Experimental film-maker’s works included Little Stabs at Happiness, Blonde Cobra, and Tom, Tom, the Piper’s Son

Renowned experimental film-maker Ken Jacobs, whose works such as Little Stabs at Happiness, Blonde Cobra and Tom, Tom, the Piper’s Son made him a key member of the underground film circuit of the 1960s, has died aged 92. His son Azazel Jacobs, also a film-maker, told the New York Times that he died of kidney failure in hospital on Sunday.

Described by the New York Times as “the éminence grise of the American avant garde”, Jacobs and his wife Flo, with whom he collaborated on much of his work, straddled the worlds of experimental art and American new wave film-making, along with the likes of Jack Smith, Andy Warhol and Jonas Mekas. He was a founding member of New York’s Film-Makers’ Co-Operative and the first director of the Millennium Film Workshop in 1966, both of which offered a space for film-makers working outside the mainstream and which are still operating today.