Covid curfew and clock change threaten to call time on Spain’s drive-in cinemas

Country’s oldest autocine is calling for exemption from 10pm rule so it can survive summer’s later sunsets

At 7.30 on Friday evening, Godzilla and King Kong are scheduled to converge on a large lot in eastern Spain to trade blows and bellows, rip fistfuls of fur and scales off each other and generally wreak CGI havoc for an appreciative, car-bound audience.

Their titanic sparring, however, could be short-lived. This weekend, the wading reptilian metaphor for atomic warfare and the conflicted, skyscraper-bothering ape could find themselves cowed by the setting sun, the changing of the clocks and the local coronavirus curfew.

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Oscars ‘no Zoom’ policy proving a headache for overseas nominees

Publicists and studio executives have reportedly complained about logistics, costs and quarantine issues

The “no Zoom” policy for this year’s Oscars ceremony is proving a headache for multiple nominees who live outside the United States and who are still under pandemic restrictions, according to Hollywood publications.

Variety and Deadline Hollywood reported on Wednesday that publicists and some studio executives have complained to the film academy about logistics, costs and quarantine issues raised by the decision to bar nominees from taking part in the ceremony remotely.

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Nobody review – Bob Odenkirk betters John Wick in fun action caper

The Better Call Saul star gets a furiously entertaining star vehicle playing a suburban father who finds himself up against the Russian mob

For any vaguely fit actor over the age of 50, being given your own Taken was briefly seen as an enviable career boost, a chance to relive former glories, a slickly choreographed leap from an early Hollywood grave back to the sandlot. Ever since Liam Neeson swapped emoting for punching back in 2008, Kevin Costner, Sean Penn, John Travolta, Pierce Brosnan and Guy Pearce all tried to do the same but audiences wisely stayed away from their sub-par shoot-em-ups and execs were forced to realise that, duh, it’s the star rather than the sub-genre that people are magnetically drawn to. Because Neeson’s shtick was continuing to bring in solid crowds while his peers were flailing and in 2014, Keanu Reeves found a similar sweet spot with John Wick, kicking off a hugely profitable new series with a Taken-adjacent combination of simple action plot and much-loved actor.

Related: Chaos Walking review – cursed YA adaptation stumbles into view

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‘What appointments did these dogs have to keep?’: long lunches and brief liaisons in a radical new dogumentary

To mark National Puppy Day, Elizabeth Lo’s acclaimed film Stray gives humans rare insight into the canine gaze, courtesy of homeless mutts in Istanbul

From the moment Zeytin makes her first appearance in Elizabeth Lo’s feature Stray, there is no doubt you are in the presence of a unique spirit. As she surveys an Istanbul side street at dawn, her features are alert, her gaze is uncompromising and her deep, dark eyes sparkle with intelligence. There’s something of Katharine Hepburn in The African Queen about her, or maybe Brad Pitt in one of his less kempt moments. But non-dog comparisons don’t do her justice. This is one indomitable bitch.

Lo first encountered Zeytin and her friend Nazar on a 2017 casting trip to Turkey, and knew immediately that she had found the star she was looking for – which is to say, a dog who could carry a human film. “We were wandering through a busy underground tunnel filled with people when suddenly these two giant stray dogs streaked past us,” she says. “They were running with such a sense of purpose and it was so intriguing. What appointments did these dogs have to keep?”

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‘Wife No 5 is the last’: Back to the Future’s Christopher Lloyd on love and life

In 1984, Lloyd was playing a Klingon in Star Trek; today he’s William Shatner’s friend in the romcom Senior Moment. Soon, he will be King Lear. Is there a logic to his apparently chaotic career?

It seems appropriate for a man whose most famous role had him struggling with the nature of time that Christopher Lloyd arrives for our interview half an hour late and somewhat flustered. He had been under the impression it was happening the next day. Back to the Future indeed. But Lloyd soon gathers himself, flashing Doc Brown’s trademark wicked grin.

Sadly, the problems don’t stop there – Zoom is playing havoc with his hearing aid, so we have to rely on the skill and patience of his wife, Lisa, to pass on all questions. Which brings us neatly to the reason for our chat – his new film, Senior Moment, in which he stars with Jean Smart and William Shatner, who play a pair of older star-crossed lovers in this decidedly old-school romcom. “I enjoy playing characters of the age that I have now,” says Lloyd, 82. “I mean, they’re just as interesting as younger characters.” Indeed, Lloyd has been playing them for some time – it’s hard to believe he was only 47 when he starred in Back to the Future. “I haven’t been cast as an elderly lover yet, though,” he laughs. Instead, he’s playing Shatner’s best friend.

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‘We needed to rescue the nation from despair’: culture’s year of Covid

Comedians went virtual, Ai Weiwei went to Portugal – and Bake Off pledged the show would go on. In the first of a two-part series, cultural figures look back on a year that shook their industry

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‘I have picked people up on the street’: the secret life of architect Alvar Aalto

He built wild, magical buildings and furniture that is still thrilling today. But a new film suggests the celebrated Finn was also a domineering philanderer deeply indebted to his talented wives

Wonky lumps of misshapen, scorched bricks burst from a block of student flats in Cambridge, Massachusetts, giving a warty look to the long wall that winds its way along the Charles River. “The lousiest bricks in the world,” is how Finnish architect Alvar Aalto described the local New England materials he used for his Baker House dorms at the Massachusetts Institute of Technology in 1947. It was meant as a compliment – he loved their twisted, blackened, brutish texture, which gave the walls the look of coarse tweed.

The pockmarked wall is one of many such strange and beautiful things covered in a new feature-length documentary film about Aalto, Finland’s most famous designer export and one of the most celebrated architects of the 20th century, who built a career on his obsessive attention to material details. Always thinking about the human experience of moving through a building, he considered everything from the feel of a leather-wrapped door handle to the pleasure of a misshapen brick.

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On my radar: Monique Roffey’s cultural highlights

The Costa-winning author on enjoying Sade with a glass of wine, Line of Duty and why the Caribbean’s female writers need to be heard

Monique Roffey is an award-winning writer born in Trinidad in 1965 whose novels include The White Woman on a Green Bicycle and House of Ashes, which were shortlisted, respectively, for the Orange and the Costa prizes. She is also a senior lecturer at Manchester Writing School. Her sixth novel, The Mermaid of Black Conch, won the Costa book of the year and is shortlisted for the 2021 Rathbones Folio prize, announced on 24 March.

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‘It’s wild!’ Carey Mulligan and Emerald Fennell on making Oscars history

Promising Young Woman’s five nods include the first for a female British director. Its star and writer-director discuss telling women’s stories, tackling difficult subjects – and feeling shellshocked

Promising Young Woman is audacious from the off. A genre-bending revenge thriller, it ricochets between romcom and horror to radical and unsettling effect. Carey Mulligan plays Cassie, a medical school drop-out traumatised by the assault of her best friend. By day, she works in a coffee shop; by night, she fakes blackout drunkenness in bars. If “nice guys” take advantage, Cassie snaps open her sober eyes to teach them a lesson.

The film made history this week, landing five Oscars nominations: picture, editing and actress (Mulligan’s second run at the award), as well as original screenplay and director for Emerald Fennell. With her debut feature, Fennell has become the first British woman to be nominated for the director prize. This is the first year in which two women (Fennell and Nomadland’s Chloe Zhou) are in the running; they are only the sixth and seventh women to be shortlisted.

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Oscars 2021 ceremony will be in-person and Zoom-free, producers say

Academy Awards producers have insisted video-link will ‘not be an option’ for attendees in the wake of ratings slumps for other recent major awards shows

The Oscars ceremony in April will be an intimate, in-person gathering, held without Zoom and limited to nominees, presenters and their guests, the producers said on Thursday.

Due to the coronavirus pandemic, events to hand out the highest honours in the film industry will held at both the Union Station in downtown Los Angeles and the traditional home of the Academy Awards at the Dolby Theatre in Hollywood.

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Actor Armie Hammer under investigation for 2017 sexual assault allegation

The accuser, known as Effie, was 20 at the time and claims she briefly dated the Call Me by Your Name star while he was married

The actor Armie Hammer is under investigation for sexual assault, Los Angeles police said Thursday.

Hammer is the main suspect in a sexual assault that was reported to police on 3 February, an LAPD spokesperson said. Police did not give further details.

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‘Two boys snogging was revolutionary’: the greatest gay moments in cinema

From Gus Van Sant to Maryam Keshavarz, Terence Davies to Andrew Haigh, film-makers and writers recall the charged scenes that moved and inspired them – and even helped nudge them out of the closet

Gus Van Sant, director of My Own Private Idaho, Good Will Hunting, To Die For, Milk

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Demi Lovato says she was raped as a teenager by someone she knew

In a new docuseries, the singer says she was assaulted as a teen and after telling somebody, the rapist ‘never got taken out of the movie they were in’

Demi Lovato has said she was raped as a teenager while working for the Disney Channel in the late 2000s by someone who faced no repercussions when she revealed what happened. The singer does not say who the offender was, only that she “had to see this person all the time” afterwards.

Related: Demi Lovato says she had three strokes and heart attack after 2018 overdose

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Nest of Vampires review – a bloodless bid for the title of worst film ever

This horror story about an MI5 agent and a gang supplying girls for ritual sacrifice is on a par with the monumentally terrible Plan 9 from Outer Space

There are bad movies, the kind of third-rate film-making we see all the time, and then there are transcendentally bad movies that can only result from deep, fanatical attachment to the material. Director, writer and producer Chris Sanders here achieves something on a par with Ed Wood’s Plan 9 from Outer Space or Tommy Wiseau’s The Room. His Nest of Vampires is a little-England horror-thriller with a plot as over-larded as an Elvis sandwich, uniformly appalling acting, and the same almost beatific earnestness as those two legendary films.

MI5 agent Kit Valentine (Tom Fairfoot) leaves his London stamping ground to shake down some unnamed English town for a human trafficking ring that – after his wife is murdered – has abducted his daughter. He needs to get a move on, because the network sells off the girls to moneyed clients to butcher in satanic rituals. Not racy enough? Some of the criminals are also vampires who like a “nibble” on the customers. And Valentine is further up against it when his bosses reveal they are in cahoots. Tied to a chair, though, he has news for them: “You’re not the only secret society that operates within MI5.” Then his own canines turn extra-pointy.

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Allen v Farrow review – a one-note pick over the bones of old investigations

The HBO series arrives on Sky in the UK, but fails to dig deep and do more than regurgitate Mia and Dylan Farrow’s allegations against Woody Allen

Eight months after his relationship with not-quite-stepdaughter Soon-Yi was revealed in 1992, Woody Allen was accused of sexually abusing Dylan Farrow, his younger daughter with his partner Mia Farrow, when she was seven. Allen strongly denied all the allegations, as he has continued to do over the nearly 30 years since. But they fell on fertile soil. How could a man who could start an affair with his partner’s daughter not be capable of just about anything else, the argument went? A welter of publicity followed, claims (that no mother, especially one as devoted as Farrow, could possibly make such a thing up), counterclaims (that in fact she had done so, that Dylan was coached – which she denies, and that it was all an act of vengeance for the Soon-Yi affair), along with gossip and hearsay proliferated.

Dylan and her brother Ronan Farrow began speaking about the matter publicly themselves in 2014. This has disinterred old battle lines and occasioned new accounts from people who were close to the family at the time and from Moses, another of the Farrow children, which contradict either things they said at the time or the saintly mother narrative that seemed the most natural one. Meanwhile, doctors examined Dylan at the time and found no evidence to support Farrow’s contention, and Allen was investigated by the Yale New Haven hospital’s child sexual abuse clinic and the New York State’s social services department, who reached similar conclusions.

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Canadian lobbyists attack Netflix children’s film for ‘anti-oil propaganda’

Canadian Energy Centre, funded by Alberta government, says Bigfoot Family ‘brainwashes’ youngsters and ‘peddles lies’

The animated film Bigfoot Family has come under fire in Canada – but not because of its stilted dialogue or confusing plot.

Instead, a government-funded lobbying group has targeted the movie – a fantasy epic featuring a human family whose father is Bigfoot – on the grounds that it “peddles lies” about the oil and gas industry.

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While We Are Here review – enigmatic study of romance is hard to love

There is an avant-garde bravery to this international love story – but how can we invest in protagonists we never see?

Here is a thought-experiment of a movie from Brazilian film-makers Clarissa Campolina and Luiz Pretti: it’s a dramatic essay, or docu-fictional romance, or perhaps the cinematic equivalent of an epistolary novel, and it has been much admired on the festival circuit.

Related: Streaming: indie films from Latin America

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Lady Gucci is just the latest guise of the ever transmutable Lady Gaga

Pop singer, activist, art installation, actor, Stefani Germanotta has taken on many faces

Like Lon Chaney, the great silent actor known as “The Man of a Thousand Faces”, Lady Gaga has traversed roles, from music to fashion to film to politics, transmuting with creative fluidity but remaining – sometimes with defiance – the girl next door.

Last week, the 34-year-old star – days after retrieving her two French bulldogs from a dognapping in which her walker was shot and injured – posted a photo of herself beside actor Adam Driver in which she was wearing a white fur hat and was draped in gold jewellery. It was a publicity shot from Ridley Scott’s House of Gucci, a forthcoming film based on the story of Patrizia Reggiani, aka the Black Widow (played by Gaga), who married – and later had killed – Maurizio Gucci, head of the luxury fashion house.

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On my radar: Aidan Moffat’s cultural highlights

The Arab Strap vocalist on late-night horror chats with his mum, spending time with Alan Partridge, and bingeing on Succession

Born in Falkirk, Scotland, in 1973, Aidan Moffat is the vocalist of indie rock band Arab Strap, which he founded in 1995 with Malcolm Middleton. Characterised by Moffat’s half-spoken vocals over lo-fi instrumentation, the band gained international acclaim with 1996 single The First Big Weekend; they went on to release six studio albums before splitting in 2006 and reforming in 2016. Since 2002, Moffat has released music under the name L Pierre, and collaborated with artists including Mogwai and Bill Wells. Arab Strap’s first album in 16 years, As Days Get Dark, is was released this month on Rock Action.

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Actor strips at ‘French Oscars’ in protest at closure of theatres and cinemas

Corinne Masiero criticises coronavirus strategy with words ‘no culture no future’ on her chest

A French actor stripped naked on stage during a scaled-back César Awards ceremony in Paris to protest against the government’s closure of theatres and cinemas during the coronavirus pandemic.

Corinne Masiero had “no culture no future” written on her chest and “give us art back Jean” on her back, in a message to the prime minister, Jean Castex.

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