‘A symbolic moment’: Harry and Meghan’s Oprah interview marks turning point

The conversation, expected to draw millions of viewers, could mark the transition from royalty to Hollywood elite

It may be an American coronation of sorts.

When Oprah Winfrey’s highly anticipated and potentially explosive interview with the Duke and Duchess of Sussex airs in its primetime spot on Sunday evening, millions across the US are expected to watch. It will be the couple’s first interview since since stepping back from their royal duties in early 2020, but it could also mark the moment that the Sussexes evolve from British royalty to Hollywood elite.

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Kelly Macdonald: ‘I’m beyond sex scenes now. I just play detectives’

She shot to fame in Trainspotting, and has starred in Gosford Park, Boardwalk Empire and even as a Disney princess. So why did the Scottish actor panic about her new role in Line Of Duty?

Kelly Macdonald’s roles are typically quiet, fraught with internal conflict and entailing journeys that are more reflective than active. As a grieving mother in The Child In Time, a gangster’s wife in Boardwalk Empire and the titular role in The Girl In The Cafe, the 45-year-old has, over the last 25 years, become known for the kind of thoughtful performances signified by the image of a woman staring out of a window. All of which makes our encounter today doubly surprising; that Macdonald, appearing via Zoom from her home in Glasgow, is here to talk about Line Of Duty, possibly the least reflective TV show ever made. And that she is a complete hoot.

Her role in Line Of Duty has, over the course of the show’s six seasons, become a coveted one in British telly – that of the guest star brought on as a no-good cop to be investigated by AC-12, the show’s now iconic anti-corruption unit. (Previous incumbents in the just-how-bent-is-she role include Keeley Hawes and Thandie Newton.) Line Of Duty’s twists are legendary, and the embargos fierce, and, following the rollercoaster of season five – in which we grappled, briefly, with the possibility that Supt Hastings (Adrian Dunbar) himself was bent – we meet Macdonald in season six as DCI Jo Davidson, getting stuck into a case. And that is pretty much all, ahead of transmission, the BBC will permit either of us to reveal, which makes Macdonald crack up every time she thinks of it. “It’s hilarious that they sent me a list of things I’m not to talk about, when I can’t remember any of it.”

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Poly Styrene’s inspiring sensitivity should be the true legacy of punk

Mixed race, with braces on her teeth, Poly broke the mould of UK punk. A new documentary explores her struggle to find meaning in the Day-Glo chaos of modern life

The moment I heard that Marianne Elliott-Said, AKA Poly Styrene, had died, I was at band practice. We put on X-Ray Spex and jumped around, screaming along to Identity, Oh Bondage Up Yours! and Germ Free Adolescents. On that day in 2011 we lost one of punk’s greatest heroes and one of the few who really looked and sounded like me. She broke the mould of UK punk stereotypes. She was brown, chubby, weirdly dressed and had braces on her teeth. Even in an era when quirky, abrasive style was all the rage, she stood out.

Poly Styrene embraced this. She played with the attention her weirdness attracted, making a cartoon of herself. To be an artist is often to feel like a shiny trinket – hip and trendy one moment and disposable the next – and Poly had a fascination with all things garish and throwaway. She knew that through selling her art, she herself would inevitably become the product. Consumer culture overwhelmed and horrified her at times but she poured those thoughts and feelings into surrealist, confrontational art and music.

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‘They become dangerous tools’: the dark side of personality tests

In the documentary Persona: The Dark Truth Behind Personality Tests, the discriminatory nature of a widely used tool is put under the microscope

Scrolling dating apps in 2015, Tim Travers Hawkins didn’t know who his type was. He didn’t even know what a type was. Hawkins, a British film-maker then new to New York, “noticed something that was very different to people’s profiles in the UK and that was the use of these four letters,” he said to the Guardian. Curious, he looked it up. “I was like, ‘Huh, that’s different’.”

Related: 'We're all part of the story': behind Will Smith's 14th amendment docuseries

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Allen v Farrow is pure PR. Why else would it omit so much?

The new HBO documentary in which Mia and Dylan Farrow revisit their 1992 allegation against Woody Allen claims to be an even-handed investigation. But its failure to present the facts makes it feel more like activism

“HBO Doc About Woody Allen & Mia Farrow Ignores Mia’s 3 Dead Kids, Her Child Molester Brother, Other Family Tragedies” was the headline on one US showbiz site, above its review of the four-part documentary, Allen v Farrow, about the continuing battle between Woody Allen and Mia Farrow, now entering its fourth decade. But this review was very much an outlier. In the vast main, reaction to the strongly anti-Allen series has been overwhelmingly positive, with Buzzfeed describing it as a “nuanced reckoning” and Entertainment Weekly comparing it to the recent documentaries about Michael Jackson and Jeffrey Epstein. This reaction is more of a reflection of the public’s feelings towards Allen – particularly in the US – than of the documentary, which sets itself up as an investigation but much more resembles PR, as biased and partial as a political candidate’s advert vilifying an opponent in election season.

Related: Allen v Farrow review – effective docuseries on allegations of abuse

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Galician noir: how a rainy corner of Spain spawned a new TV genre

Spanish dramas such as Money Heist have been taking the world by storm in recent years. But why are film-makers now flooding to the country’s north-west to make their shows?

Rosa Vargas’s arrival in a small town in north-western Spain to investigate the disappearance of a young girl marked an unlikely milestone. Vargas is the fictional police detective in O sabor das margaridas (Bitter Daisies), which, in 2019 became the first series in Galician, a language spoken by fewer than 2.5 million people, to be broadcast by Netflix. The series became one of the top 10 most-watched non-English language shows in the UK and Ireland just a month after its international release.

A decade after Nordic noir captured the attention of international TV audiences, a TV genre some are calling “Galician noir” is emerging from the rainy corner of Spain. HBO made its debut in the Galician language last year with a Spanish-Portuguese miniseries Auga seca (Dry Water), a murder mystery set in the port city of Vigo, and was soon followed by the Galician-produced police thriller La unidad (The Unit) on the Spanish subscription platform Movistar+. More recently, El desorden que dejas (The Mess You Leave Behind), based on a novel by the screenwriter Carlos Montero, premiered on Netflix in December.

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Golden Globes 2021: Nomadland and The Crown major winners

Netflix royal drama and Chloe Zhao were toast of the night amid technical difficulties and against background of diversity issues

With spotty wifi, lagging sound and Zoom chaos, the 78th Golden Globes was a half-virtual ceremony once again dominated by British stars but marred by technical difficulties and renewed scrutiny on the awards’ lack of diversity.

Related: The full list of Golden Globes 2021 winners

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Other TV is available: did Netflix sweep the Golden Globes by default?

The absence of I May Destroy You was the most memorable part of the small-screen awards, where voters had seemingly binged the biggest streaming hits – and little else

It has always been hard to care about the Golden Globes, and God knows that it’s difficult to rouse the enthusiasm to care about anything one year into a pandemic. So, in truth, last night’s special pandemic edition of the Golden Globes – an entertainment awards show made in a year when most entertainment has either been cancelled or postponed – barely even deserves acknowledgment.

In fact, if last night’s show will be remembered for anything at all – which in all honesty seems like a stretch – then it will be the swirl of controversy that engulfed its nominations. In summary: when its shortlists were announced, the best TV show of the year (I May Destroy You) was nowhere to be seen. But the worst TV show of the year (Emily in Paris) was. It’s also worth noting that many lavish treats were gifted to voters by the production a year ago. All that, plus it was just revealed that not a single black person participated in the voting process.

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Judge Judy: ‘Are my feelings PC and kumbaya? No. They are realistic’

Her TV show has been No 1 in the US since 1998, but many have criticised her approach to justice. As she hangs up her gavel after 25 years, she discusses wealth, success and repentance

Order, order. Court is in session, Judge Judith Sheindlin presiding, and while you are here you will follow her rules.

Don’t throw paper on the floor. Hang on to your gum wrapper until you get to a bin. Don’t befoul your community. Try not to scratch other people’s cars and, if you do, leave your details on the windscreen. Don’t tell lies. Confront your problems and try to solve them.

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Oprah with Meghan and Harry: masterstroke or disaster?

The Sussexes are the latest in a line of celebrities to try to rebuild their image by talking to the chatshow queen

You could have forgiven the British royal family for giving primetime, tell-all interviews a wide berth for the foreseeable. The evisceration of Prince Andrew by the BBC’s Emily Maitlis in 2019 managed to achieve the near-impossible: making the Duke of York appear more dubious and less sympathetic.

But if we have learned one thing about the Sussexes, Harry and Meghan, it’s that they are intent on doing pretty much the opposite of what the other royals want them to do. So next Sunday, 7 March, a 90-minute special, Oprah with Meghan and Harry, will air on the US network CBS. There is also understood to be a bidding war between UK broadcasters – though not the BBC – for the interview, which, it is promised, will be “intimate” and “wide-ranging”.

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It’s time to face up to colourism | Candice Brathwaite

As I grew up, the majority of black women I saw on TV were fair skinned. Those who looked like me were never cast as the lead

I’ve been building a profile as a writer and broadcaster long enough to know that there will be public storms. Some creep up on you, others you sense brewing, and some have been lingering in the background for a lifetime.

A couple of weeks ago, I posted on social media about having “lost out” on hosting a documentary to a lighter-skinned black woman. The subject of the documentary was maternal mortality in the UK, and the harrowing fact that black women are five times more likely to die in childbirth than white women. This is something I have campaigned on for several years, wrote about in my book I Am Not Your Baby Mother and experienced first-hand when I almost died a few days after the birth of my first child in 2013.

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Frasier returns: Kelsey Grammer’s comeback is loaded with risk

Can Grammer successfully reprise his role in the classic comedy as fastidious radio psychiatrist Dr Frasier Crane?

Already standing high in the tiny line of spinoff shows that at least equal the longevity and legend of the parent, Frasier (NBC, 1993-2004) – born out of Cheers (NBC, 1982-93) – will aim for a place on an even emptier plinth: classic series successfully revived after a long gap.

Arrested Development in the US, and Birds of a Feather and Open All Hours in the UK, have managed such a comeback, but those shows did not have the status of Frasier. To dust off the fastidious Seattle-based radio psychiatrist played by Kelsey Grammer entails something like the degree of risk in going back to Fawlty Towers, which its creator, John Cleese, has perhaps wisely always refused to do.

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Kelsey Grammer to return as Frasier in reboot of hit comedy

Actor is ‘gleefully anticipating’ the return of the comedy, which is being rebooted after 17 years

The hit 90s TV comedy Frasier, starring Kelsey Grammer as a snobbish radio advice-show host, is to return to television nearly two decades after it last aired. Grammer said he would reprise his role in a revival of the series, which ran for 263 episodes between 1993 and 2004.

Frasier, a spin-off of the TV series Cheers, was one of the most successful shows of the 90s and 00s, winning five consecutive Emmy awards for outstanding comedy series and running for 11 seasons. The series followed Grammer’s character, who returns to Seattle to care for his elderly father, with his pretentious psychiatrist brother, Niles Crane.

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Kate Humble on walking – and how to improve it: ‘The rhythm is really good for your brain’

The TV presenter thinks our newfound love of walking will persist after lockdown. She talks about hiking around Britain’s coast, the joy of newborn lambs and the true meaning of liberation

It is a rare day that Kate Humble doesn’t get up and get outside, walking out from her farm in the Monmouthshire countryside. “I want to be outside for the first hour or two of the day: no phone, no distractions. I’m sure we all wake up with a million things going on in our heads, all these disjointed thoughts, worries and anxieties. For me, that part of the day, when all I have to think about is one foot going in front of the other and not falling over, creates a headspace that allows all my thoughts to settle in a way that feels much more manageable.”

Humble is a walker – she wrote a 2018 book on the subject, and is presenting a new TV series on it – but the last year has turned many of us into walkers, too. Whether for exercise, to break the monotony or to snatch the chance to walk and talk with a friend, for those of us lucky enough to be physically able and safe to venture beyond the front door, a stroll has become a highlight of the day. “We’re scrabbling to find positives of this situation, and I think one is that it has turned our focus back on to what’s on our doorsteps, whether it’s the wildlife in our gardens, or the beauty of our urban parks,” says Humble. As an ambassador for Living Streets, the charity that campaigns for a better walking environment in towns and cities, Humble hopes the pandemic may speed up the shift away from car-dominated urban spaces. With fewer cars on the road, “I think people have realised that walking is often quicker, healthier, just generally a nicer way of getting around.”

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The Simpsons’ Dr Hibbert: Harry Shearer replaced by black actor Kevin Michael Richardson

After more than 30 years in the role, Shearer’s replacement reflects show’s commitment to no longer have white actors voicing black characters

After more than 30 years playing Dr Julius Hibbert on The Simpsons, Harry Shearer will be replaced by voice actor Kevin Michael Richardson – seven months after the show’s producers committed to no longer have white actors voicing black characters.

On Monday, Fox confirmed the episode that aired last night in the United States, Dairy Queen, would be Shearer’s last as Hibbert. From Sunday, the doctor will be played by Richardson instead. Shearer will continue voicing his other characters, which include Mr Burns, Smithers, Principal Skinner, Ned Flanders and Reverend Lovejoy.

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Woody Allen denies claims in Allen v Farrow HBO documentary

The film-maker and wife Soon-Yi Previn claim film is ‘hatchet job riddled with falsehoods’ on abuse allegations

Woody Allen has rebutted renewed allegations, in the HBO documentary Allen v Farrow, that he sexually assaulted his daughter Dylan in 1992, calling the series “a hatchet job riddled with falsehoods”.

In a statement to the Hollywood Reporter, Allen and his wife, Soon-Yi Previn, said that film-makers Amy Ziering and Kirby Dick had “spent years surreptitiously collaborating with the Farrows and their enablers to put together a hatchet job riddled with falsehoods”.

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I wish I knew how to quit You: our writers’ favourite TV hate-watches

Which shows are so bad they’re addictive? From You, to Made in Chelsea and the hideously self-unaware The Newsroom

It’s rare for a show with so few redeeming features to become a hit, and yet Netflix’s You has done just that, with tens of millions of viewers following the disturbing exploits of Penn Badgley’s holier-than-thou-drifter, and the beautiful female objects of his obsession. Joe Goldberg is a Nice Guy, so nice in fact that he owns a huge glass cage in which he traps anyone who stands in between him and his sociopathic whims. He worms his way into the life of his first victim, Beck, by stalking her on social media. It’s the kind of plot that could, in a more serious production, scare viewers into not diarising their movements on Instagram, but – told from Joe’s perspective – becomes something more akin to a Joker-esque incel manifesto.

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‘People want imperfection’: Hiam Abbass on Succession, Ramy and playing complex women

She is enigmatic Marcia Roy in Succession, but as the Egyptian-American mother in the award-winning Ramy, she’s a hoot. The Palestinian actor examines her many-layered roles

You would be hard pressed to find two TV characters in 2021 with less in common than Marcia Roy and Maysa Hassan. The former is the enigmatic, sophisticated wife of billionaire patriarch Logan Roy in the HBO hit Succession. While the series is dominated by huge personalities, she is a mysterious presence – albeit one who is despised by Logan’s children. The latter, on the other hand, is an open book – the unfiltered, sometimes offensively so, Egyptian-American mother of the title character in the Golden Globe-winning comedy Ramy.

But they are played by the same actor, Hiam Abbass, whose ability to switch from calamity to calm speaks to a varied career across theatre, cinema and, latterly, award-winning television series. Though she has lived in Paris since the late 80s, the Palestinian actor was born in Nazareth, Israel, and started her career with the then-burgeoning Palestinian National Theatre, El-Hakawati. Though the company toured Europe, it was far from an easy existence back at home. “The Israeli authorities didn’t like all of the activities happening at our theatre,” explains Abbass, a warm presence who is fluent in English, Arabic, French and Hebrew. “They would come in and close it down. Part of my work there was dealing with how, politically, we could stay open. Travelling to Europe opened my eyes a little to the possibility of breathing some different air. It was hard to work all the time to justify your being.”

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Bear Grylls: ‘There’s no point getting to the summit if you’re an arsehole’

The TV adventurer talks near-death experiences, what he learned from Eton and why he decided to go public about his religious faith

“The ninjas of the future,” says Bear Grylls, “are going to be those who can learn how to navigate the fear. It’s like a firefight. You can’t move backwards. You’ve got to move towards it, you know?” Not really. But I’ve never been in a firefight. And if I saw one, I doubt I’d move towards it. Like most people, I’ve been raised in mimsy, risk-averse Britain. Few of us have acquired the wild wisdom of Edward Michael “Bear” Grylls OBE. Unlike the 46-year-old TV adventurer, we have never simmered a sheep’s eyeball in geyser water, paused on Everest to reflect on the corpse of a late friend, wrestled snakes, outrun lions, or broken our backs parachuting. Rather, we’ve been raised in a land where a PE lesson can consist of Tudor-dancing.

Grylls wants to change all that. He wants kids to embrace fear and risk. “If you meet somebody who says they don’t have fear, it means one of two things: one, they’re not telling the truth; or two, they’re not going for anything big enough in their life. What I’ve learned through many trips and many failures is that you have got to move towards the difficult stuff. And the irony is that the things we fear most often dissipate.”

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Bachelor host Chris Harrison steps aside amid racism row

Harrison, who defended contestant who attended ‘old south’ party, says he is ‘deeply remorseful … [for] excusing historical racism’

Chris Harrison, the host of the hit reality series The Bachelor, said on Saturday he was “stepping aside” from ABC’s hit franchise for a “period of time”, following comments in defense of a current contestant caught up in a racism storm.

The contestant, Rachael Kirkconnell, appears to have liked social media posts featuring the Confederate flag while photos have also emerged purportedly showing her at an “old south”-themed college party several years ago, according to reports.

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