Amy Schumer, Regina Hall and Wanda Sykes to host the Oscars

The comedic trio are expected to be formally announced as hosts, the show’s first since 2018, on Good Morning America on Tuesday

Amy Schumer, Regina Hall and Wanda Sykes will host the 94th Academy Awards this year, Variety reported on Monday. The trio of female comedic actors, who are expected to be formally announced on Good Morning America on Tuesday, will be the struggling show’s first hosts since 2018.

Schumer, Hall and Sykes are tasked with providing some zest for a program whose ratings have flagged in recent years. Viewership for last year’s scaled-backed ceremony, held in Los Angeles’s Union Station, fell by more than half from the previous year, which itself was a record-breaking low.

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Worthy winners aside, the Brits is struggling to keep pace with modern pop

TikTok voting and gaming stars haven’t altered the music awards’ predictable roster of chart-toppers

News: Adele sweeps gender-neutral Brit awards
Liveblog: Brit awards 2022 – as it happened

The actual Brit awards ceremony has changed its complexion over the years: from the old-guard backslapping of the 80s to the boozy chaos of the 90s and early 00s. Today’s offering is slickly professional – hipper than it once was, less tone-deaf when it comes to representation, but not a hair out of place to the point of seeming faintly uneventful, unless you count the sight of Anne-Marie falling over, or the sound of Ed Sheeran gamely attempting to turn Bad Habits into a metal anthem with the aid of Bring Me the Horizon: even the person in charge of the mute button for swearing had an easy night. There was a lot of talk from host Mo Gilligan about hedonistic behaviour, but not many actual signs of it. Nor did anyone attempt to say anything controversy-stirring or political.

This year, the onus appeared to have shifted slightly again. In what was clearly an attempt to attract a younger audience – an audience that don’t watch music shows on television – there were categories voted for by fans via TikTok; elsewhere, there were “afterparties” starring tweenage favourite PinkPantheress on gaming platform Roblox and the unmissable opportunity to buy Brits-related NFTs.

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Jane Campion: the uncompromising New Zealander kicking down doors in Hollywood

The film-maker is the first woman to be nominated twice for the best director Oscar – but thanks to her example, others will surely follow soon

The nomination of Jane Campion for best director at the 2022 Academy Awards – her second, following her 1994 nomination for The Piano – is more noteworthy for what it says about the institution than for its validation of the 67-year-old director, absent from feature film-making for more than a decade.

To date, only two women – Kathryn Bigelow and Chloé Zhao – have ever won best director. If that sounds unreasonable, consider this: in 93 years, just seven women have even been nominated for the award – Lina Wertmüller in 1977 (for Seven Beauties), Campion in 1994, Sofia Coppola in 2003 (for Lost in Translation), Bigelow in 2010 (for The Hurt Locker), Greta Gerwig in 2018 (for Lady Bird), Emerald Fennell in 2021 (for Promising Young Woman) and Zhao that same year, victorious with Nomadland. For the first half-century of the awards, double-X chromosomes and the ability to successfully oversee a motion picture were apparently believed to be irreconcilable. (Something to consider the next time the rightwing media complains about Hollywood’s liberal bias.)

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My award goes to… our film critics reveal their personal Oscars shortlists

Ahead of the official Academy nominations on Tuesday, Observer film critics pick their own favourites

Amid the hype over her acclaimed performance as Diana, Princess of Wales in Spencer, Kristen Stewart briefly stopped awards pundits dead in their tracks when, upon being asked about her Oscar buzz, she drily admitted, “I don’t give a shit.” Sacrilege! Some of the best films and performances of all time haven’t been considered by the Academy, she continued. “There’s five spots. What the fuck are you going to do?”

Nobody disagrees with Stewart on any of this: just ask our critics, whose ideal Oscar ballots below are knowingly far from the expected reality of next week’s nominations. That the actor’s comments made showbiz headlines anyway speaks to the strange aura the Oscars maintain as a gold standard of cinematic achievement: for several months a year, people fret and discuss and strategise about them, while companies expensively campaign for them, only to spend the rest of the year complaining that they don’t mean anything anyway. Even Stewart’s scepticism emerged while on the campaign trail, being interviewed on a Variety podcast named Awards Circuit. Should she win for Spencer, she’ll doubtless turn up and give a humbly grateful speech anyway. That’s the game. Nobody gives a shit about the Oscars, after all, except when everyone does.

Here, then, are our critics’ picks of who and what should be on those Oscars shortlists. Guy Lodge

PETITE MAMAN

Summer of Soul

The Green Knight

Titane

Censor

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‘And the loser is …’: Are music awards shows in crisis?

With plummeting ratings and accusations of racial and gender bias, the Brits and Grammys are facing a battle to stay relevant

Once upon a time, the Brit awards and the Grammys were an annual staple in the TV calendar of even the most casual music fan. Drawing millions of viewers, the ceremonies offered a feast of entertainment, ranging from the unpredictable to the spectacular. Think Chumbawamba chucking a bucket of ice water over John Prescott at the 1998 Brits or Lady Gaga emerging from an egg at the Grammys in 2011. More recently, Brits sets by Stormzy and Dave have marked an important shift in mainstream recognition of Black British talent.

For audiences, however, the shine seems to have worn off. Last year’s ITV broadcast of the Brits, which was postponed from February to May due to Covid-19, recorded 2.9 million viewers – a figure that plunged for the fourth year running. The 2021 Grammys were the lowest rated in history, delivering an audience of just 8.8 million viewers for CBS, down a staggering 53% on the year prior. (These declines aren’t exclusive to music award ceremonies: the Oscars also recorded a 58.3% dip in viewers last year.)

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‘The outrage had been percolating…’ The winner of our graphic short story prize 2021

A funeral in Germany provides the setting for our winning story in this year’s Cape/Observer/Comica award for emerging cartoonists. It was a year of fierce competition – and much pandemic-fuelled anxiety

There can’t be many things more cheering on a dark January night than having to tell someone they’ve won a prize, and when I telephone Astrid Goldsmith to give her just such a bit of good news, her reaction is everything I hoped it would be. For a while, Goldsmith, an animator who lives in Folkestone where she makes stop-motion films in her garage, struggles to speak in full sentences. She is just so thrilled. “That is the greatest compliment,” she says, when I tell her that her story, A Funeral in Freiburg, the winner of this year’s Observer/Jonathan Cape graphic short story prize, brings to mind the work of that genius Posy Simmonds. “I love her tone. I always have.”

Goldsmith’s entry is based on a real event: the funeral of her paternal grandmother in Germany in 2015. “The outrage had been percolating for a while,” she says, with a laugh. “But I only came to write it after my first baby was born, while I was breastfeeding: I drew it all on one of those trays with arms that invalids use in bed.” Her story revolves around the difficulties involved in organising a Jewish funeral service in a place – Freiburg, in the Black Forest – where the rabbi has been imprisoned for embezzlement, and the Jewish cemetery is full. The woman in charge is, very difficult, refusing even to believe that Gisela Goldschmidt was really Jewish (at the age of 18, Astrid’s grandmother fled Germany for Zimbabwe, only returning after the war was over). Her rules and regulations, not to mention her insistence on the performance of certain rituals, infuriate the Goldsmith family. But what choice do they have? It is a case of her way, or no proper funeral at all.

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The Power of the Dog among worthy winners as disgraced Golden Globes plays it safe

Jane Campion’s colossal western and Steven Spielberg’s passionate West Side Story revival head up a list that snubs more transgressive offerings

So the much-disgraced Golden Globes, derided for a lack of diversity and transparency in the voting membership, lucrative TV coverage cancelled, gravy-train derailed and the awards ceremony dwindled to a virtual event on social media, carries paradoxically on with delivering a set of awards that are in perfectly plausible good taste and not very much different from all the other un-disgraced awards ceremonies. However, it was sad to see Paul Thomas Anderson’s dazzling comedy of transgression Licorice Pizza overlooked, of which more in a moment.

Jane Campion’s handsome, complex and brilliant western drama The Power of the Dog gets best picture (drama) and best director, along with best supporting actor for the excellent Kodi Smit-McPhee, while Steven Spielberg’s glorious, passionately respectful revival of West Side Story wins best picture in the musical or comedy section, along with its breakout player Ariana DeBose for best supporting actress and newcomer Rachel Zegler for best actress in musical/comedy.

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Golden Globes: The Power of the Dog and Succession win at celebrity-free ceremony

Jane Campion’s Netflix drama and HBO hit triumph as stars distance themselves from Hollywood Foreign Press Association

The Power of the Dog and Succession were the big winners at an unusual, stripped-back Golden Globes.

Traditionally, the ceremony is a glitzy telecast with A-listers in attendance but after a year of controversies surrounding diversity and amoral practices, the Hollywood Foreign Press Association lost its footing in the industry, with publicity firms, studios and celebrities choosing to distance themselves.

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PEN prize-winning Ugandan novelist Kakwenza Rukirabashaija illegally detained and tortured

The author is being held after tweets criticising President Yoweri Museveni and his son

Ugandan satirical novelist Kakwenza Rukirabashaija, who was named International Writer of Courage by PEN last year, has been illegally detained and tortured for criticising the president and his son, his lawyer said.

Gunmen came to the writer’s house on 28 December after a series of tweets about the country’s president, Yoweri Museveni, including one calling him a thief and his son and presumed successor “an incompetent pig-headed curmudgeon”.

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Need a warped, tortured or evil character for a Hollywood film? Cast a British actor

UK stars Olivia Colman, Idris Elba and Benedict Cumberbatch are all in demand with US directors. We look at why

A sensitive, geeky youth, stuck on a lonely cattle ranch, might understandably yearn for a kindly uncle figure; someone to confide in, or be mentored by. But the companionship actor Benedict Cumberbatch offers his brother’s stepson, Peter, in the widely Oscar-tipped western Power of the Dog is a very long, precarious horse ride away from anything avuncular.

In fact, Cumberbatch’s portrayal of the emotionally thwarted Phil Burbank is a study in twisted misery. In one early scene, Burbank notices some fragile paper flowers the teenager has made to decorate a dinner table at his mother’s canteen. But, instead of praising them, “Uncle Phil” is driven to publicly sneer.

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Golden Globes 2022 tries to do better as Lady Gaga brings the outrage

After a year of criticism over diversity, the Golden Globes have come up with a decent slate of nominees, with Gaga surely the favourite for best actress

Full list of 2020 nominations

The Golden Globes nomination list has been announced with a solemn introduction from the Hollywood Foreign Press Association’s president Helen Hoehne, to the effect that the Globes’ much-criticised controlling body was “trying to be better” and that its constituent membership was more diverse than at any other time in its history. Which is better, I suppose, than being less diverse than at any time in its history.

At any rate, leading the pack are Belfast, Kenneth Branagh’s unashamed heartwarmer about the home town of his early childhood, with seven nominations and Jane Campion’s stark, twisty western-Gothic psychodrama The Power of the Dog, set in 1920s Montana with Benedict Cumberbatch as the troubled, angry cattleman who begins a toxic duel with his new sister-in-law played by Kirsten Dunst and her sensitive teenage son, played by Kodi Smit-McPhee.

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Drake withdraws his two 2022 Grammy nominations

The star pulled his nominations for best rap album and best rap performance after consultation with his management

Drake has decided to withdraw his two Grammy nominations.

Though his motive remained unclear, Variety reported the 35-year-old artist withdrew his two nominations – best rap album for Certified Lover Boy and best rap performance for his song Way 2 Sexy, featuring Future and Young Thug – after consultation with his management.

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Joe Biden restores tradition with return to Kennedy Center Honors

President given standing ovations at performing arts awards snubbed by Donald Trump

“Tonight it is quite nice, very nice to see the presidential box once again being occupied,” David Letterman said to knowing applause. “And the same with the Oval Office.”

The comedian was introducing the 44th Kennedy Center Honors, where Joe Biden restored tradition merely with his presence after four years in which the annual gala was snubbed by then president Donald Trump and upended by the coronavirus pandemic.

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A £300 monsoon-busting home: the Bangladeshi architect fighting extreme weather

From a mosque that breathes to innovative bamboo houses, Marina Tabassum has won the prestigious Soane medal for her humanitarian buildings

For the people of coastal Bangladesh, the monsoon can bring untold torment – and, occasionally, unexpected joy. Every year from June to October, in the Ganges delta region where the country’s three major rivers converge, the waterways swell and riverbanks burst, causing catastrophic flooding. The torrential rainfall is joined by heavy glacial runoff from the Himalayas, exacerbated in recent years by global heating. Homes and livelihoods are lost overnight. But the meltwater also brings cascades of sediment that, a few months later, leave unpredictable gifts – new strips of land, known as “chars”, rising from the riverbed.


“You can’t really call it land,” says Marina Tabassum, who has been awarded the Soane medal, the first architect from the global south to win the prestigious gong. “It is wetness. It belongs to the river. But for the landless, the chars offer some years of relief. They provide a place to fish, cultivate and settle with their families.”

Tabassum turned her attentions to the delta region last year when the pandemic struck and work in her Dhaka office, MTA, slowed down. It gave her time to pause and reflect, and reassess where the skills of an architect can make the most difference. The national lockdown had caused many to lose their jobs, increasing homelessness in the region, with countless delta-dwellers forced to live under makeshift tarpaulin shelters.

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Dean Stockwell, Quantum Leap and Blue Velvet actor, dies aged 85

Versatile actor had worked in Hollywood since childhood, and was Oscar nominated for his role in 1988 comedy Married to the Mob

A life in pictures: Dean Stockwell

Dean Stockwell, the former child star who became a key figure in the Hollywood counter-culture and enjoyed late success in popular TV shows, has died aged 85. According to Deadline, his family said he died at home “of natural causes”.

Born in Los Angeles in 1936, Stockwell had become a major name while still in high school, starring in the anti-racism parable The Boy With Green Hair in 1948 and alongside Errol Flynn in the 1950 adaptation of Rudyard Kipling’s Kim. However, Stockwell found the transition to adulthood difficult and after dropping out of university he re-established his film career with a lead role in Compulsion, the 1959 crime film based on the Leopold and Loeb murder case, for which he won a best actor award at the Cannes film festival alongside co-stars Orson Welles and Bradford Dillman.

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Cranberry juice won’t cut it: UTIs and the potential for repurposing drugs

The winning essay in the Max Perutz science writing award 2021, published below, was written by Vicky Bennett from the department of biology and biochemistry at Bath University

In May, PhD students who are funded by the Medical Research Council (MRC) were invited to enter the Max Perutz science writing award 2021 and write a compelling piece about their research for the non-scientific reader.

From the many entries received, the 10 that made the shortlist covered diverse topics, including dementia, childhood adversity, the role of genes in schizophrenia and the use of hypnosis to treat psychosis.

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Minari’s Youn Yuh-jung: ‘I’m very strange-looking, in a good way’

As the London Korean film festival kicks off, Youn Yuh-jung, talks about how her portrayals of racy grannies and scheming maids scandalised the nation

In her Oscar-winning turn in last year’s Minari, Youn Yuh-jung played the mischievous granny you wished you’d had: the one who ignores your fun-sucking parents, takes you on wild adventures and teaches you to do your own thing. “You’re not a real grandma,” her Americanised grandson tells her. “They bake cookies! They don’t swear! They don’t wear men’s underwear!” In real life, Youn is pretty similar: lively, funny, unpretentious, and, she admits, not all that good at cooking. The 74-year-old actor has had an unconventional life and career, and most of us in the west know only a tiny fraction of it.

“My problem is, I don’t plan anything!” Youn laughs over Zoom from Los Angeles. Unlike her character in Minari, she speaks fluent English, although she apologises for it not being good enough.

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Damon Galgut wins Booker prize with ‘spectacular’ novel The Promise

The novelist takes the £50,000 prize with a ‘strong, unambiguous commentary on the history of South Africa and of humanity itself’

Damon Galgut is a clear and unsurprising Booker winner

Damon Galgut has won the Booker prize for his portrait of a white South African family navigating the end of apartheid. The judges praised The Promise as “a spectacular demonstration of how the novel can make us see and think afresh”, and compared it to the work of William Faulkner and Virginia Woolf.

This is is the first time Galgut will be walking away with the £50,000 prize, despite having been shortlisted twice before.. The Promise is his ninth novel, and his first in seven years. He becomes the third South African to win the prestigious fiction prize, after JM Coetzee and Nadine Gordimer. Through the lens of four sequential funerals, each taking place in a different decade, The Promise follows the Swarts, a white South African family who live on a farm outside Pretoria. The promise of the title is one the Swarts make – and fail to keep over the years – to give a home and land to the black woman who worked for them her whole life.

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Senegal’s Mohamed Mbougar Sarr wins top French literary prize

Prix Goncourt goes to 31-year-old’s novel The Most Secret Memory of Men, praised for its ‘stunning energy’

The Senegalese novelist Mohamed Mbougar Sarr has become the first writer from sub-Saharan Africa to be awarded France’s oldest and most prestigious literary prize, the Prix Goncourt.

The award, announced on Wednesday at the Drouant restaurant near the Opéra Garnier in Paris, was hailed as “symbolic” by the French literary establishment, 100 years after the prize – presented since 1867 – was first won by a Black author.

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