Tom Cruise’s Mission: Impossible 7 production temporarily shut down due to coronavirus case

Paramount Pictures pauses filming after a routine test confirms positive Covid case on set

Paramount Pictures has temporarily shut down production on the British set of Tom Cruise’s seventh Mission: Impossible film after someone tested positive for coronavirus.

“We have temporarily halted production on Mission: Impossible 7 until June 14th, due to positive coronavirus test results during routine testing,” a Paramount spokesperson said on Thursday. “We are following all safety protocols and will continue to monitor the situation.”

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Manfred Kirchheimer, the greatest documentary maker you’ve probably never heard of

The 90-year-old German American director, who completed a trio of documentaries during lockdown, reflects on his career, his black activism and asking his father difficult questions about Nazi occupation

Manfred Kirchheimer, the US’s least-known great documentarian, may be 90 years old, but his memory is as sharp as a knife. “I wasn’t always a film aficionado,” he recalls. “Then, in 1949, I was at Manhattan’s City College and the students were on strike against two professors – one antisemite, the other anti-black. I saw someone filming a police horse and I asked him why. He said: ‘I’m making this for the film department.’ I had signed up for chemistry, but I didn’t like chemistry. So I went to the office of its head – the film-maker Hans Richter – and I said, ‘Professor, are there any opportunities in film?’ He said, ‘Yes – opportunities are plenty. But no jobs!’ I went anyway.” He chuckles fondly.

Kirchheimer was born in 1931 in Saarbrücken, Germany. His Jewish parents, sensing which way the winds were blowing, moved to the US five years later, eventually landing in New York’s Washington Heights, where they joined a close-knit and prosperous community peopled by so many exiles it was sometimes known as Frankfurt-on-the Hudson. Kirchheimer might have stopped practising the faith in his early 20s, but across the decades, his films all benefit – rely, even – on his migrant eye. They’re endlessly curious about how his adopted city works, searching for its often-overlooked architectural or environmental details, alive to its marginal voices.

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The Beatles in India: ‘With their long hair and jokes, they blew our minds!’

Two new documentaries offer intriguing insights on how the Beatles’ 1967 escape to study transcendental meditation shaped the band and India, baffled the KGB – and saw Ringo survive on a diet of baked beans

In 1968, Paul Saltzman was a lost soul. The son of a Canadian TV weatherman, he was working as a sound engineer for the National Film Board of Canada in India when he received a “Dear John” letter from the woman he thought was going to be his wife. “I was devastated,” he says. “Then someone on the crew said: ‘Have you tried meditation for the heartbreak?’”

Saltzman went to see the Maharishi Mahesh Yogi – the founder of transcendental meditation – speak at New Delhi University. Emboldened by promises of “inner rejuvenation”, Saltzman then travelled to the International Academy of Meditation in Rishikesh. It was closed, due to the arrival of the Beatles.

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Samuel L Jackson’s 20 best films – ranked!

Soon to be seen in The Hitman’s Wife’s Bodyguard, the actor has a CV taking in dancing losers, choric narrators, a Bible-misquoting killer – and Marvel’s coolest middleman

Samuel L Jackson is the elegantly besuited, cane-twirling, fourth-wall-breaking narrator in Spike Lee’s Chi-Raq (pronounced “shy-rack”), set in the city of Chicago, where the homicide rate has exceeded the US death toll in Iraq. It is a twist on Aristophanes’s Lysistrata, about one woman’s mission to end the Peloponnesian war with a sex strike. Teyonah Parris plays Lysistrata, the girlfriend of a gangbanger. She reaches out to the wives and partners of their enemies with a similar idea – and the chant: “No peace, no pussy!” Jackson is the dapper, impish Dolmedes, whose rhyming couplets bring us into the story.

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‘They had soul’: Anton Corbijn on 40 years shooting Depeche Mode

He thought they were pop lightweights – then turned them into moody megastars. The photographer recalls his adventures with the band, from desert trips to drug-induced near-death experiences

By his own cheerful admission, Anton Corbijn’s relationship with Depeche Mode did not get off to a flying start. It was 1981 and Corbijn was the NME’s new star photographer, having previously been lured to the UK from his native Netherlands by the sound of British post-punk, particularly Joy Division. His black and white portraits became iconic images of that band’s brief career, and Corbijn had gone on to take equally celebrated shots of everyone from Captain Beefheart to David Bowie.

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‘My parents still have no clue what I’m doing’: Lupin star Omar Sy on Hollywood, fame and fighting racism

After a decade in Hollywood, French actor Omar Sy returned home to star in Netflix’s much-loved hit, Lupin. He talks about playing the charming thief, growing up with Arsenal’s Nicolas Anelka and his battle with racism

Actors, obliged to exhaustively market their wares, will pose for hours in front of posters of their latest film or TV show. They’ll hop between city premieres, sit on dreary festival panels, tell rehearsed comic stories on night-time talkshows, then get up early to be on breakfast radio. Before meeting Omar Sy, a 43-year-old Frenchman who stars in the massively popular Netflix drama Lupin, I’d never heard of an actor picking up a bucket and brush to spend a day gluing up their own billboard posters on the Paris metro. Sy, who is 6ft 2in, born in a working-class Parisian suburb to West African parents, explains the thinking behind this unusual marketing stunt that took place just before the first series of Lupin debuted earlier this year.

“A lot of people know me in Paris,” begins Sy, who worked as a comedian in France through his 20s before becoming a film star there in his early 30s. “Because people in France have watched me in stuff for years, I’m used to meeting strangers who recognise me and who already have smiles on their faces.” In Lupin, lightly adapted from the classic heist books by Maurice Leblanc, Sy plays a French-Senegalese man called Assane Diop, an anonymous Parisian who is used to being ignored and overlooked in his home town, but who is willing to use that to his advantage while robbing the city’s jet-set blind. “The show is entertainment and we want to have fun with it,” he says, “but at the same time we’re talking about something very serious: that some people in France are simply not seen.”

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I Am Samuel: the film aiming to ‘change the narrative’ on being gay in Kenya

The young star of Peter Murimi’s intimate documentary is as poor, religious and conservative as his peers – and fearful of a violent backlash, he says

Samuel Asilikwa grew up in rural Kenya. There was a strict template for masculinity, informed by centuries of tradition – and intolerance. In a new documentary about his life, we see his father, a pastor, question Asilikwa about why he is yet to find a wife. We then watch as he relocates to Nairobi in search of work and adventure. He finds community, friendship and intense romance with a man called Alex.

Peter Murimi’s film I Am Samuel, shot verité-style over the course of five years, is at its most powerful contrasting city and countryside. Kenya’s farmland, clay roads, shrubbery and corn fields are evidence of a still, yet cyclical, pattern of life compared with the infinite noise and claustrophobia of Nairobi. But it is also a film about a shifting political landscape, where “carnal knowledge against the order of nature” is punishable by 14 years’ imprisonment.

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Cillian Murphy: ‘I was in awe of how Helen McCrory lived her life’

The star of Peaky Blinders on his late colleague, how he convinced the producers to cast him rather than Jason Statham as Tommy Shelby – and returning to the monster-movie genre in A Quiet Place Part II

Cillian Murphy, star of the new horror sequel A Quiet Place Part II, is something to behold: X-ray eyes at once penetrating and ethereally blue, cheekbones so pronounced you could stretch out and go to sleep on them. Unfortunately, the beholding will have to wait. We have barely exchanged greetings over Zoom when his voice breaks up, the screen freezes and the room falls silent. A quiet place, indeed.

We switch to phones. We can do this, I tell him. “I have faith,” he replies, in a soothing Cork accent that compensates for the lack of visuals. Murphy’s gift for intensity has made him a natural fit for characters damaged (Dunkirk, The Edge of Love) or outright villainous (Batman Begins, Red Eye), but today he is quick to laugh and keen to talk. He is speaking from a flat in Manchester, where he is staying while he shoots the sixth and final series of Peaky Blinders. That stylish crime drama, which rocketed from BBC Two cult success to global phenomenon, revolves around a 1920s Birmingham gang led by Murphy as the vicious Tommy Shelby. With his eyes, looks could kill – although he keeps razor blades in the brim of his cap, just in case.

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Martin Freeman’s teenage obsessions: ‘I still think that rude-boy skinhead look is hard to beat’

The Hobbit actor, who is back on TV in the sitcom Breeders, recalls sharp dressing on a budget, discovering Public Enemy and how Michael Caine got him into film

The first music I latched on to was British punk – the Sex Pistols, the Clash and the Jam. I just loved the power, the rawness and the rudeness. You had to turn it down when your dad came in the room; your parents were supposed to hate it. Bob Marley and the Wailers and Linton Kwesi Johnson became a religion alongside the Catholicism I was taught in school. From 17, I was a little hip-hop head, mad on Jungle Brothers, Boogie Down Productions and Public Enemy. I was obsessed with politics in that way you are as a teenager – when you actually know nothing.

I’m not a particularly knowledgable fan of the Fall, but I loved hearing their early stuff via my older brothers (I’m the youngest of five). I thought this bored Manc with this slightly aggressive snarl was great. I like hearing accents in music. I remember hearing Ian Dury for the first time and thinking: “Jesus Christ!” Not everyone can sound like Rod Stewart. I’m not sure there has to be a template for what a rock’n’roll singer sounds like anyway. You’d want Mark E Smith to like you even though he would really hate you. I have often thought that about John Lydon. I would love to say hello to him, but he’d hate me, just on principle.

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Brad Pitt and Angelina Jolie awarded joint custody of children

Decision comes after criticism by Jolie of decision not to let children testify in court

Brad Pitt and Angelina Jolie have been awarded joint custody following a protracted court battle.

The former couple have been in dispute for five years over access to their six children and hired a private judge, John Ouderkirk, to oversee the case.

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‘It’s cooler to hang Lennon’s guitar than a Picasso’: pop culture wins out at auctions

Sales of items from celebrities such as Janet Jackson and K-poppers BTS are trending – and reframing what goes under the hammer

Is celebrity merchandise the new Monet? Auction houses are in flux, with more and more pop culture items being sold under the hammer for six and seven-figure sums.

Last month, Julien’s Auctions in Beverly Hills hosted a three-day auction of Janet Jackson’s personal belongings, including some of her most iconic stage outfits. Buyers included Kim Kardashian, who snagged Jackson’s outfit from the music video for her 1993 classic If for $25,000 (£18,000) and, on Instagram, said she was “such a fan” of the singer.

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John Cena ‘very sorry’ for saying Taiwan is a country

Fast & Furious actor and wrestler apologises profusely on social media for offending Chinese fans

Fast & Furious star and wrestler John Cena began learning Mandarin Chinese nearly a decade ago. But this month, by showing off his linguistic skill in Taiwan, he got into trouble in mainland China.

On Tuesday, Cena apologised for calling Taiwan “a country” in an interview he gave to a Taiwanese broadcaster early this month, saying that it was not appropriate.

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No Man’s Land review – well-meaning drama about US-Mexico relations

This contemporary western about a young Texan fugitive who flees south of the border is handsomely shot but didactic

Just north of the border between the United States and Mexico, the Greer family – patriarch Bill (Frank Grillo), mom Monica (Andie MacDowell), and grown sons Lucas (Alex MacNicoll) and Jackson (Jake Allyn) – work the land as ranchers. They raise cattle, ride horses and, being red-blooded Texan types, play sports – in Jackson’s case well enough that he’s got a chance to go pro as a baseball player. They also spend the odd evening riding the range with a vigilante militia group, rounding up immigrants who may have crossed the border illegally, to “help” the border patrols. On one such night, Jackson joins his dad and big brother, even though they try to keep him out of this sort of thing so he can get out of Dodge and become a sports hero – and what do you know, the dumb lug ends up shooting and killing a boy (Alessio Valentini) just a little younger than himself. In the back no less.

Ashamed, distraught and worried that his father will try to take the rap for him, Jackson confesses to local Texas Ranger Ramirez (venerable character actor George Lopez), but then bolts across the border to Mexico on his trusty horse Sundance. Soon, the fugitive is learning some life lessons and about what Mexico is really like, and he becomes a hired hand for a nice middle-class family. A flirtatious friendship blooms between him and the family’s pretty daughter, Victoria (Esmeralda Pimentel), while he tries not to get caught by the dead kid’s dad Gustavo (Jorge A Jimenez) and a skeevy people-trafficking “coyote” (Andres Delgado), who are out to get him.

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‘You care for birds, and they heal you’: film profiles world of a Black falconer

A new documentary, The Falconer, follows Rodney Stotts, who found fulfillment in working with raptors and inner-city kids

Falconry is a profession with roots in the ancient Middle East and medieval Europe but one of its practitioners is making some history of his own.

Related: I'm a falconer - and there's nothing like watching a bird you trained in action

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Was the fiddler framed? How Nero may have been a good guy after all

He was a demonic emperor who stabbed citizens at random and let Rome burn. Or was he? We go behind the scenes at a new show exploding myths about the ancient world’s favourite baddie

Nero comes with a lurid reputation. “The main thing we know about him is his infamy,” says Thorsten Opper, curator of the first British exhibition devoted to the Roman emperor. “The glutton, the profligate, the matricide, the megalomaniac.” Also, the pyromaniac: famously, Nero “fiddled while Rome burned”, or at least strummed his kithara to one of his own compositions, The Fall of Troy, while a fire, supposedly begun by him, destroyed three of Rome’s 14 districts and seriously damaged seven.

His afterlife on the page and screen is certainly arresting. Nero inspired some of the greatest Renaissance and baroque operas, notably Monteverdi’s L’Incoronazione di Poppea and Handel’s Agrippina, which chart the emperor’s adulterous love for Poppaea, who became his second wife. In the epic 1951 movie Quo Vadis, Peter Ustinov played Nero as entirely unhinged: a mincing, purple-swathed toddler in a man’s body. Christopher Biggins took him on in I, Claudius, the classic BBC adaptation of Robert Graves’s novel, and made him power-hungry, baby-faced and quite, quite mad.

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Iran stunned by case of couple who drugged and dismembered son

Parents admit murdering film-maker Babak Khorramdin and to killing daughter and son-in-law years before

An Iranian couple have been arrested for drugging, murdering and dismembering their film-maker son, Babak Khorramdin, 47, and also confessed to killing their daughter and son-in-law in the same way years earlier.

The case has stunned Iran, where it has been splashed across the front pages of newspapers with headlines including “Society in shock” and “Occupants of terror house”.

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Associated Newspapers pays damages for revealing Sand Van Roy as Luc Besson accuser

MailOnline published actor’s identity as complainant in rape case against French director

Associated Newspapers has paid substantial damages and apologised to actor Sand Van Roy for revealing her identity as a complainant in a rape case against the French film director Luc Besson.

In May 2018, Van Roy filed a complaint with French police alleging that she had been raped by Besson. She expected to remain anonymous, as is her right under French law, but details of her complaint were leaked and reported in the French press, breaching her right to anonymity, the high court heard.

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Rebel girl: the fierce fashion renaissance of Alice in Wonderland

From Disney’s blond teenager to Tim Burton’s surreal reimagining and an all-black Pirelli calendar, Lewis Carroll’s character has had many lives and looks. A new V&A exhibition charts them all

A blue dress trimmed with white, plus long hair swept back from the forehead by a ribbon, always means Alice. When Gwen Stefani wears a black satin headband and a blue-sky corset edged with snowy lace in the video for What You Waiting For, she is Alice. No surname required. When the supermodel Natalia Vodianova balances on a marble mantelpiece in Balenciaga ankle boots and a sky-blue mini dress, with a bunny’s tail fashioned from a whisper of Fortuny-pleated white silk plissé on the pages of Vogue, she is Alice. Alice’s look, now 150 years old, is as recognisable as a Batman or Superman costume. She is an icon, a fashion fairytale. Should you so wish – for about £20 – you can be Alice.

But does the 20th century really need another skinny, posh, blond pin-up? Because that – to phrase it as bluntly as our heroine might have – is how we now see Alice. Never mind that the original 1865 illustrations show a scruffy little girl in a boxy pinafore that looks like a Victorian version of dungarees. Disney’s Alice, with her vanilla curls and waist cinched to a handspan by a frilled white apron, broke out of Lewis Carroll’s quirky story and became a star in her own right. Since 1951, Disney’s slender, fair-haired movie-screen Alice has all but obliterated other Alices.

What’s more, the origin story of Alice’s Adventures in Wonderland – the 33-year-old author’s choice of a seven-year-old girl as his literary muse – has long been flagged as inappropriate to modern sensibilities. Perhaps, then, it is time to cancel Alice?

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Cher’s films – ranked!

She has just turned 75 and there’s a new biopic in the works. What better time to look back at a film CV that’s full of memorable roles?

HBO produced this heavy-handed but affecting anthology film on the topic of abortion, premiering it at the Toronto film festival on the combined star clout of Demi Moore, Sissy Spacek and, of course, Cher, who also directed the third (and best) of its segments. It remains her only directorial credit, and she would have done well to keep at it. She shows a sure touch with actors, herself included, uncharacteristically restrained as a benevolent abortion doctor working through a violent anti-choice protest. It is enough to make you wonder whether HBO should have kept her on its books. Surely there could have been a place in The Sopranos for Cher.

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Zack Snyder: ‘I don’t have a rightwing political agenda. People see what they want to see’

As his latest film Army of the Dead hits Netflix, the Justice League director takes time to answer questions from fans and collaborators

Luca, Zack Snyder’s chow-labrador cross, is going bananas. It’s early morning in rural Pasadena and the air is filled with growls. When a bear ambled past the other day, Luca didn’t bat an eyelid. But the appearance of the gardener (who apparently comes every day) means he needs considerable restraint.

So it was while wrestling this “big, muscly, silly dog” that Snyder answered questions set for him by Guardian readers – and a few colleagues – yelling amiably over the din.

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