No school, no hair cut: one girl’s journey through one of the world’s longest Covid lockdowns

Antonella Bordon’s hair was her family’s pride and joy. But as the pandemic kept her out of school for 18 months, the 12-year-old Argentinian vowed to lop it all off as soon as she could return to class

When she finally cut her hair, Antonella Bordon had trouble sleeping. At the age of 12, her first haircut meant more to her than a simple change of style.

For most of her childhood, Bordon’s silky hair ran all the way down her back to her calves, such a deep brown it looked like a black mane. Her mother and sister would comb it every day, rubbing the locks with rosemary oil, and helping her style it in a way to keep her cool during the hot Argentinian summer.

Continue reading...

Singular vision: New film spotlights queer New Zealand photographer who broke the mould

When she started out 50 years ago, Fiona Clark’s work was met with rejection. Now she’s the subject of an admiring documentary

Whether documenting the crackling raw energy of Auckland’s fledgling punk rock scene in the 1970s or the hedonistic glamour of Karangahape Road’s queer culture, renowned New Zealand photographer Fiona Clark’s vibrant photos evocatively capture people and personalities in subcultures many people wouldn’t even know existed.

Seen as too confronting and radical by the New Zealand art world in the 1970s, Clark’s work was met with resistance from major art dealers who told her “we’re not handling your work”, and some of her images mysteriously disappeared from the Auckland art gallery. But Clark has never let this distract her from her singular vision.

Continue reading...

The nocturnal​ ​beauty of the ​urban ​underpass – in pictures

How did the British fashion photographer Perou end up shooting a book of grimy, deserted underpasses around England? It started, he says, “when Karl Hyde of Underworld asked me to photograph one for his [2013] solo album Edgeland”. Hyde suggested they expand the idea, and the result, eight years later, is Tunnel Vision, featuring more than 200 English underpasses photographed at night, with gnomic captions (supplied by Hyde) taken from graffiti found nearby.

“The more I photographed underpasses the more wonderful I found them,” says Perou. “They’re all unique: they have different designs and lighting, different paint or municipal art on the walls. They’re almost all uniformly smelly and cold,” but, he insists, “beautiful and full of character.”

Continue reading...

Nature under threat: a Cop26 photographic competition – in pictures

The Earth Project, in collaboration with Nature Picture Library photography competition, aims to raise awareness of the huge challenges faced by nature, as well as the impacts of climate change on global ecosystems. Some of the world’s leading photographers came together to illustrate nature under threat, linking to one of the main goals of Cop26: to help protect and restore ecosystems in countries adversely affected by the climate crisis

  • The overall winning images, by Rivoni Mkansi of a rhino being dehorned to deter poaching; by Doug Gimesy of little blue penguins silhouetted against Melbourne city, and by Jo-Anne McArthur of pigs in an industrial farm, were selected by an online vote for three galleries

Continue reading...

Environmental photographer of the year 2021 – in pictures

The winners have been announced in the environmental photographer of the year competition, organised by environmental and water management charity CIWEM and WaterBear, a free streaming platform dedicated to the future of our planet. The awards celebrate humanity’s ability to survive and innovate, and showcase thought-provoking images that highlight our impact and inspire us to live sustainably

  • Vote for the people’s choice award here
Continue reading...

‘A moment in history’: making a perilous sea-crossing with refugees – photo essay

Ahead of a UK exhibition of her photo series Journey in the Death Boat, Güliz Vural describes travelling with Syrians being smuggled to Greece from Turkey

Standing on a Turkish beach ready to join a group of Syrian refugees on an inflatable boat bound for Greece, the photojournalist Güliz Vural’s biggest fear was that the people traffickers organising the illegal crossing would not let her onboard.

If she had known that within a few hours of leaving Turkey she would be under arrest, accused of people trafficking herself, she would have thought twice about the journey.

The migrants carry the inflatable boat they will travel in down to the beach. They had to leave all their possessions as they crammed themselves in. Nearly 50 Syrians made the crossing in a boat designed to carry 12 people, adding to the anxiety felt by the children in particular.

Continue reading...

Shanghai Century: Shanghai Spirit – in pictures

A new exhibition captures the changing face of Shanghai through the past two centuries and the development of the past 30 years, from street photography to fashion shoots, from the intimacy of the lilongs to the grandeur of public facades. The exhibition is presented by Porsche in collaboration with the Shanghai Centre of Photography

Continue reading...

Sunbathers of Beirut: the photographs celebrating everyday life in the Middle East

A new collection of photography aims to capture the upbeat, joyous side of life in the Arab world, away from war and suffering. Fouad Elkoury talks us through his project

On 4 August 2020, Fouad Elkoury was sitting in his home in Beirut when an enormous explosion at the port shattered his windows and blasted through his living room. Miraculously, the Lebanese photographer survived but his home was destroyed, along with those of an estimated 300,000 others. “When you go through such an explosion,” he says, “first, your memory disappears. Second, your hearing is ruined. And third, you stop planning. Things are so big, you realise you are nothing. This is where I am at the moment.”

One of Lebanon’s foremost photographers, Elkoury came to international recognition with his intimate photographs documenting life during the Lebanese civil war in Beirut in the 1970s and early 80s. Travelling in the years following the conflict, he found himself aboard the ship carrying Yasser Arafat during the 1982 Israeli invasion of Lebanon. He created Atlantis, a nautical series of images featuring the Palestinian leader.

Continue reading...

Two lovers kiss behind a tree: Clifford Prince King’s best photograph

‘It’s a private moment but in a wide open public space. It made me think about how queer Black men struggle to be seen for our true selves’

In 2018, I was visiting my cousin in Dallas when I remembered that a friend from Portland had moved there. I hadn’t seen him in a while and heard he had a new partner, so I asked if he wanted to catch up. The minute I saw him and his boyfriend, I wanted to photograph them. They were both wearing similar clothes, and something about the matching colour palette made them feel like a pair. We took a walk through Como Park, where I spotted this tree. I asked them to stand behind it and embrace each other, with their faces obscured.

What struck me was the interplay of intimacy and anonymity. It’s this tender moment, slightly hidden. We can see that it’s an embrace, but we can’t see who it is. It’s a private moment but in a wide open public space. It made me think about how they – and I – as queer Black men, struggle to be seen for our true selves in different spaces.

Continue reading...

‘Joyously subversive sex goddesses’: the artists who gave witches a spellbinding makeover

Thousands of women were slain after being accused of witchcraft. Don’t they deserve more than the evil cackling hag stereotype? A powerful new book blows away the satanic baby-eating myths

We all know what a witch looks like. A gnarled old face full of warts with teeth missing and bright green skin. Then there’s the long black coat, the tall black hat and let’s not forget the sizable crooked nose, sniffing the fumes rising from a bubbling cauldron in a room festooned with cobwebs.

But that’s not what witches look like at all, or at least not according a hefty new art book being published in time for Halloween. In this compendium of witchy women, from Renaissance paintings to modern Wicca, the caricature of the evil hag is turned upside down. Witchcraft, the latest volume in Taschen’s Library of Esoterica, finds evidence from artists as diverse as Auguste Rodin and Kiki Smith for its revisionist view that witches are typically young, glamorous practitioners of highly sexualised magick. The cover painting, by Victorian artist JW Waterhouse, depicts the ancient enchantress Circe in pale, red-lipped pre-Raphaelite ecstasy – and the fun just keeps coming. The witches here are powerful feminist sex goddesses whose rites and incantations are joyously subversive.

Continue reading...

Little Amal’s journey: the puppet that crossed Europe – in pictures

Since leaving Turkey in July, Little Amal, a 3.5 metre (11ft 5in) tall puppet of a nine-year-old Syrian girl, and her entourage of about 25 people have navigated Covid border restrictions to walk across Europe to the UK. Amal, whose name means hope in Arabic, was created by Handspring, the company that made the equine puppets in War Horse. The puppet represents the millions of children forced to leave their homes in desperate situations. The global pandemic has made them more vulnerable than ever

Continue reading...