UK and Ireland commemorate 1979 Fastnet race disaster

Series of events include exhibition of portraits by Welsh artist Dan Llywelyn Hall, poetry and vigils

It was the summer storm that roared without warning into the Celtic Sea, unleashing monster waves that ambushed a fleet of 303 boats competing in the Fastnet race.

Instead of skimming along the south coast of the UK to the Fastnet Rock off south-west Ireland, sailors found themselves battling for life against howling winds and walls of water. Dozens of yachts capsized, trapping crews in their cabins and tossing others into the foam.

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Big cats and exotic birds: Colombia’s rescued animals – in pictures

Most of the animals at the Santa Cruz Foundation in San Antonio, Colombia, have been rescued from traffickers and circuses. The multimillion-dollar illegal wildlife trade is the fourth-largest in the country after drugs, guns and human trafficking

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UK art dealer jailed in US for defrauding clients of up to $30m

Timothy Sammons used works by Picasso and Chagall as collateral for personal loans

A prominent British art dealer who defrauded his clients out of millions by using a scheme that involved masterpieces by artists including Pablo Picasso and Marc Chagall has been sentenced for up to 12 years in prison.

Timothy Sammons – a former Sotheby’s specialist who had offices in New York and London and who brokered multimillion-pound deals for the likes of the Bill and Melinda Gates Foundation – used art that did not belong to him as collateral to obtain personal loans between 2010 and 2015.

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Redesigning Delhi’s Champs Élysées: ‘It represents all that’s complex about urban India’

From heaving traffic and dense crowds to car-free and tranquil: that’s the vision for Chandni Chowk. But is it achievable?

The Champs Élysées is one of the most famous streets in the world, but you could say the French were beaten to it by the Mughals. About 15 years before the avenue was laid out in 1667 in Paris, India’s Mughal emperor Shah Jehan built a grand mile-long street in his capital to reflect the glory of the empire at its height.

It ran from Fatehpuri mosque at one end to the colossal Red Fort at the other and was lined with trees, elegant mansions, mosques and gardens. Provisions for the Red Fort, the imperial residence, were carried down the boulevard by elephants, camels and horse-drawn carriages.

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Dreaming of Antarctica: where beauty and fragility meet

Rona Mcseveny, a former patient of UCHL, is showcasing her photos of the continent at the hospital’s Street Gallery. The exhibition is a thank-you to the NHS for the treatment she received. Below, she details the spellbinding sights she captured on her trip

  • Dreaming of Antarctica is at the Street Gallery from 18 July to 4 September 2019
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César Pelli, architect behind the Petronas Towers, dies at 92

The Argentinian-American architect designed some of the world’s tallest buildings

The architect César Pelli, who designed some of the world’s tallest and best-known buildings, has died. He was 92.

Anibal Bellomio, a senior associate architect at Pelli’s studio in Connecticut, confirmed that the Argentinian-born American citizen died peacefully on Friday at his home in New Haven.

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Fantastique beasts: cult art from the Lalannes’ private collection to go on sale

Surreal works from the home of François-Xavier Lalanne and his wife Claude expected to fetch up to £20m

For years, a giant brass and Sèvres porcelain grasshopper that could, if needed, double as a wine-cooler sat outside the royal apartments at Windsor Castle; a gift from French president Georges Pompidou to the Duke of Edinburgh during a state visit to France in 1972.

Across the Channel, an hour from Paris, the home of its late creator François-Xavier Lalanne and his artist wife Claude is full of such wonderful and whimsical creatures: a huge rhinoceros that transforms into a desk; a bronze cabbage on chicken legs; a herd of sheep that can be sat on, tables of enormous ginkgo leaves.

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Tattoos, tans and techno: the photographers capturing the unseen Beirut

Ravers, semi-naked sun-worshippers, booming queer culture … we meet the photographers chronicling a new generation of Lebanese shaking off the trauma of civil war

‘Parties are a privileged place, a space for exploration, a time for fusion,” says photographer Cha Gonzalez. They’re also the focus of her series Abandon, which looks at the way some Lebanese people have used nightlife – and techno music in particular – as a release after the trauma of the country’s 15-year civil war, which ended in 1990. “I knew a lot of people who were either born during the war or in exile,” she says. “What was put aside during the day came to light – and their internal struggles surfaced.”

Abandon is a pertinent theme not only for Gonzalez, but for all of the 16 contributors to an exhibition in Paris called C’est Beyrouth (This Is Beirut), at the Institut des Cultures d’Islam. Gonzalez in particular seized on the city’s dance scene, and later continued the series in Paris, where she lives, because “there was something to say about countries that are very far from war as well. The war is inside us: how we feel useless, alone, bored, guilty, horny.”

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Which is the world’s most vertical city?

You might think of Hong Kong, given its famous skyscraper skyline, but by different measures of verticality other cities come out on top

Looking out from sky100, Hong Kong’s highest observation deck on the 100th floor of the city’s tallest building, the 494-metre-high International Commerce Centre, you get a 360-degree view of one of the world’s most famous skylines – an urban jungle framed by mountains and the gleaming Victoria harbour, with endless clusters of high-rise buildings packed so closely together they resemble a game of Tetris.

It’s little wonder a city of such visible density has more skyscrapers than anywhere else in the world. According to the Council on Tall Buildings and Urban Habitat (CTBUH), Hong Kong has 355 buildings over 150m in height.

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‘People think I’m very odd’: how Ibrahim Mahama brought Ghana’s past to Manchester

From second-hand train seats to old school cupboards, the artist has transported discarded objects from his west African homeland to create a ‘parliament of ghosts’

‘We’re haunted all the time by ghosts of the past,” says Ibrahim Mahama as we sit on dirty old plastic second-class Ghana Railways carriage seats in Manchester’s Whitworth Art Gallery. Even these seats from an abandoned railway? “Especially these,” he says, smiling.

Mahama, a junkyard utopian whose art involves recycling stuff that’s lost its purpose, bought up rows and rows of these seats. He packed them into shipping containers and sent them on a 5,000-mile trip, from his west African homeland to the Whitworth, along with some school cupboards no longer fit for purpose, exercise books of children now grown up, and the minutes of Ghanaian parliamentary debates now deemed obsolete.

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Yesterday’s tomorrow today: what we can learn from past urban visions

From modernist machine-built perfection to a nuclear-proof metropolis buried far underground, our predictions for future cities tell us much about the past

Future Cities: Architecture and the Imagination by Paul Dobraszczyk is published by Reaktion Books

Ever since the world’s first recognised skyscrapers were built in Chicago and New York in the 1880s, cities have been in thrall to visions of extraordinary height. Early intimations of the ways in which skyscrapers would transform cities came in the 1910s, with images such as Richard Rummell’s below suggesting a future not only of immensely tall buildings but also of multilayered streets, railways and flying machines.

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David Chipperfield’s Berlin temple: ‘Like ascending to the realm of the gods’

James Simon Gallery, Berlin
Twenty years in the making, this dazzling synthesis of the classical and modern takes Museum Island to new heights

Friedrich Wilhelm IV described his vision for Berlin’s Museum Island as a “cultural acropolis”; a sacred sanctuary for the arts and sciences that would cement the Prussian capital as the Athens of the north. Almost two centuries later, the kaiser’s classical aspirations have been fulfilled by British architect David Chipperfield, in the form of a dazzling white temple. Opening this weekend, after 20 years of planning, the James Simon Gallery stands as a €134m (£120m) Parthenon-on-Spree, forming a handsome new entrance to one of the world’s most important repositories of cultural treasures.

“We were quite nervous,” says Chipperfield, standing in the lofty new ticketing lobby, where stripes of sunlight flood in between the row of slender white columns outside. “The challenge was how to create something that was of its context and also of our time, in this incredibly sensitive location.”

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‘Scarecrow’ statue of Melania Trump unveiled in Slovenia to mixed reviews

Life-size image on the outskirts of Sevnica, the US first lady’s home town, was carved into a tree using a chainsaw

After Melania cake, Melania honey and even Melania slippers, the Slovenian home town of the US first lady will now boast a statue of its most famous daughter – albeit one that has faced decidedly mixed reviews.

The life-size statue on the outskirts of Sevnica was inaugurated on Friday and is the brainchild of the 39-year-old American conceptual artist Brad Downey, who says it’s the first monument anywhere dedicated to the wife of Donald Trump.

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Lifting the lid on Japan’s poo museum – in pictures

Japan’s culture of cute has embraced poo, which gets a pop twist at the Unko Museum in Yokohama, near Tokyo. Visitors can play a poo-themed video game and pose on a variety of WCs. All the twisty ice-cream and cupcake shapes on display are artificial, and come in a variety of colours and sizes

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Should museums return their colonial artefacts? | Tristram Hunt

Europe’s museums serve a nuanced purpose and shouldn’t automatically bow to calls to return artworks plundered by 19th-century colonisers, writes V&A director Tristram Hunt

“I am from a generation of the French people for whom the crimes of European colonialism are undeniable and make up part of our history,” announced Emmanuel Macron to a crowded lecture theatre at Ouagadougou University, in Burkina Faso, in November 2017. “I cannot accept that a large part of cultural heritage from several African countries is in France … In the next five years, I want the conditions to be created for the temporary or permanent restitution of African patrimony to Africa.” In case anyone missed the significance of the French president’s remarks, the Elysée Palace was swift to spell out the new policy: “African heritage can no longer be the prisoner of European museums.”

The following year brought another notable intervention, this time from supervillain Erik Killmonger in the Marvel blockbuster Black Panther. Surveying the African collection at the “Museum of Great Britain”, Killmonger corrects the exhibition’s patronising white curator about the provenance of an axe: “It was taken by British soldiers in Benin, but it’s from Wakanda. Don’t trip – I’m gonna take it off your hands for you.” When the woman replies that the items are not for sale, Killmonger says: “How do you think your ancestors got these? Do you think they paid a fair price? Or did they take it, like they took everything else?” As the poisoned curator collapses, Killmonger deaccessions the artefact. Black Panther took just 26 days to reach $1bn (£784,000) in worldwide box office sales and, in one compelling scene, highlighted all the current controversies over museum collections and colonial injustice.

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