What is cryptoart, how much does it cost and can you hang it on your wall?

When is a meme worth $600,000? When technology has created a ‘unique’ version that can’t be owned by anyone else

Pat, I keep hearing references to cryptoart which are all very … cryptic. What is this thing?

Hey Lucy! So you might have heard of it in context of the $US600,000 Nyan Cat gif or the more recent Kings of Leon NFT Album, both of which are examples of cryptoart. Cryptoart is a way of making digital art unique, and therefore – according to some people – valuable. Normally, digital art is very easy to replicate due to the very nature of digital information. So cryptoart is a way of making digital files one-of-a-kind.

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Eye of the Storm review – moving film about Scottish painter in love with nature

James Morrison’s work was full of awe for the natural world, and this documentary does his landscape painting full justice

Scottish painter James Morrison died shortly before the completion of this affectionate documentary about his life and work, and it’s a fitting tribute to an articulate and self-effacing artist with an extraordinary affinity for Scotland’s everchanging land- and seascapes. It’s directed by Anthony Baxter, best known for highlighting the stubborn local resistance resistance to Donald Trump’s golf course in Aberdeenshire with his You’ve Been Trumped films; this is something of a change of pace, while offering a not-dissimilar celebration of a very Scottish style of quiet, unfussy determination.

Morrison’s story is interesting enough – born and raised in Glasgow, the son of ship’s fitter, who settled on the east coast and made epic trips to paint abroad, most notably to the Arctic – but it’s added to here by a plangent late-life twist: he is losing his sight, to the extent he can barely see what he is painting. True to form, Morrison accepted this as uncomplainingly as anything else – “irritating” is the strongest imprecation I can recall – and there’s something inexpressibly moving about the way he strokes a blank sheet of paper taped to his easel as if he can’t wait to get started.

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‘I’d like to join Pixar one day’: meet Afghanistan’s first female animator

Born under Taliban rule, Sara Barackzay studied abroad and now hopes to start her own school

A woman in traditional dress breaks open the bars of a prison. A young child dances, oblivious to a backdrop of tanks and explosions. The drawings by Afghanistan’s first professional female animation artist, Sara Barackzay, reflect the struggles of her young life.

Barackzay, who lost her hearing as a child, left Afghanistan to study in Turkey, but has returned with the hope of starting a specialist school for animation arts.

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Gilbert and George on their epic Covid artworks: ‘This is an enormously sad time’

The artists have responded to the pandemic with comic, haunting works showing themselves being buffeted around a chaotic London. They talk about lines of coffins, illegal raves and ‘shameful’ statue-toppling

As they call themselves living sculptures, I can’t resist asking Gilbert and George what they think of all the statue-toppling that took place last year. When I ask for their verdict on the removal of public works that have been accused of celebrating slavery and colonialism, they are sceptical.

“We would call that shameful behaviour,” says George. “And it’s very odd – because normally those statues are totally invisible. Nobody ever looks at them. I remember, very near my home town, there’s a statue of Redvers Buller, the hero of the Boer war, surrounded by dying Zulus and things. And if you asked people in Exeter, ‘Where’s Buller’s statue?’, none of them knew. It’s a bit silly. Rewriting history is very silly.”

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Brexiters buy KGB artefacts for ‘museum of communist terror’

Portrait of Lenin and spy tools among items snapped up at auction by group planning UK exhibition

It depicts the Russian revolutionary leader in characteristically serious mood, staring across Red Square, perhaps, and rendered with more than a touch of kitsch.

But while a Soviet-era oil painting of Vladimir Lenin, which sold for nearly $2,000 at auction in the US, might capture the man as many know him, its buyers are not exactly Bolsheviks.

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‘It’s a funeral march’: French artist JR’s powerful eulogy for Australia’s Murray-Darling

Exclusive: The street artist’s latest work saw 60 people parade through Lake Cawndilla in NSW, holding aloft enormous portraits of local farmers and leaders as they fight to save Australia’s vital river system

The mood around Lake Cawndilla in western New South Wales on Saturday is funereal but defiant, as a procession of around 60 locals parade through scrub and sand around its banks.

They carry between them a series of 30m-long cloth figures: three local citrus farmers and prominent Baakandji artist William Badger Bates.

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Someone Close: the intimacy between photographers and subjects

Photography collective Oculi’s first group project gives a glimpse into the lives of 12 members and the people they share their lives with

Conor Ashleigh – photographer

Mazie Turner was more than just my creative mentor; she was a friend, an aunty, a collaborator and above all one of my greatest inspirations. Since passing away in 2014, Mazie has never been far away.

This January I made the most of a summer in Australia and headed north on a road trip. I visited Mazie’s two eldest granddaughters Mali and Lily, both of whom I had often photographed a decade ago as part of my project Baby in a Chapel. I was amazed to see how Mali and Lily had grown and flourished in the seven years since I saw them last. Mali was entering her final year of high school, and she had become a talented and articulate young woman.

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Happy ‘farmily’: portraits of people and their animals – in pictures

Photographer Tasha Hall creates what she calls ‘farmily’ portraits – featuring families and their animals. Hall, from British Columbia in Canada, says she got the idea after wanting to include all her furry friends in a family portrait. She now travels the world capturing other families with their livestock and pets

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Vincent van Gogh Paris painting from 1887 to make public debut

Scène de rue à Montmartre has been part of same French family’s private collection for more than a century

A major Paris work by Vincent van Gogh that has been part of the same French family’s private collection for more than a century is to go on public display for the first time since it was painted in the spring of 1887.

Scène de rue à Montmartre is part of a very rare series depicting the celebrated Moulin de la Galette, on the hilltop overlooking the capital, painted during the two years the Dutch artist spent sharing an apartment with his brother Theo on rue Lepic.

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‘Painted by a madman’: The Scream graffiti reveals Munch’s state of mind

Inscription on painting that has been subject of debate has been reattributed to the artist himself

It is an image that has intrigued the art world for more than a century and become synonymous with existential angst, and recently inspired its own emoji, but now some graffiti has added a new layer to the story of Edvard Munch’s most iconic painting, The Scream.

A tiny pencil inscription in the top left corner of one of the four versions of the painting, which reads, “Can only have been painted by a madman”, has been the subject of debate over who wrote it – it was originally thought to be by Munch, but was later attributed to a vandal – but new analysis by experts at the National Museum of Norway suggests it is indeed in the hand of the artist.

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‘My soupmaker is so quick!’ 15 lockdown buys that helped Guardian readers

From a treadmill and a puppy to 19th-century curtains, here are the purchases that have helped cheer people up in the past year

Not only has my new treadmill seen me through lockdown, it’s also keeping me on an even keel, as I live in a crowded area and don’t really enjoy running outside any more. I use it almost every day, along with an app called Zombies, run! or while listening to podcasts. It has become a comfort. The only downside is that I need to put it back under my bed after each use. Mar, journalist, Barcelona, Spain

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John Malkovich as eerie identical twins: Sandro Miller’s best photograph

‘I wanted to pay homage to work that made my knees buckle. John looked nothing like Diane Arbus’s twins. But on set his spirit left and theirs came in’

Ten years ago, I was diagnosed with stage 4 throat cancer. The prognosis wasn’t 100% positive and there were days when I’d lay in bed wondering if I’d ever be able to shoot again. I’m self-taught, and I started thinking about the images that had changed the way I thought about photography – work by Irving Penn, Richard Avedon and Diane Arbus, work that made my knees buckle with emotion.

I thought: if I ever get better, I would love to pay homage to these greats, in a way nobody has done before.

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‘A great cover for their first album’: Harry and Meghan’s romantic rebellion against royal portraiture

The Sussexes’ baby announcement shared on Valentine’s Day is a confident image of defiance that seems to take us inside their love – granny must find it utterly baffling

The Duke of Sussex’s left foot steals the show. His knobbly toes shove themselves into the foreground, bulging out to rhyme with his wife’s baby bump. Misan Harriman, the Nigerian-born photographer and friend of Meghan who took the picture remotely from his home in Woking, has created an unbuttoned romantic pastoral that doesn’t so much rebel against royal portraiture as bring it to an end.

Producing babies has been the primary business of royalty since time immemorial. Harry and Meghan’s new child will be eighth in line to the British throne, but the picture tells us quite flamboyantly the Sussexes are not in Britain and have no desire to be. It is a confident image of defiance. A cup of California dreamin’. The garden looks semi-tropical. Harriman’s preference for black and white gives the sun-kissed lawn a lovely silvery glow that sets the couple almost in a vision of paradise. But at the same time, their intimate casualness – those toes again – is intended to show us they are anchored to the reality that matters.

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London’s bridges are falling down: how politics has failed the capital’s crossings

The £150m repair of Hammersmith Bridge, closed since 2019, is mired in squabbling – and it’s just one of many across the UK that need work

Toby Gordon-Smith can see the district of Hammersmith from his flat. In normal times it takes him a few minutes to get there in his wheelchair. His cannabidiol products business is there, with the accessible tube station that he needs to get to the rest of London. The station is the reason why he moved to the area, but now it might as well be in another city. For he lives in Barnes, on the south side of the River Thames, opposite Hammersmith, and the bridge that connected them is closed for safety reasons – to vehicles since April 2019, and to pedestrians, cyclists and wheelchair users since last August. Although it is nearly two years since the first closure, there is still no clear plan for fixing the bridge.

There are thousands of stories like Gordon-Smith’s. For children in Barnes who go to schools in Hammersmith, what was once a 15-minute walk is now a tortuous three-mile journey along a towpath regularly flooded by the tide, up flights of steps on to a railway bridge (which makes cycling difficult) and through an ill-lit park with high rates of crime. Or they can take a long bus ride, which means getting up at 6am, if you’re going to beat the rush-hour traffic. The area’s main hospital, Charing Cross, is on the north side of the river, so those of its staff who live to the south, and patients needing such things as chemotherapy, now have to make gruelling journeys of an hour or more each way. Ambulances face potentially lethal delays.

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The edible art of sourdough faces – in pictures

Five years ago, Swedish designer and stylist Linda Ring experienced total burnout. After a few months doing nothing, she tried to adopt a slower lifestyle. “I started baking sourdough, but as it’s my nature to try to make everything beautiful, I began experimenting.”

Ring’s loaves became canvases for portraits and landscapes, scored into the raw dough. “You never know how the bread or the pattern will turn out, it’s enormously satisfying when I take it out of the oven and see.”

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Can Addis Ababa stop its architectural gems being hidden under high-rises?

While Ethiopia’s ancient sites are valued, urban heritage is an afterthought in a city forced to expand ever upwards

Only rubble remains of the former home of Dejazmatch Asfaw Kebede, a member of Emperor Haile Selassie’s government. Built in the early 1900s, and inspired by Indian as well as Ethiopian architecture, the building was demolished in early January without the knowledge of Addis Ababa’s conservation agency, the Culture and Tourism Bureau.

Demolition and reconstruction are now the most common sights along Addis Ababa’s unrecognisably altered skeleton skyline. The collateral damage is the city’s heritage.

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