Category Archives: Netflix

‘I think I’ve written more Sherlock Holmes than even Conan Doyle’: the ongoing fight to reimagine Holmes

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Arthur Conan Doyle’s master detective has been endlessly rewritten. But nearly a century after the author’s death, how new writers portray him remains contested

The first ever mention of Sherlock Holmes came in A Study in Scarlet, published in Beeton’s Christmas Annual of 1887. Dr Watson is looking for lodgings, and meets an old acquaintance who knows of someone he could share with, but does not recommend.

Young Stamford looked rather strangely at me over his wine-glass. ‘You don’t know Sherlock Holmes yet,’ he said; ‘perhaps you would not care for him as a constant companion.’

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She survived in the wild against all odds. I took her class to learn how

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Woniya Thibeault, the runner up on Netflix’s Alone, is offering an eight-week survival course, teaching more than how to skin a deer and tie a knot

Left to fend for herself on Arctic land, with only 10 pieces of gear – among them a sleeping bag, a pot, and a bow and arrows – Woniya Thibeault didn’t just want to survive. She wanted to find joy in the process of surviving.

Scattered miles apart in the same rugged wilderness were nine other contestants looking to outlast one another and win big on the History Channel’s popular survival reality series Alone. In it, contestants compete to stick it out in the wilderness for the longest time with limited resources – all have the option to tap out if it gets too much. The prize money – $500,000 – would have changed Thibeault’s life, but winning wasn’t her top priority. She was there for the experience.

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Lupin’s Omar Sy: ‘We wanted to show what the French are capable of’

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The actor stars in Netflix’s biggest French-language hit as a gentleman thief. He and the director, Louis Leterrier, explain how the drama drew in 70 million fans worldwide

“We wanted to show what the French were capable of in terms of making a series, but frankly we didn’t expect it to do what it has.” Omar Sy, the star of the latest Netflix smash hit, Lupin, is speaking over the phone from Senegal. The line between London and Dakar isn’t great, but the charm that has helped his slick, charismatic character – a modern day gentleman thief – connect with audiences around the world is still evident.

Streaming services have been the dominant source of cultural output in the past year, so the chances are that you have at least heard of Lupin, even if you haven’t got round to bingeing Netflix’s biggest French language hit to date. Ranking in the Top 10 on the platform in multiple countries – climbing to No 2 in the UK and the US – as well as being projected to have reached 70 million households in the first month of streaming, Lupin is a family-friendly show – perhaps one of the elements that has given it an edge over the likes of Bridgerton and The Queen’s Gambit.

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Cobra Kai: from dumped YouTube gambit to Netflix smash hit

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Turning a sequel to The Karate Kid into a TV series might not have sounded wise but this blockbuster show has found life in a tired franchise

A modern TV reboot of classic 80s teen film The Karate Kid sounds like an almost comically bad idea. It’s the sort of suggestion you can imagine a creatively desperate TV executive leaving for himself in a panicky Partridgean voice note while drunk on a Tuesday night. So many ways it could go spectacularly wrong, and virtually none where it could go right. And yet, with that very same back-of-a-fag-packet premise, Cobra Kai – the smash new Netflix series – has gone miraculously right, racking up 73 million viewers, according to the streamer’s latest figures.

Related: 'There's chunks of wisdom': How The Karate Kid launched MMA careers

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How France’s Lupin became the surprise Netflix hit of the season

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The charming series combines Ocean’s Eleven’s slickness with the implausibility of National Treasure to become the first French series to crack the US top 10

The greatest trick by Lupin, a new French series on Netflix, is disguising substantiveness in plain sight. The show, created by the British showrunner George Kay and inspired by the beloved French character Arsène Lupin, packages over 115 years of inspiration (dating back to the character’s invention by writer Maurice Leblanc in 1905) in a slick, swift escape easily binged in a day. Its star, the French actor Omar Sy, towers over his scene partners, perpetually unreadable yet brimming with charisma; his character, Assane Diop, is a con man with a heart of gold able to turn his outsized presence into an uncatchable master of deception.

Related: Call My Agent: get au fait with the smash hit French comedy-drama

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Call My Agent: the French TV hit that viewers and actors adore

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The comedy, whose fourth series hits Netflix this week, shows France’s TV can match its film

Fast approaching 50 and fed up after two exhausting decades at Artmedia, the top talent agency in Paris, Dominique Besnehard decided, one day in 2005, that he would quite like to turn his hand to producing something of his own.

“At the time,” Besnehard told Le Monde, “Desperate Housewives was all over the telly, a huge success. I just thought, with a couple of colleagues, we could maybe make a series a bit like that, but about the job we do for a living.”

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Vive l’indifférence! Netflix’s Room 2806 exposes France’s #MeToo apathy

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Centred on a sex-assault case involving former French presidential hopeful Dominique Strauss-Kahn, this docuseries reveals worryingly outdated attitudes

Most people will have only the haziest recollection of the fallout that occurred after the French presidential hopeful and then head of the International Monetary Fund Dominique Strauss-Kahn was accused of sexually assaulting a room attendant in a New York hotel in 2011. That allows the Netflix documentary Room 2806: The Accusation to possess all the qualities of a slick political thriller. Who will be believed? The immigrant, hotel cleaner, a single parent living in a flat in the Bronx or the globally powerful, immensely rich politician?

This tense, four-part documentary has astonishing material to work with. There is plenty of CCTV footage, filmed from the ceiling, of chambermaid Nafissatou Diallo making her way to the presidential suite, and later, visibly distressed, being shepherded by her supervisor to a subterranean network of shabby staff offices in the bowels of the building, away from the gilded foyer, where she wipes away tears and recounts how she has been assaulted by Strauss-Kahn as she cleaned his rooms.

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Headspace Guide to Meditation: can Netflix deliver enlightenment in 20 minutes?

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The streaming service and the mindfulness app have joined forces to inject some calm into our tech diet. Elle Hunt tries to switch off, while switching on

Those who subscribe to the notion of “new year, new me” will be familiar with the advice to empty your fridge and kitchen cupboards of junk food before 1 January, so as to set yourself up for healthy-eating success. (Or else a New Year’s Day McDonald’s delivery, when you wake up very much the old you, and not in the mood for overnight oats.)

After all that bingeing on Love Is Blind and Selling Sunset last year, Netflix now provides a similarly aspirational refresh, with a new series of guided meditations. Produced with the popular Headspace app, the eight 20-minute episodes are billed as a beginner’s guide to meditation, helping you to start the year “by being kind to your mind”.

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Game of Thrones video game tycoon dies in suspected poisoning

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Police in China detain colleague of Yoozoo Games founder Lin Qi on suspicion of involvement in death

Shanghai police have detained a man in relation to the suspected poisoning death of the wealthy founder of a video games company.

Lin Qi, 39, died on Christmas Day, eight days after he was taken to hospital with “acute symptoms of illness”, according to his company, Yoozoo Games Co, known for the Game of Thrones: Winter is Coming strategy game and as the producer of a forthcoming Netflix adaptation of the science fiction hit The Three-Body Problem.

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‘Boys can be fairies – it’s the 21st century’: How Fate: The Winx Saga finds the reality in fantasy

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The writer and star of the new Netflix series explain the myriad challenges of turning a manga-style kids’ cartoon into a live-action teen drama

How do you make teen TV magic? You call Brian Young. The writer cut his teeth on The Vampire Diaries, a supernatural teen drama that emerged from the Twilight era of sexy-horror fandoms, but it soon established its own identity, resulting in a successful eight seasons. So, when Netflix wanted to turn Winx Club – the hit Italian cartoon about fairies – into a live-action fantasy series for young adults, they recruited Young.

To him, the challenge of re-imagining the Winx world for a more mature audience was clear: “Tone. It’s trying to figure out how we ground this show in real character moments, things that any audience member would relate to. And this is coming from a massive fantasy fan – I had my Dungeons & Dragons character when I was a kid – but it is very easy to spiral off into absurdity with stuff like this.”

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Scottie Pippen: ‘I told Michael Jordan I wasn’t too pleased with The Last Dance’

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The ex-Chicago Bulls star won new fans in the acclaimed Netflix documentary. He talks about his special relationship with MJ – and basketball’s equality problem

Born in Arkansas in 1965, the youngest of 12 children, Scottie Pippen is one of basketball’s all-time greats. He played alongside Michael Jordan for the Chicago Bulls when they dominated the sport in the 1990s, winning six NBA championships. (He also won two Olympic gold medals.) That period, the Bulls’ and, in particular Jordan’s, extraordinary achievements are the focus of the 10-part, critically acclaimed Netflix docuseries The Last Dance, which has been a major hit in 2020.

You and Michael Jordan seemed to have a special bond in the film. When you were both on your game, it seemed like the team was going to win. Was that the case?
Yeah, that relationship, we established that we felt like that in the late 80s, playing against the Pistons, just starting to grow and mature and have each other’s backs. We grew up together and we defended each other. That respect we had on the court, that competitiveness we took through to the top – it was special. That was the respect we had for each other, because we had to be on the court to do what we did. We had to be dominant.

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Carole Baskin: ‘After Tiger King, my phone rang every two minutes for months’

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The animal sanctuary owner was catapulted to fame by the Netflix series – and became an unlikely fashion trendsetter

Carole Baskin watched the Netflix documentary series Tiger King as many of us did: she binged it, devouring all seven episodes in one sitting as soon as it was released in March. “It was like watching a dumpster fire, you just couldn’t turn away from it,” says Baskin on a video call. “It was just mesmerising that there could be this many crazy people doing so many wretched things to animals.”

Of course, one of the “crazy people”, the show implied, was her. Baskin, a 59-year-old owner of the Big Cat Rescue sanctuary in Florida, she she had been told by the film-makers that Tiger King would be an exposé of the mistreatment of the animals by private owners in America. Instead, the series mainly focused on a long-running feud between Baskin and Joseph Maldonado-Passage, a mulleted, polygamous, country music-loving zoo owner from Oklahoma who calls himself “Joe Exotic”.

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The Crown has slipped: how the Netflix epic captures our relationship with the royals

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While the fourth series has come under fire for factual inaccuracy, it is just one of many series to reflect the royals long history of mythmaking

‘Let’s get it over with,” sighs Prince Philip as he reluctantly prepares to venture towards a crowd of adoring subjects. On the one hand, this moment in The Crown has the ring of truth: realistically, why would members of the royal family be enthusiastic about meeting yet another mob of curtsying, awestruck plebs? It must be tremendously boring. And yet, on the other hand, how dare they? Who pays their wages?

A few things have become clear during the fourth season of Peter Morgan’s Netflix epic. Firstly, it’s just as well The Crown isn’t on the BBC. Because if it was, the nation’s enraged rightwing culture warriors would have descended upon Broadcasting House and stormed it. Secondly, this is a portrait of managed decline. And finally, The Crown means The Queen. But Olivia Colman’s Elizabeth II is more Canute than Britannia – not ruling the waves but nobly, if eventually absurdly, trying to hold them back.

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Helena Bonham Carter says The Crown should stress to viewers it’s a drama

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Actor who plays Princess Margaret adds her voice to calls for Netflix to add a disclaimer

Helena Bonham Carter has said The Crown has a “moral responsibility” to tell viewers that it is a drama, rather than historical fact, in the wake of calls for a “health warning” for people watching the series.

The actor, who played Princess Margaret in series three and four of the Netflix hit drama, told an official podcast for the show that there was an important distinction between “our version”, and the “real version”.

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Culture secretary to ask Netflix to play ‘health warning’ that The Crown is fictional

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Oliver Dowden says younger viewers might take historical drama’s portrayal as fact

The culture secretary plans to write to Netflix and request a “health warning” is played before The Crown so viewers are aware that the historical drama is a work of fiction, he said in an intervention that prompted criticism.

Oliver Dowden said that without the caveat younger viewers who did not live through the events might “mistake fiction for fact” following complaints that the fourth series of the drama had abused its artistic licence and fabricated events.

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BBC’s A Suitable Boy rankles ‘love jihad’ conspiracy theorists in India

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BJP reaction to depiction of Hindu-Muslim romance follows recent rows over interfaith marriages

When the BBC’s adaptation of Vikram’s Seth’s novel A Suitable Boy recently landed on Indian Netflix it did not take long for the fanfare to turn to controversy.

The series, it was claimed by politicians from the ruling Bharatiya Janata party (BJP), had “hurt religious sentiments” of Hindus by depicting the lead character, a Hindu girl called Lata, passionately kissing a Muslim boy against the backdrop of a temple.

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Trial 4: how a teen spent 22 years in prison for a crime he didn’t commit

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Sean Ellis was 19 years old when he was arrested for killing a police officer in Boston. Decades later, he prepares for his fourth trial in Netflix’s Trial 4

Sean Ellis was 19 when he was arrested by Boston police over the killing of an officer in October 1993. Head down and nearly collapsing, barely keeping pace with police, Ellis wore his best suit as officers dragged him into custody – he had just attended the funeral of Celine Kirk and Tracy Brown, his cousins, who had been murdered by Celine’s ex-boyfriend in Ellis’s neighborhood of Dorchester. Ellis had spoken voluntarily to police about his cousins, with whom he was close; days later, he was on trial over the murder of a crooked cop as he slept in his car in a Walgreens parking lot.

Related: A Wilderness of Error: the year's most troubling true crime series

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The Crown season four, first look review – enter Diana, Thatcher, bombast and bomb blasts

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The best series so far of the royal drama, with the family sliding into dysfunction and new characters providing 80s shoulder-padded spectacle

The Crown (Netflix) has finally reached the blockbuster era, thanks to the pincer-like introduction of Diana (soon to be Princess) and Margaret (Thatcher), at long last, who both elevate the season to its best form yet. It begins in 1979, with the election of Britain’s first female prime minister, and ends in 1990, amid the furious flames that were beginning to consume the marriage of the heir to the throne. It is grand, gorgeous and as soapy as ever, perfect for a wintery period of hunkering down.

I have not always been convinced by The Crown. In the past, it has been prone to sentimentality, and never knowingly using one word to hint at a situation when several thousand will do. The sumptuous look of it all and the delicious performances have frequently been called upon to come to the rescue of the writing, which is sometimes clumsy, over-explaining subtext, not trusting its own subtlety, eventually spelling any emotional conclusions out all in bold capital letters.

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Over the Moon review – Netflix family animation is more Disney than Disney

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The voices of Cathy Ang, John Cho and Sandra Oh star in this K-poppy, trippy fantasy about a girl who builds a rocket and flies to the moon

Watch your back, Disney; here comes Netflix in Hollywood studio mode, flexing its ambition with an animated family fantasy adventure about a sunny, 13-year-old girl called Fei Fei who flies to the moon in a homemade rocket. It’s a film for the globalised 21st century (and presumably Netflix’s global audience): a Chinese story directed by an American – the veteran Disney animator Glen Keane – and voiced in English by actors of (mostly) east Asian heritage.

Cathy Ang is Fei Fei, who is horrified when her dad (John Cho) brings home a new girlfriend (Sandra Oh) four years after her mum’s death. Fei Fei is a true believer in the mythical goddess Chang’e, who is said to languish on the moon, pining for her mortal lover. Our heroine reasons that if she can prove Chang’e and eternal love really do exist, her dad will have to chuck his girlfriend and devote himself to the memory of her mumThus, as a science whizz, she builds a spaceship. It’s a contrived plot but Keane’s character design is beautifully expressive, adding real emotional force – Fei Fei’s face scrunched in anguish when she realises her dad plans to remarry is very touching.

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Netflix indicted by Texas grand jury over ‘lewd visual material’ in Cuties

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French film about pre-teen girls who form a dance group is called ‘prurient’ in Tyler County prosecution. Netflix defends story as social commentary against sexualisation

Netflix has defended the controversial film Cuties after it emerged the streaming giant is facing a criminal charge in Texas over the movie’s allegedly “lewd” depiction of children.

Cuties follows an 11-year-old Senegalese girl living in Paris who rebels against her conservative family’s traditions when she becomes fascinated with a “free-spirited dance crew”.

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