Category Archives: Theatre

Sarah Harding, singer with Girls Aloud, dies aged 39 from breast cancer

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Fans and figures from show business pay tribute to pop star who was diagnosed in August 2020 and wrote memoir during her illness

The pop singer and TV personality Sarah Harding, who had 21 UK Top 10 singles as a member of Girls Aloud, has died aged 39 from breast cancer.

Her mother, Marie, announced her death on Instagram, prompting a flood of tributes from fans and figures from show business. Geri Horner, the Spice Girls singer and a judge on the TV talent show that created Girls Aloud, wrote: “Rest in peace, Sarah Harding. You’ll be remembered for the light and joy you brought to the world. X”

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‘My theatre went dark’: Amanda Kloots on loving and losing actor Nick Cordero

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The Broadway favourite, who died of complications from Covid last summer, is remembered by his wife and co-star

When you’re on Broadway and suddenly find out that your show is closing, you feel this wave of sadness. As a cast member, there was nothing you could have done to save it. You didn’t write the script; you didn’t call the shots. You just had to show up, and smile, and dance, and perform, and give it your all every day. Your cast has become like your family, the theatre like your home, and your dressing room like your own personal bedroom in that house, your space filled with photos, cards, and memories. After your last show, you have to take that all down, pack everything into a box, and walk out of the theatre as it goes dark.

Related: Nick Cordero: Broadway star dies aged 41 of coronavirus complications

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Peaceophobia: Muslim men who love their modified motors

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Mistaken for drug dealers? Monitored by police? A new play staged in a Bradford car park weaves stories of everyday racism, faith and petrolheads


“I don’t go out, I don’t really go clubbing, I don’t drink, I don’t do none of that,” says Sohail Hussain, who is explaining how all encompassing his hobby is. “All my money goes on cars – for me it’s an investment.”

Hussain is one of three actors starring in Peaceophobia, a piece from collaborative theatre company Common Wealth and Fuel that interweaves stories about Islam, faith and modified car culture. Set in a car park in Bradford, the three drivers – Casper Ahmed, Mohammad Ali Yunis and Hussain – chat pistons and prayer over the constant hum of engine noise and tension.

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Edinburgh Fringe returns with mix of in-person and online shows

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Festival is part of world’s largest annual arts season which has been forced to curtail events due to Covid

The Edinburgh festival Fringe returns this weekend with a hybrid programme of nearly 800 in-person and online shows after its cancellation last year because of the coronavirus pandemic.

The Fringe makes up part of the world’s largest annual arts season, alongside the Edinburgh international festival and the book and film festivals, which open later this month, and all have been forced to significantly curtail this August’s events for the second year running. One of the most famous, the military tattoo staged at Edinburgh castle, has again been cancelled.

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Lily Allen: from chart-topping handbag kid to the heart of London’s West End

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The singer is back in front of a live audience this week, playing ‘a woman with a real point of view’ in a spooky new play, 2:22 – A Ghost Story

There, in the background, wearing drop pearl earrings, is 13-year-old Lily Allen dressed up as a little lady-in-waiting. Cinema audiences watching Cate Blanchett as Elizabeth when the film of that name came out in 1998 might have been concentrating on the queen’s courtly dancing in the middle of the frame, but yes, it really was Allen playing a mini royal favourite in director Shekhar Kapur’s lavish production.

Now, more than two decades later, the 36-year-old singer-songwriter is taking centre stage as an actress in the West End, appearing in a spooky new play, 2:22 – A Ghost Story, which opens this week.

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On my radar: Domhnall Gleeson’s cultural highlights

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The actor on an exhibition that’s like a rave, the best crispy chicken and why he’s having to take a break from Kazuo Ishiguro’s latest

Domhnall Gleeson was born in Dublin in 1983. Following his father, Brendan, into acting, he broke through in 2010 with small but memorable roles in Never Let Me Go, Harry Potter and the Deathly Hallows Part 1 (as Bill Weasley) and True Grit. He played the lead in Frank and a romantic interest in Brooklyn, though he is probably best known as General Hux in the latest Star Wars trilogy. From 4 to 29 August, Gleeson stars in Enda Walsh’s new play, Medicine, at the Traverse theatre as part of the Edinburgh fnternational festival. He lives in Dublin.

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‘I have a scene to do, run!’: backstage at Minack Theatre

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Our photojournalist explores the famed outdoor venue in Cornwall as it welcomes back full houses

“I knew of it from pictures I’d seen online and I thought it looked pretty, but when you arrive and see it yourself, it’s like, ‘Oh wow, this is insane,’” says actor Guido Garcia Lueches about the Minack Theatre. “It’s probably the best theatre I’ve ever performed in.”

Carved largely by hand into a craggy, granite cliff-face, the dizzying outdoor venue on the south coast of Cornwall looks magnificent in the summer sunshine. Tiers of subtropical foliage splash colour throughout the landscape and weathered concrete seats bearing the titles of past shows rise abruptly from the stage. The ocean, 100ft below, looks an enticing shade of turquoise.

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Meet Little Amal, the puppet girl refugee about to walk 8,000km

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Later this month, in one of the most ambitious live artworks ever staged, a giant puppet will trek from the Syria-Turkey border to Manchester, in a moving-theatre show of solidarity with asylum seekers

On the last Tuesday of July, a big little girl will step out into a Turkish city, a few miles from the Syrian border, to begin an 8,000km trek to Manchester. Little Amal is nine years old and is searching for her mother, who went off to find food and never returned. She is the central, and only, character in a spectacularly ambitious theatre project. The Walk will face down international Covid restrictions in a visionary act of solidarity with the plight of refugees, defiance of the borders that put their lives in danger, and belief in the humanity of ordinary people faced with a global humanitarian crisis.

Little Amal’s intercontinental odyssey will be hard to miss in the eight countries whose borders she will cross between July and November, because she is 3.5 metres (nearly 12 feet) tall. She’s a puppet, who will be enabled to make her epic walk by relays of puppeteers, several of whom are themselves refugees. She will bear a single message, on behalf of all the thousands of displaced children who will come out to meet her along the way: “Don’t forget about us.”

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Bard day’s work: what I learned from eavesdropping on RSC rehearsals

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The Royal Shakespeare Company is letting the public watch the usually secret processes towards performance – from clapping games to verse sessions

The creative process normally takes place behind closed doors. But the RSC has boldly upended that idea by streaming its Open Rehearsal Project for Henry VI Part One. What this means, in practice, is that cameras are admitted for three sessions each day. At 10am we watch a half-hour company warm-up. From noon, for 90 minutes, we get to see either a class (movement, combat, verse-speaking) or the rehearsal of a scene. Then at 6pm we eavesdrop on a green-room chat, in which company members mull over progress so far. After dipping in and out for the first fortnight – and there’s still more than a week to go before a streamed performance on 23 June – I’m intrigued by how much I’ve learned.

But are open rehearsals a good idea? There was a pivotal moment when Gregory Doran – who shares direction of the project with Owen Horsley – quoted a letter he’d received from an actor who said “the rehearsal room is sacrosanct – actors must not be exposed like this”. I spoke to a veteran actor who said she too was horrified by the idea of the public witnessing the trial and error that takes place in a rehearsal room.

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Edinburgh festival fringe threatened by Covid rules, says organiser

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CEO calls on Scottish ministers to replace 2-metre rule with 1 metre to secure future of world’s largest arts festival

The survival of the Edinburgh festival fringe is at stake unless social distancing rules for venues are relaxed within a fortnight, its organiser has said.

Shona McCarthy, the chief executive of the Edinburgh Festival Fringe Society, called on ministers to replace the 2-metre rule with the 1-metre distance used in hospitality in order to help secure the future of the world’s largest arts festival.

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Billie Piper: From vulnerable teen pop star to director of an ‘anti-romcom’

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The characters she plays do not match her own life, the actress insists, but it’s hard not to see parallels with her own journey

Billie Piper has occupied a near continual, if shifting, position in the public imagination for almost a quarter of a century. That’s a notable achievement by any reckoning of a performer’s career, but it’s also rather alarming, given that she’s still only 38.

Having started out as 15-year-old chart sensation, she walked away from the pop music treadmill, enjoyed a boozy marriage with the DJ Chris Evans, returned to frontline fame in Doctor Who, struck out on a path of acclaimed dramatic performances on TV and the stage, and has now made her directorial debut with the feature film Rare Beasts.

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Puppet of refugee girl to ‘walk’ across Europe along 12-week arts festival trail

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Three teams of four puppeteers will accompany Little Amal from Turkey to Manchester to celebrate refugees

A giant puppet of a nine-year-old Syrian refugee girl is to “walk” from Turkey to the UK through villages, towns and cities for one of the most ambitious and complex public artworks ever attempted.

The Walk project was meant to have taken place between April and July but was delayed by the pandemic. Now the 5,000 mile (8,000km) journey of Little Amal, from Gaziantep, near the Turkish-Syrian border, to Manchester, will take place over 12 weeks from 27 July.

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Olympia Dukakis obituary

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American stage and screen actor who won an Oscar for her role in the 1987 film Moonstruck

After more than two decades of distinguished work in the US theatre as an actor, director and teacher, and appearances in a dozen or so films, Olympia Dukakis, who has died aged 89, became hugely famous overnight by winning the best supporting actress Oscar in 1988 for her performance as Cher’s mother in the romantic film Moonstruck (1987).

The course of her career suggests that her ambitions never lay in the direction of Hollywood. Her theatrical credits read like the canon of classic and modern plays: she had roles in plays by Euripides, Sophocles, Shakespeare, Chekhov, Ibsen, Lorca, Pirandello, Brecht, Eugene O’Neill and Tennessee Williams, on and off Broadway, as well as in various regional theatres across the country. In films, she took on several character roles, making an impression in scores of pictures for more than half a century.

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Rafe Spall: ‘Madonna came up and started grinding me. A circle formed’

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For all the standing ovations, Hollywood roles and parties with stars, nothing beats the rough and tumble of real life for actor Rafe Spall

The play was going well. It was going very well, a Broadway production of Pinter’s Betrayal, starring Daniel Craig and Rachel Weisz as a married couple and Rafe Spall as her lover – the last thing Mike Nichols directed before he died. It was a hit; so much so that one night Madonna invited the cast round for dinner. “So I went to dinner,” says Spall.

He is telling the story with relish, leaning into his laptop camera as if we’re slightly pissed on a Sunday and our families have drifted off to watch telly. “And Madonna was dressed as Madonna, a gold grill and fingerless gloves. I was feeling quite confident, because I’ve just done the show and I was like, I’m going to pretend to Madonna that I’m not scared of her.” After dinner the tables were pushed to the side to make a dancefloor, “and Lourdes is on the iPad playing tunes. So I started dancing and Madonna came up and started, well… grinding me. Very close. I suppose ‘dutty wining’ would be the phrase? My wife was there… [actor Elize du Toit, they’ve been married since 2010, three kids, recently moved from London to Stroud] And she looked at me like, ‘The fuck?’ My torso was pouring with sweat. And in my mind I was saying, don’t back down. So I looked her in the eye and said to myself, ‘Yeah, this is me.’” Soon after, a dance circle formed. “With Madonna on a literal throne. And all of the dancers from her tour were in a circle around her. And she said, ‘Rafe, get in the circle!’ So I was like, ‘Don’t back down, this is you.’ So I got in the middle of the circle of Madonna and the best dancers in the world. And I danced in there for three minutes.”

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Whispers to thunderstorms: the world of sound designer Max Pappenheim

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After embarking accidentally on his career, Pappenheim has created innovative soundscapes for theatre, opera and radio

Max Pappenheim’s journey into sound design comprises a series of happy accidents. Music – and especially organ music – was his first love. He spent a year as a cathedral organist and it was only his predilection for experimentation and finding “the weirdest corners of the repertoire” that stopped him from pursuing a professional career in liturgical music.

Instead, he went to Cambridge University, read classics and began teaching at a school in the Midlands. There, he was asked to direct a musical, Sweeney Todd, and it was then the ground began to shift beneath his feet.

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Unfair Verona: plans to limit tourists at Juliet’s balcony are blocked

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Decade-long feud continues over popular selfie spot linked to Shakespeare’s Romeo and Juliet

Plans to curtail the number of tourists who flock to Verona for a selfie beneath the balcony where Romeo is said to have wooed Juliet have been blocked amid a feud over the site that has lasted more than a decade.

Tourists can enter the tiny courtyard – free-of-charge – simply to take a photo of the balcony or to rub their hand on the right breast of a bronze statue of Juliet as part of a ritual that is said to bring luck in love.

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‘An explosive energy’: Sam Mendes pays tribute to Helen McCrory

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Whether acting in Chekhov on stage or a Bond film, the star – who has died aged 52 – was incredibly exciting to watch, remembers the Skyfall director

Most actors are liked by those they work with. A few are loved. With Helen it was unquestionably the latter. People would light up at the mention of her name. I was one of those people.

When I was directing Uncle Vanya and Twelfth Night as my final productions as artistic director of the Donmar in 2002, I asked Helen to play the role of Sonya in Uncle Vanya. Word came back that she would love to have a chat about it. She strode into my office, sat on the sofa and immediately told me I had it all wrong. She told me she should be playing Yelena – the other young female role – and then proceeded to spend the next hour telling me exactly why. She left the room with the part. This has never happened to me before or since. All I can say by way of explanation is that it just felt inevitable. She was clearly already half way to giving a superb performance, I simply had to get out of the way and let her complete the job. Which, of course, she did – with utter brilliance.

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Helen McCrory remembered: ‘She had a brightness about her. She was a star’

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Richard Eyre, the National Theatre director who cast the actor in some of her earliest roles, pays tribute to her after her death

Part of the tragedy of Helen McCrory dying at such a young age, leaving a husband and two young children, is that professionally she had everything to look forward to. She had established herself as a very considerable actor in the theatre and on film and television.

She had a brightness about her, a luminosity: she was, in short, a star. She lit up a stage or a screen – you knew you were in the presence of a force of character and talent.

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Friday Night Dinner star Paul Ritter dies of brain tumour at 54

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Ritter, who also appeared in films including Harry Potter and the Half-Blood Prince, died at home alongside his wife and two sons

The actor Paul Ritter has died of a brain tumour at the age of 54, his agent has told the Guardian. Ritter who starred as the family patriarch Martin in Channel 4’s Friday Night Dinner alongside Tamsin Greig, Simon Bird and Tom Rosenthal died on Monday.

In a statement, his agent said that the actor, who also appeared in numerous films including Harry Potter and the Half-Blood Prince and Quantum of Solace, died at home with his family by his side.

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‘A light at the end of the tunnel’: Australian theatres launch 2021 seasons as the rest of the world stays dark

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Sydney Theatre Company is the latest to launch this year’s season, as Broadway and the West End look to Australia as the pandemic pioneer

“Australia has become a test case for the rest of the performing arts world,” the Washington Post proclaimed last month, as theatres across the country prepared to move to full capacity, while throughout most of Europe and the US they remain dark.

So yeah, no pressure there, says Sydney Theatre Company’s artistic director Kip Williams, two days out from launching the company’s complete 2021 season – the largest season the STC has seen since 2017.

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