Category Archives: Film

Sir Alex Ferguson: ‘I feared I would never speak again’

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Former Manchester United manager tells of brain surgery worries ahead of documentary about his life

Sir Alex Ferguson has said he feared he would never be able to speak again after suffering a brain haemorrhage in 2018. The former Manchester United manager told a Q&A at Glasgow film festival he was worried that he could lose his voice and memory after undergoing emergency surgery.

A new documentary about the two-time Champions League-winning manager premiered at the the film festival on Saturday.

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Kelly Macdonald: ‘I’m beyond sex scenes now. I just play detectives’

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She shot to fame in Trainspotting, and has starred in Gosford Park, Boardwalk Empire and even as a Disney princess. So why did the Scottish actor panic about her new role in Line Of Duty?

Kelly Macdonald’s roles are typically quiet, fraught with internal conflict and entailing journeys that are more reflective than active. As a grieving mother in The Child In Time, a gangster’s wife in Boardwalk Empire and the titular role in The Girl In The Cafe, the 45-year-old has, over the last 25 years, become known for the kind of thoughtful performances signified by the image of a woman staring out of a window. All of which makes our encounter today doubly surprising; that Macdonald, appearing via Zoom from her home in Glasgow, is here to talk about Line Of Duty, possibly the least reflective TV show ever made. And that she is a complete hoot.

Her role in Line Of Duty has, over the course of the show’s six seasons, become a coveted one in British telly – that of the guest star brought on as a no-good cop to be investigated by AC-12, the show’s now iconic anti-corruption unit. (Previous incumbents in the just-how-bent-is-she role include Keeley Hawes and Thandie Newton.) Line Of Duty’s twists are legendary, and the embargos fierce, and, following the rollercoaster of season five – in which we grappled, briefly, with the possibility that Supt Hastings (Adrian Dunbar) himself was bent – we meet Macdonald in season six as DCI Jo Davidson, getting stuck into a case. And that is pretty much all, ahead of transmission, the BBC will permit either of us to reveal, which makes Macdonald crack up every time she thinks of it. “It’s hilarious that they sent me a list of things I’m not to talk about, when I can’t remember any of it.”

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‘I don’t want to upset people’: Tom Cruise deepfake creator speaks out

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Visual effects artist Christopher Ume reveals he made TikTok fakes with help from Cruise impersonator

Joining TikTok has become something of a trend for Hollywood celebrities stuck at home like everyone else. So it wasn’t necessarily surprising to see Tom Cruise on the app, sharing videos of himself playing golf and pratfalling around the house.

But the strange thing is that Cruise never actually made the videos. And the account that posted them, DeepTomCruise, wore that on its sleeve: it was openly the work of a talented creator of “deepfakes”, AI-generated video clips that use a variety of techniques to create situations that have never happened in the real world.

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Poly Styrene’s inspiring sensitivity should be the true legacy of punk

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Mixed race, with braces on her teeth, Poly broke the mould of UK punk. A new documentary explores her struggle to find meaning in the Day-Glo chaos of modern life

The moment I heard that Marianne Elliott-Said, AKA Poly Styrene, had died, I was at band practice. We put on X-Ray Spex and jumped around, screaming along to Identity, Oh Bondage Up Yours! and Germ Free Adolescents. On that day in 2011 we lost one of punk’s greatest heroes and one of the few who really looked and sounded like me. She broke the mould of UK punk stereotypes. She was brown, chubby, weirdly dressed and had braces on her teeth. Even in an era when quirky, abrasive style was all the rage, she stood out.

Poly Styrene embraced this. She played with the attention her weirdness attracted, making a cartoon of herself. To be an artist is often to feel like a shiny trinket – hip and trendy one moment and disposable the next – and Poly had a fascination with all things garish and throwaway. She knew that through selling her art, she herself would inevitably become the product. Consumer culture overwhelmed and horrified her at times but she poured those thoughts and feelings into surrealist, confrontational art and music.

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Notturno review – lives scarred by Isis and the west in haunting cine-poem

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Gianfranco Rosi’s documentary depicts a Middle East emerging from trauma, but it is self-conscious at times

Documentary film-maker Gianfranco Rosi has created a very characteristic cine-poem of sadness, about the Middle East as it emerges from Isis terror, but remaining scarred by the intervention of western powers who had promised so much. It’s an intensely considered curation of scenes: glimpses, perhaps, into a collective mind or soul. Rosi has assembled this from years of filming in Syria, Lebanon, Iraq and the Kurdistan region of northern Iraq. It’s similar in its observational procedures to films such as Sacro GRA, his 2013 study of those who live on the periphery of Rome, near the “GRA” ring road, and also his masterly Fire at Sea from 2016, about the lives of desperate migrants who arrive in Lampedusa, Sicily, and the locals who are coming to terms with them.

The title means “night” or “of the night”, and many scenes seem to be happening at nightfall (or possibly at daybreak), particularly the opening, extended sequence of soldiers drilling, jogging around in a circle. There are many striking moments and beautifully realised images and vignettes here, a rhetorical structure that is perhaps inspired by the play that, in one scene, psychiatric patients are shown rehearsing about the lives of people in Iraq. But I worried a little that Rosi’s techniques are becoming a self-conscious mannerism, and furthermore that the film is a little too diffuse, taking in four different places and effectively homogenising them.

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Allen v Farrow is pure PR. Why else would it omit so much?

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The new HBO documentary in which Mia and Dylan Farrow revisit their 1992 allegation against Woody Allen claims to be an even-handed investigation. But its failure to present the facts makes it feel more like activism

“HBO Doc About Woody Allen & Mia Farrow Ignores Mia’s 3 Dead Kids, Her Child Molester Brother, Other Family Tragedies” was the headline on one US showbiz site, above its review of the four-part documentary, Allen v Farrow, about the continuing battle between Woody Allen and Mia Farrow, now entering its fourth decade. But this review was very much an outlier. In the vast main, reaction to the strongly anti-Allen series has been overwhelmingly positive, with Buzzfeed describing it as a “nuanced reckoning” and Entertainment Weekly comparing it to the recent documentaries about Michael Jackson and Jeffrey Epstein. This reaction is more of a reflection of the public’s feelings towards Allen – particularly in the US – than of the documentary, which sets itself up as an investigation but much more resembles PR, as biased and partial as a political candidate’s advert vilifying an opponent in election season.

Related: Allen v Farrow review – effective docuseries on allegations of abuse

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Eye of the Storm review – moving film about Scottish painter in love with nature

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James Morrison’s work was full of awe for the natural world, and this documentary does his landscape painting full justice

Scottish painter James Morrison died shortly before the completion of this affectionate documentary about his life and work, and it’s a fitting tribute to an articulate and self-effacing artist with an extraordinary affinity for Scotland’s everchanging land- and seascapes. It’s directed by Anthony Baxter, best known for highlighting the stubborn local resistance resistance to Donald Trump’s golf course in Aberdeenshire with his You’ve Been Trumped films; this is something of a change of pace, while offering a not-dissimilar celebration of a very Scottish style of quiet, unfussy determination.

Morrison’s story is interesting enough – born and raised in Glasgow, the son of ship’s fitter, who settled on the east coast and made epic trips to paint abroad, most notably to the Arctic – but it’s added to here by a plangent late-life twist: he is losing his sight, to the extent he can barely see what he is painting. True to form, Morrison accepted this as uncomplainingly as anything else – “irritating” is the strongest imprecation I can recall – and there’s something inexpressibly moving about the way he strokes a blank sheet of paper taped to his easel as if he can’t wait to get started.

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Golden Globes 2021: Nomadland and The Crown major winners

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Netflix royal drama and Chloe Zhao were toast of the night amid technical difficulties and against background of diversity issues

With spotty wifi, lagging sound and Zoom chaos, the 78th Golden Globes was a half-virtual ceremony once again dominated by British stars but marred by technical difficulties and renewed scrutiny on the awards’ lack of diversity.

Related: The full list of Golden Globes 2021 winners

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Other TV is available: did Netflix sweep the Golden Globes by default?

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The absence of I May Destroy You was the most memorable part of the small-screen awards, where voters had seemingly binged the biggest streaming hits – and little else

It has always been hard to care about the Golden Globes, and God knows that it’s difficult to rouse the enthusiasm to care about anything one year into a pandemic. So, in truth, last night’s special pandemic edition of the Golden Globes – an entertainment awards show made in a year when most entertainment has either been cancelled or postponed – barely even deserves acknowledgment.

In fact, if last night’s show will be remembered for anything at all – which in all honesty seems like a stretch – then it will be the swirl of controversy that engulfed its nominations. In summary: when its shortlists were announced, the best TV show of the year (I May Destroy You) was nowhere to be seen. But the worst TV show of the year (Emily in Paris) was. It’s also worth noting that many lavish treats were gifted to voters by the production a year ago. All that, plus it was just revealed that not a single black person participated in the voting process.

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Sienna Miller: ‘I go in and negotiate as if I’m a man’

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The actor talks about the struggle for pay parity, sympathising with Britney Spears, fond memories of Chadwick Boseman – and her frustration at tabloid headlines overshadowing her work

No excuses for lateness in the era of Zoom, perhaps, but cut Sienna Miller some slack. The 39-year-old has just appeared on This Morning, where she struggled valiantly to pitch her new film Wander Darkly, in which she plays a woman who may or may not have survived a car crash. (“It’s really hard to describe!”) Then she dashed to the bathroom to scrape off all that TV-friendly makeup. Now here she is in her bedroom, with her fresh, non-shiny face framed by bright blond locks. “Like a normal person again,” she says cheerfully. Yeah, right.

Take her current lockdown viewing habits. In between homeschooling Marlowe, her eight-year-old daughter with her former partner Tom Sturridge, and shooting a six-part Netflix thriller, Anatomy of a Scandal, she has been watching the documentary Framing Britney Spears. She identifies with the public suffering of that beleaguered star. She even recognises the faces of individual paparazzo who once hounded and harassed her, too.

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The 20 best Michelle Pfeiffer films – ranked!

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She blazed a trail as gangsters’ molls and slinky lounge acts, then returned from a career break to essay a variety of wicked witches, comic turns and grand dames. Next month she’ll be seen as a penniless heiress in acclaimed comedy French Exit. But which are her best roles?

Kenneth Branagh’s all-star revival of the classic Agatha Christie murder mystery gives us a traditional exotic cross-section of high society (with picturesque servants and bits of rough) on board the snowed-in Orient Express, on which someone has been whacked. The film has Pfeiffer in one of her late-career grande dame roles: the manhunting American widow Mrs Hubbard, which she plays a little softer than Lauren Bacall, who had had the role in the 1974 version. Pfeiffer sang the melancholy Never Forget over the end credits, with lyrics by Branagh.

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Reality bites: Could Jurassic Park actually happen?

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Spielberg might have claimed the 90s classic ‘depends on credibility’ – but with no dinosaur DNA, get set for fewer ferocious beasts and more … chickens

In the Guide’s weekly Solved! column, we look into a crucial pop-culture question you’ve been burning to know the answer to – and settle it, once and for all

Don’t pretend you’ve never thought about it. Yes, yes – there’s the odd teensy downside to populating an island with once-extinct reptiles. Sure, the T rex turns out to show a disregard for road safety. And velociraptors’ approach to hide and seek is frankly unsportsmanlike. But the majestic song of the brachiosaurus! The incredible dino-flocks! The glistening magnificence of Jeff Goldblum’s chest rug! Could Jurassic Park happen in real life?

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Woody Allen denies claims in Allen v Farrow HBO documentary

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The film-maker and wife Soon-Yi Previn claim film is ‘hatchet job riddled with falsehoods’ on abuse allegations

Woody Allen has rebutted renewed allegations, in the HBO documentary Allen v Farrow, that he sexually assaulted his daughter Dylan in 1992, calling the series “a hatchet job riddled with falsehoods”.

In a statement to the Hollywood Reporter, Allen and his wife, Soon-Yi Previn, said that film-makers Amy Ziering and Kirby Dick had “spent years surreptitiously collaborating with the Farrows and their enablers to put together a hatchet job riddled with falsehoods”.

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Ayouni review – a raging lament for Syria’s ‘disappeared’

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Yasmin Fedda’s powerful documentary lays bare the human cost of the Assad regime and salutes those who continue to fight

Director Yasmin Fedda, who is from a Kuwaiti and Syrian background and lectures in film at Queen Mary University of London, has created a powerful and urgent documentary tribute to those who have been “forcibly disappeared” by the Assad regime in Syria, estimated to be around 150,000 since 2011.

Fedda focuses on two people: dissident writer and computer programmer Bassel Khartabil, who was abducted in October 2015 in Damascus, and Father Paolo Dall’Oglio, the hugely popular and admired Christian priest who was taken in July 2013 in Raqqa. She uses existing video of these two, from various family members and organisations, along with her own footage showing the campaigns of the loved ones left behind with their burden of anguish and their need to battle on and bring these crimes to the world’s attention.

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Kate Winslet: ‘I’ve been asked so many times about the intimate scenes’

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Kate Winslet on facing down misogyny in film, strange lockdown habits and the unexpected joys of fossil hunting

A man is adjusting the angle of his laptop. “Hello!” he waves. Is that a dishwasher behind him? A little wooden knick-knack, painted with “Let’s Dance” in a jaunty font, balances on an Aga. I have landed in a cheery overlit garage, somewhere on the south coast. And then the nice man moves to the side and bloody hell there’s Kate Winslet. Movie-star Kate Winslet – “Hiya!” – in a smart black jacket with her hair tied back, and that famous smile where it looks like she’s trying not to laugh at a filthy joke.

The man is her husband, Ned [Abel Smith, previously Ned Rocknroll] and the garage is their “little barn”. “It’s not actually a particularly nice little barn,” she says, her energy very much that of a kindly lady doing your bra fitting at Marks & Spencer – I like her immediately. “But over here, can you see the amazing sink? That’s from the set of Mildred Pierce. It’s got shit taps. But I do like to try to take a little something from my films. I took all the curtains from the cottage in The Holiday…” Her children, Mia (20, her daughter with her first husband Jim Threapleton), Joe (16, from her second marriage, to Sam Mendes) and Bear (born in 2013 soon after she married Ned) keep cutting them up, smaller and smaller: “To, like, upcycle their jeans. Also, I did a film called All the King’s Men where Jude Law and I had to do this snogging scene at a table, where we snog, snog, snogged our socks off. And it was so fabulous. As the scene was happening I kept thinking: ‘I’m going to have to buy this table.’ So I did!”

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Khashoggi confidant Omar Abdulaziz: ‘I’m worried about the safety of the people of Saudi Arabia’

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The close associate of the journalist killed by the Saudi regime is determined to speak out in a new documentary, despite the arrest of family members

Not long before he was murdered, the journalist Jamal Khashoggi told his young friend Omar Abdulaziz two things that have subsequently never been far from his thoughts. The first was: “Never forget, your words matter.” And the second: “Be careful, this kind of work might get you killed.”

Omar Abdulaziz, 29, lives in exile in Montreal, Canada, where he has been, before and after Khashoggi’s death, among the most vocal critics of the Saudi regime that killed his friend. His words do matter – his tweets have been viewed nearly a billion times in the past year; he has an almost daily YouTube programme that has clocked up 45m views. And he is left in no doubt of their potential consequence: death threats are routine; both of his younger brothers and dozens of his friends have been arrested and imprisoned in Saudi Arabia in failed attempts to silence him.

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Claes Bang: ‘Could I do Bond? No, I’d be too old’

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The Danish actor, 53, on multilingualism, nudity, the joy of being in a band and why playing Dracula was such a gift of a role

My schooling in Denmark was quite a mess. I went to something like eight or nine primary schools. My parents moved around a lot and then they got divorced. I had new classmates every Monday.

We did a play in high school. Someone said, “Would you like to be in it?” and I said, “How could I? I’m not an actor.” They said, “Let’s just try, it might work.” I was terrified of applying to drama school. I was sure they would say: “Thank you very much for coming, but no thanks.” I was lucky to have been accepted.

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Sacha Baron Cohen: ‘If you’re protesting against racism, you’re going to upset some racists’

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Stopping Trump, reforming Facebook and risking his life to make a Borat sequel. In an exclusive interview, the actor unveils his plans for a revolution – and reveals how it feels to come out as himself

Seven months ago, Sacha Baron Cohen was in the back of a speeding ambulance. It was an escape car, and he was fleeing a gun rally. The Borat producers had chosen the ambulance as it could blend in, accommodate a small film crew and, if necessary, hasten a trip to hospital.

Baron Cohen – dressed as Borat, himself disguised as a country singer – had just led the crowd of far-right conspiracy theorists in a singalong. At first, they happily joined in: “Obama, what we gonna do? / Inject him with the Wuhan flu.” Then one or two smelled a rat. Then they all stormed the stage.

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‘You can smell the sweat and hair gel’: the best nightclub scenes from culture

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Writers and artists including Róisín Murphy, Tiffany Calver and Sigala on the art that transports them to the dancefloor during lockdown

There have been many notable nightclubs in film history. The Blue Angel in the Marlene Dietrich movie; the Copacabana in Goodfellas, accessible to privileged wiseguys via the kitchen; the Slow Club in Blue Velvet, with the emotionally damaged star turn Isabella Rossellini singing the song of the same name.

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‘People want imperfection’: Hiam Abbass on Succession, Ramy and playing complex women

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She is enigmatic Marcia Roy in Succession, but as the Egyptian-American mother in the award-winning Ramy, she’s a hoot. The Palestinian actor examines her many-layered roles

You would be hard pressed to find two TV characters in 2021 with less in common than Marcia Roy and Maysa Hassan. The former is the enigmatic, sophisticated wife of billionaire patriarch Logan Roy in the HBO hit Succession. While the series is dominated by huge personalities, she is a mysterious presence – albeit one who is despised by Logan’s children. The latter, on the other hand, is an open book – the unfiltered, sometimes offensively so, Egyptian-American mother of the title character in the Golden Globe-winning comedy Ramy.

But they are played by the same actor, Hiam Abbass, whose ability to switch from calamity to calm speaks to a varied career across theatre, cinema and, latterly, award-winning television series. Though she has lived in Paris since the late 80s, the Palestinian actor was born in Nazareth, Israel, and started her career with the then-burgeoning Palestinian National Theatre, El-Hakawati. Though the company toured Europe, it was far from an easy existence back at home. “The Israeli authorities didn’t like all of the activities happening at our theatre,” explains Abbass, a warm presence who is fluent in English, Arabic, French and Hebrew. “They would come in and close it down. Part of my work there was dealing with how, politically, we could stay open. Travelling to Europe opened my eyes a little to the possibility of breathing some different air. It was hard to work all the time to justify your being.”

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