Category Archives: Arts funding

Literary festival cancelled due to cost of living crisis

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Ways With Words, the organisers of Words by the Water in Keswick, say low ticket sales mean it is not viable to run next year’s event

Ways With Words, which runs literary festivals in the Lake District, Suffolk and Devon, has cancelled its forthcoming festival, saying it is not “currently viable” because of the UK’s cost of living crisis.

The organisation had been due to put on Words by the Water, a 10-day event in Keswick, in March 2023. But after experiencing low ticket sales for its festival in Dartington, Devon, in July this year, the decision was made to cancel the Lake District gathering and cease planning events for the foreseeable future.

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‘Do we want music to be a pursuit only of the wealthy?’ Anger grows at PRS Foundation cuts

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Royalties company PRS for Music has announced a major funding cut for its charitable arm. Artists such as Black Country, New Road explain why it could damage the UK music scene

One of the UK’s biggest funders of new and emerging music, responsible for fostering the careers of artists including Sam Fender, Little Simz and 2021 Mercury prize winner Arlo Parks, has this week seen its budget slashed by 60%.

The PRS Foundation, which funds hundreds of aspiring artists and music organisations across the country – including a number of artists from groups underrepresented in the music industry – announced on Wednesday that its income would be cut from £2.75m to £1m from 2024 onwards, citing financial necessity. The decision was taken by its parent company and primary funder PRS for Music, which collects royalties for musicians when their music is streamed or played in public.

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Somerset House donor married to oligarch quits board

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Exclusive: Maria Adonyeva, who gave arts centre at least £380,000, also steps down as Tate patron

The wife of a Russian businessman who at one stage pleaded guilty to defrauding the Kazakh government out of $4m (£3m) has stepped down as a patron of the Tate and from a prestigious advisory board at Somerset House, where she was a major donor.

Maria Adonyeva, who has a London-based charitable foundation and has been pictured as recently as 2018 on her husband’s yacht with close friends, including the actor Melanie Griffith, has given at least £380,000 in the past two years to Somerset House, where she sat on the arts centre’s development advisory board.

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‘We want dignity’: the vanishing craft of Kashmir’s papier-mache artists

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Award-winning artist Maqbool Jan is one of a handful still practising the ancient artform, but without government help he fears it could be lost

Kashmir’s ancient papier-mache artworks are famous throughout the world. The art form is a staple of the luxury ornamental market, and has a rich and long cultural lineage. It is closely associated with the advent of Islam in Kashmir, and depicts scenes from the Mughal court, Arabic verses from the Qu’ran, Persian poetry, as well as Kashmir’s iconic tourist attractions.

However, this ancient art form is vanishing, with only a handful of artisans left practising.

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It’s a hard sell but Africa must invest in art and imagination

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Building an arts centre in Uganda, in a pandemic, was never going to be easy but it’s crucial to our post-Covid future

I’ve been raising funds for a building project: not a hospital, not a school, but an arts centre.

It’s not an easy sell at the best of times but add in a pandemic and the fact that I’m in Africa and, according to the current rules of financial engagement, art is the verylowest of priorities.

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‘We needed to rescue the nation from despair’: culture’s year of Covid

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Comedians went virtual, Ai Weiwei went to Portugal – and Bake Off pledged the show would go on. In the first of a two-part series, cultural figures look back on a year that shook their industry

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If Britain looked anew, it could learn so much about the arts from Africa | Afua Hirsch

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The UK cultural sector, so obsessed with being ‘world leading’, is standing on the brink. It needs to broaden its gaze

It’s a painful time to tell stories about the arts. This week, hundreds of venues across the UK were lit up in red – not in an inspired display of creativity, but as a cry for help as arts venues find themselves on the brink of collapse.

The protest culminated in the iconic chimney at London’s Tate Modern art gallery being made bright red, and illuminated with the words “Throw Us a Line” – a reference to the 1m jobs at risk in the live events sector following the Covid-19 pandemic and shutdown. A report from the digital, culture, media and sport select committee warned last month that the UK now faces the prospect of becoming a “cultural wasteland”.

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NSW government backs multimillion-dollar lifeline for Sydney arts hub Carriageworks

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The arts institution, which is home to eight resident arts companies, had gone into voluntary administration in May

Sydney arts institution Carriageworks has been saved from administration after the NSW government backed a multi-million dollar lifeline from a group of 15 philanthropists.

The multi-arts organisation that operates performance and gallery spaces in repurposed 1880s locomotive workshops in Sydney’s inner west owes more than $2m to more than 140 creditors, and went into voluntary administration on 4 May.

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Michael Eavis: Glastonbury could go bankrupt if it can’t be staged in 2021

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Exclusive: Founder says another cancellation would ‘be curtains’ for festival and has hopes for testing scheme, with daughter Emily saying they will ‘mutate to survive’

Glastonbury organisers Michael and Emily Eavis fear they could be in serious financial danger if the festival was cancelled again due to coronavirus.

Speaking exclusively to the Guardian to mark the festival’s 50th anniversary, Michael said: “We have to run next year, otherwise we would seriously go bankrupt … It has to happen for us, we have to carry on. Otherwise it will be curtains. I don’t think we could wait another year.”

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The $500m Shed: inside New York’s quilted handbag on wheels

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This puffed-up cultural citadel was meant to be an endlessly evolving, telescopic arts complex. But the glistening billionaires’ playground rising up beside it had other plans

It seems fitting that the cultural centre of New York’s latest luxury private development should look like a quilted Chanel handbag. Rearing up at the northern end of the High Line on Manhattan’s reborn West Side, the Shed presents a 10-storey wrapping of puffed-up diamond cushions to passersby, standing as the gaudy gateway to Hudson Yards – the most expensive real estate project in US history.

While it might fit in with the gilt-edged world of Swiss watch boutiques and Michelin-starred chefs that awaits in this $25bn private enclave, it is an unlikely costume for what the project’s architect and originator, Liz Diller, insists is “simply a piece of infrastructure” to support whatever artists want to do. “It’s not precious,” she says of the $500m building. “It’s muscular and industrial, just meat and bones.”

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