went to the Prado every week from the age of seven. I would cry at the works by Goya. His paintings of the Spanish war of independence moved me like nothing else. I never grew up around photography – I grew up around Goya. Even as a child, I was attracted to the dark fates of the world.
Over the course of my career, I’ve covered 13 conflicts, more than many of the famous war photographers of my generation. I’ve worked in Vietnam and Cambodia, Eritrea and Northern Ireland, Afghanistan and Iran. I’ve always tried to capture a glimpse of hope against a background of drama and destruction. That has not always been possible.
Continue reading...Fans in Nobel prizewinner’s favourite haunt of Key West hold their 40th competition on his birthday
Ernest Hemingway is survived as much by his macho mythology as he is by his writing. Hemingway was in two plane crashes in two days. Hemingway shot himself in both legs while wrangling a shark. Hemingway had at least nine major concussions – and four wives. He had brain damage. He won the Pulitzer and the Nobel prize. He hunted and fished and wrote plays and books and articles and stories, for ever in pursuit of the truest sentence. He was rageful, charming, violent, brilliant and drunk.
Hemingway is also something of a Key West mascot, especially for a week every July, when a festival called Hemingway Days, which coincides with his birthday (this year, he would be 122) honours his legacy by gathering his lookalikes together.
Continue reading...Ashmolean Museum, Oxford
A seductive encounter with past and present at the Olympic city shows that Tokyo practically invented modern art
Love hotels and cross-dressers make Tokyo’s nightlife eye-popping – and that’s just in 18th-century woodblock prints. The Ashmolean’s seductive overview of the Olympic city’s art sets these classics alongside images of contemporary Tokyo to create a thrilling and informative encounter with one of the world’s great art capitals.
Past and present meet for a sultry encounter in the night. A wall is lit up by Mika Ninagawa’s intensely coloured photos of blue- and pink-haired clubbers. They are so now – yet close by in the same gallery is a painted scroll from the 1600s that is just as provocative. It depicts the pleasure quarter of Edo, as Tokyo was then called, which became Japan’s capital when the Tokugawa shoguns united the country in the 17th century. It was famous for its pleasure quarter, “the floating world”, and the new art genre it inspired – ukiyo-e, “pictures of the floating world”. In the scroll, samurai warriors are seen visiting courtesans. But samurai were banned from the pleasure quarter so they wear straw hats pulled down to hide their faces. The comically phallic swords peeping out from their robes give them away.
Continue reading...He has dressed Beyoncé and Lady Gaga – and now he’s dressed Birmingham. As his ‘infinity pattern’ is unveiled, the artist talks poverty, class – and why he’s not interested in being a ‘good immigrant’
Approaching Birmingham New Street station on the train, you’ll normally spot the scaly curves of Selfridges’ landmark Future Systems-designed building nestling in the cityscape. But right now, rising into the summer sky in its place, is a bright pink and black structure. Startling, cheering and entirely unmissable, Infinity Pattern 1 is a giant installation by the multidisciplinary artist Osman Yousefzada. He was formerly best known as a fashion designer, whose beautifully tailored and elegantly architectural pieces have been worn by Beyoncé, Lady Gaga and Taylor Swift. Now the 44-year-old has tailored a distinctive look for the Selfridges store, said to be the height of three jumbo jets, surrounding the building during a year of restoration.
Infinity Pattern 1 is Yousefzada’s first piece of public art, selected by Birmingham’s Ikon Gallery from an international shortlist. “You can read it clearly from a long way away and that was something we considered when we were selecting,” says Jonathan Watkins, Ikon’s director. “We wanted it to ring out from afar. The fact that Osman comes from Birmingham, but is so cosmopolitan and such a Renaissance man, it’s wonderful that he was the one who won.”
Continue reading...Hundreds sign petition after the jobs of Tanya Barson and Pablo Martínez, two senior figures at Macba, are axed
A row has broken out in the international art world over the departures of Tanya Barson, the English curator, and Pablo Martínez, the head of programmes, from the Barcelona Museum of Contemporary Art (Macba).
The pair departed on 16 July, the day after Elvira Dyangani Ose, the director of the Showroom in London, was appointed as the museum’s new director.
Continue reading...The artificial hill in central London seems a great idea, but it would be better to have done something that genuinely helped the environment
The Torre Guinigi in Lucca, Italy, is a brick medieval tower – it’s handsome, but of a type common enough in historic Tuscan cities. What makes it special is a grove of holm oaks growing from its summit. Trees come with expectations, such that they are rooted in the ground, yet there they are, high in the air, apparently flourishing. The tower would be less interesting if it weren’t for the trees and the trees would be less interesting if it weren’t for the tower.
So there’s something compelling about trees in unexpected places. Hence at least part of the appeal of the High Line in New York, where gardens grow on an old elevated railway line, and of the ski slope on top of the Amager Bakke power plant in Copenhagen. There’s been a thing for wrapping towers in vegetation in recent years. Little Island, the micro-park recently created by Thomas Heatherwick over the Hudson, has a similar well-I-never, Instagram-able impact.
Continue reading...The photojournalist Danish Siddiqui was shot dead last week while documenting the Taliban offensive in Afghanistan. His award-winning work for Reuters spanned some of the world’s most era-defining crises.
He said: ‘I shoot for the common man who wants to see and feel a story from a place where he can’t be present himself.’
Siddiqui leaves behind his wife, Rike, and two children. And a breathtaking body of work
Pope.L started out doing performance art because it was cheap, once crawling through a city in a Superman outfit. Now all the big museums want his often racially charged work. As a rare show opens in Britain, he looks back
For a long time, if anyone ever asked for his contact details, Pope.L would produce a business card proclaiming him to be “The Friendliest Black Artist in America”. Sure enough, when he pops up on a video call from his ramshackle studio in Chicago, the performance artist and painter is amenable and thoughtful. In trucker cap and checked shirt, he shifts between smiles and pensive frowns as we track his journey from “difficult” childhood to one of America’s foremost artists, whose work deals with race, economics and language.
In 2019, he was given a retrospective that, in an exceptional move, spread across both the Museum of Modern Art and the Whitney Museum in New York. The exhibition showcased his 40 years of endurance crawls, guerrilla performances, sculpture and text paintings. Those text paintings are now the focus of Notations, Holes and Humour, a show that just opened at Modern Art in London, his first British exhibition in over a decade.
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