Category Archives: Music industry

Lords committee urges end to Brexit barriers for musicians and young people

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Chair says small changes could make big difference to cultural and educational interests on both sides of Channel

An influential House of Lords committee is urging the government to start working with EU capitals to remove Brexit barriers that block musicians, young people and professionals working easily in Europe.

After six months of research and evidence from 40 witnesses the European affairs committee says it has identified 72 areas where small changes could make a huge difference in areas of cultural and educational interests on both sides of the Channel.

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HMV to return to flagship Oxford Street store after four-year absence

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First HMV shop was opened in 1921 by British composer Sir Edward Elgar and closed in 2019

HMV is to return to its former flagship store on London’s Oxford Street after a four-year absence. It is expected to reopen towards the end of this year, in time for Christmas.

The store was empty for an extended period after the music and entertainment company vacated the site in 2019, before most recently becoming home to one of the many American candy stores that popped up on Oxford Street during the pandemic.

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Harry Styles fans left out of pocket as ticket scams jump 529%

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Huge increase in fraud accompanies record number of UK live entertainment tickets sold in 2022

Concert ticket scams have soared by more than 500% over the last year, with those defrauded losing an average of £110, as criminals target fans of leading acts including Harry Styles and Lewis Capaldi.

The UK’s live music industry has bounced back after the pandemic, but gig-goers have been warned to be on their guard against ticket scams, particularly as the festival season prepares to kick off.

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Can you copyright a rhythm? Inside the reggaeton lawsuit that could shake the pop world

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Two dembow progenitors are suing superstars including Luis Fonsi and Daddy Yankee – in a case that also names Justin Bieber – claiming that they deserve credit for birthing the genre

With the release of their song Fish Market in 1989, the Jamaican duo Cleveland “Clevie” Browne and Wycliffe “Steely” Johnson inadvertently changed the course of pop music. The track featured the first known example of what would come to be known as a “dembow” rhythm – the percussive, slightly syncopated four-to-the-floor beat that travelled from reggae to become the signature beat of reggaeton, today the world-conquering sound of Latin American pop.

Now, more than 30 years after Fish Market was released, Steely & Clevie Productions is suing three of reggaeton’s most celebrated hitmakers – El Chombo, Luis Fonsi and Daddy Yankee – for what they characterise as unlawful interpolation of Fish Market’s rhythm (or “riddim”), and are seeking the credit – and royalties – they say they deserved from the start.

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Morrissey says Miley Cyrus album exit was nothing to do with his politics

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American withdrew after recording guest vocals on the Mancunian’s yet-to-be-released new record

Morrissey has spoken out after Miley Cyrus dropped out of a guest spot on his upcoming album, denying the singer had done so over his political stances, which he said are “most certainly not far right”.

In a lengthy statement posted on Thursday, the former frontman of the Smiths also attacked “cancel vultures” and alleged the existence of a campaign to “put [him] out of circulation”.

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Ticketmaster’s Taylor Swift chaos triggers US Senate antitrust hearing

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Several politicians voice concerns about dominance of ticket sales company after botched release for singer’s tour

A US Senate antitrust panel will go ahead with a hearing on the lack of competition in the country’s ticketing industry after Ticketmaster’s problems last week managing the sale of Taylor Swift tickets.

Tickemaster’s parent company, Live Nation, has blamed presale problems for Swift’s Eras tour – the pop superstar’s first US tour in five years – on “unprecedented demand” and an effort to keep out bots run by ticket scalpers.

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Rocketing costs and drop in ticket sales force musicians to pull tour dates

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Animal Collective, Bonobo and Mercury prize winner Little Simz among acts to cancel concerts

Musicians are cancelling concerts and entire tours because the rising costs of staff and materials coupled with a drop off in ticket sales is making them too expensive to run.

Earlier this month, US band Animal Collective cancelled forthcoming European dates as“not sustainable”. Within days, the UK downtempo producer Bonobo called time on future live shows in America, describing them as “exponentially expensive”. Then electronic musician Tourist rescheduled a US stint, saying “sometimes tickets just don’t get sold”.

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‘Do we want music to be a pursuit only of the wealthy?’ Anger grows at PRS Foundation cuts

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Royalties company PRS for Music has announced a major funding cut for its charitable arm. Artists such as Black Country, New Road explain why it could damage the UK music scene

One of the UK’s biggest funders of new and emerging music, responsible for fostering the careers of artists including Sam Fender, Little Simz and 2021 Mercury prize winner Arlo Parks, has this week seen its budget slashed by 60%.

The PRS Foundation, which funds hundreds of aspiring artists and music organisations across the country – including a number of artists from groups underrepresented in the music industry – announced on Wednesday that its income would be cut from £2.75m to £1m from 2024 onwards, citing financial necessity. The decision was taken by its parent company and primary funder PRS for Music, which collects royalties for musicians when their music is streamed or played in public.

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‘Don’t take the damn thing’: how Spotify playlists push dangerous anti-vaccine tunes

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Conspiracy theory songs claiming Covid-19 is fake and calling vaccine ‘poison’ are being actively promoted in Spotify playlists

Songs that claim Covid-19 is fake and describe the vaccines as “poison” are being actively promoted to Spotify users in playlists generated by its content recommendation engine.

Tracks found on the world’s largest music streaming service explicitly encourage people not to get vaccinated and say those who do are “slaves”, “sheep”, and victims of Satan. Others call for an uprising, urging listeners to “fight for your life”.

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‘They just worked’: reports of CDs’ demise inspires wave of support

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Format might not have romance of vinyl but its versatility and reliability will never be topped, say supporters

After languishing in his car boot for several years, Jordan Bassett’s CD collection – mostly dating back to his teenage years – will soon be on proud display in his newly converted home office space.

Bassett, a commissioning editor at the NME, has no means of playing the CDs and, in any case, his musical tastes have moved on. But the 100-150 thin, shiny 5in discs have sentimental value – and, who knows, one day they may be part of a revival similar to vinyl among music aficionados.

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Bob Dylan sells entire recorded catalogue to Sony Music Entertainment

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The deal covers all Dylan recordings dating from 1962 to future originals and reissues, and will explore ‘new ways’ to reach future generations

Bob Dylan has sold his entire back catalogue of recorded music to Sony Music Entertainment, as well as the rights to multiple future releases, in a deal rumoured to be worth between $150m and $200m (£111m–£148m), Variety reports.

The deal covers all Dylan recordings dating from 1962, including his self-titled debut album, which celebrates its 60th anniversary in March, and future releases and reissues in Dylan’s celebrated Bootleg Series.

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Security, intimacy and money: why Adele is going to Las Vegas

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Once a place ‘where careers go to die’, in Vegas you can see the big stars up close – and it makes sense for Adele

Las Vegas shows once conjured images of early-bird dinner specials, corny magicians and Cole Porter standards sung to happily clapping coach parties. But with another of the world’s biggest pop stars signing on to perform in the city, namely Adele, the Vegas concert residency is further cemented as a glamorous and lucrative rite of pop passage.

Her fourth album, 30, released last month, became the biggest-selling album of the year in the US after just three days on sale. That is the kind of popularity that warrants a stadium tour – indeed, she played to nearly 3 million punters across the 120-show stretch of her previous 2017-2018 world tour.

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‘These are his true remains’: the fight over Jeff Buckley’s final recordings

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In an extract from his book on late musicians’ estates, Eamonn Forde explores the feud that began shortly after Jeff Buckley’s death between the songwriter’s label and his mother

Jeff Buckley had released two live EPs (Live at Sin-é in 1993 and Live from the Bataclan in 1995) plus one complete studio album (Grace in 1994) before he died in 1997. Since his death, eight live albums and multiple compilation albums have been released, spanning music recorded while he was signed to Sony and also before he had a record deal.

The most contentious is Sketches for My Sweetheart the Drunk, which was released a year after his death. Buckley had already scrapped a batch of recordings produced by Tom Verlaine in late 1996 and early 1997 and was preparing to record afresh in Memphis, the place where he drowned in the Mississippi.

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‘I’m a one in a billion’ – how Diane Warren penned windswept power ballads for Cher, Gaga and Dion

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She’s the queen of the power ballad mega hit – and has even written songs for Biden, Harris and Ringo Starr. Now the world’s most successful female songwriter is finally releasing her own album

At the end of the 1990s, when Diane Warren was the unrivalled queen of the power ballad, her music publisher presented her with a quartet of gold discs and a plaque hailing her as “the career saviour of the 90s”. The discs celebrated the windswept mega-hits Warren had written for Toni Braxton (Un-Break My Heart), LeAnn Rimes (How Do I Live), Celine Dion (Because You Loved Me) and Aerosmith (I Don’t Want to Miss a Thing), the first two of which are still among the bestselling US singles ever.

To be imperial in one pop era is usually to be defined by it for evermore, but Warren has been writing hits for almost four decades, notching up nine US No 1s and 32 Top 10 hits. In 2015, Til It Happens to You, her potent Lady Gaga collaboration for a documentary about campus rape, made her once again the pop equivalent of the striker you turn to when you absolutely have to score a penalty.

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‘I had no confidence, no money’: the pop stars kept in limbo by major labels

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Raye is one of the world’s most listened-to artists, but her label wouldn’t let her make an album. She’s the latest example of stars who say their music is being sidelined

At the end of June, Raye smashed through the shiny and carefully controlled veneer that usually surrounds music stars. The British pop singer’s numerous hit singles had made her one of the world’s 200 most popular artists on Spotify, but her label Polydor hadn’t allowed her to make even one album from a four-album record deal she signed back in 2014.

“I’ve done everything they asked me, I switched genres, I worked seven days a week, ask anyone in the music game, they know,” she vented on Twitter. “I’m done being a polite pop star.” Polydor responded saying they were “saddened” to read Raye’s tweets and the two have since parted ways.

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Kris Wu arrest raises hopes for China’s #MeToo movement

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Analysis: public opinion shifting, but reaction from authorities may have related more to crackdown on fame culture

It felt like a turning point. The arrest of one of China’s biggest pop stars on rape allegations had raised hopes that authorities were finally addressing the country’s #MeToo movement.

So many recent cases of harassment, abuse or violence against women had been swept under the carpet, excused or smothered by political censorship. But this was Kris Wu, known in China as Wu Yifan: a ubiquitous megastar with numerous international high-end brand endorsement deals.

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UK musicians to be able to tour visa-free in 19 EU countries

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UK government says talks with other countries ongoing, after fears artists would incur huge fees post-Brexit

UK musicians and performers will be able to tour in a number of European countries without the need for a visa or work permit, the government has announced.

Rules that came into force at the beginning of the year do not guarantee visa-free travel for musicians in the EU and have prompted fears that touring artists will incur large fees in many of the countries they visit.

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Elton John and John Grant: ‘We help each other. We are both complicated people’

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The pop legend and the US indie star have long been friends and fans of each other’s music. With Grant staying chez Elton and about to release a new album, the pair sat down to discuss politics, homophobia – and why Elton should never write lyrics

It’s a boiling hot day in rural Berkshire, and a man in navy satin Gucci shorts has just walked into his library. It’s all ornate chairs, wooden globes and Buddhist statues, its oiled shelves lined with books about history, the arts – and tons about music. The scene is one of airy tranquillity, the perfect place for two culture-loving good friends to hole up for a chat.

One of them isn’t here yet – he’s popped to the bathroom after having his photo taken – but Elton John can’t stop raving about John Grant. “We have so many things in common – photography, art, music – it’s as if we’ve known each other for ever. And he’s fun!” Grant wanders in shyly in a pink baseball cap, weathered Talk Talk T-shirt, and glossy white DMs. “Much more fun than his records are anyway, haha.”

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‘Record companies have me on a dartboard’: the man making millions buying classic hits

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Hit songs can be a better investment than gold – and by snapping up the rights, Merck Mercuriadis has become the most disruptive force in music

Merck Mercuriadis had a good Christmas. On Christmas Day, the No 1 song in the UK was LadBaby’s Don’t Stop Me Eatin’, a novelty cover version of Journey’s 1981 soft-rock anthem Don’t Stop Believin’. It replaced Mariah Carey’s All I Want For Christmas Is You, which had topped the chart 26 years after its original release. Both songs are unkillable, evergreen hits, which are closing in on 1 billion Spotify streams apiece. Both songs are among the 61,000 owned, in whole or in part, by Mercuriadis’s investment company, Hipgnosis Songs Fund, and epitomise the thesis that has made the 57-year-old Canadian, in less than three years, the most disruptive force in the music business.

Put simply, Hipgnosis raises money from investors and spends it on acquiring the intellectual property rights to popular songs by people like Mark Ronson, Timbaland, Barry Manilow and Blondie. In a fast-growing market, what sets Hipgnosis apart from competitors is its founder’s bona fides as a veteran A&R man, manager and record label CEO. Like an old-school music mogul, Mercuriadis sells his brand by selling himself. Unlike those moguls, he’s a buff, teetotal vegan with spartan tastes. “The only material thing that I really care about is vinyl,” he says. “And Arsenal football club.” He looks rather like a rock-concert security guard: shaven head, burly torso, plain black T-shirt, hawkish gaze. Mark Ronson calls him “the smartest guy in the room”.

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Someone you loved: how British pop could fade out in Europe

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Brexit rule changes that make it tricky to tour the EU will hold back UK artists from a fast-growing market

Limiting UK artists from working and touring in the EU post-Brexit will destroy the development of British music, say European industry experts, amid thriving competition from German rap, Spanish pop and more.

British artists now face the need for visas, work permits and equipment carnets when working in the EU, with emerging acts most likely to feel the impact of this costly and time-consuming admin. Over the last month, the UK and the EU have blamed each other for the inability to strike a deal to help the creative industries.

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