Kanye West: Wash Us in the Blood review – an intensely potent study of race and faith

This new track sees Kanye at his very best, corralling his anger with masterful focus into an apocalyptic vision of America

America, divided along racial and political lines and led by its own Herod, faces an invisible plague and a public reckoning against its history of violence. It’s against this Biblical backdrop that Kanye West imagines the next apocalyptic event, in one of his most focused and arresting tracks for years.

Wash Us in the Blood sees the rapper call for a blood rain to deliver black America from evil. We’re at the point, perhaps, where normal water won’t wash; an emergency where we need something stronger. That sense of alarm is amplified by the two-note siren motif, a flattened-out version of the feedback sound on The Life of Pablo’s Feedback or Yeezus’s Send It Up, another of his warnings that puts the listener on alert. It gets your blood up.

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Milton Glaser, groundbreaking I ❤️ NY designer, dies aged 91

Glaser’s bold logo, created for free in 1977, helped boost New York’s image and he was also part of the team that founded New York magazine

Milton Glaser, the groundbreaking graphic designer who adorned Bob Dylan’s silhouette with psychedelic hair and summed up the feelings for his native New York with “I (HEART) NY,” died Friday, on his 91st birthday.

The cause was a stroke and Glaser had also had renal failure, his wife, Shirley Glaser, told The New York Times.

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It’s a botch-up! Monkey Christ and the worst art repairs of all time

As another religious painting restoration goes horribly wrong, we take a look at some of the finest examples of butchered statues, art installations and frescoes

In the latest instalment of the greatest genre of art news – and I write that as a lover of art – another restoration has gone awry. The word “awry” is being generous.

This is the revelation that a private collector, based in Valencia, paid 1,200 (£1,070) for a restoration job on baroque painter Bartolomé Esteban Murillo’s Immaculate Conception of Los Venerables. It is no longer immaculate. It now looks like an e-fit issued by a local police force, with those thin eyebrows popular in the 90s. What’s more, the restorer (who it turns out was a furniture restorer by trade) made two attempts – the second significantly worse than the first. That one, the e-fit one, has the Virgin Mary staring straight ahead, which isn’t even the same position as the original, which has Mary looking to the heavens.

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Li Zhensheng, photographer of China’s Cultural Revolution, dies

Former publisher announces death of Li, known for his book Red-Color News Soldier

The Chinese photographer Li Zhensheng, known for his unflinching portrayal of China’s Cultural Revolution, has died, according to his former publisher.

The Chinese University of Hong Kong Press, which in 2018 published the first Chinese-language edition of Li’s book Red-Color News Soldier – a compilation of photos he had hidden from the period – said Li, 79, had died after spending several days in hospital following a brain haemorrhage.

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Unfinished, abandoned, demolished: how Cairo is losing architecture it never knew it had

From grand visions that fail with the departure of a president to everyday buildings knocked down before they can be considered for heritage protection, a new book unpicks what Egypt’s capital might have beenn

Looming above the affluent Zamalek neighbourhood in the centre of Cairo, the Forte Tower has stood as the tallest building in Egypt for the last 30 years – yet it remains unfinished and abandoned. A ring of faintly Islamic pointed-arch windows encircles the uppermost floor of the great cylindrical shaft, creating a forlorn crown on the skyline, like a host awaiting party guests that never arrived.

Begun in the 1970s, the 166-metre tall building was planned to house a glamorous 450-room hotel, with restaurants, shops and a nightclub. It was to be the first part of a “new Manhattan of Egypt”, a cluster of skyscrapers imagined by president Anwar Sadat to rise from Gezira Island in the middle of the Nile, signalling Cairo’s place on the world stage. Following Sadat’s assassination in 1981, the project hit the rocks. Under subsequent president, Hosni Mubarak, the developer faced battles for permits and licences, seeing the project mired in lawsuits that ultimately halted it. The towering carcass has been left empty ever since, a single showroom furnished with bedding, lamps and an old TV providing an eerie relic of the dream.

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Van Gogh and Gauguin letter about brothel visit sells for €210,000

‘Exceptional’ correspondence sent from Arles in 1888 is bought by Van Gogh Museum

A letter written by two of the greatest artists of the 19th century, Vincent van Gogh and Paul Gauguin, about their visits to French brothels has been bought for the Van Gogh Museum in Amsterdam for €210,600 (£189,000).

The correspondence, previously held in private hands, has been described as “exceptional”. The two painters entwine descriptions of their experiences living together in Arles, Provence, with claims of certainty that their work is leading a “great renaissance of art”.

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Christie’s withdraws ‘looted’ Greek and Roman treasures

Four antiquities pulled from auction after claims they came from illicit excavations

Christie’s has quietly withdrawn four Greek and Roman antiquities from auction this month amid allegations that they had been looted from illicit excavations.

The items were in the original brochure catalogue but later removed from the online site with no explanation.

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Bird figurine is earliest Chinese artwork ever discovered, say experts

‘Refined’ 2cm carving found in Henan dates to palaeolithic period up to 13,000 years ago

A tiny figurine of a bird, carved from burnt bone and no bigger than a £1 coin, is the earliest Chinese artwork ever discovered, according to an international team of archaeologists

The carving, less than 2cm in length, has been dated to the palaeolithic period, between 13,800 and 13,000 years ago, which pushes back the earliest known date of east Asian animal sculpture by more than eight millennia. 

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Toppling Edward Colston’s statue is unlikely to be enough to stop public anger

Few imperial icons, including Churchill, will escape the need to reappraise Britain’s past

The toppling of slaver Edward Colston’s statue has electrified a longer term – and already deeply polarised – debate among British historians and academics, with some celebrating a “moment of history” as others warned of dark consequences for society.

Inaction over figures such as Colston had bred anger that would be felt “all over Britain”, said Andrea Livesey, a historian specialising in the study of slavery and its legacies and who described the events in Bristol as “wholly justified”.

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‘It’s a big turning point’: is this the end of racist monuments in America?

Protests across the country have led to the removal of many statues honouring racist figures – but hundreds still remain

Last week in Richmond, Virginia, protesters scrawled on a monument of the Confederate army commander Robert E Lee as an act of resistance against police brutality and racism. They wrote “Black Lives Matter”, “Blood On Your Hands” and “Stop White Supremacy” in spray paint, often in red.

At night, there was a projection of George Floyd’s face, bearing the words “No Justice, No Peace”.

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Britain’s urban fabric comes under spotlight shone by BLM protests

Force of history demands re-evaluation of colonial statues and street names

Cities have always been about apportioning and memorialising power; about writing force into space. Britain’s colonial and imperial past is inscribed into the bricks and mortar of every city and town in the country. Mostly this hidden text of power relations and wealth acquisition lies dormant in the half-forgotten significance of street names, in the knotty iconography of grand facades, in the barely read inscriptions on memorials and sculptures, in the nomenclature of grand public buildings. Forming the backdrop of lived lives, these omnipresent clues are rarely fully decoded. The most monumental of sculptures has a habit of fading away to near invisibility if it is sufficiently familiar.

At times, though, such associations are activated and become urgent. So it has been in the case of the long-running affair of Edward Colston, who made his fortune in the 17th century from the enslavement of thousands of Africans.

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Velázquez painting brought to life by historical reenactment group in Seville

Surrender of Breda, immortalised by painter, was significant moment in Dutch war of independence

Anyone wandering along a quiet street in central Seville at 8.30pm on Saturday would have witnessed the odd sight of a 17th-century Dutch governor wearing a Covid-19 mask as he once again handed over his city to Spanish forces.

The Surrender of Breda, a significant moment in the Dutch war of independence immortalised in Diego Velázquez’s eponymous painting, was brought to life by a historical reenactment group to mark the 395th anniversary of the event, and the Spanish painter’s 421st birthday – both on 5 June, albeit 26 years apart.

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Austria unveils design to turn Hitler’s house into a police station

Conversion of building where Nazi leader was born will cost €5m and be completed in 2022

Austrian authorities have unveiled a design for turning the house where Adolf Hitler was born into a police station – while trying to make it unattractive as a pilgrimage site for people who glorify the Nazi dictator.

A design by Austrian architects Marte.Marte beat 11 competitors in an interior ministry tender, officials said on Tuesday. The refurbishment is expected to be completed around the end of 2022 and will cost about €5m (£4.5m).

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Christo: ‘His gorgeous abstractions made you gawp with disbelief’

From a curtain across Colorado to the wrapping up of everything from the Sydney coast to the Berlin Reichstag, his grandiose art caused wonder all over the world

He changed cityscapes, landscapes, buildings, coastlines, lakes and islands, making us look afresh at our surroundings. At its most daring and spectacular, Christo’s work entered the collective consciousness, overturning our sense of scale and place in the world. At its best, his work was disruptive and transformative, leaving surprise and wonder in its wake. 

Christo’s is the kind of art that persists in the imagination, however temporary his projects have been (some lasted only a few days) and however few people encountered his theatrical interventions for themselves. Wasn’t he the one who wrapped the Reichstag in Berlin in a shroud, and a coastline near Sydney? His art became a kind of rumour, perhaps almost a myth. 

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Christo, artist who wrapped the Reichstag, dies aged 84

Bulgarian creator of large-scale public artworks worked in collaboration with wife Jeanne-Claude

The artist Christo, known for wrapping buildings including Berlin’s Reichstag, and also swathing areas of coast and entire islands in fabric, has died aged 84. The news was confirmed on his official Facebook page, which said that he died of natural causes at his home in New York.

Born Christo Vladimirov Javacheff in Bulgaria, Christo studied in Sofia and then defected to the west in 1957, stowing away on a train from Prague to Vienna. Two years later he met Frenchwoman Jeanne-Claude Denat de Guillebon, who would become his artistic partner and wife until her death in 2009.

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Italian woman wins €1m Picasso in Christmas raffle

€100 ticket scoops ‘incredible’ 1921 still life oil painting by Spanish master

An Italian accountant whose son bought her a raffle ticket as a Christmas present won a Pablo Picasso oil painting valued at €1m ($1.1m) in a charity draw on Wednesday.

Claudia Borgogno summed up her amazement in one word: incredible. “I have never won anything before,” said the 58-year-old told from Ventimiglia, in north-western Italy.

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Pompeii Live: they didn’t see catastrophe coming – and neither did we

Available online
The British Museum has resurrected its blockbuster show about the deadly volcanic eruption. In the age of coronavirus, it’s more chilling and vital than ever

In AD 79, a society that thought it was modern, sophisticated and fully in control of its destiny was taught otherwise by nature. Sounds familiar? The eruption of Vesuvius that overwhelmed Pompeii, Herculaneum and many villas dotted around the Bay of Naples caught the Roman empire by surprise. The parallels with the coronavirus crisis are uncanny. So the British Museum’s release this week of Life and Death in Pompeii and Herculaneum, an online tour of its harrowing 2013 blockbuster show, offers a troubling gaze into history’s mirror.

Related: Life and death in Pompeii and Herculaneum – review

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