Julie Andrews: ‘I was certainly aware of tales about the casting couch’

The celebrated actor had a turbulent upbringing before becoming world-famous for playing two perfect nannies. Now she’s bonding with a new generation of children through her storytelling podcast

“I’ll tell you what, shall I go outside?” Julie Andrews asks. We are talking by phone, but, alas, the reception inside her home on Long Island is, she says, “always terrible”. Torturous minutes pass in which I can hear only fragments of her conversation, and if anyone knows of a sweeter agony than being barely able to hear Andrews’ still lovely, melodious voice, I don’t want to know what it is. Eventually, I have to tell her this phone conversation isn’t working.

“I can stand out in my garden, although it is a bit nippy …” Andrews suggests.

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Sleazy bosses, exploited barmaids: US cinema finally discovers the left behinds

From The Assistant to Support the Girls, American cinema is swapping feelgood escapism for gritty unsettling realism. We talk to the women spearheading this new wave

‘I wanted it to be relatable to any woman who’s ever worked in an office,” says Kitty Green of her new film The Assistant. “Everything in the film has been in the press already. But I wanted to take viewers on an emotional journey, so they could empathise with the character.”

The #MeToo saga has been examined to near exhaustion, but The Assistant manages to add something new. Rather than perpetrators or victims, it focuses on a relative bystander: a young office worker at a New York film production company. We follow this character, played by Julia Garner, through her demeaning routine: commuting in before daybreak, photocopying, printing, taking her male co-workers’ lunch orders, clearing up leftover pizza from the meeting room (as the men come in for the next meeting, she is humiliatingly caught with a crust in her mouth).

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Tom Cruise and Nasa in talks over film to be shot in outer space – reports

Elon Musk reportedly involved in the production, which if confirmed would be first feature film ever made in space

Tom Cruise is in talks with Nasa about working on a movie shot in outer space, according to the head of the space agency.

“Nasa is excited to work with Tom Cruise on a film aboard the Space Station!,” Nasa administrator Jim Bridenstine wrote on Twitter.

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I’ve never seen … The Terminator

For years, I have been the self-professed biggest Terminator fan on the planet. There’s only one problem...

I bonded with my best university buddy over many things: student radio, bland pasta, failing to talk to girls at parties, and the paradoxes of time travel, notably in the Back to the Futures, the Bill & Teds, Quantum Leap and the Terminators. In classic best friend one-upmanship, neither of us claimed to be any cop at talking to girls at parties, but both claimed to be the bigger Terminator fan. With every new Terminator movie since, I’ve dragged said mate to the cinema and sat with childlike, open-mouthed delight through an average-at-best film. I’m not sure why I like Terminator so much. I don’t know much about politics, literature or art. But when it comes to time-travelling robots, I’m a complete sucker.

In Terminator 3: Rise of the Machines, John Connor and Claire Danes defeat the red leather lady Terminatrix and head off hoping to disable a non-existent Skynet HQ, only to seal their fate in a nuclear bunker. Terminator: Salvation is the one where Christian Bale went ballistic at the director and hasn’t even got Arnie in it, but it does take Terminator 2 down an alternative timeline. And talk of timelines gets me going.

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Becoming review – tantalising tour of Michelle Obama’s life

This carefully authorised documentary offers glimpses of a dazzling presence on America’s political stage

Michelle Obama is a class act – one of the classiest – and her intelligence and poise now look like something from a lost golden age. The publication of her globally bestselling memoir Becoming in 2018 brought her dazzlingly into the public sphere on her own terms. It gave her an international A-list status to rival her husband’s and provided Democrats and non-Trumpians around the world with a manifesto of decency and dignity to cling on to.

Now we have this watchable, but carefully authorised, behind-the-scenes documentary for Netflix (from the Obamas’ company, Higher Ground Productions) about Obama’s American book tour (with a stopover at London’s O2 Arena). It shows her getting in and out of armoured sports utility vehicles, chatting easily and good-naturedly with her security detail, with colleagues and family members backstage, with beaming celebrity moderators onstage (starting with Oprah Winfrey) and with people getting their copies signed in bookstores who often dissolve in floods of tears just in coming face to face with her. (I was sorry, however, that we didn’t get to see again her amusing cameo in the TV comedy Parks and Recreation, which showed Amy Poehler’s earnest public official Leslie Knope reduced to a gibbering fangirl in her presence.)

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Mother of all sci-fi: which is the best Alien movie?

The series has delivered a horror masterwork, a seminal shoot-em-up and some auteurist gems ... but how do they rank?

What better way to celebrate the recent Alien Day than to place the eight movies in the long-running space saga into some kind of order of excellence? And also perhaps to ask how so many film-makers have managed to muck up the original film’s formula.

Let’s start at the bottom. The two Alien vs Predator movies from 2004 and 2007 are now remembered largely for their staggering blandness, as if everybody involved had forgotten what made the early films so chilling. Ostensibly B-movies, but lacking the joyful, half-cocked knockabout bombast of a Roger Corman or Ray Kellogg film, they even disappointed fans of the crossover comic books that spawned them. If 20th Century Fox thought it was getting the new Ridley Scott when the studio hired Paul WS Anderson to direct ’s Alien vs Predator they were sadly mistaken. Bringing the xenomorphs to Earth, as Fox had intended to do in 1992 prior to David Fincher’s Alien 3, turned out to be the dumbest move since John Hurt decided to take a closer peek at the funny egg thing on LV-426. Even a smart moment of stunt-casting – Aliens’ Lance Henriksen as Charles Bishop Weyland – couldn’t paper over the cracks of this weirdly bloodless film. Aliens vs Predator: Requiem upped the gore but dropped quality levels even further, with untried music video directors Colin and Greg Strause at the helm. That the saga survived at all after this twin descent into movie purgatory is remarkable in itself.

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Rishi Kapoor, Bollywood star, dies of leukaemia aged 67

Family urges fans not to publicly mourn leading man of numerous musical romances

The Indian actor Rishi Kapoor, who built a career as one of Bollywood’s romantic heroes, has died of leukaemia at the age of 67.

Kapoor, part of a famous Bollywood family, was admitted to hospital in Mumbai on Wednesday and died on Thursday, according to a family statement.

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Bollywood star Irrfan Khan dies aged 53

Khan, who had a string of Anglo-American successes under his belt, including Slumdog Millionaire, Life of Pi and Jurassic World, has died in Mumbai

A life in pictures

Irrfan Khan, the Indian-born actor who achieved considerable success in both Bollywood and the west, has died aged 53. He had been admitted to the intensive care unit of Mumbai’s Kokilaben hospital on Tuesday with a colon infection.

In March 2018, he revealed he had been diagnosed with a neuroendocrine tumour, but after extensive treatment he recovered well enough to shoot Angrezi Medium, the film which would turn out to be his last, and whose release this March was cut short because of the coronavirus pandemic.

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Climate experts call for ‘dangerous’ Michael Moore film to be taken down

Planet of the Humans, which takes aim at the green movement, is ‘full of misinformation’, says one online library

A new Michael Moore-produced documentary that takes aim at the supposed hypocrisy of the green movement is “dangerous, misleading and destructive” and should be removed from public viewing, according to an assortment of climate scientists and environmental campaigners.

The film, Planet of the Humans, was released on the eve of Earth Day last week by its producer, Michael Moore, the baseball cap-wearing documentarian known for Fahrenheit 9/11 and Bowling for Columbine. Describing itself as a “full-frontal assault on our sacred cows”, the film argues that electric cars and solar energy are unreliable and rely upon fossil fuels to function. It also attacks figures including Al Gore for bolstering corporations that push flawed technologies over real solutions to the climate crisis.

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Netflix announces surprise Michelle Obama documentary

Becoming, which drops in May, follows the former first lady on her 34-city book tour, will offer a ‘rare and up-close’ look at her life

Netflix has announced a new original documentary focused on former first lady Michelle Obama to be released on 6 May.

Becoming will follow Obama on her 34-city tour to promote her book of the same name and will offer an “intimate”, “rare and up-close” look at her life. It’s directed by Nadia Hallgren, who recently made the documentary short After Maria, which looked at the effect of Hurricane Maria on Puerto Rican families.

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Need zing in your Zoom? Let Warhol and the avant-garde vamp up your video conferences

It’s hard to make much of a mark in the strange, static world of video-conferencing. But we could all learn a trick or two from famous arthouse film-makers, from Jim Jarmusch to Andy Warhol

Of all the many weirdnesses of the age of lockdown, video-conferencing must be one of the weirdest. This is the first time many of us have used Zoom, FaceTime, Google Hangouts and Houseparty. And, invaluable as they are, few would disagree that they are a strange way to communicate. From the stilted family group chat to the strained business meeting, it all feels messy and unnatural. Video-conferencing is nothing like real-life conversation, nor is it like cinema or TV, even though it is essentially watching people on a screen.

However, for a certain strain of film-makers and artists, the unblinking, unmoving gaze of the webcam is familiar territory. Could the art end of cinema help ease our pain and anxiety? Could we improve our new social rituals by rethinking them as experiments in avant garde film?

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People opened up because I’m the Beavis and Butt-head guy’: Mike Judge on his new funk direction

The writer-director’s comedies – from Office Space to Silicon Valley – always sum up the spirit of their times. So why has he made an LSD-soaked cartoon about George Clinton and Bootsy Collins?

Few writer-directors have been as consistent and ruthless at capturing the moment as Mike Judge, although he never actually intends to do so. “It’s always a shock when something comes out and it feels so relevant,” he says, in his laconic surfer-dude tone, talking to me by phone from his home in Los Angeles. “But I tend to look at stuff that feels as if it’s everywhere, but nobody’s talking about.”

Judge, 57, is so beady at spotting what’s everywhere, his shows themselves end up becoming ubiquitous, the thing everybody’s talking about. It is impossible to imagine 90s TV without his seminal hits, Beavis and Butt-Head and King of the Hill, the former satirising the worst of youth culture, the latter fondly depicting gentle American conservatism acclimatising itself to the Bill Clinton era.

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Tommy Chong: ‘We were always high. That was the job’

How does half of stoner duo Cheech and Chong cope with coronavirus lockdown? Fine – thanks to drugs, his wife and the experience of nine months in prison for selling bong pipes

Tommy Chong has got the munchies. It’s early afternoon in locked-down LA, and last night he was on the pot cookies. “My wife, Shelby, just made a whole batch of them – oatmeal and maple syrup.” He stops to correct himself. “I put the pot in there, and of course I put too much in. Last night it got me almost comatose. Shelby got kinda mad at me. You know like when a kid gets so stoned all you do is sit there and grin.” Chong is 82 next month.

He sounds about four decades younger – his voice is deep, sexy, pulsing with life. Chong is one half of the most famous stoner comic partnership in history, Cheech and Chong. In the 1970s, they not only sold out their live shows, they topped the album charts and had huge box-office hits with movies such as Up in Smoke and Cheech and Chong’s Next Movie. The double-act were as radical as they were bonkers. And while the films were ostensibly about two aspiring rock stars in search of the next spliff, they introduced audiences to a downtown, multiracial Los Angeles rarely seen in movies.

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Australia’s arts have been hardest hit by coronavirus. So why aren’t they getting support? | Esther Anatolitis

The majority of arts companies and casuals will get little benefit from the jobkeeper package

Data released this week proves what the arts and recreation industry already knows: we are by far the industry hardest hit by Covid-19’s economic destruction.

According to the Australian Bureau of Statistics, only 47% of arts and recreation businesses remain trading. And that number is falling.

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Honor Blackman, James Bond’s Pussy Galore, dies aged 94

Actor also known for role in Avengers praised as ‘hugely prolific creative talent’ by family

Peter Bradshaw on Honor Blackman: an elegant and witty star who never took herself too seriously
Honor Blackman: a life in pictures

Honor Blackman, the actor best known for playing the Bond girl Pussy Galore, has died aged 94.

Blackman, who became a household name in the 1960s as Cathy Gale in The Avengers and had a career spanning eight decades, died of natural causes unrelated to coronavirus.

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‘I was face-to-face with Tony Blair’: Michael Sheen on Murdoch, class and giving away his money

He renounced acting for activism, then had to start earning again. As he returns to TV, Sheen talks about life in isolation, politics and his curious encounter with the man he has portrayed more than any other

Michael Sheen is at home in south Wales, looking out on his garden. The sun catches the side of his face, lighting up his scraggly hair and beard. “We’re very lucky to have a garden to go out in. I know not everybody does,” he says. In the current climate of famous people churning out endless videos of their isolation struggles from the side of a pool in a mansion, it’s a telling sentiment.

A few years ago, after a successful stage and screen career, the actor, 51, “refocused” his life away from entertainment towards community work and activism, and moved back to Wales from Los Angeles. He had been living there for much of the past two decades, to be near his eldest daughter, Lily (her mother is the actor Kate Beckinsale, and they remain close). “And then when my daughter was 18 and went off to a life of her own, I realised: ‘Oh, I can go home again now.’”

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Little Women scene stolen by water bottles spotted in background

Greta Gerwig remake of 19th century novel features not one, but two, very modern items

Louisa May Alcott’s classic 1868 novel Little Women is known for being forward thinking – but not so forward thinking that it predicted the invention of plastic water bottles or Hydro Flasks.

Both were spied in the background of a scene in Greta Gerwig’s 2019 film adaptation of the classic American coming-of-age tale, in echoes of an incident earlier last year in which a takeaway coffee cup was spotted in the background of a shot in the final season of fantasy epic Game of Thrones.

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‘He didn’t even pretend to let us win’… Growing up with the world’s biggest stars, by their children

The sons and daughters of John Wayne, John Lennon, Caitlyn Jenner and others tell us what it was like to grow up with a world-famous dad

A lot of the happy memories of my father are from the late 1960s at Kenwood, the old Tudor house we had in Surrey, when I was a little boy. Without knowing it, I probably saw some of the greatest musicians in the world come and go through that house.

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