Museum is latest institution to distance itself from family accused of profiting from US opioids crisis
The British Museum has become the latest cultural organisation to remove the Sackler family name from galleries and rooms they have supported.
George Osborne, the museum’s chair, announced the move on Twitter, saying: “We’re moving into a new era, presenting our great collection in different ways for new audiences.”
Continue reading...Questions raised over sponsorship of exhibitions by scandal-hit Swiss bank
The National Gallery’s partnership with Credit Suisse has been thrown into question after leaked documents revealed the hidden wealth of the bank’s criminal clients, including drug traffickers, money launderers and corrupt politicians.
Credit Suisse, headquartered in Zurich, has sponsored the National Gallery since 2008 in one of the UK’s biggest arts funding deals. The partnership, renewed in 2020 and due to run until at least 2024, means Credit Suisse’s name is linked to exhibitions for artists from Raphael and Monet to Michelangelo and Leonardo da Vinci.
Continue reading...Colourful ceremony marks artefacts’ homecoming more than a century after they were pillaged by British troops
Two Benin bronzes were returned on Saturday to a traditional palace in Nigeria, more than a century after they were pillaged by British troops, raising hopes that thousands more artefacts could finally be returned to their ancestral home.
The artefacts, mostly in Europe, were stolen by explorers and colonisers from the once-mighty Benin Kingdom, now south-western Nigeria, and are among Africa’s most significant heritage objects. They were created as early as the 16th century onwards, according to the British Museum.
Continue reading...Archaeologists excavating the windswept Ness of Brodgar are unearthing a treasure trove of neolithic villages, tombs, weapons and mysterious religious artefacts, some to be displayed in a blockbuster exhibition
If you happen to imagine that there’s not much left to discover of Britain’s stone age, or that its relics consist of hard-to-love postholes and scraps of bones, then you need to find your way to Orkney, that scatter of islands off Scotland’s north-east coast. On the archipelago’s Mainland, out towards the windswept west coast with its wave-battered cliffs, you will come to the Ness of Brodgar, an isthmus separating a pair of sparkling lochs, one of saltwater and one of freshwater. Just before the way narrows you’ll see the Stones of Stenness rising up before you. This ancient stone circle’s monoliths were once more numerous, but they remain elegant and imposing. Like a gateway into a liminal world of theatricality and magic, they lead the eye to another, even larger neolithic monument beyond the isthmus, elevated in the landscape as if on a stage. This is the Ring of Brodgar, its sharply individuated stones like giant dancers arrested mid-step – as local legend, indeed, has it.
It’s between these two stone circles that archaeologist Nick Card and his team are excavating a huge settlement of neolithic stone buildings. The earliest date from about 3300BC, their walls and hearths crisply intact, their pots and stone tools in remarkable profusion, the whole bounded by six-metre-wide monumental walls. “You could continue for several lifetimes and not get to the bottom of it,” says the neatly white-bearded, laconic Card as we gaze out over the site, presently covered with tarpaulin to protect it from the winter storms. “Every year it never fails to produce something that astounds us.” After nearly two decades of digging, they have excavated only about 10% of its area, and about 5% of its volume. It goes deep: buildings are stacked on the ruins of older ones; the place was in use for 1,000 years. When summer comes, they’ll dig again. When the coverings come off each July, says Card’s colleague, Anne Mitchell, “down you go and you’re among the ghosts of the past”.
Continue reading...Unearthed Oxford Union article by prime minister made passionate case for sculptures’ repatriation to Athens
The extent of Boris Johnson’s U-turn on the Parthenon marbles has been laid bare in a 1986 article unearthed in an Oxford library in which the then classics student argued passionately for their return to Athens.
Deploying language that would make campaigners proud, Johnson not only believed the fifth century BC antiquities should be displayed “where they belong”, but deplored how they had been “sawed and hacked” from the magisterial edifice they once adorned.
Continue reading...Spokesperson’s comments before Boris Johnson meets Greek PM appear to signal softening of position
Returning the Parthenon marbles to Greece is a matter for the British Museum, Downing Street has said, apparently reversing longstanding UK government opposition to the idea, reiterated by Boris Johnson as recently as March.
Johnson was scheduled to meet the Greek prime minister, Kyriakos Mitsotakis, at No 10 later on Tuesday, and Mitsotakis was expected to argue that the reunification of the “stolen” sculptures was a key mutual issue, and one that had to be resolved by ministers.
Continue reading...Kyriakos Mitsotakis offers to loan Greek treasures to British Museum if ‘stolen’ sculptures are returned to Acropolis
The Greek prime minister has demanded that the 2,500-year-old Parthenon marbles be returned to Athens and has repeated an offer to loan some of his country’s treasures to the British Museum in an attempt to broker a deal.
Kyriakos Mitsotakis told the Daily Telegraph that the sculptures, also known as the Elgin marbles, belong in the Acropolis Museum at the foot of the Periclean masterpiece.
Continue reading...A British Museum show on ancient Andean civilisations is revealing new insights into their views of time, society and war
The British Museum’s landmark show Peru: A Journey in Time has been a decade in the making and enables the museum to foreground objects from its own collections and present them alongside treasures from Peru seen for the first time in the UK. Its opening coincides with the 200th anniversary of Peru declaring its independence from Spain, with the UK being one of the first countries to recognise the new nation’s sovereignty. But the neatness of this chronology is perhaps, to a western audience, almost the only familiar aspect of a show that consistently challenges the most basic notions of how the world works and how it can, and should, be lived in. Not the least of these challenges is to the concept of time itself.
The subtitle of the exhibition is both a prosaic description of a chronological examination of many different cultures over 3,500 years, but also an introduction to how Andean time was experienced. “We generally think that we’re in the present, the past is behind us and the future is ahead of us,” explains its co-curator Jago Cooper. “Whereas in Andean societies, the past, present and future are parallel lines happening contemporaneously. So the past isn’t dead, it’s happening at the same time as the present, which can therefore change it. And it is by accepting the interrelationship between the past and present that you can best plan for the future.”
Continue reading...He was a demonic emperor who stabbed citizens at random and let Rome burn. Or was he? We go behind the scenes at a new show exploding myths about the ancient world’s favourite baddie
Nero comes with a lurid reputation. “The main thing we know about him is his infamy,” says Thorsten Opper, curator of the first British exhibition devoted to the Roman emperor. “The glutton, the profligate, the matricide, the megalomaniac.” Also, the pyromaniac: famously, Nero “fiddled while Rome burned”, or at least strummed his kithara to one of his own compositions, The Fall of Troy, while a fire, supposedly begun by him, destroyed three of Rome’s 14 districts and seriously damaged seven.
His afterlife on the page and screen is certainly arresting. Nero inspired some of the greatest Renaissance and baroque operas, notably Monteverdi’s L’Incoronazione di Poppea and Handel’s Agrippina, which chart the emperor’s adulterous love for Poppaea, who became his second wife. In the epic 1951 movie Quo Vadis, Peter Ustinov played Nero as entirely unhinged: a mincing, purple-swathed toddler in a man’s body. Christopher Biggins took him on in I, Claudius, the classic BBC adaptation of Robert Graves’s novel, and made him power-hungry, baby-faced and quite, quite mad.
Continue reading...Culture minister says country is facing up to ‘historic and moral responsibility’ by returning artefacts to Nigeria
Germany is to become the first country to hand back the Benin bronzes looted by British soldiers in the late 19th century, after the culture minister, Monika Grütters, announced it would start returning a “substantial” part of the artefacts held in its museums to Nigeria from next year.
“We face up to our historic and moral responsibility to shine a light and work on Germany’s historic past,” Grütters said after museum experts and political leaders struck an agreement at a summit on Thursday.
Continue reading...Nero: the man behind the myth brings together more than 200 artefacts from across Europe
Nero, one of the most notorious Roman emperors of them all, murdered his mother and two wives, ruthlessly persecuted early Christians, including Saint Peter and Saint Paul, and even set fire to Rome itself – famously fiddling amid the flames – to make room to build himself a vast, luxurious palace.
Or did he? That is the question posed by an exhibition opening at the British Museum next month which seeks, if not to rehabilitate Nero’s reputation, at least to challenge some of history’s assumptions about him.
Continue reading...Aberdeen says it will repatriate a bust while Cambridge museum has ‘expectation’ its collection could be returned
Regional UK museums could lead a wave of repatriations of disputed Benin bronzes – most of them looted by British forces in 1897 – in defiance of the British government’s stance that institutions should “retain and explain” contested artefacts.
On Thursday, the University of Aberdeen confirmed it would repatriate a bust of an Oba, or king of Benin, which it has had since the 1950s, “within weeks”, a landmark move for a British institution.
Continue reading...Archaeologists at British Museum and National Trust report surge in interest in 1939 Anglo-Saxon find
It was when she spotted #SuttonHoo trending on Twitter that Sue Brunning knew this was not going to be just like any other week.
As the curator of the early medieval collection at the British Museum, and the guardian of the spectacular Sutton Hoo treasures, Brunning is well used to fielding interest in what are justly some of the museum’s best loved exhibits.
Continue reading...Part of the Galloway Hoard, found in 2014, the piece is so spectacular it may have belonged to a monarch
A spectacular Anglo-Saxon silver cross has emerged from beneath 1,000 years of encrusted dirt following painstaking conservation. Such is its quality that whoever commissioned this treasure may have been a high-standing cleric or even a king.
It was a sorry-looking object when first unearthed in 2014 from a ploughed field in western Scotland as part of the Galloway Hoard, the richest collection of rare and unique Viking-age objects ever found in Britain or Ireland, acquired by the National Museums Scotland (NMS) in 2017.
Continue reading...Row over Parthenon marbles deflected attention from secret courtship with wife Amal, star reveals
George Clooney will not be sending Boris Johnson a Christmas card, but he may send a thank-you note to No 10 – along with a comb, he told the Observer this weekend.
The Hollywood film star and director has recognised he owes part of his current domestic contentment and job satisfaction to a strange run-in he had with the prime minister early in 2014, while Clooney was secretly courting his future wife, Amal.
Continue reading...Artefacts held by British Museum and other western institutions were looted by British forces in 1897
A new museum designed by Sir David Adjaye is to be built following the most extensive archaeological excavation ever undertaken in Benin City, Nigeria, raising hopes of a resolution to one of the world’s most controversial debates over looted museum artefacts.
The kingdom of Benin, in what is now southern Nigeria and not to be confused with the modern-day country of Benin, was one of the most important and powerful pre-colonial states of west Africa.
Continue reading...Acquisition is one of the most valuable modern prints ever donated to the museum
An American flag artwork worth at least $1m (£770,000) and made by one of the world’s most celebrated living artists has been donated to the British Museum.
With just days to go before the US presidential election, the museum announced that an edition of Jasper Johns’s Flags I (1973) had been gifted to them by New York-based collectors Johanna and Leslie Garfield.
Continue reading...Archaelogists say Sumerian plaque dating from around 2400BC may have been looted
An ancient sculpture is to be returned to Iraq after it was secretly smuggled out of the country and offered for sale in the UK – only to be seized by the Metropolitan police.
The previously unknown Sumerian temple plaque, dating from about 2400BC, is being repatriated with the help of the British Museum, which first tipped off the police after spotting its planned sale in 2019.
Continue reading...Exclusive: Thomas Young used cut-up method to treat translation of Egyptian relic as mathematical problem, papers show
Nobody knew how to read hieroglyphs when two 19th-century scholars set out to decipher the inscribed texts on the ancient Egyptian Rosetta Stone, one of the British Museum’s most famous treasures.
Now notes have been discovered among one of the scholars’ papers in the British Library that reveal the extent to which the translation was treated as though it was a mathematical problem.
Continue reading...Hans Sloane ‘pushed off pedestal’ and placed with artefacts putting his work in context of British empire
The British Museum has removed a bust of its founding father, who was a slave owner, and said it wanted to confront its links to colonialism.
Hartwig Fischer, the institution’s director, revealed the likeness of Sir Hans Sloane has been placed in a secure cabinet alongside artefacts explaining his work in the context of the British empire.
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