Category Archives: Comedy

Dead Pigs review – winding tale of life in cash-crazed Shanghai

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Cathy Yan’s sprawling drama uses a real-life discovery of 16,000 porcine corpses to pick away at Chinese commercialism

A breezily westernised style of Chinese movie is on offer in this 2018 debut feature from Chinese-American film-maker Cathy Yan, who two years later went to Hollywood to direct Birds of Prey, starring Margot Robbie. Dead Pigs is an ensemble dramedy set in Shanghai that satirises – in a distinctly lenient way – the commercialism eating away at China’s heart. It is inspired by a real-life incident in which thousands of dead pigs were found in the city’s Huangpu river, dumped by poverty-stricken farmers who couldn’t pay the disposal fees; the pig symbolism reminded me a tiny bit of Alan Bennett’s A Private Function.

Related: 52 perfect comfort films – to watch again and again

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Catherine O’Hara on the joy of Schitt’s Creek: ‘Eugene Levy is the sweetest man!’

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The biggest TV hit of the pandemic? A comedy about a family holed up against their will. Its star discusses warmth, wigs and why she loves playing Moira Rose

Catherine O’Hara and I spend most of our time together anxiously apologising to one another, me for my terrible wifi connection, her for what she describes as her “ramblings”. Her infraction is more forgivable. A frozen Zoom screen is just annoying. O’Hara’s verbal meanderings (“Oh dear, what am I on about?”) are far more fun, swooping among the highlights from her career as a comedy cult star in the 1970s (the Canadian sketch show SCTV), 80s and 90s (Beetlejuice, Home Alone), and then Christopher Guest’s series of brilliant and largely improvised films (Waiting for Guffman, Best in Show, A Mighty Wind and For Your Consideration).

Now, at 66, she has peaked yet further, with her glorious performance as Moira Rose in Schitt’s Creek, the most endearing sitcom to come along in yonks. The show came to an end last year after six seasons and it went out with fireworks, setting the record for the most Emmys won by a comedy series in a single season. One went to O’Hara, almost 40 years after she won her first, for her writing on SCTV, in which she starred alongside John Candy, Harold Ramis and, most importantly, her Schitt’s Creek co-star Eugene Levy.

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Saved by the Bell actor Dustin Diamond dies aged 44

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The actor, who played Screech in the high-school sitcom, had recently been diagnosed with stage 4 lung cancer

Actor Dustin Diamond, best known for playing Screech on high school sitcom Saved by the Bell, has died at the age of 44.

Diamond had been diagnosed last month with stage 4 small cell carcinoma, or lung cancer, and been in treatment ever since. His representative Roger Paul confirmed the news of his death.

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Coda review – formulaic yet sweet-natured crowd-pleaser

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A hearing girl with a deaf family is torn between two worlds in a well-intentioned but conventional attempt to win over audiences

There’s an earnest old-fashioned Sundance-ness to writer-director Sian Heder’s broad comedy-drama Coda, the kind of warm-hearted crowd-pleaser that the festival is most widely known for. In any normal year, it would probably have been met with audible approval throughout its premiere. But this isn’t a normal year, with the majority of festival goers watching the film at home, perhaps less pumped up by the thrill of seeing it with a crowd. With or without an audience, it’s a minor film, a little too formulaic at times, a tad too comfortable sticking to a dog-eared playbook, eager to be loved but not really trying hard enough to be remembered.

Related: Sundance 2021: which films might break out this year?

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Reginald D Hunter | This much I know

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The comedian, 51, on gambling with criminals, a surprise daughter, and needing to cry

There’s no greater hell than being an asshole with morals. My tendency to over-analyse makes me slow to act; I question whether I’m doing the right thing constantly.

I inherited my father’s welcoming nature – he loves to tell jokes and stories; reasonableness is his default position. But I also got my mother’s violent rage. It’s rare that I lose my temper, but when I do I become every bit the devil of her.

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Why Mr Bean and Borat are ready to retire

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Rowan Atkinson and Sacha Baron Cohen are killing off two of comedy’s most indelible characters. They’ve picked the perfect time

Nothing lasts for ever. In time the trees will wither, the seas will boil and the mountains will crumble to dust. And nothing reinforces the ephemeral cruelty of the universe like the news that Rowan Atkinson doesn’t want to be Mr Bean any more.

In an interview with the Radio Times this week, Atkinson said of Mr Bean: “I don’t much enjoy playing him. The weight of responsibility is not pleasant. I find it stressful and exhausting, and I look forward to the end of it.” And that’s fair enough; Mr Bean has now been a going concern for 31 years, and has taken the form of a television programme, two films, an animated series, a sketch performed for the Olympics nine years ago and – slightly improbably – four books.

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Coolie No 1 review – David Dhawan’s comedy remake is bigger but not better

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Dhawan casts his son Varun in the role made famous in 1995 by Govinda, but little effort has been made to acknowledge the quarter-century since

It’s a tale of two Bollywoods this Christmas. Over at Netflix, Anurag Kashyap and Vikramaditya Motwane, representing Indian film’s modernising wing, have engineered the sharp and knowing meta-thriller AK vs AK. Here on Amazon Prime Video meanwhile, you can watch veteran comedy director David Dhawan renew his IP rights on Coolie No 1, previously a hit 1995 vehicle for the Sandwell-born funnyman Govinda. Even the latter’s most devout fans would probably concede the original left room for improvements, but that’s something Dhawan appears unfussed about. This Coolie updates a few reference points and replaces Govinda with latter-day hunk Varun Dhawan – the director’s son – then surrounds him with antiquated players and playing, part of a frenetic attempt to pretend the last 30 years never happened.

The plot – lowly railway porter (Dhawan) is hired to woo a society belle (Sara Ali Khan) as part of a conspiracy to disgrace her family – remains familiar and predictable. The most immediate contrast with the original is a result of the casting. Rather too obviously a handsome, cardio-trained leading man schlubbing down for (not many) easy laughs, Dhawan Jr bounds onscreen with boyish enthusiasm, but trails a lingering note of condescension – and Dhawan Sr was evidently too busy remembering how best to smash his supporting actors in the gonads to direct anyone. Khan, sadly, is stranded on balconies looking fetchingly concerned while the men below determine her character’s destiny. In this, Coolie 2020 really does seem so last century.

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Dan Levy on Schitt’s Creek: ‘Winning nine Emmys was surreal’

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The writer and star of the dysfunctional-family sitcom on his top shows of 2020 and the touching legacy of his hit series

Was there a show that everyone else loved this year that you just couldn’t get on with?
Tiger King. I couldn’t do it. Something about it felt a little too exploitative for me. I never felt OK when I was watching it. Maybe that’s the main thing. There was a full month when everybody was watching it, when I desperately tried to stay part of the conversation. But I just could not invest. And I don’t know, there is something kind of icky about what was going on there. But this is one man’s opinion in a sea of other people.

Conversely, were there are any shows you enjoyed over lockdown that you didn’t expect to?
The Real Housewives of Atlanta. I feel like the characters on that show are so strong and opinionated and have a sense of humour and self-awareness. It’s an incredible alchemy. It’s a great social group that they’ve put together to film. I was surprised to enjoy it, because I worked in reality television for a long time. I hosted the aftershow for The Hills before my career started. And I think that when you work in reality TV, it kind of pulls back the curtain in a way that doesn’t necessarily make you want to watch more of it. So this was the first reality show that I had watched for a really long time.

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Dominic Cummings gag voted Christmas cracker joke of the year

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Gag about former No 10 adviser tops TV channel Gold’s top 10 list of seasonal gags

Moments of light relief have been hard to come by this year but the annual ranking of topical Christmas cracker jokes provides some, with the top spot taken by one that has a punchline featuring a Chris Rea song and Dominic Cummings.

The TV channel Gold’s eighth annual ranking, which is chosen by a panel chaired by the comedy critic Bruce Dessau, was put to 2,000 voters who chose: “What is Dominic Cummings’ favourite Christmas song? Driving Home for Christmas”, as the best cracker joke this year.

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Richard Curtis on Four Weddings: ‘I don’t know how fully I thought through Andie MacDowell’s character’

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The film has topped a poll for the most rewatchable film. Its director, Mike Newell, sees why. So why would Curtis, who wrote the script, rather rewatch Elf?

Richard Curtis rarely rewatches Four Weddings and a Funeral. “There isn’t a natural circumstance where I say: ‘I’ll tell you what I’ll do for the next two hours, see one of my films.’” Partly, it is knowing the punchlines. Partly, it is being a bit busy. On the wall of Curtis’s Notting Hill home office (stucco fireplace, neon art, whopping clock), just out of frame of his laptop camera, are six Post-it reminders of pre-Christmas tasks. Wrap presents? Make pud? Nope: rewrite a film, cast an online panto, appoint a new CEO for Comic Relief. Et cetera.

Anyway, for those of us a bit less pressed, things are different. Four Weddings – in which Hugh Grant’s stuttering bachelor, in a series of morning suits, woos Andie MacDowell – was the runaway winner in a new, slightly strange poll to find Britain’s most rewatchable movie. In a list of 50 films co-curated by the British Film Institute and Google Pixel, the tale of Charles and Carrie took 49% of the votes, with Skyfall on 37% and Harry Potter and the Prisoner of Azkaban on 33%.

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Hugh Grant’s Undoing: how romcom leading men embraced the dark side

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No more Mr Nice Guys! With his role in the HBO miniseries, Grant – like Richard Gere and Vince Vaughn – has swapped charm for smarm, reflecting a changing society

Hugh Grant made his name in the 90s as a squeaky-clean charmer, but anyone who has been keeping tabs on his career will not have been surprised to see him show up in the HBO miniseries The Undoing as an unhinged philanderer, attacking a man with his bare teeth in a prison-yard brawl. For a while now, the actor who used to warm our hearts has been doing his best to chill our blood. And he has been doing it pretty well: as a scheming politician in A Very English Scandal, as a scheming investigator in The Gentlemen and, best of all, as a scheming theatre impresario in Paddington 2. As mid-career renewals go, Grant’s has been one of the best and The Undoing, six hours of top-notch trash that wraps up tonight, has made the most of its newly depraved star.

The reinvention of the romantic lead is hardly a new phenomenon – it is more than 75 years since Murder, My Sweet turned Dick Powell from a fresh-faced musical star to a whisky-addled noir antihero, but in recent years it has become an especially popular trope. Richard Gere, who, like Grant, found screen stardom by flirting faux-modestly with flattered young ladies, has lately gone to great pains to show off his ugly side. He forged a career from playing wealthy, winsome suitors, but his recent turns as a hedge-fund magnate (Arbitrage), a moneyed philanthropist (The Benefactor), a high-flying politician (The Dinner) and a Murdoch-esque media mogul (MotherFatherSon) have all helped to flip the twinkly-eyed archetype on its head. Gere’s message is clear: I’m not the white knight you all thought I was.

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‘He was a radical’: John Belushi remembered by his wife and fellow comics

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The gruesome decline and drugs-related death of the comedy icon has overshadowed his legacy, says his widow Judy, who welcomes a new film showing him as a sensitive star full of doubts

Can you disentangle the life of John Belushi from his tragic death? Has he left a comic legacy – or just a template for living fast and dying young? On the one hand, he spearheaded the pioneering comedy show Saturday Night Live, still running 45 years later, becoming its first breakout star with smash-hit movies Animal House and The Blues Brothers. The poster for the latter has been a fixture on teenagers’ bedroom walls ever since. But is that down to Belushi’s comedy – or because he was dead within two years of the film’s release, a victim of drug addiction and the pressures of extreme success?

This week sees the release of a Showtime documentary, Belushi, made by the team behind the Emmy-nominated Brando documentary Listen to Me, Marlon. It’s the first telling of Belushi’s story, says his widow Judy Belushi Pisano, to apportion “even-handed” attention to her husband’s life and death. Pisano has always regretted how Bob Woodward’s 1984 book Wired, a fix-by-fix account of the star’s gruesome decline, came to define her husband’s memory. “Had John died in his sleep,” she says, speaking to me by phone, “we would view his life much differently. We really would.”

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Sarah Cooper: ‘Trump has bigger fish to fry than me’

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Lockdown videos of Sarah Cooper lip-syncing Donald Trump made her a Twitter sensation. Now the comedian is working with the likes of Helen Mirren and Whoopi Goldberg. She reveals how she ditched Silicon Valley to follow her dreams

You might think the only sort of person who gets famous on TikTok is a teenager caked in bronzing makeup busting out robotic dance moves, not a middle-aged married woman with an economics degree, despairing at her government. But 2020 has brought many surprises, and Sarah Cooper is perhaps the most unlikely of all of them: an American comedian who has appeared out of nowhere and made millions of us actually want to listen to Donald Trump. That is, as long as his voice is coming out of her mouth, in the videos where she lip-syncs and mimes along to his rambling speeches.

“I hate him so much,” she says, smiling calmly as she talks to me over video from New York, where she lives, “but he has provided my greatest material.” Such as the time he imagined, out loud, all the lovely health benefits that might come from imbibing disinfectant. Cooper turns her despair into hilarity when she moves her mouth in perfect timing to his words while looking exactly like herself: a black woman who has never voted Republican in her life.

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Home Alone at 30: how the unlikely Christmas comedy has endured

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No one could have predicted that a simple family film would have been such a box office smash in 1990 or that it would remain a favorite decades after

To the news of Disney’s plans to produce a remake of holiday classic Home Alone, director of the genuine article Chris Columbus had words sharper than a toy car on a bare foot. “It’s a waste of time, as far as I’m concerned,” Columbus said in a recent interview with Insider commemorating the 30th anniversary of the film’s release. “What’s the point? I’m a firm believer that you don’t remake films that have had the longevity of Home Alone. You’re not going to create lightning in a bottle again. It’s just not going to happen.”

Related: My favourite Christmas film: Home Alone

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Lucky Grandma review – gambling granny goes on fun knockabout caper

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Former Bond girl Tsai Chin confounds expectations brilliantly as an older woman who gets mixed up with the Chinese mafia

Sentimentalising, patronising and generally disrespecting our elders is by now enough of a movie trope that any title including the words “grandma” or “grandpa” causes an involuntary shudder. That Lucky Grandma isn’t one of those films is mostly down to its star, Tsai Chin, whose many attributes include the ability to conduct full conversations with a lit cigarette suspended from her bottom lip. One look at Grandma’s stern face tells us she did not come to play.

Related: Tsai Chin: 'What was it like being in bed with Sean Connery? Fine'

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Rocky Horror’s Richard O’Brien: ‘I should be dead. I’ve had an excessive lifestyle’

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The creator of the cult show is not going quietly into his 70s. He talks about coming out as trans, going ‘loopy’ on crack – and speaking in tongues after suffering a stroke

Richard O’Brien is 78, but his toothpick body and lightbulb head have always lent him a certain agelessness. A few months ago, however, the rakish Rocky Horror Show creator, Crystal Maze presenter and transgender parent-of-three received a stark reminder of his advancing years.

He was pottering around at home in New Zealand when he suddenly found himself lying on the floor. “I didn’t register that something was desperately wrong,” he says, speaking from the house he shares with his third wife, Sabrina, 10 miles outside of Katikati. “I just thought: ‘I wonder why I can’t get up.’” Struggling to his feet, he attempted to make a drink, only to discover he couldn’t put the top back on the milk. “I was in a dream-like state. Finally, I gave up with the milk, went to go back to the bedroom, slid down the wall and started speaking in tongues. That’s when Sabrina called the ambulance.”

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Pitt! Aniston! Roberts! Freeman! Was this the starriest Zoom ever?

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A live-reading of 80s teen comedy Fast Times at Ridgemont High brought together an array of big names with a surprising standout

It can feel rather unsporting to turn a critical eye on the live-read fundraisers that have been cropping up since the Covid-19 pandemic banished all celebrities to their handsomely appointed homes. A guy’s got to be one of the world’s wetter blankets to dump on a charity event that aspires to little more than fostering a loose, convivial environment in which we can join famous friends as they have a good time. Fortunately, last night’s stripped-down Zoom read-through of the script for Fast Times at Ridgemont High – a special event put together by Dane Cook’s “Feeling A-Live” benefit series, with an introduction from Los Angeles Mayor Eric Garcetti explaining the good work of foundations CORE and Reform Alliance – didn’t give too much cause for harshing anyone’s buzz.

Related: 30 Rock: is the quarantine reunion worth the wait?

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