Greek police recover two stolen paintings by Picasso and Mondrian

Works by 20th-century masters found nearly a decade after audacious heist at Athens gallery

A Picasso gifted to the Greek people by the artist in honour of their resistance to Nazi rule has been found in a gorge after a builder admitted to stealing the masterpiece and two other artworks in an audacious heist from the National Gallery in Athens nearly a decade ago.

For nine years, Head of a Woman had lain hidden in the home of the self-described art lover alongside Stammer Windmill, a work by the Dutch painter Piet Mondrian, also stolen during the overnight raid on 9 January 2012.

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Rare Rubens drawing bought at small French sale up for auction

Surviving page from notebook all but destroyed in fire in 1720 expected to fetch as much as £600,000

A drawing bought in a small French sale by a buyer with a hunch has been identified as a rare surviving page from an important notebook made by a young Peter Paul Rubens.

If Rubens’ original Theoretical Notebook still existed it would be a true art wonder, but it was all but destroyed in a fire in 1720. Only two pages were thought to have survived, treasures of collections in London and Berlin.

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‘They thought we were terrorists’: meet Joe Rush, the master of mutoid art and king of Glastonbury

The punky master of outsider art was once a pariah, thrown out of Britain for his anarchist ways. Now, he’s a national treasure. Joe Rush relives 40 years of sticking it to the ‘straight world’

“They thought we were terrorists,” says Joe Rush, remembering the day not long after the fall of the Berlin Wall when he and a fellow anarchist took over a patch of no man’s land at the heart of the German capital. They filled it with military hardware: tanks and artillery and the like – along with a MiG-21 fighter jet that they pointed directly at the nearby Reichstag.

“The authorities were furious,” he says. And no wonder. The police feared that, just as the cold war was ending, another military face-off had begun. “They thought we were going to fire missiles into the Reichstag,” says Rush. “So we pointed the MiG into the ground to make it clear we weren’t.”

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Vulva decor: is Cara Delevingne’s vagina tunnel the start of something big?

The model and actor has a new household installation - a pink tunnel where she goes to think. Vulval art and design has an ancient history, but it’s becoming more popular than ever

Should you swap all your doors for a vagina tunnel? This is the pressing question raised by a video tour from the model and actor Cara Delevingne, who takes Architectural Digest around her LA home, and I believe the answer has to be “yes”. In her living room, a secret door in the mirrored panelling reveals a soft pink opening. Crawl right in, take the dog with you (Delevingne does). “I come in here to think, I come in here to create, I feel inspired in the vagina tunnel,” says Delevingne.

Delevingne, and her architect, Nicolò Bini, were inspired, she says repeatedly, by Alice in Wonderland, but this is more like a vulval version of the Lion, the Witch and the Wardrobe – the Chronicles of Labia, if you like. You climb out through a washing machine at the other end – “rebirthed and cleansed!” cries our host. The vagina’s rebirth powers are strong: Delevingne’s terrier goes in, and comes out a husky. The theme continues through the rest of the house: there is a floral display in her bedroom (“This lovely bouquet of vagina flowers”) and a “pussy palace”, a tactile pink suedette-lined secret room complete with swing and mirrored ceiling.

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AI helps return Rembrandt’s The Night Watch to original size

Rijksmuseum reproduces Dutch master’s work in all its glory, 300 years after it was cut to fit between doors

The Night Watch by Rembrandt has enraptured millions visiting Amsterdam’s Rijksmuseum and its previous homes over the centuries, dazzling with its scale and fine detail.

But it is only from today, thanks to the use of artificial intelligence to recapture some of the Dutch master’s genius, including the sweep of his brush strokes and perspective of his eye, that it can for the first time in 300 years be enjoyed in its complete form.

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‘My parents’ trauma is my trauma’ – Veronica Ryan on making first Windrush monument

She used to worry about ‘not making enough to pay the rent’. But with a solo show, a commission to make UK’s first Windrush monument and an OBE, the artist has stepped out of the shadows

Veronica Ryan’s handbag is always heavy. The British sculptor has been a collector since childhood, and her bag is her toolbox, her magpie’s nest, her anchor for a life lived in many places. It’s also fertile ground. Ryan’s mother once caught a glimpse of a date stone she was attempting to germinate in there. “You’re not going to get dates to grow here,” she said, referring to Britain and its climate. “I’m just really excited to see if I can,” replied Ryan. And she did.

Much like the seed, Ryan too is flourishing. For years, she worked in the art world’s shadows, using whatever materials she could find and often “not really making enough money to pay the rent”. But in 2018, aged 62, she won the Freelands award, which puts £100,000 towards showcasing a mid-career female artist yet to receive the recognition she deserves. The artist gets £25,000 and the gallery the remainder.

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Unknown treasures: the forgotten women of Manchester’s Factory Records

A new exhibition shines a light on the female creatives and managers who helped turn the home of Joy Division and New Order into a three decade-long powerhouse

From its figurehead Tony Wilson through to the male-dominated bands that found fame on the label, Factory Records is sometimes seen as the epitome of a muso lad fest. But a new exhibition at Manchester’s Science and Industry Museum is having a go at changing all that, casting welcome light on the women who were integral not only to Factory’s birth but its three decade-long survival.

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German police appeal for information after 17th century paintings found in skip

An art expert believes the paintings are by Dutch artist Samuel van Hoogstraten and Italian Pietro Bellotti

German police have appealed for information from the public after two 17th century paintings were discovered in a skip at a highway rest stop.

Police said a 64-year-old man found the oil paintings at the rest stop near Ohrenbach in central Germany last month. He later handed them in to police in the western city of Cologne.

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How did a £120 painting become a £320m Leonardo … then vanish?

A film about the disputed Salvator Mundi blames the National Gallery for its role in giving credibility to the claim that it was the artist’s lost work

The National Gallery is facing controversy over its role in the tangled story of how the world’s most expensive painting emerged from obscurity before being sold for a staggering £320m, only to vanish again from the public eye.

The gallery exhibited the Salvator Mundi in its Leonardo da Vinci exhibition a decade ago when it was an unknown work with doubts about its attribution, restoration and ownership.

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Italian TV employees suspected of thieving dozens of works of art

‘Priceless’ pieces removed from Rai’s offices by employees and replaced with fakes, police believe

“Disloyal employees” at Italy’s public broadcaster, Rai, are suspects in the theft of dozens of works of art from its offices thought to date back to the 1970s.

In what the daily newspaper Il Messaggero has described as “the sack of Rai”, the “priceless” artworks were removed from the broadcaster’s headquarters in Rome and units across the country and replaced with fakes. The works included original paintings by Renato Guttuso and etchings by Claude Monet and Amedeo Modigliani.

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Calls for Keith Haring mural to stay at Barcelona site being turned into care home

Artwork in building slated for demolition faces uncertain future, though city has pledged to save it

It all began one February night in 1989. Cesar de Melero was DJing in the Ars Studio club in Barcelona when someone told him that the artist Keith Haring was outside but the doorman wouldn’t let him in.

“The place was packed, so I put on a record and pushed through the crowd,” De Melero told the Guardian. “And there he was with his saintly, innocent face and I told the doorman to let him in and I said to the boss: ‘Champagne for Keith Haring.’”

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How a ghostly outline revealed the secret of Modigliani’s lost lover

The Italian artist may have wanted to brush Beatrice Hastings out of his life, but artifical intelligence has thwarted him by enabling a re-creation of the work

No one wants to be reminded of a failed relationship by having the ex’s portrait hanging around. After Amedeo Modigliani and his lover, Beatrice Hastings, broke up, the Italian artist is thought to have obliterated her memory by painting another woman’s likeness over his portrait of her.

So he might not be too happy to learn that science has now brought back that “lost” portrait, using artificial intelligence, an X-ray and 3D-printing to re-create the painting, with full colour and textured brushstrokes.

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‘Michelangelo of Middlesbrough’ hailed for 27,000-hour model project

Lockdown hobbyist painted 1m tiny cobbles for scale model of Yorkshire town’s demolished St Hilda’s district

Lockdown has inspired many of us to take up new hobbies, but for one Middlesbrough man, the pandemic just meant more time to devote to a mammoth project already nine years in the making.

“It was business as usual,” says Steve Waller, 61, a model artist and historian known affectionately as the “Michelangelo of Middlesbrough” who has spent almost a decade recreating the town’s historical St Hilda’s district in his bedroom.

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Is that a surrealist masterpiece by the draining board? Inside Leonora Carrington’s sculpture-filled home

The great British artist’s home in Mexico has been turned into a wonderful museum, full of her sculptures, books, diaries and unsmoked cigarettes. Our writer, Carrington’s cousin, takes an emotional tour

In October 2010, a few months before her death, I said my last goodbye to my cousin Leonora Carrington. As I left her home in Mexico City, she stood waving on the doorstep. Today, I’m back for the first time – to see Leonora’s house recreated as a visitor attraction. It feels surreal, but the surreal has become the everyday since I set off to find Leonora in 2006, almost 70 years after she checked out of our family and Britain. She travelled first to Paris to be with her lover, the German artist Max Ernst, before moving on to Mexico with a diplomat she met after she and Ernst were separated by the second world war.

This house, 194 Calle Chihuahua, is where she was anchored for more than 60 years. Here, she painted some of her best-known works, including The Juggler, which sold at auction in 2005 for £436,000; And Then We Saw the Daughter of the Minotaur, now at MoMA in New York; and her mural The Magical World of the Mayans, now at the National Anthropological Museum in Mexico City.

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Children’s authors on Eric Carle: ‘He created readers as voracious as that caterpillar’

Authors from Julia Donaldson to Cressida Cowell pay tribute to the beloved author of The Very Hungry Caterpillar, who has died aged 91

The late Eric Carle has been hailed by fellow children’s writers for creating generations of readers as voracious as his best-loved creation, The Very Hungry Caterpillar.

Carle, who died on Sunday at the age of 91, left behind titles including his worldwide bestselling board book – about a caterpillar who eats his way through a week’s worth of food before turning into a butterfly – as well as The Very Busy Spider, The Mixed-Up Chameleon and Papa, Please Get the Moon for Me.

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‘It’s cooler to hang Lennon’s guitar than a Picasso’: pop culture wins out at auctions

Sales of items from celebrities such as Janet Jackson and K-poppers BTS are trending – and reframing what goes under the hammer

Is celebrity merchandise the new Monet? Auction houses are in flux, with more and more pop culture items being sold under the hammer for six and seven-figure sums.

Last month, Julien’s Auctions in Beverly Hills hosted a three-day auction of Janet Jackson’s personal belongings, including some of her most iconic stage outfits. Buyers included Kim Kardashian, who snagged Jackson’s outfit from the music video for her 1993 classic If for $25,000 (£18,000) and, on Instagram, said she was “such a fan” of the singer.

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Five thousand years of mystical magnificence: Epic Iran at the V&A – review

V&A, London
Persepolis and Isfahan are dazzlingly brought to life in a blockbuster show that explores five jaw-dropping millennia of cultural history, from soaring domes to charging horses


Typical. You go for months without any culture, then 5,000 years of it come along at once. That’s what the V&A’s luxury coach tour of a blockbuster promises, and delivers, including quite brilliant recreations of Iran’s two most renowned sites, Persepolis and Isfahan. Epic Iran shows there is a cultural history that connects the country as it is today with the people who lived here five millennia ago. To put this in perspective, that’s like telling the story of Britain from before Stonehenge to the present and hoping it all connects up somehow. But in Iran, it does.

That’s partly because of a pride in history that preserved traditions across the millennia. The most important document of that is The Shahnameh, The Book of Kings, written at the start of the 11th century CE by the poet Ferdowsi. Iran had been converted to Islam in the seventh century, but Ferdowsi’s epic is packed with the heroic deeds and bloody battles of the ancient, pre-Islamic Sasanian empire. It is also written in Persian, as opposed to Arabic. There are gorgeous manuscripts of this classic. A masterpiece made in Tabriz in the 1500s for the Safavid ruler is open on a battle scene in which bejewelled horsemen charge each other across a sea-like expanse of blue: the painter takes time to depict little flowers blooming on the battlefield, just before the horses trample them.

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Was the fiddler framed? How Nero may have been a good guy after all

He was a demonic emperor who stabbed citizens at random and let Rome burn. Or was he? We go behind the scenes at a new show exploding myths about the ancient world’s favourite baddie

Nero comes with a lurid reputation. “The main thing we know about him is his infamy,” says Thorsten Opper, curator of the first British exhibition devoted to the Roman emperor. “The glutton, the profligate, the matricide, the megalomaniac.” Also, the pyromaniac: famously, Nero “fiddled while Rome burned”, or at least strummed his kithara to one of his own compositions, The Fall of Troy, while a fire, supposedly begun by him, destroyed three of Rome’s 14 districts and seriously damaged seven.

His afterlife on the page and screen is certainly arresting. Nero inspired some of the greatest Renaissance and baroque operas, notably Monteverdi’s L’Incoronazione di Poppea and Handel’s Agrippina, which chart the emperor’s adulterous love for Poppaea, who became his second wife. In the epic 1951 movie Quo Vadis, Peter Ustinov played Nero as entirely unhinged: a mincing, purple-swathed toddler in a man’s body. Christopher Biggins took him on in I, Claudius, the classic BBC adaptation of Robert Graves’s novel, and made him power-hungry, baby-faced and quite, quite mad.

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Help, it’s 1,000 trillion degrees in here! The Big Bang artwork that makes scientists cry

What would it have been like to be inside the Big Bang? We meet the ultra-hi-tech art duo who are using light, sound and sub-atomic astro data to recreate the biggest explosion ever

‘Step into the heart of the Big Bang,” says the advert for Halo, a walk-in, 360-degree, audiovisual installation about to open in Brighton. Come off it, I want to retort. You couldn’t “step” into the Big Bang without first travelling 13.8 billion years back in time and then being extremely miniaturised. After all, the universe was, according to one estimate, just 17cm in diameter at its inception.

What’s more, it was dark inside the Big Bang. In fact, there was no light at all. True, if you stuck around for 380,000 years, according to Nasa, you might have been able to see something because that was when free electrons met up with nuclei and created neutral atoms that would have allowed light to pass through. But who has 380,000 years to hang around waiting in the dark?

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