Sci-fi script and a cage-shaped mosque: Islamic art gets subversive

From subtle riffs on traditional script-based decoration to a late father’s letters to his lover, the artists vying for the Jameel prize generate deep emotion from meticulousness

Words have had outsize importance in Muslim culture since the beginning. The Qur’an, which literally means “recitation”, was of course revered as the word of God. But, crucially, images of human beings and animals were disapproved of because they could distract people from prayer; as a result, artists poured all their creativity and imagination into calligraphy. Facing the same restriction, craftsmen and architects created dazzling geometric forms into which words were often incorporated. The discipline imposed by not being able to depict living things gave rise to some of the most beguiling decoration on the planet.

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Emmys 2021: Ted Lasso and The Crown triumph while no actors of color win

The big night for TV saw triumphs for Brits – including Olivia Colman, Kate Winslet and Michaela Coel – yet a diversity problem remains

The 73rd Emmy awards mostly stuck to the predicted script on Sunday, celebrating favorites Ted Lasso, The Queen’s Gambit, and The Crown, in an awards-stuffed return to a (mostly) normal ceremony that celebrated diversity yet handed all the acting awards to white performers.

Related: Emmys 2021: the full list of winners

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Emmys 2021 predictions: who will win and who should win?

Will Ted Lasso sweep the comedy awards? Will it finally be I May Destroy You’s time? How will The Crown, with 24 nominations, fare?

Nominees: The Boys (Amazon), Bridgerton (Netflix), The Crown (Netflix), The Mandalorian (Disney+), Lovecraft Country (HBO), Pose (FX), The Handmaid’s Tale (Hulu), This Is Us (NBC)

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MJ Rodriguez on Pose and making Emmy history: ‘I want to play anything: trans, cis, superhero, alien’

Her huge-hearted portrayal of Blanca has made Rodriguez the first trans performer to be up for a leading actress Emmy. Will she take the crown on Sunday? We join her for a Zoom call with a twist

MJ Rodriguez can see me but I can’t see her. This is not the sort of existential issue that afflicted pre-pandemic interviews, but minutes before my Zoom encounter with the actor and singer I get an email from Rodriguez’s rep saying she will no longer be appearing on camera. This comes hot on the heels of another message saying Rodriguez, who this year became the first trans actor in history to be nominated for an Emmy award in a lead acting category, for her fantastic performance in Pose, would rather I didn’t ask her about the ballroom scene. Which is basically the entire world of Pose, Ryan Murphy and Brad Falchuk’s era-defining drama, set in the New York underground vogueing culture of the late 1980s and early 1990s.

I take from this nervy preamble two things. First, constantly being seen as the living embodiment of the importance of representation is exhausting, and curiously diminishing. And second, Rodriguez is ready to walk out of the shadow of her character on Pose: Blanca Evangelista, the no-nonsense “house mother” who takes all of queer New York under her wing, has a seemingly never-ending supply of wise words for them, and a heart bigger than any disco ball.

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Sebastião Salgado receives Praemium Imperiale 2021 award – in pictures

The Brazilian photographer Sebastião Salgado has been named as one of four winners of a £400,000 award given by the Japan Art Association. Amazonia, an exhibition by Salgado, opens at the Science Museum in London from 13 October. An exhibition of collectors prints, organised by the Photographers’ Gallery, is on show at Cromwell Place Art Centre from 20 October

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Women’s prize for fiction goes to Susanna Clarke’s ‘mind-bending’ Piranesi

Clarke’s follow-up to Jonathan Strange & Mr Norrell was praised by judges as ‘a truly original, unexpected flight of fancy’

Comment: Piranesi is a triumphantly unusual winner

Susanna Clarke, who published her debut novel Jonathan Strange & Mr Norrell 17 years ago and then was struck down with chronic illness, has won the Women’s prize for fiction for her second, Piranesi.

Narrated by its eponymous hero as he explores the endless halls of a house that imprisons an ocean, Piranesi is “a truly original, unexpected flight of fancy which melds genres and challenges preconceptions about what books should be,” according to the Women’s prize chair of judges, Booker-winning novelist Bernardine Evaristo.

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‘Deaf is not a costume’: Marlee Matlin on surviving abuse and casting authentically

The only deaf actor to win an Academy Award discusses going to rehab, speaking out about William Hurt and starring in deaf drama Coda

When early financial backers of Marlee Matlin’s new film, Coda, expressed their preference for hiring big-name actors to play the roles of two major deaf characters – her onscreen husband and son – she threatened to quit. She told them that deaf actors should play characters written as deaf. “I said: time out. This is not right. It’s not authentic and it’s not going to work. If you go down that route, I’m out, because I don’t want to be part of that effort of faking deaf. I’m glad they listened.”

I can’t imagine anyone not listening to Matlin. Speaking from her home in Los Angeles, she is funny and warm, but there is something intense about her, almost intimidating. She sits straight-backed, her focus sharp. She is not a woman to mince her words – which are translated from American Sign Language (ASL) by her longtime interpreter and producing partner, Jack Jason, who is also on the call from his front room. The pair have been working together since 1985, just before she won the best actress Oscar at 21 for her first film role, playing a young deaf woman in the 1986 drama Children of a Lesser God – beating Sigourney Weaver (who was up for Aliens), Jane Fonda, Kathleen Turner and Sissy Spacek.

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Cannes Palme d’Or goes to female director for only the second time

Julia Ducournau’s serial killer film Titane scoops top award, while best actor and actress go to Caleb Landry Jones and Renate Reinsve

The Palme d’Or, the most prestigious of cinema festival prizes, has gone to Titane, an unconventional and violent film directed by the 37-year-old French director Julia Ducournau.

Related: Cannes 2021: Titane didn’t deserve the Palme, but it had guts, drive – and an anthro-automotive hybrid devil child

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Emily in Paris but no Small Axe? This year’s Emmys snubs and surprises

An exciting selection of newcomers can’t fully take away the sting of some egregious snubs, such as Steve McQueen’s acclaimed anthology series

I just have to point this out upfront: there is a chance that Emily in Paris is going to win an Emmy this year. Emily in Paris, for crying out loud. A show so mesmerisingly awful that, when it was nominated for a Golden Globe this year, it caused such a crisis that it almost permanently ended the Hollywood Foreign Press Association as an entity. At least that nomination could be racked up to good old-fashioned jury manipulation. But this one – an Emmy nomination for best comedy series, no less – can’t be written off so easily. Did … did people actually like Emily in Paris? If so, this is not a world I want to live in.

Related: Emmys 2021: The Crown and The Mandalorian lead nominations

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A love from beyond the grave – Kurt Tong on his ‘ghost marriage’ photographs

His latest project, piecing together the story of a bereaved Hong Kong man who wed his dead fiancé, has won an award. The photogapher reveals how it began with the discovery of a trunk of keepsakes

At the centre of Kurt Tong’s elaborate visual narrative Dear Franklin, there is a doomed love story that is also a ghost story. It traces the intertwined lives of Franklin Lung, a man who rose from poor beginnings to become part of Hong Kong’s social elite in the 1940s, and a young woman known only as Dongyu, the daughter of a high-ranking Chinese general.

They met, fell in love, but shortly after their engagement, Dongyu was one of several thousand refugees fleeing the Chinese communist army on board the SS Kiangya when it struck an old Japanese sea mine. “Their love story should have ended with this terrible tragedy,” says Tong, “but it continued after her death because Franklin agreed to a ‘ghost marriage’, an elaborate traditional ceremony in which he became eternally wedded to Dongyu in the spirit world.”

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Golden Globes: two members resign from ‘toxic’ Hollywood Foreign Press Association

Wenting Xu and Diederik van Hoogstraten cite resistance to change, watered down diversity rules and a culture of fear

Two members of the Hollywood Foreign Press Association (HFPA), the body that organises the Golden Globes, have resigned, denouncing the organisation as “toxic” in a letter obtained by the LA Times.

In their letter, Wenting Xu and Diederik van Hoogstraten said that “staying inside the association is no longer tenable for us”. They list a number of reasons, including that “the majority of the membership resists deep change”, new rules to improved diversity have been “watered down”, and that “fear of retribution, self-dealing, corruption and verbal abuse” are still central to the HFPA’s culture.

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The Nobel committee should resign over the atrocities in Tigray

Members of the body that awarded the 2019 peace prize to Ethiopia’s premier, Abiy Ahmed, should all depart in protest

The war on Tigray in Ethiopia has been going on for months. Thousands of people have been killed and wounded, women and girls have been raped by military forces, and more than 2 million citizens have been forced out of their homes. Prime minister and Nobel peace prize laureate Abiy Ahmed stated that a nation on its way to “prosperity” would experience a few “rough patches” that would create “blisters”. This is how he rationalised what is alleged to be a genocide.

Nobel committee members have individual responsibility for awarding the 2019 peace prize to Abiy Ahmed, accused of waging the war in Tigray. The members should thus collectively resign their honourable positions at the Nobel committee in protest and defiance.

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Valeria Luiselli wins €100,000 Dublin literary award for Lost Children Archive

Novel, which weaves together the stories of Mexican migrants with those of a US family on a road trip south, was picked for the prize by a Barcelona library

Earlier this year, a library in Barcelona submitted a nomination for its favourite book of the year: Mexican author Valeria Luiselli’s Lost Children Archive. On Thursday, thanks to Biblioteca Vila De Gràcia, Luiselli was named winner of the world’s richest prize for a novel published in English, the €100,000 (£86,000) Dublin literary award.

“It’s a beautiful, relatively small library in Barcelona who nominated me,” said Luiselli. “I’m going to kiss its rocks one day, because I probably won’t be able to kiss its librarians because of Covid.”

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The Butchers: novel set in Irish BSE crisis wins Ondaatje prize

Ruth Gilligan’s thriller about eight men who cull cattle in rural Ireland wins £10,000 for books that ‘best evoke the spirit of a place’

Ruth Gilligan’s literary thriller The Butchers, set in the Irish borderlands during the BSE crisis, has won the Royal Society of Literature’s Ondaatje prize for books that “best evoke the spirit of a place”.

Gilligan’s novel beat titles including James Rebanks’ memoir of his family farm, English Pastoral, and Nina Mingya Powles’ poetry collection Magnolia, 木蘭 to the £10,000 prize. The Butchers opens with an ancient curse that decrees that eight men must touch every cow in Ireland as it dies, and follows a group of eight men as they roam rural Ireland in the 1990s, slaughtering the cows of those who still believe in the old ways. The novel unpicks the mysterious death of one of the Butchers, whose corpse is found suspended from a meat hook.

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It’s not just racism and sexism. The Golden Globes have been sunk by sheer stupidity

The preposterous Hollywood Foreign Press Association gravy train might have chugged on for ever if its members had just swallowed their pride and done more for diversity

An investigative report by the Los Angeles Times into the Hollywood Foreign Press Association, that notoriously rackety organisation which administers the Golden Globes, has shown an eminently corruptible body drenched in antediluvian attitudes; this has resulted in NBC cancelling its TV coverage of next year’s ceremony and Tom Cruise handing back the three Globes he has personally won over the years.

Related: Golden Globes backlash: Tom Cruise hands back awards and NBC drops broadcast

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Scarlett Johansson joins criticism of Golden Globes body amid accusations of racism and sexism

The actor said the film industry should step back from the Hollywood Foreign Press Association

The actor Scarlett Johansson urged the film industry on Saturday to “step back” from the Hollywood Foreign Press Association as criticism of the opaque film industry group, which controls the influential Golden Globe awards, continues to mount for sexism and racism.

In a carefully-worded statement, the Avengers star said the “HFPA is an organization that was legitimized by the likes of Harvey Weinstein to amass momentum for Academy recognition.”

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Arlo Parks: Gen Z star entrances all who hear her

The 20-year-old’s debut album is up for three Brits this week – and has captivated fans from Billie Eilish to Michelle Obama

There were fewer than a dozen people out in east London on a Saturday night in Paper Dress Vintage when Arlo Parks arrived on stage. The clothes shop by day turned live music venue by night had the then 17-year-old second on the bill, where she performed with a band made up of schoolfriends. Most of the audience were mates from sixth form. But there was also a scout from Transgressive Records; he spent the first half of the show in total dismay.

“It just wasn’t very good,” said Mike Harounoff apologetically. As the artists and repertoire manager for Transgressive, Harounoff’s job is to find and bring in talent to sign. He had high expectations for Parks – her manager was a friend – and he had already hyped up the teenager to his colleagues. “No discredit to the band, they were just kids,” he told the Observer, “but it didn’t click. It was bad.”

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How Bafta spent two weeks grappling with Noel Clarke dilemma

Academy says it was in ‘impossible’ situation, but it faces questions over delays in offering safeguarding to alleged victims

When Bafta announced its plan to give Noel Clarke the award for outstanding British contribution to cinema on 29 March 2021, the academy’s film committee chair, Marc Samuelson, described him as an “inspiration … [we] cannot think of a more deserving recipient for this year’s award”.

Others in Britain’s film industry disagreed. Within hours, Bafta was contacted jointly by three industry figures alerting it to the existence of several allegations of verbal abuse, bullying and sexual harassment against Clarke.

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‘Sexual predator’: actor Noel Clarke accused of groping, harassment and bullying by 20 women

  • Actor-producer categorically denies allegations from all 20 women
  • Bafta suspends outstanding contribution award and actor’s membership
  • Alleged misconduct including claims he secretly filmed naked audition
  • Doctor Who and Kidulthood star allegedly showed colleagues sexually explicit photos and videos of women

When Noel Clarke appeared on stage at the Royal Albert Hall on 10 April to collect his Bafta, the typically self-assured actor looked a little on edge. Viewers might have concluded that Clarke was simply overwhelmed: he was clutching one of the most prestigious accolades bestowed by the British Academy of Film and Television Arts, the prize for Outstanding British Contribution to Cinema.

Yet there were other reasons why Clarke – and Bafta – may have felt preoccupied.

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‘Beyond Fleabag’: fresh female genius lights up this year’s Bafta TV nominations

With daring shows such as I May Destroy You and I Hate Suzie, there’s much to celebrate. But ITV will rightly feel aggrieved as Quiz and Des miss out

The good news is that the 2021 British Academy television awards recognise – as these trophies have not always done – glittering fresh genius where it appears.

Two daringly written and visualised dramas with first-person titles that include an aggressive verb – the BBC’s I May Destroy You and Sky Atlantic’s I Hate Suzie – receive eight and five nominations respectively. Each is driven by an exceptional creative talent in, respectively, Michaela Coel and Billie Piper. Both series explore the psychology and experience of younger women in a graphic and tragi-comic detail going beyond even Fleabag, a pioneer in that direction.

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