Arlo Parks: Gen Z star entrances all who hear her

The 20-year-old’s debut album is up for three Brits this week – and has captivated fans from Billie Eilish to Michelle Obama

There were fewer than a dozen people out in east London on a Saturday night in Paper Dress Vintage when Arlo Parks arrived on stage. The clothes shop by day turned live music venue by night had the then 17-year-old second on the bill, where she performed with a band made up of schoolfriends. Most of the audience were mates from sixth form. But there was also a scout from Transgressive Records; he spent the first half of the show in total dismay.

“It just wasn’t very good,” said Mike Harounoff apologetically. As the artists and repertoire manager for Transgressive, Harounoff’s job is to find and bring in talent to sign. He had high expectations for Parks – her manager was a friend – and he had already hyped up the teenager to his colleagues. “No discredit to the band, they were just kids,” he told the Observer, “but it didn’t click. It was bad.”

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Van Morrison: Latest Record Project Volume 1 review | Alexis Petridis’s album of the week

(Exile/BMG)
The veteran bluesman loudly wakes up the sheeple with this boring and paranoid double album, reminiscent of a dinner party with a bitter divorcee

Even a man as implacably opposed to lockdown as Van Morrison – who spent 2020 releasing songs rubbishing science as “crooked facts”, mocking people for wearing masks and describing the government as “fascist bullies” while also invoking the Berlin Wall – might be forced to concede it had its advantages. After all, it gave him the time to write the material for Latest Record Project Volume 1, a 28-song, two-hour-plus opus that allows him to set out his latterday worldview more fully than any previous work.

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‘I did the vocals in the nude’ – the Bangles on how they made Eternal Flame

‘It felt like skinny-dipping,’ says singer Susanna Hoffs. ‘I ended up doing it for most of the album’

In 1988, it felt like the Bangles had been touring endlessly. Our second album, Different Light, with the singles Manic Monday and Walk Like an Egyptian, had been released two years earlier. Now, finally, we could take a break from living on buses together.

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Zimdancehall dreams: the back yard studios helping Harare get heard

Infectious hits produced on a shoestring allow Zimbabwe’s aspiring musicians to express their struggles and dream big

Inside a grimy flat in Mbare, Zimbabwe’s oldest township in the capital Harare, about 10 young musicians nervously rehearse their lyrical chants as they wait to be called into the recording booth.

Many celebrated musicians in Zimbabwe have been born out of this old flat. For those here now, this is their one shot at stardom, or at least a future in music.

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Billie Eilish says all her age group have suffered sexual misbehaviour

US singer, 19, made claim in Vogue interview when discussing new single about abusive relationship

Billie Eilish has spoken about the prevalence of sexual exploitation of minors in an interview, saying “it’s everywhere”.

Speaking about her new single, Your Power, which addresses an abusive relationship between a minor and an older person, the 19-year-old singer told Vogue that all her peers had experienced some sort of sexual impropriety.

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Leigh-Anne Pinnock of Little Mix: ‘Being Black is my power. I want young Black girls to see that’

In her early days with the girl band, Pinnock felt invisible and couldn’t understand why. Then the role of race became clear

Leigh-Anne Pinnock has been living the pop star dream ever since she was 19 and stepped on to a stage to audition for The X Factor, singing Rihanna’s Only Girl (In the World). She has now spent almost a decade in one of the UK’s biggest girl groups. But she had a difficult start with Little Mix, and not because she didn’t get on with her bandmates. She felt “invisible”, and would regularly cry in front of her manager. “I just couldn’t seem to find my place, and didn’t know why,” she said in a magazine interview in 2018. “I didn’t feel like I had as many fans as the other girls. It was a strange feeling.” She had, at that point, finally realised what the trouble was. “I know there are girls of colour out there who have felt the same as me,” she said. “We have a massive problem with racism, which is built into our society.”

If she expected the interview to change anything, she was disappointed. “I really did feel as if it fell on closed ears,” she says today, speaking from the Surrey mansion she shares with her footballer fiance, Andre Gray. “It was almost like people just weren’t ready to talk about race then.”

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‘It’s currently 1991’: why old Top of the Pops reruns continue to enchant

Fifteen years after it was axed, the iconic show is drawing in nostalgia junkies by offering eclectic music, dodgy lip-syncing ... and lockdown escapism

For many of us, it was the soundtrack to our childhood. The opening riff of Led Zeppelin’s Whole Lotta Love still inspires an atavistic excitement in full-grown adults decades on. On Thursday – and later Friday – evenings, warbling singers and preening boybands would be beamed into homes across the nation as we waited to see which artist would take that week’s coveted No 1 spot. But in 2006, after years of falling ratings, Top of the Pops was cancelled. As music and TV streaming fractured our collective viewing habits, the singles chart started to feel like an irrelevance and, therefore, so did TOTP.

Related: In sync: how the mime-ban stripped Top of the Pops of its charm

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Billie Eilish: Your Power review – chilling ballad seeps under your skin

For the first single from her hugely anticipated second album, Eilish uses a disarmingly dreamy sound to confront a man preying on a young woman

To say that Billie Eilish’s forthcoming third album is eagerly-awaited is an understatement. It wasn’t just that 2019’s triple-Grammy winning When We All Fall Asleep, Where Do We Go? was incredibly popular, although it was. Eilish was already a phenomenon among tweenage girls, but its commercial success – it went platinum or multi-platinum in 17 countries – catapulted her into a different sphere of fame, where everyone from Tyler, the Creator to Pete Townshend expressed their approval, Rolling Stone magazine ranked it among the greatest albums of all time and the producers of the James Bond franchise commissioned Eilish to sing the theme to No Time To Die.

What invites quite so much anticipation, though, is that its success clearly impacted on the music industry: you don’t have to look too far in 2021 to find Eilish acolytes, hastily signed in an attempt to mimic her success. The question of what the 19-year-old and her brother and co-collaborator Finneas do next – on an album that was apparently hastened by the Covid pandemic and the cancellation of Eilish’s world tour – is an intriguing one.

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Grace Jones’ 20 greatest songs – ranked!

With the 40th anniversary of Jones’s masterful fifth album Nightclubbing approaching, we rank her best work

Jones’s debut single was joyous, cantering mid-70s Eurodisco, its lyrics clearly written with one eye on the dancefloors of gay clubs. It was rerecorded for Jones’s 1977 debut album, Portfolio, with an arrangement by the Salsoul Orchestra’s Vince Montana and a stronger vocal, but the original drips with slightly shonky period charm.

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Why stars should think twice before calling out their critics

From Lizzo to Lana Del Rey, celebrities have taken umbrage with reviews online. But arguing with journalists only warps the public’s view of the media, and puts writers under siege

In 2018, while working as a freelance writer, I travelled three hours outside of London on a train, and then a coach, to review a music festival. I camped in the cold and the rain, waking up at 8am each morning to make sure I didn’t miss anything. When I got home, I filed what I thought was a generous review. I did not expect the organiser and the founder of the festival to find me on Twitter to tell me that I clearly hadn’t attended, or that my three-star review was full of lies. They were hurt that I hadn’t given it five stars. I was hurt that my hard work – complete with blood blisters, swollen glands and glitter that took two weeks to wash out of my hair – was now seen as a declaration of war.

As an editor and sometime critic specialising in pop culture, differing perceptions are par for the course. I find it skull-crushingly boring to see the same TV show or album receive near-identical reviews across the board, or read identikit reviews of the same film. I inhale people’s opinions – the good and the bad, the funny and the touching, the flippant and the problematic – and exhale them. I don’t internalise them. I don’t agree with a lot of what I read, but I take something from it: someone else’s views. I go to certain people because I know, nine times out of 10, we think very, very differently (here’s looking at you, Camilla Long). Reviews can serve as a guide but they are also an artform in their own right. They entertain, inform and challenge readers. The writer AO Scott described criticism in his 2016 book Better Living Through Criticism as “art’s late-born twin”.

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Belarus was given boot from Eurovision over ‘no dissent’ songs

Decision taken despite the risk of politicising music competition, head of European Broadcasting Union says

Belarus had to be banned from this year’s Eurovision after it repeatedly submitted songs calling for “no dissent” despite the risk of the decision politicising the music competition, the head of the event’s organising body has said.

Noel Curran, director general of the European Broadcasting Union (EBU), the industry body that produces the annual international competition, said a stand needed to be taken with Belarus cracking down on anti-government protests, while also conceding the danger of stoking controversy over future country submissions.

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Britney Spears to address LA court about father’s control of her career

Singer rarely takes part in hearings but has asked to speak directly to court, lawyer says

Britney Spears will personally address the Los Angeles court dealing with her long-running conservatorship in June, a judge agreed on Tuesday.

Spears, 39, has been under a conservatorship since 2008 but rarely takes part in hearings. Her lawyer said on Tuesday that she had asked to speak to the court directly, but he did not say what matters she wished to raise.

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Russian man ‘trapped’ on Chinese reality TV show finally voted out after three months

Vladislav Ivanov says he regretted his decision to join Produce Camp 2021 but fans refused to vote him out

The reality TV ordeal of a Russian who joined a Chinese boy band show by accident – and made it to the final despite urging fans to vote him off – has finally ended after nearly three months.

Vladislav Ivanov, a 27-year-old from Vladivostok, was kicked out of the Produce Camp 2021 on Saturday after viewers ignored his pleas to leave and backed him all the way to the final.

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‘If not hope, then what?’: the musicians finding optimism in dark times

Against a backdrop of Covid, a striking number of musicians, from hard rock to jazz, made music rich with positivity. In the first of a two-part series, they tell their stories

I had really given up on music after my mom passed away [in 2014], and then of course the record that I saw as my death rattle [2017’s Soft Sounds from Another Planet] got picked up in a big way. It was a very bittersweet moment where all these great things were happening in the wake of loss. I didn’t allow myself to feel that for a long time. Now I feel ready to embrace feeling.

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Clapton, Hendrix, Spinal Tap: which is the best ever guitar solo?

Overblown musical pomposity to some, the guitar solo is seen as a benchmark of brilliance to many. But which is best?

In the Guide’s weekly Solved! column, we look into a crucial pop-culture question you’ve been burning to know the answer to – and settle it

“My solos are my trademark,” announced Nigel Tufnel in 1984’s This Is Spinal Tap. Cue footage of the topless musician performing some signature fret-fondling while curling his lip in satisfaction, then swapping his plectrum for a violin. Before long, the real-life rock stars satirised by Spinal Tap were handed a second blow – when the irreverent grunge scene of the 1990s arrived, ripping up the guitar histrionics rule book, and instead favouring scuzzier playing. Yet, while not as revered as it once was, the guitar solo remains the benchmark of musical brilliance for many.

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The Who Sell Out: still a searing satire on pop’s commercial breakdown

Filled with product placement and advertising, the band’s newly reissued 1967 album put the pop in pop art, by showing how closely music was entwined with capital

These days, we think of the period between 1965 and 1967 as one of white-hot musical progress, a dizzying three-year period during which innovation followed innovation, a succession of totemic albums and singles were released and pop music changed irrevocably. But, as Jon Savage’s superb book 1966: The Year the Decade Exploded made clear, not everyone at the time was impressed with how things were going. Savage’s research revealed a succession of contemporary naysayers, devoted to “ringing the death knell” as he put it: 1966 – The Year Pop Went Flat was noted music journalist Maureen Cleave’s assessment of 12 months that had seen the release of Revolver, Blonde on Blonde, Reach Out (I’ll Be There), Eight Miles High, It’s a Man’s Man’s Man’s World and 19th Nervous Breakdown.

The most striking contemporary quote of all might be one that didn’t appear in Savage’s book. “People aren’t jiving in the listening boxes in record shops any more, like we did to a Cliff Richard ‘newie’,” it lamented, before qualifying: “I like some of the new sounds, purely as sound, that are coming out of pop music.”

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Historic wins for Nomadland – and surprise victory for Anthony Hopkins – at odd Oscars

Chloé Zhao made history as the first woman of colour to win best director with her drama about van-dwellers as Hopkins and Frances McDormand won top acting honours

During an unusual Oscars ceremony, on-the-road drama Nomadland triumphed with a win for best picture, best actress and a historic victory for Chloé Zhao, becoming the first woman of colour to be named best director and only the second woman ever.

The film, starring Frances McDormand as a woman living out of her van and interacting with real-life nomads, took home the top trophy near the end of a delayed night and a delayed season amid the pandemic. The ceremony played out in person but with safety precautions and a modest guest list.

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‘Like losing a hand’: musicians on the crisis in hearing loss

Oscar-nominated film Sound of Metal depicts a drummer battling hearing loss. As rock stars like Myles Kennedy explain, it’s a debilitating and worryingly widespread problem

The Bafta-winning film Sound of Metal dramatises every musician’s worst nightmare. Ruben Stone, played by Riz Ahmed – who is up for a best actor Oscar this weekend – is a metal drummer who loses his hearing, and the film depicts Ruben’s loss exactly as he hears it, where the world around him and the intense music he plays suddenly fade to a muted and distorted drone.

These scary and involving scenes have highlighted a crisis in hearing damage right across the music industry, be it through deafness or tinnitus (a constant ringing in the ears). In a report published last month by the British Tinnitus Association (BTA), over half of the 74 tinnitus-suffering musicians surveyed said they developed the condition due to noise exposure, but nearly a quarter said they never wore hearing protection.

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Teenage Fanclub’s Norman Blake: ‘My first band was the Spanking Newts’

Back with a new album, the Fannies frontman remembers his teenage years, from the kindness of the Specials to selling guitar strings to John Martyn – and trying to impress with his ice-skating skills

I got my parents to buy me a bass, because I admired the Clash’s Paul Simonon and thought that would be the easiest instrument to learn. McCormack’s was a Glasgow institution: when the Beatles played the Apollo, when it was known as the Green’s Playhouse, the amps came from McCormack’s. I got a cheap Fender Precision copy and a Wem Dominator amp from there. Plugging in for the first time was an incredibly visceral experience because it was so loud. I moved on to guitar, but after I left school I didn’t have a job and so asked if I could work in McCormack’s, which was amazing aged 17. I got to meet the artists that came in when they were playing Glasgow. I was told that John Martyn never paid for his guitar strings so I handed them over and he went: “Thanks, wee man!” I got to test the latest synthesisers and the reason I’m good at tuning guitars is because I did it 5,000 times in McCormack’s. I could also play them all day. In those days, Sean Dickson [Soup Dragons], Francis McKee from the Vaselines and Duglas T Stewart [BMX Bandits] and myself went busking together. My first band was with Duglas, whom I was at school with. It’s completely ridiculous but we were called the Spanking Newts.

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Girl in Red: ‘If my songs can normalise queerness, that’s amazing’

Whether her theme is desire or depression, Marie Ulven’s honesty, wit and willingness to share her secrets have turned the Norwegian musician into a Gen Z queer icon

“I’ve never heard a song with people screaming they want to cut their hands off,” muses the Norwegian singer-songwriter Marie Ulven. Recently, she decided to rectify this with Serotonin, a joyfully effervescent pop-punk track about her long-standing battle with intrusive thoughts (produced by Finneas, Billie Eilish’s brother and collaborator). For Ulven, writing about her mental health is an act of both catharsis and public service.

“Just saying that you have intrusive thoughts is very liberating,” she says, hovering her phone camera close to her hoodie-encircled face. “I think at some point pretty much everyone will get some weird thought. Not everyone has them so intensely; I have OCD, so when I’m very sick I get them a lot and go crazy.”

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