Category Archives: Music

Sinéad O’Connor: ‘I’ll always be a bit crazy, but that’s OK’

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After a life marked by abuse, fame, scandal and struggle, the Irish singer-songwriter says she never lost faith

Sinéad O’Connor has been pretty much invisible for the past few years. There’s a good reason, though, she tells me with her usual disregard for social niceties. “I’ve spent most of the time in the nuthouse. I’ve been practically living there for six years.” She pauses, takes an intense drag on her fag, and warns me off being similarly politically incorrect. “We alone get to call it the nuthouse – the patients.”

O’Connor is a music great – her 1990 version of Prince’s Nothing Compares 2 U is one of the most transcendent five minutes in pop history, the solitary tear falling from her eye in the accompanying video one of its most beautiful images. The single topped the charts worldwide, as did the album it was taken from, I Do Not Want What I Haven’t Got. Astonishingly, in the 31 years that have passed, she has never had another UK Top 10 hit single and only one Top 10 album. And yet she remains a household name.

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My Bloody Valentine’s Kevin Shields: ‘We wanted to sound like a band killing their songs’

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The band have released only one album since 1991 classic Loveless, yet their influence remains undimmed. Their frontman discusses destroying buildings with noise, losing his mojo – and preparing new music

In early 1988, My Bloody Valentine decided that they were, as their de facto leader, Kevin Shields, puts it today, “finished”. You can see how they might have come to that conclusion. They had started life in the early 80s as a Dublin post-punk band, relocated to Berlin at the suggestion of the Virgin Prunes’ Gavin Friday and become a gothy proposition inspired by the Birthday Party and the Cramps, then moved to London and transformed into what Shields calls “a conceptual band”, their childlike record sleeves concealing songs about necrophilia and incest.

The problem was, no one had got the joke; the general consensus, as Shields sighs today, was “that we were this shit Jesus and Mary Chain copyist band”. Following the departure of their lead singer, Dave Conway, they had adopted a jangly 12-string guitar style, to negligible response.

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Martin Freeman’s teenage obsessions: ‘I still think that rude-boy skinhead look is hard to beat’

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The Hobbit actor, who is back on TV in the sitcom Breeders, recalls sharp dressing on a budget, discovering Public Enemy and how Michael Caine got him into film

The first music I latched on to was British punk – the Sex Pistols, the Clash and the Jam. I just loved the power, the rawness and the rudeness. You had to turn it down when your dad came in the room; your parents were supposed to hate it. Bob Marley and the Wailers and Linton Kwesi Johnson became a religion alongside the Catholicism I was taught in school. From 17, I was a little hip-hop head, mad on Jungle Brothers, Boogie Down Productions and Public Enemy. I was obsessed with politics in that way you are as a teenager – when you actually know nothing.

I’m not a particularly knowledgable fan of the Fall, but I loved hearing their early stuff via my older brothers (I’m the youngest of five). I thought this bored Manc with this slightly aggressive snarl was great. I like hearing accents in music. I remember hearing Ian Dury for the first time and thinking: “Jesus Christ!” Not everyone can sound like Rod Stewart. I’m not sure there has to be a template for what a rock’n’roll singer sounds like anyway. You’d want Mark E Smith to like you even though he would really hate you. I have often thought that about John Lydon. I would love to say hello to him, but he’d hate me, just on principle.

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Enya’s greatest songs – ranked!

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This month, the Irish singer turned 60 – and her popularity belies how radical her Celtic futurism really is

With the plinking, clipped synths and infernally moreish chorus, Orinoco Flow is the Enya song that everyone knows, yet it is arguably the least interesting moment on her breakthrough album, Watermark. Indeed, for years it seemed that its ubiquity obscured the stranger treasures in her discography.

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‘It’s cooler to hang Lennon’s guitar than a Picasso’: pop culture wins out at auctions

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Sales of items from celebrities such as Janet Jackson and K-poppers BTS are trending – and reframing what goes under the hammer

Is celebrity merchandise the new Monet? Auction houses are in flux, with more and more pop culture items being sold under the hammer for six and seven-figure sums.

Last month, Julien’s Auctions in Beverly Hills hosted a three-day auction of Janet Jackson’s personal belongings, including some of her most iconic stage outfits. Buyers included Kim Kardashian, who snagged Jackson’s outfit from the music video for her 1993 classic If for $25,000 (£18,000) and, on Instagram, said she was “such a fan” of the singer.

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Was the fiddler framed? How Nero may have been a good guy after all

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He was a demonic emperor who stabbed citizens at random and let Rome burn. Or was he? We go behind the scenes at a new show exploding myths about the ancient world’s favourite baddie

Nero comes with a lurid reputation. “The main thing we know about him is his infamy,” says Thorsten Opper, curator of the first British exhibition devoted to the Roman emperor. “The glutton, the profligate, the matricide, the megalomaniac.” Also, the pyromaniac: famously, Nero “fiddled while Rome burned”, or at least strummed his kithara to one of his own compositions, The Fall of Troy, while a fire, supposedly begun by him, destroyed three of Rome’s 14 districts and seriously damaged seven.

His afterlife on the page and screen is certainly arresting. Nero inspired some of the greatest Renaissance and baroque operas, notably Monteverdi’s L’Incoronazione di Poppea and Handel’s Agrippina, which chart the emperor’s adulterous love for Poppaea, who became his second wife. In the epic 1951 movie Quo Vadis, Peter Ustinov played Nero as entirely unhinged: a mincing, purple-swathed toddler in a man’s body. Christopher Biggins took him on in I, Claudius, the classic BBC adaptation of Robert Graves’s novel, and made him power-hungry, baby-faced and quite, quite mad.

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Bob Dylan at 80 – a little Minnesota town celebrates its famous son

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Hibbing, the birthplace of the musician, is paying tribute with a year of special events

Bob Dylan’s debut 1962 single began: “I got mixed-up confusion; man, it’s a-killin’ me”. It hasn’t yet – he turns 80 on Monday, and the pre-eminent custodian of American roots music, with its storytelling and protest traditions, is set to be celebrated by a public avalanche of events, programmes and tributes.

The occasion will be marked in his birthplace of Hibbing, Minnesota – where, inspired by the sounds of country and blues music drifting up from the south on AM radio, he wrote in his high-school yearbook that his ambition was to join Little Richard. St Louis county, in which Hibbing sits, has issued a proclamation declaring a “Year of Dylan Celebration”.

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Lady Gaga says rape as teenager left her pregnant and caused ‘psychotic break’

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Speaking on Oprah Winfrey and Prince Harry show The Me You Can’t See, the singer outlined further details of attack she first disclosed in 2014

Lady Gaga has told new details about sexual assault she suffered when she was 19. Speaking on The Me You Can’t See, Oprah Winfrey and Prince Harry’s new Apple TV+ series about mental health, she said the rape – that she first disclosed in 2014 – was by a music producer and left her pregnant.

“I was 19 years old, and I was working in the business, and a producer said to me, ‘Take your clothes off,’” she said. “And I said no. And I left, and they told me they were going to burn all of my music. And they didn’t stop. They didn’t stop asking me, and I just froze and – I don’t even remember.” She said “the person who raped me dropped me off pregnant on a corner”.

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Cher’s films – ranked!

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She has just turned 75 and there’s a new biopic in the works. What better time to look back at a film CV that’s full of memorable roles?

HBO produced this heavy-handed but affecting anthology film on the topic of abortion, premiering it at the Toronto film festival on the combined star clout of Demi Moore, Sissy Spacek and, of course, Cher, who also directed the third (and best) of its segments. It remains her only directorial credit, and she would have done well to keep at it. She shows a sure touch with actors, herself included, uncharacteristically restrained as a benevolent abortion doctor working through a violent anti-choice protest. It is enough to make you wonder whether HBO should have kept her on its books. Surely there could have been a place in The Sopranos for Cher.

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Vampires, naked apes and free booze! The 20 wildest Eurovision performances ever

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Baffling stunts and bizarre lyrics are de rigueur at europop’s premier competition – so it takes quite something to make this list

At Eurovision, you have three minutes to impress the world. While an unforgettable song and stonking vocals are key to getting douze points, how else can you make your performance stand out? With bewildering stunts, surreal lyrics and distracting props, of course! With the biggest event in europop returning this week, let’s revisit some of the weirdest performances over the years – the ones that really made Terry Wogan and Graham Norton wince.

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Eurovision 2021: the good, bad and weird songs to look out for

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Amid the German ukuleles, anti-colonial Dutch anthems and Ukrainian folk-techno, can the UK’s James Newman reverse a long run of disappointment?

Future scholars of camp will pen entire counterfactuals about the great cancelled Eurovision of 2020 and what might have been: while the majority of last year’s contestants are back for 2021, they must all perform different songs. It feels especially cruel to Daði Freyr, the Icelandic act who would surely have won with viral hit Think About Things, a charming study in nerdish twee full of homemade keytars and school-play dance moves. But led by Freyr himself – imagine fey Scandi singers such as Jens Lekman or Erlend Øye crossed with Napoleon Dynamite – the group are back and pretending that last year never happened, with more of the same disco-pop, if lacking maybe 10% of 2020’s magic.

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Post-punk band Au Pairs: ‘The Thatcher years gave us plenty of material’

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Forty years ago, the Birmingham band released their debut album, and its frank, forthright songs about sex and equality are still pertinent. They explain how music gave their anger a voice

Forty years ago this month, one of the best but often forgotten albums of the 1980s was released: Playing With a Different Sex by Birmingham band Au Pairs. The cover, an Eve Arnold photo showing female militia fighters heading into battle, is a good visual harbinger of the album’s friction-filled songs. Jane Munro’s monster basslines, Pete Hammond’s tight drum rhythms, and the jagged riffs of Lesley Woods and Paul Foad combine to form a tense backdrop for the myriad moods of Woods’ androgynous voice, singing songs that confront conformity and demand equality. “There was just so much to be angry about,” Woods says today. “We were four young people,” Foad adds, “who were pissed off with the political situation of the time.”

Au Pairs formed in Birmingham in 1978. Stewart Lee’s recent documentary King Rocker showcases the scene in the city at the time, with Birmingham’s first punk band the Prefects (later the Nightingales) playing venues like the legendary Barbarella’s, a venue they immortalised in the song of the same name as a place “where the beer tastes of prune juice” and “they sell tickets for the exits”. UB40 and the Beat were also on the same circuit, and Au Pairs, who formed from their city’s Rock Against Racism action group, would often team up with local bands to play gigs for the anti-racist organisation.

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Mel B on domestic abuse, trauma and recovery: ‘In my mind there was no way out’

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Four years after escaping her marriage, the former Spice Girl talks about confidence, family – and why the pandemic has led to a rise in abusive relationships

Melanie Brown is in her tracksuit talking to me from her Leeds home. Her mother has popped round and is chomping away on an Easter egg she has just found, despite the fact that Brown has made her some “amazing” spicy curry soup for lunch. Her oldest daughter, Phoenix, is going to extreme measures to get her attention. Meanwhile, tiny yorkshire terrier Cookie has jumped into Brown’s arms, as her French bulldogs Yoshi and Yoda and golden doodle Luna wander around making mischief. It’s a picture of contented domestic chaos.

But it wasn’t always like this. Four years ago Brown, better known as Mel B or Scary Spice, was living in Los Angeles, married to the American film producer Stephen Belafonte and, she says, terrified for her life. In her 2018 memoir Brutally Honest, she documented the horror of her day-to-day existence – alleging physical, sexual, verbal and financial abuse.

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UK rapper Enny: ‘Black women are beautiful. They don’t get told that enough’

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Her track Peng Black Girls was a love letter to womanhood, and a huge lockdown hit. Now the rising south-London star is ready for her closeup.

Photography by Suki Dhanda. Styling by Barbara Ayozie Fu Safira.

In the depths of a bleak Covid winter, very few of us were feeling peng. With Zoom meetings and state-mandated daily walks our only form of socialising, there was little to dress up for, and few opportunities for us to feel beautiful.

Related: The Guide: Staying In – sign up for our home entertainment tips

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The Carpenters’ 20 greatest songs – ranked!

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As their self-titled, third album and biggest hit turns 50, we pick their best work

The Carpenters’ greatest album remains the compilation Singles 1969-1973, on which the duo remixed, re-recorded and segued their hits into one glorious gush of sound, but 1972’s A Song for You runs it close, because the album tracks are as good as the singles, as on this gorgeous portrait of a tour-weary musician.

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Women dominate 2021 Brit awards as Dua Lipa tops winners

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2020’s heavily male ceremony reversed with wins for Arlo Parks, Haim and Billie Eilish, as Little Mix become first all-woman winner of British group

Dua Lipa has topped the winners at the 2021 Brit awards, calling for Boris Johnson to approve “a fair pay rise” for frontline NHS staff as she picked up gongs including the top prize of British album for her chart-dominating disco spectacular Future Nostalgia.

She also won female solo artist, bringing her total Brit award tally to five and cementing her position as one of the UK’s most successful and critically acclaimed pop stars.

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Juliana Hatfield: ‘Women turn our anger on ourselves’

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The indie-rocker is now a touchstone for a generation of young songwriters – and after learning to channel her pain and frustration, her 18th album is one of her best

Juliana Hatfield speaks with deliberation: her thoughts unfurl after pregnant pauses and are sharpened by astute clarifications. “I’m sorry, I lost my train of thought,” she says at one point, doubling back to ensure her meaning is clear. Such consideration isn’t a surprise, given the rippling effect of an infamous early-career interview.

Nearly 30 years ago, while promoting her debut solo album Hey Babe, 23-year-old Hatfield, who was brand new to interviews, admitted to an inquiring male journalist that she was still a virgin. The casual comment became the focus of his piece, and incited scrutiny that followed the American songwriter throughout her rise. “When I was in the thick of it, it wasn’t really computing for me,” she says on a phone call from her home in Cambridge, Massachusetts. “It wasn’t until much later that I realised how intense it was, how gross it was, and how it affected my career in negative ways.”

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Shaun Ryder: ‘I was a heroin addict for 20-odd years, but there’s been no damage off that’

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From ADHD to alopecia and learning the alphabet at 28, the Happy Mondays singer has had a wild, eventful life. He discusses hedonism, parenting – and why he has to spend so much time correcting Bez

Shaun Ryder is being uncharacteristically quiet. That’s because he’s mistakenly stuck himself on mute and can’t work out how to turn on the microphone of the computer he’s on. We spend a rather amusing (and awkward) five minutes mouthing silently at each other, pointing fingers and shrugging shoulders, while Ryder wrestles with his device, occasionally spinning it around so that he appears upside down. Eventually, though, an unmistakable Salford accent comes crackling through my speakers: “Can ya hear me now?”

Loud and clear, Shaun, which is good because I’ve got a burning question that demands answering. Earlier this year, Ryder contracted Covid-19, along with his entire household (Ryder lives with his second wife, Joanne, and their two daughters). He was sick for three weeks, with bouts of fatigue that dragged on after that. But, according to best pal Bez – his partner in crime through the hedonistic days of Happy Mondays and Black Grape, and currently appearing with Ryder in the more family-friendly TV show Celebrity Gogglebox – the virus had a very unusual side-effect: it caused the hair Ryder had lost through alopecia to grow back. We’ve learned to be endlessly surprised by this virus, but is this really true?

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