Category Archives: Music

Lorde’s comeback single is a lesson in letting pop stars take their time

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Solar Power delivers a statement of loose-limbed maturity from a mercurial star who is much imitated but utterly unique

Lorde has said she was “waiting for the right moment” to release her comeback single, Solar Power, and opted for 11 June to coincide with the year’s only solar eclipse (although leaks may have forced her hand). Her chosen date resonates beyond the obvious thematic associations of her hazy, sun-worshipping comeback single and its cheeky cover art.

Pop stars, especially young women, are expected to be available, relatable, always on. Lorde has defied this with an old-school release rate (just three albums in nine years) and such a low-key public presence that a recent update of her Instagram account on which she reviews onions rings generated headlines. (She benefits, too, from New Zealand’s minimal paparazzi culture.) The rare arrival of new music from the 24-year-old, last heard from in 2017, has come to feel like its own celestial event.

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Bake Off to Inside No 9: what to watch instead of the Euros

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A football-free cultural guide to the week ahead, from comedy podcasts to Sean Bean dramas

Listen, I’m with you. I have no interest in Euro 2020 either. But luckily, over the years I’ve perfected the art of finding other things to do. Here’s a day-by-day alternative viewing guide for the first week of the tournament (after that, you’re on your own).

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The greatest ever songs of the summer – ranked!

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From Don Henley to Drake, we rate the hottest sounds of the season

For a fleeting moment Brooklyn’s the Drums were the skinny jean-sporting indie band du jour. This is their crowning moment, all pogoing bass, petal-soft whistle riffs and a lyric about waking up on a sunny morning and running to the beach. “Oh mama I don’t care about nothing” feels like a very summer 2021 mantra, too.

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Eurovision winners Måneskin: ‘Cocaine? Damiano barely drinks beer!’

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Already multiplatinum in their native Italy, the swaggering rock quartet now have two singles in the UK chart. They discuss their rise to success – and that drug-taking allegation

Before their momentous Eurovision victory with Zitti e Buoni, placing Italian rock back on the world stage and earning praise from Simon Le Bon and Miley Cyrus; before a baseless accusation of snorting cocaine almost veered into a full-blown diplomatic crisis; and before their post-win ping-pong tournament became a twee secondary narrative, the Italian band Måneskin had already raised eyebrows in Rotterdam, this year’s host city.

After a rehearsal session ended late, says the bassist, Victoria De Angelis, they were parched – but realised there was no drinking water in their hotel rooms. “We went to the hotel reception, but they said there was no water around,” De Angelis says. “So we made it into the kitchen and took some.”

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Sinéad O’Connor retracts retirement announcement

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The Irish musician said her statement, made on 5 June, was a ‘kneejerk reaction’ against the UK and Irish media’s ‘constant abuse and invalidation’ of her mental health

Sinéad O’Connor has retracted her announcement, made over the weekend, that she would retire from music and live performance.

In a new statement posted to Twitter, the Irish musician explained to fans that she had felt “badly triggered” by a series of interviews regarding her new memoir, Rememberings, in which she writes of surviving physical and psychological abuse.

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Martina Topley-Bird: ‘I wasn’t trying to be famous. I was embarrassingly earnest about being authentic’

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The vocalist breaks her long silence to talk about grieving for her daughter, her pioneering work with Tricky on Maxinquaye and finally making an album she’s 98% happy with…

Martina Topley-Bird is struggling with her voice today. “It was awful last night,” she says, croakily, down the line from her home in Valencia. “My first interview in 11 years and then this happens!” As it turns out, Topley-Bird’s will hold out for well over an hour. But it won’t always take her to where she wants to go. She’s agreed to an interview to promote Forever I Wait, her first album since 2010’s Some Place Simple, but she doesn’t enjoy talking about herself; she’s fully aware of her tendency to let conversations drift, leave sentences unfinished, not quite pin down the message she wants to deliver. Speaking to her can be like listening to some of her dreamier music: captivating, meditative, yet somehow with a sense of her barely being there at all. A typical anecdote might grind to a halt midway through: “But yeah… I don’t know… sorry, vagued out again!”

There is also a subject that is never going to be easy to talk about. In 2019, Topley-Bird’s daughter, Mazy, also known as Mina, killed herself at the age of 24. She had suffered a psychotic episode following a gig with her band 404 and died after being admitted to West Park hospital, Darlington. An inquest led to the coroner saying he would make two prevention of future death reports to reduce the risk of patients self-harming on the ward. At the time, Topley-Bird put out a statement saying: “Sweet baby, life won’t be the same without you.” But she hasn’t spoken since. She’s said in advance today that the subject can be broached, but that doesn’t make it any less difficult. “I’m only just beginning to process it,” she later admits.

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Powfu: the lo-fi rapper who became a Covid-era star without leaving his bedroom

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Last year the Canadian musician scored a global hit with Death Bed (Coffee for Your Head) – now he’s finally ready to meet his fans

For the lockdown superstar, omnipresent fame feels very much like obscurity used to. “I’ve been waiting a long time to go play with the fans,” says Powfu – AKA 22-year-old, Canadian lo-fi rapper Isaiah Faber – gazing around at the same four walls he was staring at before his breakthrough track Death Bed (Coffee for Your Head) unexpectedly racked up 360m YouTube streams, 4bn TikTok plays in March 2020 alone, and major chart placings worldwide at the very start of the pandemic. “But it’s made it a bit easier because it wasn’t like everything hit me at once. It’s not full-level yet.”

Related: The Guide: Staying In – sign up for our home entertainment tips

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‘Africa has so much talent – we can’t even grasp it’: Angélique Kidjo on pop, politics and power

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She’s played with everyone from Tony Allen to David Byrne. Now the Grammy winner is singing with a new generation of African stars, celebrating their continent while confronting its failings

On a video call from Paris, Angélique Kidjo, 60, shifts and leaps in her seat with the restive energy of a teenager. “I’m always changing and innovating and this album is no different,” she says. “Change brings life to things; it keeps me going. In life, you never know what to expect.”

Over a career that spans five decades, the Beninese artist has crossed paths with everyone from Gilberto Gil and Tony Allen to Talking Heads, Bono and Vampire Weekend. She has four Grammy wins in “world music” categories – second only to Ladysmith Black Mambazo.

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The Beatles in India: ‘With their long hair and jokes, they blew our minds!’

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Two new documentaries offer intriguing insights on how the Beatles’ 1967 escape to study transcendental meditation shaped the band and India, baffled the KGB – and saw Ringo survive on a diet of baked beans

In 1968, Paul Saltzman was a lost soul. The son of a Canadian TV weatherman, he was working as a sound engineer for the National Film Board of Canada in India when he received a “Dear John” letter from the woman he thought was going to be his wife. “I was devastated,” he says. “Then someone on the crew said: ‘Have you tried meditation for the heartbreak?’”

Saltzman went to see the Maharishi Mahesh Yogi – the founder of transcendental meditation – speak at New Delhi University. Emboldened by promises of “inner rejuvenation”, Saltzman then travelled to the International Academy of Meditation in Rishikesh. It was closed, due to the arrival of the Beatles.

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‘She had no fear mechanism’: the incredible, outrageous life of Miss Mercy

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The life of the co-founder of Frank Zappa’s band GTOs and industry wild child is explored in a raucous new book

For many people, the notion of the groupie brings to mind something generic: a woman known solely for her relationship to her rock star of choice. But the most celebrated of the original groupies – the women who first inspired the term in the 1960s – had attitudes and styles that made them unique creatures, earning them an elevated place in the cutting-edge culture of the day.

Related: 'Frank didn't adhere to any movements': behind the Zappa documentary

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‘That was the day I knew I had died … ’ José Mauro, the reborn genius of bossa nova

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The melancholic singer was a gem in Brazil’s musical history, but many thought he had been killed in a motorcycle accident. At 72, he is releasing his lost recordings and finally reclaiming his legacy

It was the summer of 1995 when José Mauro discovered he was dead. The Brazilian musician, then 46 years old, was living on the outskirts of Rio de Janeiro, teaching guitar, when a friend called from London saying he’d spotted a CD of Mauro’s long-deleted 1970 LP, Obnoxius, on sale in a London record shop.

“He called and explained about this CD, and about how it said I’d been killed in a motorcycle accident,” says Mauro today, now 72. “That was the day I knew I had died.”

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‘They had soul’: Anton Corbijn on 40 years shooting Depeche Mode

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He thought they were pop lightweights – then turned them into moody megastars. The photographer recalls his adventures with the band, from desert trips to drug-induced near-death experiences

By his own cheerful admission, Anton Corbijn’s relationship with Depeche Mode did not get off to a flying start. It was 1981 and Corbijn was the NME’s new star photographer, having previously been lured to the UK from his native Netherlands by the sound of British post-punk, particularly Joy Division. His black and white portraits became iconic images of that band’s brief career, and Corbijn had gone on to take equally celebrated shots of everyone from Captain Beefheart to David Bowie.

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Man in Black at 50: Johnny Cash’s empathy is needed more than ever

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The country star is not always remembered for his politics, but his about-face to withdraw support for Nixon and the Vietnam war may be his finest moment

“I speak my mind in a lot of these songs,” Johnny Cash wrote in the liner notes to the album Man in Black, released 50 years ago today. He might be better known now for the outlaw songs of his youth or the reckonings with death in his final recordings, but Cash used his 1971 album to set out his less-discussed political vision: long on feeling and empathy, and short on ideology and partisanship. The United States seemed hopelessly polarised, and Cash confronted that division head-on, demanding more of his fellow citizens and Christians amid the apparently endless war in Vietnam.

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Neil Finn on the return of Crowded House: ‘I am ultimately very optimistic about the world’

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As the band release their first record in a decade, the New Zealand songwriter reflects on their influences – from Fleetwood Mac to Donald Trump

Neil Finn, New Zealand music’s jovial elder statesman, is remembering his best friend and bandmate Paul Hester.

He recalls the Crowded House drummer holding Finn’s baby son Liam up to the heavens, recreating a scene from the 70s TV show Roots; how Hester taught Liam’s younger brother, Elroy, to play the drums. But Hester’s gone now – he took his own life in 2005.

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Sinéad O’Connor: ‘I’ll always be a bit crazy, but that’s OK’

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After a life marked by abuse, fame, scandal and struggle, the Irish singer-songwriter says she never lost faith

Sinéad O’Connor has been pretty much invisible for the past few years. There’s a good reason, though, she tells me with her usual disregard for social niceties. “I’ve spent most of the time in the nuthouse. I’ve been practically living there for six years.” She pauses, takes an intense drag on her fag, and warns me off being similarly politically incorrect. “We alone get to call it the nuthouse – the patients.”

O’Connor is a music great – her 1990 version of Prince’s Nothing Compares 2 U is one of the most transcendent five minutes in pop history, the solitary tear falling from her eye in the accompanying video one of its most beautiful images. The single topped the charts worldwide, as did the album it was taken from, I Do Not Want What I Haven’t Got. Astonishingly, in the 31 years that have passed, she has never had another UK Top 10 hit single and only one Top 10 album. And yet she remains a household name.

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My Bloody Valentine’s Kevin Shields: ‘We wanted to sound like a band killing their songs’

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The band have released only one album since 1991 classic Loveless, yet their influence remains undimmed. Their frontman discusses destroying buildings with noise, losing his mojo – and preparing new music

In early 1988, My Bloody Valentine decided that they were, as their de facto leader, Kevin Shields, puts it today, “finished”. You can see how they might have come to that conclusion. They had started life in the early 80s as a Dublin post-punk band, relocated to Berlin at the suggestion of the Virgin Prunes’ Gavin Friday and become a gothy proposition inspired by the Birthday Party and the Cramps, then moved to London and transformed into what Shields calls “a conceptual band”, their childlike record sleeves concealing songs about necrophilia and incest.

The problem was, no one had got the joke; the general consensus, as Shields sighs today, was “that we were this shit Jesus and Mary Chain copyist band”. Following the departure of their lead singer, Dave Conway, they had adopted a jangly 12-string guitar style, to negligible response.

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Martin Freeman’s teenage obsessions: ‘I still think that rude-boy skinhead look is hard to beat’

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The Hobbit actor, who is back on TV in the sitcom Breeders, recalls sharp dressing on a budget, discovering Public Enemy and how Michael Caine got him into film

The first music I latched on to was British punk – the Sex Pistols, the Clash and the Jam. I just loved the power, the rawness and the rudeness. You had to turn it down when your dad came in the room; your parents were supposed to hate it. Bob Marley and the Wailers and Linton Kwesi Johnson became a religion alongside the Catholicism I was taught in school. From 17, I was a little hip-hop head, mad on Jungle Brothers, Boogie Down Productions and Public Enemy. I was obsessed with politics in that way you are as a teenager – when you actually know nothing.

I’m not a particularly knowledgable fan of the Fall, but I loved hearing their early stuff via my older brothers (I’m the youngest of five). I thought this bored Manc with this slightly aggressive snarl was great. I like hearing accents in music. I remember hearing Ian Dury for the first time and thinking: “Jesus Christ!” Not everyone can sound like Rod Stewart. I’m not sure there has to be a template for what a rock’n’roll singer sounds like anyway. You’d want Mark E Smith to like you even though he would really hate you. I have often thought that about John Lydon. I would love to say hello to him, but he’d hate me, just on principle.

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Enya’s greatest songs – ranked!

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This month, the Irish singer turned 60 – and her popularity belies how radical her Celtic futurism really is

With the plinking, clipped synths and infernally moreish chorus, Orinoco Flow is the Enya song that everyone knows, yet it is arguably the least interesting moment on her breakthrough album, Watermark. Indeed, for years it seemed that its ubiquity obscured the stranger treasures in her discography.

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‘It’s cooler to hang Lennon’s guitar than a Picasso’: pop culture wins out at auctions

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Sales of items from celebrities such as Janet Jackson and K-poppers BTS are trending – and reframing what goes under the hammer

Is celebrity merchandise the new Monet? Auction houses are in flux, with more and more pop culture items being sold under the hammer for six and seven-figure sums.

Last month, Julien’s Auctions in Beverly Hills hosted a three-day auction of Janet Jackson’s personal belongings, including some of her most iconic stage outfits. Buyers included Kim Kardashian, who snagged Jackson’s outfit from the music video for her 1993 classic If for $25,000 (£18,000) and, on Instagram, said she was “such a fan” of the singer.

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Was the fiddler framed? How Nero may have been a good guy after all

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He was a demonic emperor who stabbed citizens at random and let Rome burn. Or was he? We go behind the scenes at a new show exploding myths about the ancient world’s favourite baddie

Nero comes with a lurid reputation. “The main thing we know about him is his infamy,” says Thorsten Opper, curator of the first British exhibition devoted to the Roman emperor. “The glutton, the profligate, the matricide, the megalomaniac.” Also, the pyromaniac: famously, Nero “fiddled while Rome burned”, or at least strummed his kithara to one of his own compositions, The Fall of Troy, while a fire, supposedly begun by him, destroyed three of Rome’s 14 districts and seriously damaged seven.

His afterlife on the page and screen is certainly arresting. Nero inspired some of the greatest Renaissance and baroque operas, notably Monteverdi’s L’Incoronazione di Poppea and Handel’s Agrippina, which chart the emperor’s adulterous love for Poppaea, who became his second wife. In the epic 1951 movie Quo Vadis, Peter Ustinov played Nero as entirely unhinged: a mincing, purple-swathed toddler in a man’s body. Christopher Biggins took him on in I, Claudius, the classic BBC adaptation of Robert Graves’s novel, and made him power-hungry, baby-faced and quite, quite mad.

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