Artist who ‘reclaims black experience’ wins Deutsche Börse photography prize

Judges praise Deana Lawson’s portraits, which depict familiar domestic scenes containing an unsettling element

An artist whose staged portraits reflect the language of the family photo album has won one of the most prestigious prizes in photography, with judges saying her work “reframes and reclaims the black experience”.

Deana Lawson from Rochester, New York, was awarded the £30,000 Deutsche Börse Photography Foundation prize 2022 at the Photographers’ Gallery in London for her solo exhibition Centropy, held at Kunsthalle Basel two years ago.

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Washington Post wins public service Pulitzer for Capitol attack coverage

Paper beat out two other finalists, the New York Times and the Milwaukee Journal Sentinel

The Washington Post has won the 2022 Pulitzer prize for public service journalism, for The Attack, its account of the deadly assault on the US Capitol by supporters of Donald Trump on 6 January 2021.

The paper beat two other finalists: the New York Times, for challenging official accounts of US military engagements in Iraq, Syria and Afghanistan, and the Milwaukee Journal Sentinel, for an exposé of electrical fires in city rental operations.

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‘Deeply honoured’: Billy Connolly to receive Bafta fellowship

Comedian says he does not let Parkinson’s disease dictate who he is, as he speaks of delight at accolade

Sir Billy Connolly said he does not let his Parkinson’s disease dictate who he is as he spoke of his honour at receiving this year’s Bafta fellowship.

The 79-year-old comedian, known as the Big Yin, will be celebrated for a career spanning more than five decades at the awards ceremony on 8 May. The fellowship is the highest Bafta accolade given to recognise outstanding and exceptional contribution in film, games or television.

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Oscar-winning director Asghar Farhadi faces plagiarism trial in Iranian court

Director and grand prix winner at last year’s Cannes festival for A Hero was sued by former student for using story from her documentary without credit

Asghar Farhadi, the Oscar winning director of A Separation and The Salesman, has been indicted in a plagiarism case brought by one of his former students, who had claimed he took the idea for his 2021 film A Hero from a documentary she had made for a film class.

According to the Hollywood Reporter, Azadeh Masihzadeh brought the case after Farhadi had earlier sued her for defamation; in both cases the courts ruled in Masihzadeh’s favour. The case will now pass to a second judge whose ruling will decide whether or not Farhadi will be convicted. This can then be appealed.

This article was amended on 5 April 2022. It had been originally stated that Asghar Farhadi was convicted of the crime, following widespread misinformation, but has now been changed to reflect that he has been indicted and a trial will decide the outcome.

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Grammy awards 2022: Olivia Rodrigo wins big and Ukraine’s Zelenskiy makes cameo

The specter of Oscars chaos loomed over the music awards – a mega-concert which included a message of hope from the Ukrainian president

Teenage pop phenom Olivia Rodrigo and R&B duo Silk Sonic dominated the major categories, and Jon Batiste won album of the year at the 64th annual Grammys – a three-and-a-half-hour mega concert that mostly steered clear of politics or the pandemic, save for a virtual message from Ukrainian president Volodymyr Zelenskiy and an emotional tribute to victims of the Russian invasion.

A week after one of the most chaotic Oscars in recent memory – during which Will Smith slapped Chris Rock on stage – the Grammys seemed to revel in its technical proficiency and lack of controversy. “We’re gonna be listening to some music, we’re gonna be dancing, we’re gonna be singing, we’re gonna be keeping people’s names out of our mouths,” said host Trevor Noah in his opening monologue, acknowledging the elephant in the MGM Grand Garden Arena in Las Vegas.

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Not just ‘cocaine and war’: Colombian pride at Oscar-winning Encanto’s positive portrayal

Animated film, influenced heavily by magical realism, breaks frequent representation as country beset by drugs and violence

When Encanto was announced the winner of the Oscar for best animated film on Sunday night, Martín Anzellini – the Colombian architect who helped develop the film’s representation of his home country – had little idea. Instead, he was watching Encanto at home with his twin toddler daughters, who had yet to see it.

“Once we finished watching the film, I checked my phone and saw my WhatsApp was going wow!” Anzellini said. “It was so exciting, I almost cried. And I hugged my daughters, as my work on the film was for them.”

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Oscars 2022: Coda triumphs while Will Smith attacks Chris Rock onstage

The drama picked up three major awards, including best picture, while best actor winner Will Smith had a viral confrontation

Coda has been named this year’s best picture at an Oscars ceremony that featured an unusual confrontation between Will Smith and Chris Rock.

The Apple TV+ drama, bought from 2021’s Sundance film festival for a record-breaking $25m, became the first film from a streamer to win the award. It’s a remake of French film La Famille Bélier, focusing on the only hearing member of a deaf family.

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‘This is going to be cherished’: Samuel L Jackson and Elaine May receive honorary Oscars

Liv Ullmann and Danny Glover also honoured at Governors Awards, on night when Hollywood lavishes praise on beloved stars for lifetime achievements

Samuel L Jackson grew up watching movies on Saturdays at the Liberty and the Grand, segregated movie theatres in Tennessee. Some of the early roles he got in Hollywood didn’t even have names: he was cast, he said, as “gang member number two’, ‘bum’, ‘hold-up man’, and, unforgettable, ‘Black guy’.” But over fifty years and 152 films later, Jackson has made himself one of America’s most enduring film stars, as well as the actor whose movies have earned “more than any other actor in history,” his friend and fellow star Denzel Washington said. Jackson’s box office total is estimated at $27bn.

Despite this, Jackson, 73, had never won a single Oscar, not even for his celebrated performance as a hit man in Pulp Fiction. The Academy finally awarded him an honorary Oscar on Friday, as part of the annual Governors Awards, which mark lifetime achievement in film and in humanitarian efforts.

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Kanye West barred from Grammys over ‘concerning online behavior’

Representative confirms rapper will not perform at awards show after he was suspended from Instagram for 24 hours

Kanye West has been barred from performing at the Grammy awards next month due to “concerning online behavior”, a representative for the rapper and designer said.

The decision, confirmed to Variety, came a day after West, now legally known as Ye, was suspended from Instagram for 24 hours. The platform said content on the 44-year-old’s account was in violation of its policies on “hate speech and bullying and harassment”.

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Guardian documentary The Black Cop wins Bafta for best short film

Cherish Oteka’s film is about a former police officer who discusses his memories of homophobia and racial profiling in the Met

The Guardian documentary The Black Cop has won the Bafta for best short film.

Directed by Cherish Oteka and produced by Emma Cooper, The Black Cop is about Gamal “G” Turawa, a former Metropolitan police officer who explores his memories of homophobia, racial profiling and racial harassment in his early career.

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Women’s prize for playwriting won by 90th birthday drama in ‘house full of ghosts’

Winner Karis Kelly, writer of Consumed, had previously been considering a ‘complete career change’ as a result of the Covid-19 pandemic

A playwright who was considering a “complete career change” because of the Covid-19 pandemic’s devastating impact on the arts has been announced as the winner of this year’s Women’s prize for playwriting.

Karis Kelly won the prize for Consumed, a drama about four generations of Northern Irish women at a 90th birthday party in a “house full of hungry ghosts”. Kelly, who has been writing plays since 2008, said “like many others in the arts, during the pandemic, I had a complete crisis of faith … So to go from that point to receiving recognition from such an amazing prize and panel of judges is genuinely a dream come true.”

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Screen Actors Guild awards 2022: Squid Game, Will Smith and Coda win big

Netflix phenomenon and Apple’s deaf family drama make history at this year’s SAG awards ceremony

The indie drama Coda has won big at this year’s Screen Actors Guild awards, picking up best ensemble in a movie and best supporting actor for Troy Kotsur, who is the first ever deaf actor to win an individual SAG award.

The Apple drama about a deaf family was bought for $25m from last year’s Sundance film festival and has also been nominated for three Academy Awards, including best picture.

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‘All that Hollywood glamour doesn’t feel like me at all’: Joanna Scanlan on self-doubt, sexism and being the red-hot favourite at the Baftas

After years of great roles in comedies such as The Thick of It and Moving On, the actor is now being feted for her devastating dramatic performance in After Love. She talks about ‘serious’ acting, a breakdown in her 20s and learning to fight for herself

When Joanna Scanlan arrives, she is hidden beneath a yellow raincoat, glasses steamed up, blown through the door as if the gathering storm outside has washed her ashore. “I am so sorry for dragging you out here,” she says, laughing slightly hysterically, as she sheds the layers. Scanlan is filming in rural Wales – she, her husband and their dog are renting a cottage nearby – and this cafe, also in the middle of nowhere, was her suggestion. Even the women who work in the cafe were surprised to be called in. We are the only customers, but there are pots of tea and welsh cakes, and Scanlan is great company, so all is well.

She grew up in Wales, so this job – filming The Light in the Hall, a psychological thriller, for which she has had to learn some Welsh – is something of a homecoming. Being here is also a detachment from London, and everything that goes with her job outside of being on set or stage – the bit, you sense, she could take or leave. And so she’s a bit distanced from the buzz around her Bafta nomination for best actress for her role in the extraordinary film After Love. “When you sit here in Tywi Valley, just learning your lines for tomorrow, it’s hard to take that in,” she says. “I feel very long in the tooth to be coming to this sort of prominence.”

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Amy Schumer, Regina Hall and Wanda Sykes to host the Oscars

The comedic trio are expected to be formally announced as hosts, the show’s first since 2018, on Good Morning America on Tuesday

Amy Schumer, Regina Hall and Wanda Sykes will host the 94th Academy Awards this year, Variety reported on Monday. The trio of female comedic actors, who are expected to be formally announced on Good Morning America on Tuesday, will be the struggling show’s first hosts since 2018.

Schumer, Hall and Sykes are tasked with providing some zest for a program whose ratings have flagged in recent years. Viewership for last year’s scaled-backed ceremony, held in Los Angeles’s Union Station, fell by more than half from the previous year, which itself was a record-breaking low.

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Worthy winners aside, the Brits is struggling to keep pace with modern pop

TikTok voting and gaming stars haven’t altered the music awards’ predictable roster of chart-toppers

• News: Adele sweeps gender-neutral Brit awards
• Liveblog: Brit awards 2022 – as it happened

The actual Brit awards ceremony has changed its complexion over the years: from the old-guard backslapping of the 80s to the boozy chaos of the 90s and early 00s. Today’s offering is slickly professional – hipper than it once was, less tone-deaf when it comes to representation, but not a hair out of place to the point of seeming faintly uneventful, unless you count the sight of Anne-Marie falling over, or the sound of Ed Sheeran gamely attempting to turn Bad Habits into a metal anthem with the aid of Bring Me the Horizon: even the person in charge of the mute button for swearing had an easy night. There was a lot of talk from host Mo Gilligan about hedonistic behaviour, but not many actual signs of it. Nor did anyone attempt to say anything controversy-stirring or political.

This year, the onus appeared to have shifted slightly again. In what was clearly an attempt to attract a younger audience – an audience that don’t watch music shows on television – there were categories voted for by fans via TikTok; elsewhere, there were “afterparties” starring tweenage favourite PinkPantheress on gaming platform Roblox and the unmissable opportunity to buy Brits-related NFTs.

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Jane Campion: the uncompromising New Zealander kicking down doors in Hollywood

The film-maker is the first woman to be nominated twice for the best director Oscar – but thanks to her example, others will surely follow soon

The nomination of Jane Campion for best director at the 2022 Academy Awards – her second, following her 1994 nomination for The Piano – is more noteworthy for what it says about the institution than for its validation of the 67-year-old director, absent from feature film-making for more than a decade.

To date, only two women – Kathryn Bigelow and Chloé Zhao – have ever won best director. If that sounds unreasonable, consider this: in 93 years, just seven women have even been nominated for the award – Lina Wertmüller in 1977 (for Seven Beauties), Campion in 1994, Sofia Coppola in 2003 (for Lost in Translation), Bigelow in 2010 (for The Hurt Locker), Greta Gerwig in 2018 (for Lady Bird), Emerald Fennell in 2021 (for Promising Young Woman) and Zhao that same year, victorious with Nomadland. For the first half-century of the awards, double-X chromosomes and the ability to successfully oversee a motion picture were apparently believed to be irreconcilable. (Something to consider the next time the rightwing media complains about Hollywood’s liberal bias.)

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My award goes to… our film critics reveal their personal Oscars shortlists

Ahead of the official Academy nominations on Tuesday, Observer film critics pick their own favourites

Amid the hype over her acclaimed performance as Diana, Princess of Wales in Spencer, Kristen Stewart briefly stopped awards pundits dead in their tracks when, upon being asked about her Oscar buzz, she drily admitted, “I don’t give a shit.” Sacrilege! Some of the best films and performances of all time haven’t been considered by the Academy, she continued. “There’s five spots. What the fuck are you going to do?”

Nobody disagrees with Stewart on any of this: just ask our critics, whose ideal Oscar ballots below are knowingly far from the expected reality of next week’s nominations. That the actor’s comments made showbiz headlines anyway speaks to the strange aura the Oscars maintain as a gold standard of cinematic achievement: for several months a year, people fret and discuss and strategise about them, while companies expensively campaign for them, only to spend the rest of the year complaining that they don’t mean anything anyway. Even Stewart’s scepticism emerged while on the campaign trail, being interviewed on a Variety podcast named Awards Circuit. Should she win for Spencer, she’ll doubtless turn up and give a humbly grateful speech anyway. That’s the game. Nobody gives a shit about the Oscars, after all, except when everyone does.

Here, then, are our critics’ picks of who and what should be on those Oscars shortlists. Guy Lodge

PETITE MAMAN

Summer of Soul

The Green Knight

Titane

Censor

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‘And the loser is …’: Are music awards shows in crisis?

With plummeting ratings and accusations of racial and gender bias, the Brits and Grammys are facing a battle to stay relevant

Once upon a time, the Brit awards and the Grammys were an annual staple in the TV calendar of even the most casual music fan. Drawing millions of viewers, the ceremonies offered a feast of entertainment, ranging from the unpredictable to the spectacular. Think Chumbawamba chucking a bucket of ice water over John Prescott at the 1998 Brits or Lady Gaga emerging from an egg at the Grammys in 2011. More recently, Brits sets by Stormzy and Dave have marked an important shift in mainstream recognition of Black British talent.

For audiences, however, the shine seems to have worn off. Last year’s ITV broadcast of the Brits, which was postponed from February to May due to Covid-19, recorded 2.9 million viewers – a figure that plunged for the fourth year running. The 2021 Grammys were the lowest rated in history, delivering an audience of just 8.8 million viewers for CBS, down a staggering 53% on the year prior. (These declines aren’t exclusive to music award ceremonies: the Oscars also recorded a 58.3% dip in viewers last year.)

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‘The outrage had been percolating…’ The winner of our graphic short story prize 2021

A funeral in Germany provides the setting for our winning story in this year’s Cape/Observer/Comica award for emerging cartoonists. It was a year of fierce competition – and much pandemic-fuelled anxiety

There can’t be many things more cheering on a dark January night than having to tell someone they’ve won a prize, and when I telephone Astrid Goldsmith to give her just such a bit of good news, her reaction is everything I hoped it would be. For a while, Goldsmith, an animator who lives in Folkestone where she makes stop-motion films in her garage, struggles to speak in full sentences. She is just so thrilled. “That is the greatest compliment,” she says, when I tell her that her story, A Funeral in Freiburg, the winner of this year’s Observer/Jonathan Cape graphic short story prize, brings to mind the work of that genius Posy Simmonds. “I love her tone. I always have.”

Goldsmith’s entry is based on a real event: the funeral of her paternal grandmother in Germany in 2015. “The outrage had been percolating for a while,” she says, with a laugh. “But I only came to write it after my first baby was born, while I was breastfeeding: I drew it all on one of those trays with arms that invalids use in bed.” Her story revolves around the difficulties involved in organising a Jewish funeral service in a place – Freiburg, in the Black Forest – where the rabbi has been imprisoned for embezzlement, and the Jewish cemetery is full. The woman in charge is, very difficult, refusing even to believe that Gisela Goldschmidt was really Jewish (at the age of 18, Astrid’s grandmother fled Germany for Zimbabwe, only returning after the war was over). Her rules and regulations, not to mention her insistence on the performance of certain rituals, infuriate the Goldsmith family. But what choice do they have? It is a case of her way, or no proper funeral at all.

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The Power of the Dog among worthy winners as disgraced Golden Globes plays it safe

Jane Campion’s colossal western and Steven Spielberg’s passionate West Side Story revival head up a list that snubs more transgressive offerings

So the much-disgraced Golden Globes, derided for a lack of diversity and transparency in the voting membership, lucrative TV coverage cancelled, gravy-train derailed and the awards ceremony dwindled to a virtual event on social media, carries paradoxically on with delivering a set of awards that are in perfectly plausible good taste and not very much different from all the other un-disgraced awards ceremonies. However, it was sad to see Paul Thomas Anderson’s dazzling comedy of transgression Licorice Pizza overlooked, of which more in a moment.

Jane Campion’s handsome, complex and brilliant western drama The Power of the Dog gets best picture (drama) and best director, along with best supporting actor for the excellent Kodi Smit-McPhee, while Steven Spielberg’s glorious, passionately respectful revival of West Side Story wins best picture in the musical or comedy section, along with its breakout player Ariana DeBose for best supporting actress and newcomer Rachel Zegler for best actress in musical/comedy.

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