The Capote Tapes: inside the scandal ignited by Truman’s explosive final novel

He partied with high society America but caused outrage when he spilled their secrets. Ebs Burnough talks us through his new film about Answered Prayers – the ‘smart, salacious’ novel Capote never finished

When Truman Capote died in 1984, he left the remains of a novel he had been hatching for nearly two decades, and talking about for almost as long. Answered Prayers, the story of a budding writer screwing his way through polite society, was intended to be Capote’s most explosive achievement. He likened it to a deadly weapon. “There’s the handle, the trigger, the barrel, and, finally, the bullet,” he told People magazine. “And when that bullet is fired from the gun, it’s going to come out with a speed and power like you’ve never seen – wham!” Having bragged about the book for years, all he had to do now was write it.

A contract was signed in 1966, but advance chapters published in Esquire magazine nine years later proved to be far below the standard of his defining successes, Breakfast at Tiffany’s and the “non-fiction novel” In Cold Blood. There was a cost to his social reputation as well as his literary one. As soon as the socialites and wealthy wives with whom he had mingled happily for years – including Slim Keith, Babe Paley and Gloria Vanderbilt, whom he called his “swans” – saw how casually he had spilled their most intimate secrets, those friendships were dead. Capote hadn’t bitten the hand that fed him. He’d gnawed it off at the wrist.

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Bridgerton author Julia Quinn: ‘I’ve been dinged by the accuracy police – but it’s fantasy!’

Her ‘hot and crazy’ novels about feisty women bedding rakish aristocrats have become a Netflix sensation. The writer talks about literary snobs, colour-conscious casting and the curse of Jane Austen

“People look down on romance novels,” says Julia Quinn. “We’re the ugly stepchild of the publishing industry – even though romance novels make so much money for publishers that they’re able to take chances on poetry, literary fiction and other things that don’t really make money.”

This is why Quinn never dreamed that any of her novels – Regency romances in which smart, witty women fall for handsome titled men – would ever make the leap to TV. She was happy with her regular slot at the top of the bestseller lists, if a little irked at the way the genre is looked down on by more literary types. “I dream big, I do,” says Quinn, speaking from her home in Seattle. “But nobody had ever done it, nobody had ever shown any signs of wanting to. And not just my books, but the genre as a whole. If somebody wanted to do a period piece, they wanted to do Jane Austen again.”

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Nick Kent: ‘I was in the right place at the right time, on the wrong drugs’

The rock critic who revived British music writing at the NME in the 70s is back with his first novel – a caustic tale of rock megalomania

Nick Kent, who is as close as British music journalism ever came to producing a legend, finally stopped writing about rock in 2007. “There was really nothing around that sparked my imagination,” he tells me. “There was no mystery, and rock’n’roll needs mystery.”

So ended a singular odyssey that had begun 35 years earlier, in 1972, when Kent joined a then struggling NME and, within a year or two, had helped push its weekly readership to near the 300,000 mark. Back then, a tall, stick-thin fop in leather trousers, matching biker jacket, a dangling earring and eyeliner, Kent was as sartorially stylish and – to borrow one of his own phrases – as “elegantly wasted” as the dissolute rock stars he profiled. And he walked it like he talked it, hanging out with the Rolling Stones and Led Zeppelin, befriending Iggy Pop, stepping out with Chrissie Hynde (briefly a fellow NME writer) and even playing guitar in a very early incarnation of the Sex Pistols.

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Jenni Fagan: ‘I understand crisis. I grew up in a very, very extreme way’

From a childhood in care to dazzling readers with her debut The Panopticon, Fagan talks about writing her third novel, channelling rage, and why now is a pivotal moment for us all

For all that she was laid low early in the pandemic, and then spent months as a single parent trying to home-school her nine-year-old son, the last year has been far from a write-off for Jenni Fagan. Her third novel is about to be published, she completed her PhD. And on the day she speaks to me from her Edinburgh home, she is hours away from finishing a memoir of her life up until the age of 16.

For most people, that would amount to a very thin book, but not for Fagan. As a child growing up in the Scottish care system, those first 16 years involved 29 different placements, under four different names. The only thing she knows about her birth was that it took place in a Victorian psychiatric hospital in 1977. Perhaps, she muses, it has helped her to cope better than most with the events of the last months. “You know, I kind of understand crisis. I grew up in a very, very extreme way, and the idea that bad things happen to other people was never my reality. I always knew they happen to you. And sometimes they happen over and over.”

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Twisted brilliance: Patricia Highsmith at 100

Forbidden desires, strange obsessions and a singular talent for suspense... Carmen Maria Machado on the dark allure of the writer behind Ripley

There has always been something fundamentally difficult about Patricia Highsmith. And not difficult in the way that most people mean it: ironic, quirky, feminist (“Well-behaved women rarely make history”, and so on). I mean truly, legitimately difficult; a well of darkness with no discernible bottom.

Which is not to say that she wasn’t, in her own way, endearing. She was, after all, a genius, a bona fide eccentric. She loved animals, particularly snails, which she kept by the hundred as pets and took to parties clinging to a leaf of lettuce in her handbag. Writer and critic Terry Castle describes how she once “smuggled her cherished pet snails through French customs by hiding six or eight of them under each bosom”. She was famous for her wit and wicked sense of humour, and she wrote compellingly of loneliness and empathetically about disempowered housewives and children.

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George Saunders: ‘These trenches we’re in are so deep’

The Booker-winning author on what Russian short stories can teach us, late-life realisations and why he doesn’t like social media

George Saunders was born in Texas in 1958 and raised in Illinois. Before his first novel, Lincoln in the Bardo, won the 2017 Booker prize, he was best known as a writer of short stories, publishing four collections since 1996 and winning a slew of awards. In 2006, he was awarded both a Guggenheim and a MacArthur fellowship. His latest book, A Swim in a Pond in the Rain, draws on two decades of teaching a creative writing class on the Russian short story in translation at Syracuse University, where he is a professor. Saunders lives in California but was in the middle of a snowstorm in upstate New York when this interview took place via Zoom.

What prompted you to turn your creative writing class into a book?
I was on the road for a long time with Lincoln in the Bardo. When I came back to teaching, I just thought, man, after 20 years of this, I really know a lot about these stories. There was also that late-life realisation that if I go, all that knowledge goes too. I thought it would be just a matter of typing up the notes, but of course it turned out to be a lot more.

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Kiley Reid: ‘The premise that literary fiction has to be a drag is so silly’

The novelist’s hit debut, a witty spin on race, feminism and sex based on her time as a nanny in New York, has even won fans among her former employers…

This time last year, Kiley Reid was a tantalising rumour, the truth of which was known only to her publishers and to the film company that had optioned her debut novel two years before it was ready to see the light of day. When Such a Fun Age was published – on New Year’s Eve in the US and a week later in the UK – the rumour checked out: here was a smart comedy of manners, which treated interracial relationships of the early 21st century with the sort of needling wit that Jane Austen had applied to class 200 years earlier.

It was the start of a year in which Reid seems to have been travelling in the opposite direction to the rest of the world. By the time the Covid pandemic shut everything down, she had introduced the novel to 19 cities, including London. Reese Witherspoon had picked it for her book club; in July, it was longlisted for the Booker prize.

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Feed your soul: the 31-day literary diet for January

Looking for a more positive new year resolution? From a Shirley Jackson short story to Chimamanda Ngozi Adichie’s 30-minute Ted talk, nourish your mind with our one-a-day selection of literary treats

Our revels now are ended and January looms, with its exhortations to get fit, lose weight, dry out. So here’s a radical alternative diet: instead of depriving yourself, how about making it a month of treats – but feeding your brain instead of your face? Our one-a-day calendar will take you into magical realms of poetry and prose, argument and imagination. It will transport you to some places you always wanted to explore, but couldn’t find the time, and to others you never knew existed, where you will find strange and wonderful things.

In fact, this calendar very nearly didn’t happen because I kept disappearing down rabbit-holes so deep and fascinating that, had I been the white rabbit himself, someone would have had to drag me out by the ears. Some entries – such as John Huston’s film of Malcolm Lowry’s mescal-fuelled modernist masterpiece Under the Volcano (20 January) – come with the authority of a full year’s leisurely burrowing (it is among the BFI’s list of 100 great films to watch on Netflix and Amazon Prime, which was a comfort and joy through lockdown, and is handily still being updated).

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John le Carré obituary

Writer whose spy novels chronicle how people’s lives play out in the corrupt setting of the cold war era and beyond

John le Carré, who has died aged 89 of pneumonia, raised the spy novel to a new level of seriousness and respect.

He was in his late 20s when he began to write fiction – in longhand, in small red pocket notebooks, on his daily train journey between his home in Buckinghamshire and his day job with MI5, the counter-intelligence service, in London. After the publication of two neatly crafted novels, Call for the Dead (1961) and A Murder of Quality (1962), which received measured reviews and modest sales, he hit the big time with The Spy Who Came in from the Cold (1963).

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Alex Wheatle: ‘I have nightmarish moments where my past comes back and hits me’

The prize-winning author’s life is now an episode of Steve McQueen’s hit series Small Axe. He talks about working on the project and his latest novel, based on a Jamaican slave uprising

Amid the brunchtime clatter of a busy south London cafe, Alex Wheatle is talking about how, lately, he has been considering 1970s pop culture and the way it has shaped and warped his perception of self. “I grew up with Tarzan on TV; Tarzan beating up all the black guys he came across and being able to talk to the animals while the black people couldn’t,” he says. “And I hate to admit it, but when I was 10 or 11, I actually cheered for Tarzan when he was fighting with a so-called ‘savage’. It was only later that I thought: ‘I think I’ve got that wrong.’”

In many ways, Wheatle’s 20-year writing career has been about correcting that wrong. Because if the focus of the author’s extraordinary early years was on mistruths around his heritage – about its history, its value, its implicit inferiority to a loin-clothed white saviour – then the intervening period has been all about creating the depictions of nuanced black heroism he was denied as a child.

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Elena Ferrante names her 40 favourite books by female authors

List by pseudonymous author of beloved Neapolitan novels includes Zadie Smith, Sally Rooney and several Italian classics

Elena Ferrante, the bestselling pseudonymous Italian author behind My Brilliant Friend, has named her favourite 40 books by female authors around the world, with Toni Morrison, Sally Rooney and Zadie Smith all making the cut.

The author, whose quartet of Neapolitan novels has sold 13m copies worldwide, has published her list on Bookshop.org, the online store that recently launched in the UK and gives a proportion of sales to independent booksellers. Ferrante’s UK publisher, Europa Editions, is returning their 10% sales commission from Ferrante’s list to Bookshop.org so it can be shared among the 300 independent bookshops that have signed up to the site so far.

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Douglas Stuart wins Booker prize for debut Shuggie Bain

Scottish-American wins £50,000 for autobiographical novel about a boy growing up in 80s Glasgow, which is ‘destined to be a classic’

The Scottish-American author Douglas Stuart has won the Booker prize for his first novel, Shuggie Bain, a story based on his own life that follows a boy growing up in poverty in 1980s Glasgow with a mother who is battling addiction.

Stuart, 44, has described himself as “a working-class kid who had a different career and came to writing late”. He is the second Scot to win the £50,000 award after James Kelman took the prize in 1994 with How Late It Was, How Late, a book Stuart said “changed his life” because it was the first time he saw “my people, my dialect, on the page”.

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When it comes to a family trauma, who gets to tell the story?

When Fariha Róisín started writing Like a Bird, she thought the traumatic event at its heart was just a dream. She explores the weight of a family secret

In her 1861 account Incidents in the Life of a Slave Girl, Harriet Jacobs exposed her sexual abuse by her master with lucidity and truth. Yet for more than 100 years, it was accepted academic opinion that Incidents was a novel, written by white abolitionist Lydia Maria Child. It was not until the 1980s that critic Jean Fagan Yellin proved Jacobs to be the true author; Incidents had been autobiographical all along.

In Hollywood, rape narratives are largely penned by men and seen as a motif, because the tension (and tragedy) of the experience creates sympathy, compassion; it formalises emotion. When we see a woman raped and abused on film we absolve ourselves for watching, because we want to understand the ugliness of human atrocity, or so that’s what we say. And when women write about rape, often in literature, its seen as melodramatic, overemotional, too impossible to be true. “Primarily, rape is considered a women’s issue, though this is, of course, hardly the case,” writes poet Moniza Alvi, in the introduction to Feminism, Literature and Rape Narratives, “and perhaps this is partly why it is considered a literary taboo, particularly when conveyed from a female viewpoint.”

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Stacey Abrams: Georgia’s political heroine … and romance author

Writing under the name Selena Montgomery, Abrams has penned eight romantic thrillers, often while also fighting for voters’ rights

Stacey Abrams is the former Georgia state house minority leader, whose fierce fight for Georgians’ right to vote has been credited for potentially handing the state to the Democrats for the first time in 28 years. But Abrams has another identity: the novelist Selena Montgomery, a romance and thriller writer who has sold more than 100,000 copies of her eight novels.

Abrams wrote her first novel during her third year at Yale Law School, inspired after reading her ex-boyfriend’s PhD dissertation in chemical physics. She had wanted to write a spy novel: “For me, for other young black girls, I wanted to write books that showed them to be as adventurous and attractive as any white woman,” she wrote in her memoir Minority Leader. But after being told repeatedly by editors that women don’t read spy novels, and that men don’t read spy novels by women, she made her spies fall in love. Rules of Engagement, her debut, was published in 2001, and sees temperatures flare as covert operative Raleigh partners with the handsome Adam Grayson to infiltrate a terrorist group that has stolen deadly environmental technology.

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Wole Soyinka to publish first novel in almost 50 years

Chronicles of the Happiest People on Earth will be released this year, with the 86-year-old author also planning fresh theatre work after ‘continuous writing’ in lockdown

Wole Soyinka has used his time in lockdown to write his first novel in almost 50 years.

The Nigerian playwright and poet, who became the first African to win the Nobel prize for literature in 1986, published his widely celebrated debut novel, The Interpreters, in 1965. His second and most recent novel, Season of Anomy, was released in 1973.

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Sayaka Murata: ‘I acted how I thought a cute woman should act – it was horrible’

The author of Convenience Store Woman talks about working behind the counter, rejecting marriage and children, and her dark new tale of murder and cannibalism

Until recently, Sayaka Murata, who won Japan’s most prestigious literary award, the Akutagawa prize, worked in a convenience store. She had toiled in them for half her life, writing most of her 11 novels and two nonfiction books in her time off. Even after becoming a bestselling author (Konbini Ningen, or Convenience Store Woman, sold 1.4m copies and has been translated into 30 languages), she continued to work behind the counter until the attentions of an obsessive fan forced her to stop. “I was so used to the rhythm of working that I found it hard to hang around all day writing,” she explains.

The novel’s oddball title character, Keiko Furukura, also relishes the predictable rhythms of her workplace. Japan’s 55,000 nearly identical convenience stores are considered stop-gap employers for job-hoppers, students, housewives and immigrants, “all losers”, says one of the characters in her book contemptuously. But Keiko, who is 36, a virgin and uninterested in the bourgeois lives of her married peers, excels at the pliant, robotic service demanded by the industry’s manuals. So unsettled is she by invasive questions about her lack of a husband and children that she takes in a lazy, abusive lodger just to deflect them.

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Charges against Tsitsi Dangarembga must be dropped, argue writers

The Zimbabwean novelist, shortlisted for this year’s Booker prize for This Mournable Body, is accused of intending to incite public violence in Harare

Authors including Kazuo Ishiguro, Carol Ann Duffy and Philippe Sands have called for charges against the Booker prize-shortlisted writer Tsitsi Dangarembga to be dropped ahead of her latest appearance in a Zimbabwe court this week, saying that any other conclusion would be “an outrage”.

The Zimbabwean novelist was arrested during anti-corruption protests in Harare and charged last month with intention to incite public violence. She was freed on bail and required to appear before the court on 18 September. The hearing has been delayed twice, after prosecutors failed to appear on both occasions, with a new date set for 7 October.

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Jennifer Nansubuga Makumbi: ‘Life is about making myth’

The Ugandan-born writer, whose new book deals with her country’s origin stories, on feminism and the importance of home

Jennifer Nansubuga Makumbi was born in Kampala, Uganda, in 1967, and now lives in Manchester. Her first novel, Kintu, was longlisted for the Etisalat prize in 2014 and she won the Commonwealth Short Story prize in the same year. Her first short story collection, Manchester Happened, was published in 2019. She was awarded the prestigious Windham-Campbell prize for fiction in 2018. Her new book, The First Woman, is a powerful feminist rendition of Ugandan origin tales, charting the young girl Kirabo’s journey to find her place in the world.

“How does it feel to have a mother?” is one of the questions at the core of the book.
I didn’t meet my mother until I was perhaps 10 and used to have to think about that question. As a child, I lived with my dad, but he was brutalised during Idi Amin’s regime and lost his mind, so I went to live with my aunt aged about 10. I wanted to explore the idea that if you don’t have a mother you create the idea of one yourself and turn her into a perfect goddess. When Kirabo meets her mother, she mourns the loss of the mother she had created. Those kind of losses I wanted to deal with.

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