Category Archives: Film

Eye of the Storm review – moving film about Scottish painter in love with nature

Posted on by

James Morrison’s work was full of awe for the natural world, and this documentary does his landscape painting full justice

Scottish painter James Morrison died shortly before the completion of this affectionate documentary about his life and work, and it’s a fitting tribute to an articulate and self-effacing artist with an extraordinary affinity for Scotland’s everchanging land- and seascapes. It’s directed by Anthony Baxter, best known for highlighting the stubborn local resistance resistance to Donald Trump’s golf course in Aberdeenshire with his You’ve Been Trumped films; this is something of a change of pace, while offering a not-dissimilar celebration of a very Scottish style of quiet, unfussy determination.

Morrison’s story is interesting enough – born and raised in Glasgow, the son of ship’s fitter, who settled on the east coast and made epic trips to paint abroad, most notably to the Arctic – but it’s added to here by a plangent late-life twist: he is losing his sight, to the extent he can barely see what he is painting. True to form, Morrison accepted this as uncomplainingly as anything else – “irritating” is the strongest imprecation I can recall – and there’s something inexpressibly moving about the way he strokes a blank sheet of paper taped to his easel as if he can’t wait to get started.

Continue reading...

Golden Globes 2021: Nomadland and The Crown major winners

Posted on by

Netflix royal drama and Chloe Zhao were toast of the night amid technical difficulties and against background of diversity issues

With spotty wifi, lagging sound and Zoom chaos, the 78th Golden Globes was a half-virtual ceremony once again dominated by British stars but marred by technical difficulties and renewed scrutiny on the awards’ lack of diversity.

Related: The full list of Golden Globes 2021 winners

Continue reading...

Other TV is available: did Netflix sweep the Golden Globes by default?

Posted on by

The absence of I May Destroy You was the most memorable part of the small-screen awards, where voters had seemingly binged the biggest streaming hits – and little else

It has always been hard to care about the Golden Globes, and God knows that it’s difficult to rouse the enthusiasm to care about anything one year into a pandemic. So, in truth, last night’s special pandemic edition of the Golden Globes – an entertainment awards show made in a year when most entertainment has either been cancelled or postponed – barely even deserves acknowledgment.

In fact, if last night’s show will be remembered for anything at all – which in all honesty seems like a stretch – then it will be the swirl of controversy that engulfed its nominations. In summary: when its shortlists were announced, the best TV show of the year (I May Destroy You) was nowhere to be seen. But the worst TV show of the year (Emily in Paris) was. It’s also worth noting that many lavish treats were gifted to voters by the production a year ago. All that, plus it was just revealed that not a single black person participated in the voting process.

Continue reading...

Sienna Miller: ‘I go in and negotiate as if I’m a man’

Posted on by

The actor talks about the struggle for pay parity, sympathising with Britney Spears, fond memories of Chadwick Boseman – and her frustration at tabloid headlines overshadowing her work

No excuses for lateness in the era of Zoom, perhaps, but cut Sienna Miller some slack. The 39-year-old has just appeared on This Morning, where she struggled valiantly to pitch her new film Wander Darkly, in which she plays a woman who may or may not have survived a car crash. (“It’s really hard to describe!”) Then she dashed to the bathroom to scrape off all that TV-friendly makeup. Now here she is in her bedroom, with her fresh, non-shiny face framed by bright blond locks. “Like a normal person again,” she says cheerfully. Yeah, right.

Take her current lockdown viewing habits. In between homeschooling Marlowe, her eight-year-old daughter with her former partner Tom Sturridge, and shooting a six-part Netflix thriller, Anatomy of a Scandal, she has been watching the documentary Framing Britney Spears. She identifies with the public suffering of that beleaguered star. She even recognises the faces of individual paparazzo who once hounded and harassed her, too.

Continue reading...

The 20 best Michelle Pfeiffer films – ranked!

Posted on by

She blazed a trail as gangsters’ molls and slinky lounge acts, then returned from a career break to essay a variety of wicked witches, comic turns and grand dames. Next month she’ll be seen as a penniless heiress in acclaimed comedy French Exit. But which are her best roles?

Kenneth Branagh’s all-star revival of the classic Agatha Christie murder mystery gives us a traditional exotic cross-section of high society (with picturesque servants and bits of rough) on board the snowed-in Orient Express, on which someone has been whacked. The film has Pfeiffer in one of her late-career grande dame roles: the manhunting American widow Mrs Hubbard, which she plays a little softer than Lauren Bacall, who had had the role in the 1974 version. Pfeiffer sang the melancholy Never Forget over the end credits, with lyrics by Branagh.

Continue reading...

Reality bites: Could Jurassic Park actually happen?

Posted on by

Spielberg might have claimed the 90s classic ‘depends on credibility’ – but with no dinosaur DNA, get set for fewer ferocious beasts and more … chickens

In the Guide’s weekly Solved! column, we look into a crucial pop-culture question you’ve been burning to know the answer to – and settle it, once and for all

Don’t pretend you’ve never thought about it. Yes, yes – there’s the odd teensy downside to populating an island with once-extinct reptiles. Sure, the T rex turns out to show a disregard for road safety. And velociraptors’ approach to hide and seek is frankly unsportsmanlike. But the majestic song of the brachiosaurus! The incredible dino-flocks! The glistening magnificence of Jeff Goldblum’s chest rug! Could Jurassic Park happen in real life?

Continue reading...

Woody Allen denies claims in Allen v Farrow HBO documentary

Posted on by

The film-maker and wife Soon-Yi Previn claim film is ‘hatchet job riddled with falsehoods’ on abuse allegations

Woody Allen has rebutted renewed allegations, in the HBO documentary Allen v Farrow, that he sexually assaulted his daughter Dylan in 1992, calling the series “a hatchet job riddled with falsehoods”.

In a statement to the Hollywood Reporter, Allen and his wife, Soon-Yi Previn, said that film-makers Amy Ziering and Kirby Dick had “spent years surreptitiously collaborating with the Farrows and their enablers to put together a hatchet job riddled with falsehoods”.

Continue reading...

Ayouni review – a raging lament for Syria’s ‘disappeared’

Posted on by

Yasmin Fedda’s powerful documentary lays bare the human cost of the Assad regime and salutes those who continue to fight

Director Yasmin Fedda, who is from a Kuwaiti and Syrian background and lectures in film at Queen Mary University of London, has created a powerful and urgent documentary tribute to those who have been “forcibly disappeared” by the Assad regime in Syria, estimated to be around 150,000 since 2011.

Fedda focuses on two people: dissident writer and computer programmer Bassel Khartabil, who was abducted in October 2015 in Damascus, and Father Paolo Dall’Oglio, the hugely popular and admired Christian priest who was taken in July 2013 in Raqqa. She uses existing video of these two, from various family members and organisations, along with her own footage showing the campaigns of the loved ones left behind with their burden of anguish and their need to battle on and bring these crimes to the world’s attention.

Continue reading...

Kate Winslet: ‘I’ve been asked so many times about the intimate scenes’

Posted on by

Kate Winslet on facing down misogyny in film, strange lockdown habits and the unexpected joys of fossil hunting

A man is adjusting the angle of his laptop. “Hello!” he waves. Is that a dishwasher behind him? A little wooden knick-knack, painted with “Let’s Dance” in a jaunty font, balances on an Aga. I have landed in a cheery overlit garage, somewhere on the south coast. And then the nice man moves to the side and bloody hell there’s Kate Winslet. Movie-star Kate Winslet – “Hiya!” – in a smart black jacket with her hair tied back, and that famous smile where it looks like she’s trying not to laugh at a filthy joke.

The man is her husband, Ned [Abel Smith, previously Ned Rocknroll] and the garage is their “little barn”. “It’s not actually a particularly nice little barn,” she says, her energy very much that of a kindly lady doing your bra fitting at Marks & Spencer – I like her immediately. “But over here, can you see the amazing sink? That’s from the set of Mildred Pierce. It’s got shit taps. But I do like to try to take a little something from my films. I took all the curtains from the cottage in The Holiday…” Her children, Mia (20, her daughter with her first husband Jim Threapleton), Joe (16, from her second marriage, to Sam Mendes) and Bear (born in 2013 soon after she married Ned) keep cutting them up, smaller and smaller: “To, like, upcycle their jeans. Also, I did a film called All the King’s Men where Jude Law and I had to do this snogging scene at a table, where we snog, snog, snogged our socks off. And it was so fabulous. As the scene was happening I kept thinking: ‘I’m going to have to buy this table.’ So I did!”

Continue reading...

Khashoggi confidant Omar Abdulaziz: ‘I’m worried about the safety of the people of Saudi Arabia’

Posted on by

The close associate of the journalist killed by the Saudi regime is determined to speak out in a new documentary, despite the arrest of family members

Not long before he was murdered, the journalist Jamal Khashoggi told his young friend Omar Abdulaziz two things that have subsequently never been far from his thoughts. The first was: “Never forget, your words matter.” And the second: “Be careful, this kind of work might get you killed.”

Omar Abdulaziz, 29, lives in exile in Montreal, Canada, where he has been, before and after Khashoggi’s death, among the most vocal critics of the Saudi regime that killed his friend. His words do matter – his tweets have been viewed nearly a billion times in the past year; he has an almost daily YouTube programme that has clocked up 45m views. And he is left in no doubt of their potential consequence: death threats are routine; both of his younger brothers and dozens of his friends have been arrested and imprisoned in Saudi Arabia in failed attempts to silence him.

Continue reading...

Claes Bang: ‘Could I do Bond? No, I’d be too old’

Posted on by

The Danish actor, 53, on multilingualism, nudity, the joy of being in a band and why playing Dracula was such a gift of a role

My schooling in Denmark was quite a mess. I went to something like eight or nine primary schools. My parents moved around a lot and then they got divorced. I had new classmates every Monday.

We did a play in high school. Someone said, “Would you like to be in it?” and I said, “How could I? I’m not an actor.” They said, “Let’s just try, it might work.” I was terrified of applying to drama school. I was sure they would say: “Thank you very much for coming, but no thanks.” I was lucky to have been accepted.

Continue reading...

Sacha Baron Cohen: ‘If you’re protesting against racism, you’re going to upset some racists’

Posted on by

Stopping Trump, reforming Facebook and risking his life to make a Borat sequel. In an exclusive interview, the actor unveils his plans for a revolution – and reveals how it feels to come out as himself

Seven months ago, Sacha Baron Cohen was in the back of a speeding ambulance. It was an escape car, and he was fleeing a gun rally. The Borat producers had chosen the ambulance as it could blend in, accommodate a small film crew and, if necessary, hasten a trip to hospital.

Baron Cohen – dressed as Borat, himself disguised as a country singer – had just led the crowd of far-right conspiracy theorists in a singalong. At first, they happily joined in: “Obama, what we gonna do? / Inject him with the Wuhan flu.” Then one or two smelled a rat. Then they all stormed the stage.

Continue reading...

‘You can smell the sweat and hair gel’: the best nightclub scenes from culture

Posted on by

Writers and artists including Róisín Murphy, Tiffany Calver and Sigala on the art that transports them to the dancefloor during lockdown

There have been many notable nightclubs in film history. The Blue Angel in the Marlene Dietrich movie; the Copacabana in Goodfellas, accessible to privileged wiseguys via the kitchen; the Slow Club in Blue Velvet, with the emotionally damaged star turn Isabella Rossellini singing the song of the same name.

Continue reading...

‘People want imperfection’: Hiam Abbass on Succession, Ramy and playing complex women

Posted on by

She is enigmatic Marcia Roy in Succession, but as the Egyptian-American mother in the award-winning Ramy, she’s a hoot. The Palestinian actor examines her many-layered roles

You would be hard pressed to find two TV characters in 2021 with less in common than Marcia Roy and Maysa Hassan. The former is the enigmatic, sophisticated wife of billionaire patriarch Logan Roy in the HBO hit Succession. While the series is dominated by huge personalities, she is a mysterious presence – albeit one who is despised by Logan’s children. The latter, on the other hand, is an open book – the unfiltered, sometimes offensively so, Egyptian-American mother of the title character in the Golden Globe-winning comedy Ramy.

But they are played by the same actor, Hiam Abbass, whose ability to switch from calamity to calm speaks to a varied career across theatre, cinema and, latterly, award-winning television series. Though she has lived in Paris since the late 80s, the Palestinian actor was born in Nazareth, Israel, and started her career with the then-burgeoning Palestinian National Theatre, El-Hakawati. Though the company toured Europe, it was far from an easy existence back at home. “The Israeli authorities didn’t like all of the activities happening at our theatre,” explains Abbass, a warm presence who is fluent in English, Arabic, French and Hebrew. “They would come in and close it down. Part of my work there was dealing with how, politically, we could stay open. Travelling to Europe opened my eyes a little to the possibility of breathing some different air. It was hard to work all the time to justify your being.”

Continue reading...

White Colour Black review – Dudley O’Shaughnessy is one to watch

Posted on by

The boxer turned actor anchors this tale of a UK photographer who travels to Senegal after the death of his estranged father

British-Nigerian director Joseph Adesunloye’s feature debut – made in 2016 but only now seeing the light of day – is the story of a London photographer travelling to Senegal for his father’s funeral. It’s a drifting movie, not entirely successful but grounded by the undeniable screen presence of boxer turned model turned actor Dudley O’Shaughnessy. (He was in the recent season of Top Boy; in his modelling days he appeared opposite Rihanna in the video for We Found Love.)

Here he plays Leke, a fashion photographer living the dream in Hackney; home is a loft-style flat overlooking the city and Leke is about to open a major show in China. The film begins with a couple of fake-feeling gallery scenes, everyone head-to-toe in black and air-kissing with extravagant mwah-mwahs (this is the art world recognisable from other movies rather than real life). Despite his success, Leke seems detached from his life in London. He is also ignoring telephone messages from Senegal, where his father is seriously ill. When the inevitable call comes – his dad has died – Leke flies to Dakar. A family friend has arranged for a taxi driver to be his guide. “What do you speak? French? Wolof?” Leke shakes his head no. “Mon ami,” says the guy. “Tu est perdu. You are really, really lost.”

Continue reading...

Digger review – family tensions are unearthed in slow-burn Greek drama

Posted on by

A corporate destruction project offers a symbolic backdrop for this poignant drama about a father-son relationship

Its plot featuring a giant mining corporation known as “the monster” tearing up the landscape and causing bitter division among the hard-drinking local populace, this handsomely shot drama could be taking place in rust-belt America. But this is backwoods Greece, where forest rancher Nikitas (Vangelis Mourikis), first seen fending off a landslide caused by the miners’ activities, is fighting a running battle to keep them from despoiling the haven he loves. A motorbike throttle at midnight announces the arrival of his estranged son Johnny (Argyris Pandazaras), whose need to claim his inheritance adds to the pressure on Nikitas to ship out.

Related: Europe in 25 films: the critics’ choice

Continue reading...

Kim Novak on Hitchcock, Sinatra and why she turned her back on Hollywood to paint

Posted on by

Kim Novak starred in Vertigo – voted the best film ever made – but knew she was too fragile for fame. She talks about her tough childhood, the sensitive side of Sinatra and starting again in her forties

Kim Novak apologises for the mess. And, to be fair, the studio at her Oregon home is fabulously messy. Behind her are a couple of canvases she has been working on; to the left and right, all sorts of all sorts. At the back of the room, her rescue dog, Patches, lies on a sofa, half snoozing, half listening. Occasionally, Sadie Ann, her husband’s pudelpointer, wanders in, sniffs around and leaves.

Novak, who turned 88 two days ago, is so much more than a Hollywood legend. The star of Hitchcock’s Vertigo is a wonderful artist, a mental health activist (she is proudly bipolar), an anti-bullying campaigner, a vet’s assistant and one of the greatest life forces I’ve spoken to.

Continue reading...

Music review – Sia’s tone-deaf treatment of autism

Posted on by

In the singer-songwriter’s simplistic directorial debut, a cartoonish portrayal of autism clashes with a tale of addiction

For many years, Australian pop star Sia has hidden behind a fringe that covers her eyes. Using actors instead of starring in her own music videos, she has preferred not to centre herself. Yet her directorial debut appears to draw from her own experiences with addiction; its protagonist Zu (a near-bald Kate Hudson) is a recovering alcoholic. This is confusing, given that the film’s title refers to her non-speaking, neurodivergent younger sister Music (Maddie Ziegler), whose main purpose is to absolve Zu from her troubled past.

Ziegler, who appeared on the reality TV show Dance Moms, and features in some of Sia’s best-known videos (including Chandelier and Elastic Heart), is not herself on the autistic spectrum. It’s a problem, especially given the cartoonishness of her portrayal, which sees her gurning, grimacing and mumbling through her scenes. Music uses an augmentative and alternative communication device to translate rudimentary expressions such as “I am happy” and “I am sad”. Her interior world is just as simplistic, conveyed via goofy musical interludes rendered in childlike primary colours and abstract shapes. The lyrics, jaunty platitudes about Music’s “magic mind” and failing body, are offensive too. These self-consciously upbeat moments clash horribly with the wider redemption narrative.

Continue reading...

52 perfect romcoms for Valentine’s day in lockdown

Posted on by

For Richard Curtis it’s Gregory’s Girl, Gurinder Chadha prefers Tootsie and Katy Brand goes for Dirty Dancing. Whatever your relationship status, here are the film and TV romances to curl up with

When I wrote Four Weddings and a Funeral, I wanted it to be half as good as Gregory’s Girl. John Gordon-Sinclair is so natural, and his best friend, Robert Buchanan, is the funniest movie best friend ever. Then it has the most brilliant plot twist and the definitive final romantic conversation with Clare Grogan, dancing on her back under a tree. If anyone’s thinking of writing a romantic comedy, this is the place to start: not with Hollywood stars and pop songs, but with the low-key, local, truthful bliss of Bill Forsyth’s first masterpiece. Richard Curtis, screenwriter and director

Continue reading...

Belinda Carlisle’s teenage obsessions: ‘I was going to be Anita Ekberg in Rome, but ended up in a band’

Posted on by

The singer recalls the joy of 60s California pop, being enthralled by Fellini’s La Dolce Vita and the Go-Go’s first gig

I grew up in Burbank in southern California. Music played a huge part in my life. I loved California radio – every summer, I would lie in front of the big speakers at my friend’s house. Her mother would go off to work and we would just sing along to the radio from 9am to 6pm every single day, every summer. When I was about 10, I saved up my babysitting and chore money to buy Aquarius/Let the Sunshine In by the 5th Dimension on 45rpm. It was so joyous and still sounds fresh to this day.

Continue reading...