Berlin’s bizarre new museum: a Prussian palace rebuilt for €680m

A cross between a Disneyland castle and a chilling concrete block, the Humboldt Forum is set to teach visitors about Germany’s colonial era. But is the past being examined – or exalted?

A museum gift shop has never been such an ideological battleground. At one end of the store in Berlin’s new Humboldt Forum is a display of souvenirs adorned with the gilded silhouette of the Stadtschloss, the city’s former royal palace, which was bombed to pieces in the second world war. Racks of silk scarves and Christmas baubles hang above rows of candles in regal colours, emblazoned with an image of the stately Prussian pile.

At the other end of the shop is a rival range of merchandise, themed around the former East German parliament and leisure centre, the Palast der Republik, which was triumphantly built on top of the ruins of the palace in the 1970s. With its sharp white marble walls, bronze-mirrored windows and space-age chandeliers, it was designed to showcase the wonders of socialism. You can buy keyrings and enamel mugs in a retro Soviet style, as well as a model kit of the building in Formo, the East German version of Lego, for €250.

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Tate donor warns: ‘I’ll take back my £20m Francis Bacon collection’

Barry Joule, a close friend of the artist, says the gallery has not kept to a pledge to stage exhibitions of the works

When more than 1,200 sketches, photographs and documents from the studio of Francis Bacon were donated to the Tate in 2004, it was described as one of the most generous gifts the gallery had ever received, estimated to be worth £20m. Now the donor is threatening to cancel the gift, accusing the gallery of reneging on pledges to stage exhibitions of the material.

Barry Joule, a longstanding friend of Bacon, had wanted the items to go to the Tate, as it had been the artist’s favourite gallery. Over the years, he kept expecting the Tate to do justice to it with an exhibition, as he says they had planned on accepting the gift. He wrote repeatedly to curatorial staff, asking when the show would happen.

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Doggerland: Lost ‘Atlantis’ of the North Sea gives up its ancient secrets

The land mass that linked Britain to continental Europe was rich in early human life until it flooded

The idea of a “lost Atlantis” under the North Sea connecting Britain by land to continental Europe had been imagined by HG Wells in the late 19th century, with evidence of human inhabitation of the forgotten world following in 1931 when the trawler Colinda dredged up a lump of peat containing a spear point.

But it is only now, after a decade of pioneering research and the extraordinary finds of an army of amateur archaeologists scouring the Dutch coastline for artefacts and fossils, that a major exhibition is able to offer a window into Doggerland, a vast expanse of territory submerged following a tsunami 8,000 years ago, cutting the British Isles off from modern Belgium, the Netherlands and southern Scandinavia.

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Tokyo review – lust and loneliness in Japan’s pleasure quarters

Ashmolean Museum, Oxford
A seductive encounter with past and present at the Olympic city shows that Tokyo practically invented modern art

Love hotels and cross-dressers make Tokyo’s nightlife eye-popping – and that’s just in 18th-century woodblock prints. The Ashmolean’s seductive overview of the Olympic city’s art sets these classics alongside images of contemporary Tokyo to create a thrilling and informative encounter with one of the world’s great art capitals.

Past and present meet for a sultry encounter in the night. A wall is lit up by Mika Ninagawa’s intensely coloured photos of blue- and pink-haired clubbers. They are so now – yet close by in the same gallery is a painted scroll from the 1600s that is just as provocative. It depicts the pleasure quarter of Edo, as Tokyo was then called, which became Japan’s capital when the Tokugawa shoguns united the country in the 17th century. It was famous for its pleasure quarter, “the floating world”, and the new art genre it inspired – ukiyo-e, “pictures of the floating world”. In the scroll, samurai warriors are seen visiting courtesans. But samurai were banned from the pleasure quarter so they wear straw hats pulled down to hide their faces. The comically phallic swords peeping out from their robes give them away.

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Exhibition tells story of Spanish children used as vaccine fridges in 1803

Francisco Javier de Balmis used children to keep smallpox vaccine fresh on journey to Spain’s colonies

When Francisco Javier de Balmis set off from Spain in 1803 to vaccinate the people in Spain’s colonies against smallpox he had no means of keeping the vaccine fresh, so he used children as his refrigerators.

An exhibition of documents relating to Balmis’s voyage has opened at the Archivo General de Indias in Seville and will be on display until 15 September.

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Departures at high-profile Barcelona museum provoke anger in art world

Hundreds sign petition after the jobs of Tanya Barson and Pablo Martínez, two senior figures at Macba, are axed

A row has broken out in the international art world over the departures of Tanya Barson, the English curator, and Pablo Martínez, the head of programmes, from the Barcelona Museum of Contemporary Art (Macba).

The pair departed on 16 July, the day after Elvira Dyangani Ose, the director of the Showroom in London, was appointed as the museum’s new director.

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‘Real’ T rex goes on show in England for first time in over a century

The skeleton of Titus, discovered in the US in 2018, makes its world debut at Nottingham museum

The first ‘real’ Tyrannosaurus rex to be exhibited in England for more than a century will go on show in Nottingham on Sunday.

The skeleton of Titus, discovered in the US state of Montana in 2018, will make its world debut at the Wollaton Hall Natural History Museum as part of a new exhibition on the dinosaur’s life and environment.

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Mrs Livingstone, I presume? Museum to feature role of explorer’s wife

Revamped gallery to reveal the importance – and presence – of Mary Moffat in missionary’s life and travels

Dr Livingstone, the Scottish explorer and Christian missionary in Africa, was a hero for Victorian schoolboys, his reputation enhanced by exuberant biographies. But next month the reopening of a museum on the banks of the River Clyde, following a £9.1m investment, is to set his famous story in a broader context.

The cliche runs that behind every great man stands a great woman. In Livingstone’s case, the reputation of his fearless wife, Mary Moffat, actually went before him, smoothing his path through remote regions.

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How did a £120 painting become a £320m Leonardo … then vanish?

A film about the disputed Salvator Mundi blames the National Gallery for its role in giving credibility to the claim that it was the artist’s lost work

The National Gallery is facing controversy over its role in the tangled story of how the world’s most expensive painting emerged from obscurity before being sold for a staggering £320m, only to vanish again from the public eye.

The gallery exhibited the Salvator Mundi in its Leonardo da Vinci exhibition a decade ago when it was an unknown work with doubts about its attribution, restoration and ownership.

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Is that a surrealist masterpiece by the draining board? Inside Leonora Carrington’s sculpture-filled home

The great British artist’s home in Mexico has been turned into a wonderful museum, full of her sculptures, books, diaries and unsmoked cigarettes. Our writer, Carrington’s cousin, takes an emotional tour

In October 2010, a few months before her death, I said my last goodbye to my cousin Leonora Carrington. As I left her home in Mexico City, she stood waving on the doorstep. Today, I’m back for the first time – to see Leonora’s house recreated as a visitor attraction. It feels surreal, but the surreal has become the everyday since I set off to find Leonora in 2006, almost 70 years after she checked out of our family and Britain. She travelled first to Paris to be with her lover, the German artist Max Ernst, before moving on to Mexico with a diplomat she met after she and Ernst were separated by the second world war.

This house, 194 Calle Chihuahua, is where she was anchored for more than 60 years. Here, she painted some of her best-known works, including The Juggler, which sold at auction in 2005 for £436,000; And Then We Saw the Daughter of the Minotaur, now at MoMA in New York; and her mural The Magical World of the Mayans, now at the National Anthropological Museum in Mexico City.

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‘This is our cultural heritage’: Spanish photographers seek national archive

Lack of permanent photography hub means precious work is being lost forever, says group

Spain’s best-known photographers have thrown their weight behind a new campaign to establish a national centre to catalogue, share, protect and promote the country’s rich and diverse photographic history.

The Platform for a Centre of Photography and the Image – whose members include Ramón Masats, Isabel Muñoz, Alberto García-Alix, Juan Manuel Castro Prieto and Cristina García Rodero – points out that Spain is one of only a handful of EU countries that does not have a centre exclusively dedicated to photography.

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Five thousand years of mystical magnificence: Epic Iran at the V&A – review

V&A, London
Persepolis and Isfahan are dazzlingly brought to life in a blockbuster show that explores five jaw-dropping millennia of cultural history, from soaring domes to charging horses


Typical. You go for months without any culture, then 5,000 years of it come along at once. That’s what the V&A’s luxury coach tour of a blockbuster promises, and delivers, including quite brilliant recreations of Iran’s two most renowned sites, Persepolis and Isfahan. Epic Iran shows there is a cultural history that connects the country as it is today with the people who lived here five millennia ago. To put this in perspective, that’s like telling the story of Britain from before Stonehenge to the present and hoping it all connects up somehow. But in Iran, it does.

That’s partly because of a pride in history that preserved traditions across the millennia. The most important document of that is The Shahnameh, The Book of Kings, written at the start of the 11th century CE by the poet Ferdowsi. Iran had been converted to Islam in the seventh century, but Ferdowsi’s epic is packed with the heroic deeds and bloody battles of the ancient, pre-Islamic Sasanian empire. It is also written in Persian, as opposed to Arabic. There are gorgeous manuscripts of this classic. A masterpiece made in Tabriz in the 1500s for the Safavid ruler is open on a battle scene in which bejewelled horsemen charge each other across a sea-like expanse of blue: the painter takes time to depict little flowers blooming on the battlefield, just before the horses trample them.

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Resplendence of things past: museum of Paris revels in £50m revamp

The Carnavalet, devoted to the city’s history, has been shaken out of its dusty and confusing former shape

One of the first cities in Europe to award itself a museum devoted to its own history, Paris will soon have one of the continent’s most modern as the Musée Carnavalet reopens this month following a spectacular five-year, €58m (£50m) renovation.

Opened in 1880 at the suggestion of Baron Georges-Eugène Haussmann, who realised 20 years earlier that the mammoth programme of urban renewal he was carrying out would obliterate much of the city’s past, the museum had not been overhauled since.

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Rijksmuseum slavery exhibition confronts cruelty of Dutch trade

Amsterdam show includes 140 objects ranging from Rembrandt portraits to human collars and ankle chains

The aim of a first exhibition on the Dutch slave trade to be shown at the Rijksmuseum, launched on Tuesday by King Willem-Alexander, is not to be “woke” but to be a “blockbuster” telling a truer story of the Golden Age, the director general of the national institution has said.

Taco Dibbits said his museum had no intention of taking sides in a political and cultural debate but that the royal visit, broadcast live on national television, highlighted that the wealth bestowed and cruelty endured was not just relevant to the descendants of those enslaved.

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‘We go after them like pitbulls’ – the art detective who hunts stolen Picassos and lost Matisses

Christopher Marinello has spent three decades finding missing masterpieces, recovering half a billion dollars’ worth of art. He talks about threats from mobsters, tricky negotiations – and bungling thieves

One summer morning in 2008, Christopher Marinello was waiting on 72nd Street in Manhattan, New York. The traffic was busy, but after a few minutes he saw what he was waiting for: a gold Mercedes with blacked-out windows drew near. As it pulled up to the kerb, a man in the passenger seat held a large bin-liner out of the window. “Here you go,” he said. Marinello took the bag and the car sped off. Inside was a rolled-up painting by the Belgian artist Paul Delvaux, Le Rendez-vous d’Ephèse. Its estimated worth was $6m, and at that point it had been missing for 40 years.

Marinello is one of a handful of people who track down stolen masterpieces for a living. Operating in the grey area between wealthy collectors, private investigators, and high-value thieves, he has spent three decades going after lost works by the likes of Warhol, Picasso and Van Gogh. In that time, he says he has recovered art worth more than half a billion dollars. When I call him, he answers, then abruptly hangs up. “I was just on my way to a police station to recover a stolen sculpture,” he explains later, apologising.

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Regional museums break ranks with UK government on return of Benin bronzes

Aberdeen says it will repatriate a bust while Cambridge museum has ‘expectation’ its collection could be returned

Regional UK museums could lead a wave of repatriations of disputed Benin bronzes – most of them looted by British forces in 1897 – in defiance of the British government’s stance that institutions should “retain and explain” contested artefacts.

On Thursday, the University of Aberdeen confirmed it would repatriate a bust of an Oba, or king of Benin, which it has had since the 1950s, “within weeks”, a landmark move for a British institution.

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‘We needed to rescue the nation from despair’: culture’s year of Covid

Comedians went virtual, Ai Weiwei went to Portugal – and Bake Off pledged the show would go on. In the first of a two-part series, cultural figures look back on a year that shook their industry

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Gerhard Richter gives Holocaust art to Berlin

Germany’s greatest living painter donates 100 works, including his Birkenau series, to capital’s new museum

Fans of the German painter Gerhard Richter are expected to flock to Berlin to view 100 works that he has in effect donated in a long-term loan to a new museum of modern art. The works include a series of paintings addressing the Holocaust that he has vowed never to sell.

The donation by the 89-year-old, who is one of the world’s highest-priced living artists, is destined for the Museum der Moderne, which is under construction in the German capital.

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Boris Johnson rules out return of Parthenon marbles to Greece

Prime minister says sculptures taken by Lord Elgin would remain in Britain as they had been legally acquired

Boris Johnson has used his first interview with a European newspaper since becoming the UK’s prime minister to issue a point-blank rejection of the Parthenon marbles being returned to Greece.

Johnson insisted that the sculptures, removed from the monument by Lord Elgin in circumstances that have since spurred one of the world’s most famous cultural rows, would remain in Britain because they had been legally acquired.

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Brexiters buy KGB artefacts for ‘museum of communist terror’

Portrait of Lenin and spy tools among items snapped up at auction by group planning UK exhibition

It depicts the Russian revolutionary leader in characteristically serious mood, staring across Red Square, perhaps, and rendered with more than a touch of kitsch.

But while a Soviet-era oil painting of Vladimir Lenin, which sold for nearly $2,000 at auction in the US, might capture the man as many know him, its buyers are not exactly Bolsheviks.

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