Regional museums break ranks with UK government on return of Benin bronzes

Aberdeen says it will repatriate a bust while Cambridge museum has ‘expectation’ its collection could be returned

Regional UK museums could lead a wave of repatriations of disputed Benin bronzes – most of them looted by British forces in 1897 – in defiance of the British government’s stance that institutions should “retain and explain” contested artefacts.

On Thursday, the University of Aberdeen confirmed it would repatriate a bust of an Oba, or king of Benin, which it has had since the 1950s, “within weeks”, a landmark move for a British institution.

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Boris Johnson rules out return of Parthenon marbles to Greece

Prime minister says sculptures taken by Lord Elgin would remain in Britain as they had been legally acquired

Boris Johnson has used his first interview with a European newspaper since becoming the UK’s prime minister to issue a point-blank rejection of the Parthenon marbles being returned to Greece.

Johnson insisted that the sculptures, removed from the monument by Lord Elgin in circumstances that have since spurred one of the world’s most famous cultural rows, would remain in Britain because they had been legally acquired.

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Gilbert and George on their epic Covid artworks: ‘This is an enormously sad time’

The artists have responded to the pandemic with comic, haunting works showing themselves being buffeted around a chaotic London. They talk about lines of coffins, illegal raves and ‘shameful’ statue-toppling

As they call themselves living sculptures, I can’t resist asking Gilbert and George what they think of all the statue-toppling that took place last year. When I ask for their verdict on the removal of public works that have been accused of celebrating slavery and colonialism, they are sceptical.

“We would call that shameful behaviour,” says George. “And it’s very odd – because normally those statues are totally invisible. Nobody ever looks at them. I remember, very near my home town, there’s a statue of Redvers Buller, the hero of the Boer war, surrounded by dying Zulus and things. And if you asked people in Exeter, ‘Where’s Buller’s statue?’, none of them knew. It’s a bit silly. Rewriting history is very silly.”

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‘We want our riches back’ – the African activist taking treasures from Europe’s museums

Mwazulu Diyabanza has been fined and jailed for entering museums and forcibly removing ‘pillaged’ African artefacts. He tells our writer why the British Museum is now in his sights

Mwazulu Diyabanza makes no secret of why he is in France. If coronavirus had not closed most of Europe’s museums, the Congolese activist would probably be inside one right now, wresting African objects from their displays to highlight what he sees as the mass pillaging of the continent by European colonialists.

And it’s not just the mighty museums. Diyabanza and his supporters also plan to include smaller galleries, private collections and auction houses in their campaign. “Wherever the riches of our heritage and culture have been stolen,” says the 42-year-old, “we will intervene.” As the leader of a pan-African movement called Yanka Nku (Unity, Dignity and Courage), Diyabanza is on a mission is to recover all works of art and culture taken from Africa to Europe. He calls his method “active diplomacy”.

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Canadian museum’s ancient carving is one I made earlier, says local artist

A stone figure found on a beach was probably by a Lekwungen people artefact, the Royal British Columbia Museum said, but Ray Boudreau begged to differ

Early one morning last summer, walkers on a beach in western Canada spotted an oblong stone figure resting on the sand.

Weighing nearly 100kg, it bore a face with exaggerated features – a bulging eye, contorted nose and lips – and was covered in a thin layer of seaweed and algae.

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Raw, brave, wild and honest: why Germany is Europe’s greatest artistic nation

Germany became a unified state 150 years ago this week – and no other country has produced such original, provocative and powerful art since, from Richter to Klee, from Dix to Höch

Situated on the edge of the Alps, Neuschwanstein Castle may not look like the birthplace of modern art. Best seen from a perilously crowded footbridge across a vertiginous gorge, it floats in misty rains, a cloudy dream of white spires and battlements. Yet this 19th-century colossus is an architectural homage to one man: a composer who inspired the avant garde to make the leap to modernism.

Richard Wagner’s music so enflamed King Ludwig II of Bavaria, he built this magnificent medieval vision in honour of the composer. But, in artists across Europe, Wagner’s musical might released much more futuristic impulses. The abstract leitmotifs and unearthly symbolism of his operas fascinated artists from Aubrey Beardsley to Paul Cézanne. The impressionists, too, were entranced: Renoir travelled to Palermo, Sicily, to portray Wagner when he was composing Parsifal.

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Brazilian waxwork figures go viral after old video report is unearthed on social media – video

The human form has inspired artists for centuries for both its beauty and challenges. Now a Brazilian septuagenarian sculptor has won a surprise newfound notoriety for his celebrity waxworks. Six years after it was filmed, a local TV story on an exhibit by Arlindo Armacollo has gone viral for the distorted depictions and the gushing reporter's commentary. Armacollo's work is the latest in an increasingly long list of celebrity sculptures that have gained fame for not quite nailing the brief

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A selfie set in stone: hidden portrait by cheeky mason found in Spain 900 years on

A British art historian’s painstaking study of the cathedral in Santiago de Compostela uncovered a medieval prank

He is a medieval in-joke, a male figure carved in the early 12th century for one of the world’s greatest cathedrals, but no one has known of his existence until now. The figure has gone unnoticed by millions of worshippers who have made the long pilgrimage to Santiago de Compostela in Galicia, north-western Spain over the centuries. He has looked down on them from the top of one of the many pillars that soar upwards, each decorated with carved foliage, among which he is concealed.

Now he has been discovered by a British art scholar who believes that he was actually never meant to be seen because he is a self-portrait of a stonemason who worked on the cathedral in the 12th century.

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‘Frustrations at US policies’ behind Melania Trump statue, says artist

Brad Downey says first lady shows contradiction between US’s position on race in 2020

The American artist behind a controversial statue of the US First Lady Melania Trump, unveiled this week in bronze in her native Slovenia, has defended the work as a representation of the contradictions of her husband’s presidency.

Brad Downey, a conceptual artist from Kentucky based in Berlin, said the statue that replaced an earlier wooden carving destroyed in an arson attack in July, was motivated by his “frustrations with the policies of my birth country.”

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It’s a botch-up! Monkey Christ and the worst art repairs of all time

As another religious painting restoration goes horribly wrong, we take a look at some of the finest examples of butchered statues, art installations and frescoes

In the latest instalment of the greatest genre of art news – and I write that as a lover of art – another restoration has gone awry. The word “awry” is being generous.

This is the revelation that a private collector, based in Valencia, paid 1,200 (£1,070) for a restoration job on baroque painter Bartolomé Esteban Murillo’s Immaculate Conception of Los Venerables. It is no longer immaculate. It now looks like an e-fit issued by a local police force, with those thin eyebrows popular in the 90s. What’s more, the restorer (who it turns out was a furniture restorer by trade) made two attempts – the second significantly worse than the first. That one, the e-fit one, has the Virgin Mary staring straight ahead, which isn’t even the same position as the original, which has Mary looking to the heavens.

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Christie’s withdraws ‘looted’ Greek and Roman treasures

Four antiquities pulled from auction after claims they came from illicit excavations

Christie’s has quietly withdrawn four Greek and Roman antiquities from auction this month amid allegations that they had been looted from illicit excavations.

The items were in the original brochure catalogue but later removed from the online site with no explanation.

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Bird figurine is earliest Chinese artwork ever discovered, say experts

‘Refined’ 2cm carving found in Henan dates to palaeolithic period up to 13,000 years ago

A tiny figurine of a bird, carved from burnt bone and no bigger than a £1 coin, is the earliest Chinese artwork ever discovered, according to an international team of archaeologists

The carving, less than 2cm in length, has been dated to the palaeolithic period, between 13,800 and 13,000 years ago, which pushes back the earliest known date of east Asian animal sculpture by more than eight millennia. 

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Toppling Edward Colston’s statue is unlikely to be enough to stop public anger

Few imperial icons, including Churchill, will escape the need to reappraise Britain’s past

The toppling of slaver Edward Colston’s statue has electrified a longer term – and already deeply polarised – debate among British historians and academics, with some celebrating a “moment of history” as others warned of dark consequences for society.

Inaction over figures such as Colston had bred anger that would be felt “all over Britain”, said Andrea Livesey, a historian specialising in the study of slavery and its legacies and who described the events in Bristol as “wholly justified”.

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Britain’s urban fabric comes under spotlight shone by BLM protests

Force of history demands re-evaluation of colonial statues and street names

Cities have always been about apportioning and memorialising power; about writing force into space. Britain’s colonial and imperial past is inscribed into the bricks and mortar of every city and town in the country. Mostly this hidden text of power relations and wealth acquisition lies dormant in the half-forgotten significance of street names, in the knotty iconography of grand facades, in the barely read inscriptions on memorials and sculptures, in the nomenclature of grand public buildings. Forming the backdrop of lived lives, these omnipresent clues are rarely fully decoded. The most monumental of sculptures has a habit of fading away to near invisibility if it is sufficiently familiar.

At times, though, such associations are activated and become urgent. So it has been in the case of the long-running affair of Edward Colston, who made his fortune in the 17th century from the enslavement of thousands of Africans.

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Christo: ‘His gorgeous abstractions made you gawp with disbelief’

From a curtain across Colorado to the wrapping up of everything from the Sydney coast to the Berlin Reichstag, his grandiose art caused wonder all over the world

He changed cityscapes, landscapes, buildings, coastlines, lakes and islands, making us look afresh at our surroundings. At its most daring and spectacular, Christo’s work entered the collective consciousness, overturning our sense of scale and place in the world. At its best, his work was disruptive and transformative, leaving surprise and wonder in its wake. 

Christo’s is the kind of art that persists in the imagination, however temporary his projects have been (some lasted only a few days) and however few people encountered his theatrical interventions for themselves. Wasn’t he the one who wrapped the Reichstag in Berlin in a shroud, and a coastline near Sydney? His art became a kind of rumour, perhaps almost a myth. 

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Armed police called out to catch model tiger

Sculptor sees police helicopter overhead and invites officers to meet her ‘large wild cat’

Armed police and a helicopter were scouring the Kent countryside for a big cat on the loose following a call from a member of the public, only to find a model tiger made of chicken wire and resin in the woodland of an 85-year-old sculptor.

Juliet Simpson, who made the lifesize sculpture 20 years ago, was first alerted to the situation when a neighbour rang saying police were following up reports of a wild cat near her house in the village of Underriver.

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Pick up truck crashes into Easter Island sacred stone statue – video

A Chilean man was arrested after he drove a truck into one of the famous Easter Island statues and toppled it. The mayor of Easter Island has called for vehicle restrictions to be introduced around its archaeological sites after the truck caused 'incalculable' damage

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Anger on Easter Island after truck crashes into sacred stone statue

Mayor calls for vehicle restrictions around famous structures after Chilean man causes ‘incalculable’ damage

The mayor of Easter Island has called for vehicle restrictions to be introduced around its archaeological sites after a pickup truck hit one of the famous stone statues, causing “incalculable” damage.

A Chilean man who lives on the island, in Polynesia, was arrested after the incident on Sunday and has been charged with damaging a national monument, according to the Chilean newspaper El Mercurio de Valparaíso. The platform on which the statue stood was also damaged in the crash, it reported.

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Ai Weiwei on his new life in Britain: ‘People are at least polite. In Germany, they weren’t’

Devastated by his time in Germany, which he regards as still Nazi, the artist has moved. As he unveils a powerful virtual reality artwork, he talks about needing a monster to fight – and why he’d like to be a barber

‘When we filmed this,” says Ai Weiwei, “the elephants didn’t know what to do. Once they were used for labour, and now they have lost their job.” The artist is talking about the groundbreaking documentary he has just made about unemployed logging elephants in Myanmar. You watch the film, shot with 360-degree virtual reality technology, through a special headset. Turn your head slowly and your view gradually changes. Turn your head 180 degrees and the picture changes completely.

“When they lost their job,” he continues, “each elephant had a few people to take care of it, so those people also lost their job.” Ai (Weiwei is his first name and means unknown or future) relates to the elephants as readily as he does to the subject of the second part of his VR project – this one about the lives of Rohingya refugees in a Bangladeshi camp.

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British Museum is world’s largest receiver of stolen goods, says QC

Geoffrey Robertson says it should ‘wash its hands of blood and return Elgin’s loot’

The British Museum has been accused of exhibiting “pilfered cultural property”, by a leading human rights lawyer who is calling for European and US institutions to return treasures taken from “subjugated peoples” by “conquerors or colonial masters”.

Geoffrey Robertson QC said: “The trustees of the British Museum have become the world’s largest receivers of stolen property, and the great majority of their loot is not even on public display.”

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