‘It’s currently 1991’: why old Top of the Pops reruns continue to enchant

Fifteen years after it was axed, the iconic show is drawing in nostalgia junkies by offering eclectic music, dodgy lip-syncing ... and lockdown escapism

For many of us, it was the soundtrack to our childhood. The opening riff of Led Zeppelin’s Whole Lotta Love still inspires an atavistic excitement in full-grown adults decades on. On Thursday – and later Friday – evenings, warbling singers and preening boybands would be beamed into homes across the nation as we waited to see which artist would take that week’s coveted No 1 spot. But in 2006, after years of falling ratings, Top of the Pops was cancelled. As music and TV streaming fractured our collective viewing habits, the singles chart started to feel like an irrelevance and, therefore, so did TOTP.

Related: In sync: how the mime-ban stripped Top of the Pops of its charm

Continue reading...

Billie Eilish: Your Power review – chilling ballad seeps under your skin

For the first single from her hugely anticipated second album, Eilish uses a disarmingly dreamy sound to confront a man preying on a young woman

To say that Billie Eilish’s forthcoming third album is eagerly-awaited is an understatement. It wasn’t just that 2019’s triple-Grammy winning When We All Fall Asleep, Where Do We Go? was incredibly popular, although it was. Eilish was already a phenomenon among tweenage girls, but its commercial success – it went platinum or multi-platinum in 17 countries – catapulted her into a different sphere of fame, where everyone from Tyler, the Creator to Pete Townshend expressed their approval, Rolling Stone magazine ranked it among the greatest albums of all time and the producers of the James Bond franchise commissioned Eilish to sing the theme to No Time To Die.

What invites quite so much anticipation, though, is that its success clearly impacted on the music industry: you don’t have to look too far in 2021 to find Eilish acolytes, hastily signed in an attempt to mimic her success. The question of what the 19-year-old and her brother and co-collaborator Finneas do next – on an album that was apparently hastened by the Covid pandemic and the cancellation of Eilish’s world tour – is an intriguing one.

Continue reading...

Grace Jones’ 20 greatest songs – ranked!

With the 40th anniversary of Jones’s masterful fifth album Nightclubbing approaching, we rank her best work

Jones’s debut single was joyous, cantering mid-70s Eurodisco, its lyrics clearly written with one eye on the dancefloors of gay clubs. It was rerecorded for Jones’s 1977 debut album, Portfolio, with an arrangement by the Salsoul Orchestra’s Vince Montana and a stronger vocal, but the original drips with slightly shonky period charm.

Continue reading...

Why stars should think twice before calling out their critics

From Lizzo to Lana Del Rey, celebrities have taken umbrage with reviews online. But arguing with journalists only warps the public’s view of the media, and puts writers under siege

In 2018, while working as a freelance writer, I travelled three hours outside of London on a train, and then a coach, to review a music festival. I camped in the cold and the rain, waking up at 8am each morning to make sure I didn’t miss anything. When I got home, I filed what I thought was a generous review. I did not expect the organiser and the founder of the festival to find me on Twitter to tell me that I clearly hadn’t attended, or that my three-star review was full of lies. They were hurt that I hadn’t given it five stars. I was hurt that my hard work – complete with blood blisters, swollen glands and glitter that took two weeks to wash out of my hair – was now seen as a declaration of war.

As an editor and sometime critic specialising in pop culture, differing perceptions are par for the course. I find it skull-crushingly boring to see the same TV show or album receive near-identical reviews across the board, or read identikit reviews of the same film. I inhale people’s opinions – the good and the bad, the funny and the touching, the flippant and the problematic – and exhale them. I don’t internalise them. I don’t agree with a lot of what I read, but I take something from it: someone else’s views. I go to certain people because I know, nine times out of 10, we think very, very differently (here’s looking at you, Camilla Long). Reviews can serve as a guide but they are also an artform in their own right. They entertain, inform and challenge readers. The writer AO Scott described criticism in his 2016 book Better Living Through Criticism as “art’s late-born twin”.

Continue reading...

Belarus was given boot from Eurovision over ‘no dissent’ songs

Decision taken despite the risk of politicising music competition, head of European Broadcasting Union says

Belarus had to be banned from this year’s Eurovision after it repeatedly submitted songs calling for “no dissent” despite the risk of the decision politicising the music competition, the head of the event’s organising body has said.

Noel Curran, director general of the European Broadcasting Union (EBU), the industry body that produces the annual international competition, said a stand needed to be taken with Belarus cracking down on anti-government protests, while also conceding the danger of stoking controversy over future country submissions.

Continue reading...

Britney Spears to address LA court about father’s control of her career

Singer rarely takes part in hearings but has asked to speak directly to court, lawyer says

Britney Spears will personally address the Los Angeles court dealing with her long-running conservatorship in June, a judge agreed on Tuesday.

Spears, 39, has been under a conservatorship since 2008 but rarely takes part in hearings. Her lawyer said on Tuesday that she had asked to speak to the court directly, but he did not say what matters she wished to raise.

Continue reading...

Russian man ‘trapped’ on Chinese reality TV show finally voted out after three months

Vladislav Ivanov says he regretted his decision to join Produce Camp 2021 but fans refused to vote him out

The reality TV ordeal of a Russian who joined a Chinese boy band show by accident – and made it to the final despite urging fans to vote him off – has finally ended after nearly three months.

Vladislav Ivanov, a 27-year-old from Vladivostok, was kicked out of the Produce Camp 2021 on Saturday after viewers ignored his pleas to leave and backed him all the way to the final.

Continue reading...

‘If not hope, then what?’: the musicians finding optimism in dark times

Against a backdrop of Covid, a striking number of musicians, from hard rock to jazz, made music rich with positivity. In the first of a two-part series, they tell their stories

I had really given up on music after my mom passed away [in 2014], and then of course the record that I saw as my death rattle [2017’s Soft Sounds from Another Planet] got picked up in a big way. It was a very bittersweet moment where all these great things were happening in the wake of loss. I didn’t allow myself to feel that for a long time. Now I feel ready to embrace feeling.

Continue reading...

Clapton, Hendrix, Spinal Tap: which is the best ever guitar solo?

Overblown musical pomposity to some, the guitar solo is seen as a benchmark of brilliance to many. But which is best?

In the Guide’s weekly Solved! column, we look into a crucial pop-culture question you’ve been burning to know the answer to – and settle it

“My solos are my trademark,” announced Nigel Tufnel in 1984’s This Is Spinal Tap. Cue footage of the topless musician performing some signature fret-fondling while curling his lip in satisfaction, then swapping his plectrum for a violin. Before long, the real-life rock stars satirised by Spinal Tap were handed a second blow – when the irreverent grunge scene of the 1990s arrived, ripping up the guitar histrionics rule book, and instead favouring scuzzier playing. Yet, while not as revered as it once was, the guitar solo remains the benchmark of musical brilliance for many.

Continue reading...

The Who Sell Out: still a searing satire on pop’s commercial breakdown

Filled with product placement and advertising, the band’s newly reissued 1967 album put the pop in pop art, by showing how closely music was entwined with capital

These days, we think of the period between 1965 and 1967 as one of white-hot musical progress, a dizzying three-year period during which innovation followed innovation, a succession of totemic albums and singles were released and pop music changed irrevocably. But, as Jon Savage’s superb book 1966: The Year the Decade Exploded made clear, not everyone at the time was impressed with how things were going. Savage’s research revealed a succession of contemporary naysayers, devoted to “ringing the death knell” as he put it: 1966 – The Year Pop Went Flat was noted music journalist Maureen Cleave’s assessment of 12 months that had seen the release of Revolver, Blonde on Blonde, Reach Out (I’ll Be There), Eight Miles High, It’s a Man’s Man’s Man’s World and 19th Nervous Breakdown.

The most striking contemporary quote of all might be one that didn’t appear in Savage’s book. “People aren’t jiving in the listening boxes in record shops any more, like we did to a Cliff Richard ‘newie’,” it lamented, before qualifying: “I like some of the new sounds, purely as sound, that are coming out of pop music.”

Continue reading...

Historic wins for Nomadland – and surprise victory for Anthony Hopkins – at odd Oscars

Chloé Zhao made history as the first woman of colour to win best director with her drama about van-dwellers as Hopkins and Frances McDormand won top acting honours

During an unusual Oscars ceremony, on-the-road drama Nomadland triumphed with a win for best picture, best actress and a historic victory for Chloé Zhao, becoming the first woman of colour to be named best director and only the second woman ever.

The film, starring Frances McDormand as a woman living out of her van and interacting with real-life nomads, took home the top trophy near the end of a delayed night and a delayed season amid the pandemic. The ceremony played out in person but with safety precautions and a modest guest list.

Continue reading...

‘Like losing a hand’: musicians on the crisis in hearing loss

Oscar-nominated film Sound of Metal depicts a drummer battling hearing loss. As rock stars like Myles Kennedy explain, it’s a debilitating and worryingly widespread problem

The Bafta-winning film Sound of Metal dramatises every musician’s worst nightmare. Ruben Stone, played by Riz Ahmed – who is up for a best actor Oscar this weekend – is a metal drummer who loses his hearing, and the film depicts Ruben’s loss exactly as he hears it, where the world around him and the intense music he plays suddenly fade to a muted and distorted drone.

These scary and involving scenes have highlighted a crisis in hearing damage right across the music industry, be it through deafness or tinnitus (a constant ringing in the ears). In a report published last month by the British Tinnitus Association (BTA), over half of the 74 tinnitus-suffering musicians surveyed said they developed the condition due to noise exposure, but nearly a quarter said they never wore hearing protection.

Continue reading...

Teenage Fanclub’s Norman Blake: ‘My first band was the Spanking Newts’

Back with a new album, the Fannies frontman remembers his teenage years, from the kindness of the Specials to selling guitar strings to John Martyn – and trying to impress with his ice-skating skills

I got my parents to buy me a bass, because I admired the Clash’s Paul Simonon and thought that would be the easiest instrument to learn. McCormack’s was a Glasgow institution: when the Beatles played the Apollo, when it was known as the Green’s Playhouse, the amps came from McCormack’s. I got a cheap Fender Precision copy and a Wem Dominator amp from there. Plugging in for the first time was an incredibly visceral experience because it was so loud. I moved on to guitar, but after I left school I didn’t have a job and so asked if I could work in McCormack’s, which was amazing aged 17. I got to meet the artists that came in when they were playing Glasgow. I was told that John Martyn never paid for his guitar strings so I handed them over and he went: “Thanks, wee man!” I got to test the latest synthesisers and the reason I’m good at tuning guitars is because I did it 5,000 times in McCormack’s. I could also play them all day. In those days, Sean Dickson [Soup Dragons], Francis McKee from the Vaselines and Duglas T Stewart [BMX Bandits] and myself went busking together. My first band was with Duglas, whom I was at school with. It’s completely ridiculous but we were called the Spanking Newts.

Continue reading...

Girl in Red: ‘If my songs can normalise queerness, that’s amazing’

Whether her theme is desire or depression, Marie Ulven’s honesty, wit and willingness to share her secrets have turned the Norwegian musician into a Gen Z queer icon

“I’ve never heard a song with people screaming they want to cut their hands off,” muses the Norwegian singer-songwriter Marie Ulven. Recently, she decided to rectify this with Serotonin, a joyfully effervescent pop-punk track about her long-standing battle with intrusive thoughts (produced by Finneas, Billie Eilish’s brother and collaborator). For Ulven, writing about her mental health is an act of both catharsis and public service.

“Just saying that you have intrusive thoughts is very liberating,” she says, hovering her phone camera close to her hoodie-encircled face. “I think at some point pretty much everyone will get some weird thought. Not everyone has them so intensely; I have OCD, so when I’m very sick I get them a lot and go crazy.”

Continue reading...

Jim Steinman, master of the power ballad, gave pop an operatic energy

The brilliant songwriter for Meat Loaf, Céline Dion and Bonnie Tyler, who has died aged 73, reminded us that pop music should involve fantasy and a sense of the ridiculous

In 1989, the NME interviewed Jim Steinman. The late journalist Steven Wells found him on fine, very Jim Steinman-ish form. He was presiding over a video shoot for a single by his new project Pandora’s Box, directed by Ken Russell, a man who shared Steinman’s zero-tolerance policy towards subtlety and good taste. Amid Russell’s exploding motorbikes, white horses surrounded by fire, and S&M gear-clad dancers gyrating on top of a tomb, Steinman offered his thoughts on current rock (U2 were “the most boring group in the world”) and dished scandalous gossip about the artists he’d worked with. He also announced that the Pandora’s Box album had been inspired by a scene in Emily Brontë’s Wuthering Heights where Heathcliffe exhumed Cathy’s corpse and “danced with it on the beach in the cold moonlight”. It should be added that this scene seems to have existed entirely in Steinman’s head – nothing like it happens in Brontë’s book. But then, Jim Steinman seemed very much the kind of guy who might read Wuthering Heights and decide it needed amping up a little.

He also ruminated on his own position within rock music. “It’s always struck me as weird that a lot of people in rock’n’roll think my stuff is ridiculous,” he said. “I think that so much rock’n’roll is confessional. It’s like black and white film. That’s what a lot of people think rock’n’roll should be … I just see it as fantasy, operatic, hallucinations, stuff like that … I kinda think rock’n’roll is silly, in the best way. The silly things are kinda the things that are alright.”

Continue reading...

Whispers to thunderstorms: the world of sound designer Max Pappenheim

After embarking accidentally on his career, Pappenheim has created innovative soundscapes for theatre, opera and radio

Max Pappenheim’s journey into sound design comprises a series of happy accidents. Music – and especially organ music – was his first love. He spent a year as a cathedral organist and it was only his predilection for experimentation and finding “the weirdest corners of the repertoire” that stopped him from pursuing a professional career in liturgical music.

Instead, he went to Cambridge University, read classics and began teaching at a school in the Midlands. There, he was asked to direct a musical, Sweeney Todd, and it was then the ground began to shift beneath his feet.

Continue reading...

Jim Steinman, hitmaker for Meat Loaf and Celine Dion, dies at 73

The Grammy-winning composer was behind Bat Out of Hell and It’s All Coming Back to Me

Jim Steinman, the Grammy-winning composer who wrote Meat Loaf’s bestselling Bat Out Of Hell debut album as well as hits for Celine Dion, Air Supply and Bonnie Tyler, has died, his brother said. He was 73.

Bill Steinman told the Associated Press that his brother died on Monday from kidney failure and was ill for some time. He said Jim Steinman died in Connecticut near his home in Ridgefield.

Continue reading...

Morrissey hits back at The Simpsons over ‘hurtful and racist’ parody episode

Manager posts critical statement on singer’s behalf after Panic on the Streets of Springfield airs

The Simpsons has earned the wrath of Morrissey after it parodied the former Smiths frontman in an episode of the show.

The singer was satirised during the episode Panic on the Streets of Springfield, which aired in the US on Sunday night. In the episode, Lisa Simpson becomes obsessed with a fictional band called the Snuffs and befriends its frontman, Quilloughby.

Continue reading...

Harry Connick Jr: ‘I love learning about women’

The singer, 53, on Mardi Gras parades, When Harry Met Sally, feeling thankful each day and the females in his family

I’d be completely different if I hadn’t grown up in New Orleans – there was music everywhere. So much of it was live. You could walk down a street at any time of the day or night and there would be people making music: a tuba player, horn players, bass drum players. And there would be brass bands and people dancing. All this was normal to me, and it wasn’t until I left that I realised how fortunate I’d been to be surrounded by this incredible diversity of live music. You feel its energy in the air.

Both my parents were lawyers. My father was the district attorney of New Orleans and my mother was a judge, so they were both in public service. From them I got ideas about trying to be vocal about change. The first thing I did, in 1993, was to start a Mardi Gras parade inclusive of everyone – men, women, black, white – because I thought people should be able to celebrate together. The parade is called Krewe of Orpheus. Today it’s the biggest, most beautiful parade in the whole of the New Orleans Mardi Gras.

Continue reading...