The music of the virus: sadness, relief and communal consolation

We have a sense of what it means to live in disturbing times, to live under threat. We should not forget the many people who have known this all their lives

  • This is part of a series of essays by Australian writers responding to the challenges of 2020

One fine untroubled morning in 2019 I was out walking in Potts Point, on my way to see my eldest brother. He lived in a room here when I was 21 and he was 26. In those days, Potts Point was unconventional and impoverished, home to people who minded their own business, which was largely conducted at night.

His room was narrow, with a bed and a wardrobe housing a few shirts on wire hangers. A window opened on to a wall. There was a bathroom on the same floor. I could stay there when he was away; I could borrow a shirt. When he wasn’t away I stayed in a friend’s apartment on New South Head Road and walked to Potts Point to visit him. At the time, I was writing a thesis on the fiction of Samuel Beckett. As I wrote I grew more and more uneasy about the loss of this thesis, and I began to carry my work with me in a small suitcase for safekeeping. With my suitcase and my plain man’s shirt I wasn’t of much interest to the people on the street. I kept writing. The suitcase became heavier and heavier, for it now contained books and all my drafts. I carried it to my brother’s concerts. We began to share this burden, as we walked about the city. Once he stopped and put it down, flexing his fingers. “You do realise I make my living with my hands,” he said, before he picked it up again.

Continue reading...

Kylie’s 30 greatest singles – ranked!

Over a career of more than 30 years, she’s been Indie Kylie, Moody Kylie and Mature Kylie – but who comes out on top?

Her eponymous 1994 album was supposed to unveil a new, more grownup, hipper Kylie Minogue, free from the influence of Stock Aitken and Waterman: it was not the triumph some expected, but it did contain that rarest of things, a great Kylie ballad in the shape of the trip-hoppy Put Yourself in My Place.

Continue reading...

Jerusalema: dance craze brings hope from Africa to the world amid Covid

South African music track and dance steps created in Angola have caught the imagination of politicians, priests and millions more

A song from South Africa that has gone around the world and been endorsed by presidents and priests has become the sound of the pandemic for millions across southern Africa.

Last week the Jerusalema dance challenge was endorsed by President Cyril Ramaphosa ahead of the country’s plan to open up to tourism on 1 October.

Continue reading...

‘I no longer participate’: Dutch celebrities rebel over Covid constraints

Rapper Famke Louise joined by Bizzy and others refusing to follow government advice

They are young, famous and refusing to abide by the coronavirus restrictions. A group of Dutch celebrities have triggered both a sizeable backlash and a national debate after breaking cover on social media with the hashtag #ikdoenietmeermee, (I no longer participate).

The central figure is the rapper and model Famke Louise, 21, who told her 1 million Instagram followers she was no longer willing to go along with the growing number of restrictions designed to slow the spread of the virus. “Only together can we regain control of the government,” she said. “I no longer participate. Free the people.

Continue reading...

Bristol’s Colston Hall renamed after decades of protests

Music venue drops association with slave trader and will be known as Bristol Beacon

A new name has been announced for the Bristol venue Colston Hall following decades of protests and boycotts over its association with the slave trade.

Colston Hall, which was named after the 17th-century slave trader Edward Colston, will from now on be known as Bristol Beacon following a public consultation.

Continue reading...

Patti Smith: ‘I feel the unrest of the world in the pit of my stomach’

The rock star and poet on solitude, her lifelong friend Sam Shepard, and writing her latest memoir

Patti Smith, rock star, poet, visual artist and writer, won the 2010 National book award with her memoir Just Kids. The Year of the Monkey, her moving postscript – about loss, serendipity, friendship and hope – is out now in paperback (Bloomsbury).

Did you plan The Year of the Monkey or did it almost write itself?
Truthfully, I had no goal. It was the end of 2015. I’d had concerts at the Fillmore in San Francisco and was supposed to go on a trip with my good friend Sandy Pearlman. But he had an accident and was in a coma and I was without a plan. I don’t drive, so decided to linger to be in his proximity and, being alone, started keeping a journal. I find writing a journal is like having an imaginary friend.

Continue reading...

Unholy row as leading London church axes musicians, ‘using Covid as a cover’

St Martin-in-the-Fields jettisons ensembles to focus on in-house provision at a time when freelance performers ‘on their knees’

Ten London musical ensembles claim they have been “summarily dismissed” by one of the capital’s most prestigious churches in an “act of callous and unchristian behaviour”.

The orchestras and choirs have put on concerts regularly at St Martin-in-the-Fields in Trafalgar Square for 30 years, paying a hire fee for the venue and commission on ticket sales.

Continue reading...

‘Colourful, vibrant, sensual!’ Stars on Jimi Hendrix, 50 years gone

In awe of everything from his raunchiness to his skill with sheer volume, members of Pixies, Yes, Parliament-Funkadelic, Thin Lizzy and more celebrate the guitar god, who died 50 years ago today

I first met Jimi – he was called Jimmy James then – at the California Club in Los Angeles. He was down on his luck at the time. His wardrobe was shabby and he reeked of Right Guard deodorant, which he used in copious amounts because he couldn’t afford to have his clothing properly dry cleaned. The heels on his shoes were so worn down he appeared to walk bowlegged. When Jimi sat in with us, he was a mediocre guitar player, at best, who was constantly out of tune.

Continue reading...

Laura Veirs on surviving her divorce: ‘My life is strangely awesome’

After her 20-year relationship ended, the US songwriter refused to believe that she would emerge stronger. Yet against the odds, she experienced a creative and feminist rebirth

In 2018, as her marriage fell apart, Laura Veirs cried and biked all over Portland. “I called myself the crying cyclist,” she says. It was a new, impetuous hobby taken up after years of putting her desires on hold. When some friends asked her to join them on a 100-mile ride, she immediately kitted up and began training: 50 miles, 60 miles, weeping down her Spandex. “That got me through the divorce, honestly,” she says. Another friend wondered whether the optical act of navigation mimicked eye-movement therapy, which is thought to weaken the effect of trauma. “I was surprised by how much it helped get the grieving out.”

The theory – balancing intellect and intuition – hit Veirs in her sweet spot. She is the daughter of academics; a former geology student and a career songwriter beloved for her moving, naturalistic vocabulary. Her voice has a sturdy, earnest clarity: on the superb 2016 collaborative album case/lang/veirs, her freshness contrasted the fiery Neko Case and earthy kd lang.

Continue reading...

Black Sabbath’s Paranoid at 50: potent anthems of working-class strife

Written off by critics as horror trash from ‘unskilled labourers’, Sabbath’s masterpiece album took beaten-down listeners on a rollercoaster out of their struggles

I first heard Black Sabbath’s second album during the part of my childhood when I was most susceptible to its charms. As a quiet, earnest Catholic school kid – the kind that excitedly whispers “I’m clean!” to themselves after their first confession – it’s not all that surprising that I eventually got bullied. The boys called me names, pushed me into lockers, and dug their pens and markers into my clothes, as if to tell the rest of the pack: “He will let you do this!”

Continue reading...

The night Nirvana played five-a-side with the Chippendales

From Cobain’s stripper kickabout to Placebo’s run-in with a cake, music promoter David McLean isn’t short of an anecdote. Now he’s turning his career into a film

Scottish music manager and promoter David McLean has staged gigs by Nirvana, Green Day, Foo Fighters, Pearl Jam, Oasis and hundreds more. Ahead of his first film, Schemers – which tells the story of his early days attempting to book Iron Maiden to play in Dundee – he shares some handy tips for success.

Continue reading...

Salute Toots Hibbert – a reggae pioneer to rival Bob Marley | Kenan Malik

The late singer was at the heart of an extraordinary collision of music, culture and politics

I can still remember the first time I heard Pressure Drop. The little drum intro. The bass riff. The rhythm guitars. And then the voice of Toots Hibbert, a voice both soulful and raw, comforting but just a little menacing too.

It was a song to bring joy, to get a roomful of Doc Martens bouncing. It was also a song about revenge and karma. That was the way with Hibbert – the melding of the blissful and the rough, the soothing and the sharp.

Continue reading...

Toots Hibbert’s last interview: ‘Don’t take life for granted, be careful, be strong’

‘My lucky charms are my songs’, the reggae icon told Miranda Sawyer as he promoted his final album, Got to Be Tough

Toots Hibbert brought out his most recent album, Got to Be Tough, in August. What now stands as his final album is a positive listen, with lyrics about overcoming obstacles and needing more love in your heart, and his voice is as soulful as ever. He produced the album himself and it features Ziggy Marley, Sly Dunbar, Cyril Neville and Zak Starkey. He was busy: during lockdown, he was a finalist in the recent Jamaica festival song competition (a big deal on the island), with the upbeat Rise Up Jamaicans. Toots was massively successful in Jamaica: with the Maytals, he had 31 No 1s there, more than any other artist.

I spoke to Toots over the phone (no visuals, sadly). He was in his studio, drinking orange juice and water. Sometimes he chatted to people in the background. Ebullient and charismatic, he laughed a lot during our chat. He was never less than charming, but I noticed he had a knack of avoiding tricky questions by talking in broad terms rather than detail.

Continue reading...

Toots Hibbert, pioneering reggae star, dies aged 77

Frontman of Toots and the Maytals helped make reggae globally famous

Toots Hibbert, whose glorious songcraft as frontman of Toots and the Maytals helped make reggae globally famous, has died aged 77.

A statement from his family on Saturday read: “It is with the heaviest of hearts to announce that Frederick Nathaniel “Toots” Hibbert passed away peacefully tonight, surrounded by his family at the University Hospital of the West Indies in Kingston, Jamaica.

Continue reading...

Throwing Muses’ Kristin Hersh: ‘I knew integrity would pull me into the gutter’

With their 10th album inspired by a near-death ordeal, the alt-rock heroes discuss seeing their peers sell out as they stayed defiantly on the fringes

In 2013, after Kristin Hersh’s 25-year marriage came to an end, she was left broke and without health insurance. The songs she wrote in the aftermath were “about drowning in one way or another”, she says. She means this literally and metaphorically.

Hersh was relaxing by the water in California and – because she was on the prescribed tranquiliser Klonopin – nodded off. The tide came in and she awoke in the water. “I’m a triathlete so I’m a very strong swimmer but this surf just wasn’t moving toward the shore,” she recalls. “I was swimming as hard as I could but the shore wouldn’t get any closer and I started to black out.”

Continue reading...

Auf wiedersehen, techno: Berlin’s banging Berghain club reborn as a gallery

With nightlife in limbo due to Covid-19, the legendary temple of techno has reinvented itself as art gallery – with works by Tacita Dean, Olafur Eliasson, Wolfgang Tillmans and more

Inside a disused power station in east Berlin, a red-and-white buoy is bobbing mid-air, swooping six metres up and six metres down in rhythm to imaginary waves. The artist who had the idea to hang it there, Julius von Bismarck, has connected an automated pulley system via sensors to a real buoy in the Atlantic Ocean, mirroring its movements.

Usually, the waves crashing over the heads of visitors to these halls are made of sound, pumped out of a custom-built PA that many dance music connoisseurs consider the finest in the world: this is Berghain, Berlin’s mythical temple of bassy industrial techno.

Continue reading...

Slowly does it: chord changes in John Cage’s 639-year-long organ piece

Fans gather in a German church to hear the first new sound in composition, Organ/ASLSP, for six years

Hundreds of fans have attended a special kind of musical happening at a church in Germany: a chord change in an organ piece that is supposed to last for an entirety of 639 years.

The performance of the Organ/ASLSP (As Slow As Possible) composition began in September 2001 at the St Burchardi church in the eastern town of Halberstadt and is supposed to end in 2640 — if all goes well.

Continue reading...

Why Marc Bolan was ‘the perfect pop star’, by Elton John, U2 and more

The T Rex singer captivated generations with his strutting music and hyper-sexual charisma. As a tribute album is released, stars explain why he is glam’s greatest icon

In early 1971, a nine-year-old called David Evans was sitting at home in the suburbs of Dublin watching Top of the Pops. He was already a Beatles fan, but, by his own admission, he was completely unprepared for what was about to happen on screen.

“It was kind of challenging,” says Evans – better known as U2’s guitarist the Edge – of T Rex’s celebrated appearance performing Hot Love, frontman Marc Bolan sporting glitter under his eyes, the ground-zero moment for glam rock. “Marc Bolan was magical, but also sexually heightened and androgynous, with this glitter and makeup. It’s funny, the go-go dancers of the era were the legendary Pan’s People – he was way more intriguing sexually than they were. I’d never seen anything like it: ‘What the hell is this? Real lads are not into this kind of stuff – this is clearly music for girls.’ But when I picked up a guitar a year later, Hot Love was the first song I learned to play.”

Continue reading...

Music mogul Akon going ahead with futuristic ‘Akon City’ in Senegal

US-Senegalese star says smart city will be built in mould of fictional nation Wakanda

The US-Senegalese music mogul Akon has said he is pressing ahead with lofty plans to create a futuristic Pan-African smart city in Senegal next year, built in the mould of Wakanda - the fictional, technologically advanced African nation depicted in the Marvel blockbuster Black Panther.

The 2,000-acre, surrealist, solar-powered “Akon City”, backed by the Senegalese government and funded by unnamed investors, was first announced by Akon in 2018.

Continue reading...