I’ll fight to overturn US ban on my ‘Queer Bible’, says British author

Former model Jack Guinness caught up in furore over Mississippi mayor’s attempt to withhold funding for library until ‘homosexual materials’ are withdrawn

A British writer, presenter and former model says he is shocked to find himself at the centre of an unprecedented wave of book banning in the US.

A Mississippi mayor has told the Madison County Library to remove LGBTQ+ books from its shelves or lose funding. One of the books singled out as an example was The Queer Bible, a collection of LGBTQ+ history essays edited by Jack Guinness. Ridgeland’s Republican mayor, Gene McGee, has refused to release funds to the library until “homosexual materials” are withdrawn.

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Dr Julie Smith: ‘Mental health is no different to physical health. No one is immune’

The clinical psychologist has 3 million followers for her self-help TikToks and now her book is a bestseller. She talks about social media, the pandemic and the simple tools that really help

Dr Julie Smith, 37, is a clinical psychologist who has a private practice in Hampshire and has spent 10 years working for the NHS. In November 2019, she started making TikToks containing clear, engaging advice about various mental health issues. She has more than 3 million followers and in January published her first book, Why Has Nobody Told Me This Before?, which has spent four weeks at the top of bestseller lists.

There are a lot of self-help books published; why do you think yours has struck a chord?
I think people like the fact that it’s evidence-based. I’m a clinical psychologist, so the things I’ve put in there have been scrutinised with the latest research and they are things that are taught to people in therapy, depending on what they’re going to therapy for. They are also life skills that we can all use.

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The Great Gapsby? How modern editions of classics lost the plot

F Scott Fitzgerald’s masterpiece is the latest title to appear in a cheap modern version after copyright expires

“So we beat on, boats against the current, borne back ceaselessly into the past.” It is one of the most memorable literary payoffs in history, the end of F Scott Fitzgerald’s defining novel of the 20th century, The Great Gatsby.

Yet this famous ending will be lost to many readers thanks to the proliferation of substandard editions, one of which loses the last three pages and instead finishes tantalisingly halfway through a paragraph.

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Margaret Atwood joins writers calling for urgent action over missing Rwandan poet

More than 100 authors from around the world have written to the Rwandan president about the case of Innocent Bahati, who disappeared a year ago today

Margaret Atwood, Ben Okri and JM Coetzee have joined more than 100 writers from around the world in calling on the Rwandan president to intervene in the case of the poet Innocent Bahati, who disappeared one year ago today.

According to human rights organisation PEN International, Bahati was last seen at a hotel in Nyanza district, in the Southern Province of Rwanda, on 7 February 2021. The poet, who is well-known in Rwanda and had published poetry on YouTube and Facebook, as well as regularly performing at live events, failed to return to Kigali, and his phones have been switched off since.

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Death on the Nile review – Kenneth Branagh makes heavy weather of Christie caper

Branagh’s spirited performance as Poirot and a big-name ensemble cast can’t keep this stale and two-dimensional whodunnit afloat

Long coronavirally delayed, Kenneth Branagh’s latest Agatha Christie movie puffs effortfully into harbour. It’s the classic whodunnit about a murder on a steamer making its way down the river in Egypt with an Anglo-American boatful of waxy-faced cameos aboard. The horrible homicide means that one of the passengers will have to spring into action, and this is of course the amply moustached Hercule Poirot, played by Branagh himself. It is Poirot who interviews suspects, supervises corpse-storage in the ship’s galley freezer cabinet and delivers the final unmasking – and all without the captain insisting that the Egyptian police should possibly get involved.

Screenwriter Michael Green has adapted the 1937 novel with some new inventions: some people of colour are introduced, and Christie’s intense dislike for her wealthy-hypocrite leftwing character has been dialled down. Most startlingly, Green invents a very good prelude showing the young Poirot’s service in the trenches of the first world war, and the origin of that moustache. Nothing in the rest of this rather stale and two-dimensional tale matches the brio of that opening.

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‘Adults are banning books, but they’re not asking our opinions’: meet the teens of the Banned Book Club

Conservatives are pushing to ban books from school libraries. At a time of crisis, a group of Pennsylvania teenagers are fighting back

“Napoleon’s use of the sheep was notable,” says Jordan Daughtry, 14. She’s clutching a copy of Animal Farm, and referring to the authoritarian Berkshire boar who seizes control of an English acreage, before bending his fellow animals to his will.

The sheep, who represent the unwitting masses in George Orwell’s critique of Joseph Stalin’s totalitarian rule, are “ignorant buffoons”, Daughtry says.

Kiara Daughtry, left, and Lena Cackley.

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Forget Wordle! Can you crack the Dickens Code? An IT worker from California just did

The writer’s archaic shorthand has baffled experts for over a century. So they launched a deciphering competition for fans – with stunning results that cast new light on his love life and financial peril

Despite all the precision he brought to bear on his intricate plots, Charles Dickens was a notoriously messy writer. His manuscripts are full of inky splodges, with barely legible alterations crammed in between scrawled, sloping lines. Worse still was his love of a type of shorthand dating from the 1700s. To this, he added his own chaotic modifications to create what he called “the devil’s handwriting”.

Fond of puzzles and codes, the great Victorian writer used these time-saving hieroglyphics to make notes and copies of his letters and documents, reams of which he burned. Academics are still toiling to decipher 10 shorthand manuscripts that survived. Forget Wordle. This is the Dickens Code. And for a long time, it had seemed uncrackable.

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Red poets’ society: the secret history of the Stasi’s book club for spies

For seven years, the East German security service’s poetry group met in Berlin to discuss literature. But there was more to it than just learning about iambic pentameter

At the height of the tense second phase of the cold war, a group of Stasi majors, propaganda officers and border guards convened at a heavily fortified compound in socialist east Berlin. From spring 1982 until winter 1989, they gathered once every four weeks, from 4pm until 6pm, at the House of Culture inside the premises of the Felix Dzerzhinsky Guards Regiment (the Stasi’s paramilitary wing), in Berlin’s Adlershof district. They met in a first-floor room adorned with portraits of East German leader Erich Honecker and Vladimir Ilyich Lenin that was closed with a security seal overnight.

But the Stasi men did not gather to gameplan nuclear war scenarios, work up disinformation campaigns or fine-tune infiltration techniques. They set out to learn about iambic pentameter, cross-rhyming schemes and Petrarchan sonnets. The group, which internal memos referred to as the Working Circle of Writing Chekists (a reference to the fearsome Bolshevist secret police, the Cheka), produced two anthologies over this seven-year period. I got hold of a copy of one shortly before I moved to Berlin in 2016. The slim paperback, its title Wir Über Uns (“We about us”) falling down the front page in curling calligraphic letters, felt like something out of a Monty Python sketch, or a spin-off from the film The Lives of Others. How had a secret police synonymous with the suppression of free thought ended up writing poetry? Over the coming months I tried to track down former members of the circles, and contacted them to see if they could tell me more.

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I was shooting coke between chapters of Dostoevsky – but eventually books would save me from addiction

At first, I could hardly get through a novel. But slowly reading – and writing – saved me from a life of drugs, rehab and jail

When I was in tenth grade in Tampa, Florida, I was, like millions of other high school students, assigned to read The Catcher in the Rye for English class. Like millions of other high school students, I was extremely fragile. I was holding on by a thread. I was 15 and spent much of my time at school, on the days I would go, doing OxyContin, Xanax, cocaine and speed in the bathroom. I jittered and itched through class, and my internal life was, to say the least, stifled. It would continue to be stifled for the next few years, until it became so claustrophobic that I attempted suicide. Needless to say, I was pretty hit or miss with school assignments. But I had always liked to read. I decided to crack Salinger’s book and read a chapter or two. I stayed up all night and finished it. I came into class the next day wired, eyes wide: it felt as if I had been hooked up to a car battery. I remember walking into the classroom and saying to my English teacher, “What the hell was that?”

I didn’t know anything about the book. I didn’t know that the men who shot John Lennon and Ronald Reagan were both obsessed with it. I didn’t know that it was the subject of endless think pieces debating the ethical ramifications of Holden Caulfield’s character. I didn’t know Salinger stormed the beaches on D-Day, carried scars from his years in war. I just got sucked in. It is a funny, polarising little book. I remember my girlfriend at the time saying she hated it, that she couldn’t get through it. But my teacher told me that every year at least one person does what I did, gets hooked up to the car battery. Looking back, it makes sense that someone in my particular situation would have this reaction to it. In fact, it is almost embarrassing just how cliched it is. But that’s what happened. And, in what would become a theme of my life, what stuck with me more than any of the particular content of the book was the feeling of being sucked in, of losing time trapped in someone else’s words and turbulent emotions.

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Marian Keyes: ‘Rehab was one of the happiest times of my life’

As her beloved character Rachel returns, older and sober, the Irish author discusses her own journey from addiction to recovery - and the sexist snobbery that surrounds her work

Marian Keyes is in bed. It’s two o’clock in the afternoon, but she has just got back from a funeral and was feeling chilly. “It was a beautiful send off,” she says in her southern Irish lilt, as reassurance that she’s OK to talk. She is wearing a lilac hoodie and flashes a pastel pink manicure (a Keyes heroine would know the shade) as she rearranges the pillows to get comfy. Within a few minutes it feels as if we are both having tea and biscuits under the duvet at her Dún Laoghaire home outside Dublin, as she gives me a virtual tour of her bedroom.

So far, so Marian Keyes. Loved by readers for her chatty style and satisfying storylines, she was for many years dubbed the queen of chick lit, a phrase now as passé as Daniel Cleaver’s chat-up lines in Bridget Jones’s Diary. In fact, her novels have tackled hefty issues such as addiction (Rachel’s Holiday), bereavement (Anybody Out There), domestic violence (This Charming Man) and depression (The Mystery of Mercy Close), always with her trademark lightness of touch. Yet despite selling more than 35m copies over the years, she is too often dismissed as a popular writer of books with pink covers (both of which are fine by her, thanks for asking).

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Trump risked disaster with Abbas praise in key Israel meeting, ambassador says

In new book, David Friedman recounts private meeting with Israeli president in which Trump also knocked Netanyahu – and how he says he turned his man around

Meeting then-Israeli president Reuven Rivlin in Jerusalem in May 2017, Donald Trump stunned advisers by criticising the then-prime minister, Benjamin Netanyahu, for being unwilling to seek peace while Mahmoud Abbas, the Palestinian leader, was “desperate” for a deal.

The comment “knocked everyone off their chairs”, David Friedman, Trump’s ambassador to Israel, writes in a new book.

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The Betrayal of Anne Frank by Rosemary Sullivan review – who tipped off the Nazis?

Despite controversy surrounding its findings, the work of a ‘cold case team’ powerfully illuminates what it was like to live under a genocidal regime

On 4 August 1944 Gestapo officer Karl Josef Silberbauer, together with three Dutch policemen, marched into a spice merchant’s on Amsterdam’s Prinsengracht and demanded: “Where are the Jews?” It was a piercing moment in 20th-century history, one that never becomes dulled by retelling. Within minutes Silberbauer and his accomplices had located a dummy bookshelf, behind which lay a secret suite of rooms where two families had been hiding for two years. Placed under arrest, these eight men and women were subsequently sent to concentration camps in the east from which only one, the business’s owner, Otto Frank, returned.

We know all this because one of Frank’s first postwar acts was to publish the journal that his 15-year-old daughter had kept during their immuration. The Diary of Anne Frank became a canonical text, one of the few accounts we have of living through Hitler’s Final Solution in real time. And it is Anne’s face – peaky, clever, ferociously alive – that has become the emblem of all the evil unleashed by antisemitism in Europe’s terrible mid-century. Yet despite the story being so familiar, there is one detail that remains a mystery. Who tipped off the authorities that there were people hiding at the back of Prinsengracht 263?

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The big idea: is going vegan enough to make you – and the planet – healthier?

Simply avoiding meat and dairy isn’t going to cut it if you still turn to ultra-processed foods

Did you change what you ate or drank for January? The start of the year is an annual cue for a Pandora’s box of diet demons to be released; from meal replacements and super-keto diets to slimming teas. Alongside these trends live the regular and more ethical health-conscious messages of dry January and Veganuary, both of which have grown in popularity and have a much cleaner public image. Despite that, they are still not perfect. So this year I’d like to propose another idea that hopefully has longer staying power: call it the “real food revolution”.

The premise of Veganuary is simple: use the pivotal month of January to make a big change to your diet, your health and the planet’s health by cutting out animal products. Veganuary is a not-for-profit charitable company that provides recipes and motivational emails to help you give up meat and dairy products for just one month, with, ideally, positive effects on your waistline and your carbon footprint. Overall, they do a great job, and there is plenty of evidence to support the efficacy of reducing animal-based foods for our health and our planet’s survival. We now know that agriculture is responsible for about 25% of global heating and the single most important action we as individuals can do to help address the climate crisis is not to give up cars, but to eat less meat.

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Bootleggers, bondage and law-breaking bashes! The scandalous history of the wild party

From Prohibition-busting cocktail parties to all-night raves, illegal gatherings have been at the centre of modern culture for decades. So why do they still have the power to shock?

For more than a month now, the press has been full of stories of “illegal” parties in Downing Street. The government, we are told, has almost ground to a halt because of the scandal.

Given the coverage, one might easily get the impression that the law-breaking bash is a recent invention, something that could only happen in lockdown, driven by privilege and an unhealthy sense of entitlement. Yet the modern party began life as a crime just over a century ago, when the Volstead Act banned the production and sale of alcohol in the US. As the New York Times explained in 1920:

You cannot carry a hip flask.
You cannot give away or receive a bottle of liquor as a gift.
You cannot take liquor to hotels or restaurants and drink it in the public dining rooms.
You cannot buy or sell formulas or recipes for homemade liquors.
You cannot …

“Oh,” said the Bright Young People. “Oh, oh, oh.”

“It’s just exactly like being inside a cocktail shaker,” said Miles Malpractice.

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‘The outrage had been percolating…’ The winner of our graphic short story prize 2021

A funeral in Germany provides the setting for our winning story in this year’s Cape/Observer/Comica award for emerging cartoonists. It was a year of fierce competition – and much pandemic-fuelled anxiety

There can’t be many things more cheering on a dark January night than having to tell someone they’ve won a prize, and when I telephone Astrid Goldsmith to give her just such a bit of good news, her reaction is everything I hoped it would be. For a while, Goldsmith, an animator who lives in Folkestone where she makes stop-motion films in her garage, struggles to speak in full sentences. She is just so thrilled. “That is the greatest compliment,” she says, when I tell her that her story, A Funeral in Freiburg, the winner of this year’s Observer/Jonathan Cape graphic short story prize, brings to mind the work of that genius Posy Simmonds. “I love her tone. I always have.”

Goldsmith’s entry is based on a real event: the funeral of her paternal grandmother in Germany in 2015. “The outrage had been percolating for a while,” she says, with a laugh. “But I only came to write it after my first baby was born, while I was breastfeeding: I drew it all on one of those trays with arms that invalids use in bed.” Her story revolves around the difficulties involved in organising a Jewish funeral service in a place – Freiburg, in the Black Forest – where the rabbi has been imprisoned for embezzlement, and the Jewish cemetery is full. The woman in charge is, very difficult, refusing even to believe that Gisela Goldschmidt was really Jewish (at the age of 18, Astrid’s grandmother fled Germany for Zimbabwe, only returning after the war was over). Her rules and regulations, not to mention her insistence on the performance of certain rituals, infuriate the Goldsmith family. But what choice do they have? It is a case of her way, or no proper funeral at all.

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‘More than wonderful’ … Gaza bookshop to reopen after unexpectedly successful global campaign

After it was destroyed by Israeli airstrikes, Samir Mansour’s beloved book store has been rebuilt and restocked, as tens of thousands of books flood in from around the world

Tens of thousands of donated books have started to arrive at the new location of a Gaza bookshop that was destroyed by Israeli air strikes last year, and owner Samir Mansour now plans to reopen its doors next month.

The two-storey Samir Mansour bookshop, which was reduced to rubble last May, had been founded by the Palestinian Mansour 22 years ago and was a beloved part of the local community. Its destruction during the 11-day conflict, which killed more than 250 people in Gaza and 13 in Israel, prompted a campaign that raised $250,000 (£187,000) to help rebuild it, plus donations of 150,000 books. The Israeli military has said that the store was not its target, claiming that the building that housed it also contained a Hamas facility for producing weapons and intelligence-gathering.

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The Boy in the Striped Pyjamas ‘may fuel dangerous Holocaust fallacies’

John Boyne’s story is used by more than a third of teachers in England in lessons on the Nazi genocide, a study found

The Boy in the Striped Pyjamas may “perpetuate a number of dangerous inaccuracies and fallacies” when used in teaching young people about the Holocaust, an academic report has said.

According to research by the Centre for Holocaust Education at University College London, more than a third of teachers in England use the bestselling book and film adaptation in lessons on the Nazi genocide.

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Hedonism is overrated – to make the best of life there must be pain, says this Yale professor

The most satisfying lives are those which involve challenge, fear and struggle, says psychologist Paul Bloom

The simplest theory of human nature is hedonism– – we pursue pleasure and comfort. Suffering and pain are, by their very nature, to be avoided. The spirit of this view is nicely captured in The Epic of Gilgamesh: “Let your belly be full, enjoy yourself always by day and by night! Make merry each day, dance and play day and night… For such is the destiny of men.” And also by the Canadian rock band Trooper: “We’re here for a good time / Not a long time / So have a good time / The sun can’t shine every day.”

Hedonists wouldn’t deny that life is full of voluntary suffering – we wake up in the middle of the night to feed the baby, take the 8.15 into the city, undergo painful medical procedures. But for the hedonist, these unpleasant acts are seen as the costs that must be paid to obtain greater pleasures in the future. Challenging and difficult work is the ticket to survival and status; boring exercise and unpleasant diets are what you have to go through for abs of steel and a vibrant old age, and so on.

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The shrimp returns: beloved flamenco singer Camarón stars in graphic novel

Thirty years after his death, the rich life of the Spanish Gypsy singer is depicted through 10 illustrated episodes

In death, as in life, the legendary flamenco singer Camarón de la Isla continues to confound expectations, cross borders and demand that his blistered and blistering voice be heard.

The revered, beloved and sometimes controversial cantaor died of lung cancer in July 1992, aged just 41. But as the 30th anniversary of his death looms, the singer born José Monge Cruz is being reincarnated in the black-and-white pages of a new graphic novel intended as a homage to Camarón, the music he created and the comic book itself.

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‘It’s a glorified backpack of tubes and turbines’: Dave Eggers on jetpacks and the enigma of solo flight

When inventor ​David Mayman took to the skies, it seemed he’d answered an age-old longing. So why did no one seem to care?

We have jetpacks and we do not care. An Australian named David Mayman has invented a functioning jetpack and has flown it all over the world – once in the shadow of the Statue of Liberty – yet few people know his name. His jetpacks can be bought but no one is clamouring for one. For decades, humans have said they want jetpacks, and for thousands of years we have said we want to fly, but do we really? Look up. The sky is empty.

Airlines are dealing with pilot shortages, and this promises to get far worse. A recent study found that, by 2025, we can expect a worldwide shortfall of 34,000 commercial pilots. With smaller aircraft, the trends are similar. Hang-gliding has all but disappeared. Ultralight aircraft makers are barely staying afloat. (One manufacturer, Air Création, sold only one vehicle in the US last year.) With every successive year, we have more passengers and fewer pilots. Meanwhile, one of the most dreamed of forms of flight – jetpacks – exists, but Mayman can’t get anyone’s attention.

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