Rafe Spall: ‘Madonna came up and started grinding me. A circle formed’

For all the standing ovations, Hollywood roles and parties with stars, nothing beats the rough and tumble of real life for actor Rafe Spall

The play was going well. It was going very well, a Broadway production of Pinter’s Betrayal, starring Daniel Craig and Rachel Weisz as a married couple and Rafe Spall as her lover – the last thing Mike Nichols directed before he died. It was a hit; so much so that one night Madonna invited the cast round for dinner. “So I went to dinner,” says Spall.

He is telling the story with relish, leaning into his laptop camera as if we’re slightly pissed on a Sunday and our families have drifted off to watch telly. “And Madonna was dressed as Madonna, a gold grill and fingerless gloves. I was feeling quite confident, because I’ve just done the show and I was like, I’m going to pretend to Madonna that I’m not scared of her.” After dinner the tables were pushed to the side to make a dancefloor, “and Lourdes is on the iPad playing tunes. So I started dancing and Madonna came up and started, well… grinding me. Very close. I suppose ‘dutty wining’ would be the phrase? My wife was there… [actor Elize du Toit, they’ve been married since 2010, three kids, recently moved from London to Stroud] And she looked at me like, ‘The fuck?’ My torso was pouring with sweat. And in my mind I was saying, don’t back down. So I looked her in the eye and said to myself, ‘Yeah, this is me.’” Soon after, a dance circle formed. “With Madonna on a literal throne. And all of the dancers from her tour were in a circle around her. And she said, ‘Rafe, get in the circle!’ So I was like, ‘Don’t back down, this is you.’ So I got in the middle of the circle of Madonna and the best dancers in the world. And I danced in there for three minutes.”

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‘It’s currently 1991’: why old Top of the Pops reruns continue to enchant

Fifteen years after it was axed, the iconic show is drawing in nostalgia junkies by offering eclectic music, dodgy lip-syncing ... and lockdown escapism

For many of us, it was the soundtrack to our childhood. The opening riff of Led Zeppelin’s Whole Lotta Love still inspires an atavistic excitement in full-grown adults decades on. On Thursday – and later Friday – evenings, warbling singers and preening boybands would be beamed into homes across the nation as we waited to see which artist would take that week’s coveted No 1 spot. But in 2006, after years of falling ratings, Top of the Pops was cancelled. As music and TV streaming fractured our collective viewing habits, the singles chart started to feel like an irrelevance and, therefore, so did TOTP.

Related: In sync: how the mime-ban stripped Top of the Pops of its charm

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‘Sexual predator’: actor Noel Clarke accused of groping, harassment and bullying by 20 women

  • Actor-producer categorically denies allegations from all 20 women
  • Bafta suspends outstanding contribution award and actor’s membership
  • Alleged misconduct including claims he secretly filmed naked audition
  • Doctor Who and Kidulthood star allegedly showed colleagues sexually explicit photos and videos of women

When Noel Clarke appeared on stage at the Royal Albert Hall on 10 April to collect his Bafta, the typically self-assured actor looked a little on edge. Viewers might have concluded that Clarke was simply overwhelmed: he was clutching one of the most prestigious accolades bestowed by the British Academy of Film and Television Arts, the prize for Outstanding British Contribution to Cinema.

Yet there were other reasons why Clarke – and Bafta – may have felt preoccupied.

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Why stars should think twice before calling out their critics

From Lizzo to Lana Del Rey, celebrities have taken umbrage with reviews online. But arguing with journalists only warps the public’s view of the media, and puts writers under siege

In 2018, while working as a freelance writer, I travelled three hours outside of London on a train, and then a coach, to review a music festival. I camped in the cold and the rain, waking up at 8am each morning to make sure I didn’t miss anything. When I got home, I filed what I thought was a generous review. I did not expect the organiser and the founder of the festival to find me on Twitter to tell me that I clearly hadn’t attended, or that my three-star review was full of lies. They were hurt that I hadn’t given it five stars. I was hurt that my hard work – complete with blood blisters, swollen glands and glitter that took two weeks to wash out of my hair – was now seen as a declaration of war.

As an editor and sometime critic specialising in pop culture, differing perceptions are par for the course. I find it skull-crushingly boring to see the same TV show or album receive near-identical reviews across the board, or read identikit reviews of the same film. I inhale people’s opinions – the good and the bad, the funny and the touching, the flippant and the problematic – and exhale them. I don’t internalise them. I don’t agree with a lot of what I read, but I take something from it: someone else’s views. I go to certain people because I know, nine times out of 10, we think very, very differently (here’s looking at you, Camilla Long). Reviews can serve as a guide but they are also an artform in their own right. They entertain, inform and challenge readers. The writer AO Scott described criticism in his 2016 book Better Living Through Criticism as “art’s late-born twin”.

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‘Beyond Fleabag’: fresh female genius lights up this year’s Bafta TV nominations

With daring shows such as I May Destroy You and I Hate Suzie, there’s much to celebrate. But ITV will rightly feel aggrieved as Quiz and Des miss out

The good news is that the 2021 British Academy television awards recognise – as these trophies have not always done – glittering fresh genius where it appears.

Two daringly written and visualised dramas with first-person titles that include an aggressive verb – the BBC’s I May Destroy You and Sky Atlantic’s I Hate Suzie – receive eight and five nominations respectively. Each is driven by an exceptional creative talent in, respectively, Michaela Coel and Billie Piper. Both series explore the psychology and experience of younger women in a graphic and tragi-comic detail going beyond even Fleabag, a pioneer in that direction.

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Russian man ‘trapped’ on Chinese reality TV show finally voted out after three months

Vladislav Ivanov says he regretted his decision to join Produce Camp 2021 but fans refused to vote him out

The reality TV ordeal of a Russian who joined a Chinese boy band show by accident – and made it to the final despite urging fans to vote him off – has finally ended after nearly three months.

Vladislav Ivanov, a 27-year-old from Vladivostok, was kicked out of the Produce Camp 2021 on Saturday after viewers ignored his pleas to leave and backed him all the way to the final.

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‘It’s satisfying to learn the wealthy have problems’: why is reality TV obsessed with the super-rich?

From Bling Empire to Made in Chelsea, the uberwealthy trend in TV is here to stay – and it might even be good for diversity

In the first episode of reality TV show Bling Empire, heiress Anna Shay commits to an excursion so globe-straddlingly audacious it would make Greta Thunberg weep. Los Angeles resident Anna asks a friend and her objectively awful boyfriend to go to her favourite restaurant with her – in Paris. They chart a private plane, eat their dinner and head back to LA the next day. It sets the scene for a series that luxuriates in the lives of the super-rich, and the candour, conflict and rule-breaking that such an existence affords.

Related: The Guide: Staying In – sign up for our home entertainment tips

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Graham Norton: ‘I’m always aware my mother will read the sex scenes’

The chatshow host on his new novel, his pride in appearing on RuPaul’s Drag Race and why Ireland is in a sweet spot right now

Broadcaster and author Graham Norton, 58, grew up in County Cork. He moved to London to go to drama school, before becoming a standup comedian. His TV breakthrough was in the sitcom Father Ted. His BBC chatshow began in 2007 and has won five Baftas, while his Virgin Radio show is broadcast on weekend mornings. Norton has commentated on the Eurovision song contest since 2009 and is a judge on RuPaul’s Drag Race UK. His third novel, Home Stretch, is out in paperback this week.

Home Stretch traces the fallout from a car crash. Was it based on a real-life incident?
It’s based on a whole phenomenon. Every summer in Ireland, there are these crashes of cars with too many young people in them. Sometimes, there might be drink involved, but often it’s just reckless driving and the confidence of youth. Because it’s a much smaller country, these stories make the national news and what I noticed was that often the driver survived. That was my starting point – I thought, what happens to that life? It’s hardly begun but it’s blighted by this awful tragedy.

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Joanna Lumley: ‘I love Patsy because we’re such polar opposites…’

The actor, 74, on Ab Fab, recycling, President Clinton and why you can’t be happy all the time

The nuns at convent school wore black stockings under their long habits and wimples. They were part of the Blue Stockings teaching community, and more concerned with turning us into interesting, strong women than anything holy.

We followed my father’s regiment in the Gurkhas from India to Hong Kong and Malaysia. My memories are of a bungalow that looked out over a little air strip where biplanes would land and the spotlight from a prison camp that flicked through my bedroom windows.

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‘The butt of all jokes’: why TV needs to ditch stale immigrant stories

The lead character in United States of Al is a bumbling, one-dimensional cliche whose sole purpose is helping his white peers. How sad that shows like this still get made

It feels sad, amid a wave of such positive, nuanced, complex depictions of immigrants on TV, that United States of Al had to launch this month in the US.

“How do you say: ‘We’re so happy to see you’ in … what language do they speak in Afghanistan? Afghanistanish?” is the first line of the new show, about an American war veteran whose Afghan friend, Al, comes to live with him in the US.

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‘Let yourself be quirky’: Oprah Winfrey’s life coach on how to be much happier

Martha Beck survived abuse, went to Harvard, left her husband – then began working with the world’s biggest TV star. She discusses self-help, nonconformity and the power of truth

“This has almost been like a global meditation. What isn’t working in your life rises to the surface. Going back to the way it was? It’s not going to happen.” Martha Beck – the bestselling author and Harvard-trained sociologist known as “Oprah Winfrey’s life coach” – is talking about responses to the pandemic.

“Every act of creation begins with the destruction of the status quo,” she continues. “It looks like chaos. But, really, it’s a freedom from the tyranny of ‘how things have always been done’. Pascal said that most of our misery comes from the fact that we are unable to sit quietly in a room. And, by the billions over the past year, we have been forced to sit quietly in a room. Now people’s questions are coming from a much deeper place. Before, it was: ‘How do I change my life?’ Now, it’s: ‘What do I want from my life?’”

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Shadow and Bone star Jessie Mei Li: ‘Fans find out everything’

The actor is about to hit the TV big time as a girl with special powers in Netflix’s new young adult fantasy. And the internet is in a frenzy

Jessie Mei Li currently inhabits a weird stratum of celebrity. At 25 years old, her biggest screen credit to date has been a single episode of the Channel 5 docudrama Banged Up Abroad. She hasn’t worked for a year. And yet, at the same time, a growing portion of the internet has become borderline hysterical about her.

Search for her name and you’ll get the idea. There are tweets declaring things like “Jessie Mei Li you have my whole heart” and “I believe in Jessie Mei Li supremacy”. There are more than a dozen Jessie Mei Li stan accounts on Instagram – fan-based accounts dedicated to a particular celebrity – many of them shrieking their obsession in frenzied all-caps captions several times a day. Tumblr, as you might expect, is an almighty mess.

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Morrissey hits back at The Simpsons over ‘hurtful and racist’ parody episode

Manager posts critical statement on singer’s behalf after Panic on the Streets of Springfield airs

The Simpsons has earned the wrath of Morrissey after it parodied the former Smiths frontman in an episode of the show.

The singer was satirised during the episode Panic on the Streets of Springfield, which aired in the US on Sunday night. In the episode, Lisa Simpson becomes obsessed with a fictional band called the Snuffs and befriends its frontman, Quilloughby.

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Game of Thrones at 10: can a deluge of publicity preserve its legacy?

For many viewers, the final season ruined years of fandom. Enter HBO with a month of celebrations which they hope will lead to renewed interest in GoT – and its upcoming spinoffs

It’s time to crack open Cersei’s favourite Dornish wine and fill an incongruous takeaway coffee cup to the brim: Game of Thrones is 10 years old. To mark the occasion, HBO has inaugurated the Iron Anniversary, a month-long celebration honouring the grandiose but battle-scarred show based on George RR Martin’s as yet uncompleted cycle of fantasy doorstop novels. In traditional GoT fashion, there are merchandising tie-ins, from figurines to a commemorative IPA. But the main thrust of the Iron Anniversary seems to be the series itself: a ceremonial reminder that all eight seasons and 73 instalments are still available to watch on HBO Max (or Sky Atlantic/Now/Amazon Prime in the UK); the campaign announcements encourage fans to return to their favourite bloodthirsty battle episode or embark on a binge-watch “MaraThrone”.

Related: The battle of the binge: should you watch Game of Thrones in lockdown?

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That’s not all folks: why is there so much animated TV for adults?

Adult humour in cartoons was once virtually unheard of – now, animated TV is saturated with grown-up jokes

In the Guide’s weekly Solved! column, we look into a crucial pop-culture question you’ve been burning to know the answer to – and settle it, once and for all

The phrase “The Simpsons did it first” gets thrown around a lot. But Matt Groening’s sitcom about a volatile nuclear family – now 700 episodes in and recently renewed until at least 2023 – was a genuine trailblazer. In 1990, its second season premiere received more than 30 million US viewers, proving a brightly coloured animated TV series with whip-smart writing could attract mature eyeballs in primetime. If their children liked it too, all the better.

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Helen McCrory remembered: ‘She had a brightness about her. She was a star’

Richard Eyre, the National Theatre director who cast the actor in some of her earliest roles, pays tribute to her after her death

Part of the tragedy of Helen McCrory dying at such a young age, leaving a husband and two young children, is that professionally she had everything to look forward to. She had established herself as a very considerable actor in the theatre and on film and television.

She had a brightness about her, a luminosity: she was, in short, a star. She lit up a stage or a screen – you knew you were in the presence of a force of character and talent.

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Helen McCrory, star of Peaky Blinders and Harry Potter, dies aged 52

Actor was also known for her roles in the films The Queen and The Special Relationship

The actor Helen McCrory has died at the age of 52. McCrory was best known for her roles in the films The Queen and The Special Relationship and the Harry Potter franchise, and TV series including Peaky Blinders.

Her husband, fellow actor Damian Lewis, announced her death on Twitter, saying that McCrory had died “peacefully at home”. Lewis said: “I’m heartbroken to announce that after an heroic battle with cancer, the beautiful and mighty woman that is Helen McCrory has died … surrounded by a wave of love from friends and family.”

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Can any fool read the news? Tim Dowling finds out

The Autocue is loaded up to see if Jeremy Paxman was right to dismiss the art of TV newsreading

The words keep rising, white against a dark blue background, and I keep saying them, occasionally mispronouncing them. All the while I am conscious of the fact that somewhere behind the words there is a camera. Very soon I lose all sense of what I’m saying. I’m just reading on for dear life.

In March, Jeremy Paxman dismissed the art of newsreading as “an occupation for an articulated suit”, claiming that “any fool” could read an Autocue. Last week, the BBC presenter Reeta Chakrabarti took him to task. “I’ve written a lot of what I’m reading out,” she told the Radio Times. “Those aren’t someone else’s words.”

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‘I miss the English bants’: Parminder Nagra on ER, Bend It Like Beckham and new sci-fi Intergalactic

She went from Leicester to Los Angeles – and is now bound for outer space. But Intergalactic, which was filmed in Manchester, has made the British star want to return home

I can’t tell if the pained expression on Parminder Nagra’s face is because of the bad Zoom connection or the words I can’t help blurting out the moment she appears on my screen. She’s sitting at a table in her home in Los Angeles, the California sun streaming through sash windows into a sitting room dotted with keepsakes from her many films, and all I can think to say is: “I can’t believe I’m talking to Jess from Bend It Like Beckham! I loved that film!”

We’re meant to be discussing the actor’s new role in Intergalactic, a dystopian sci-fi drama about a group of female high-security prisoners who hijack a spaceship and set off in pursuit of freedom. But instead we’re discussing the role Nagra took on almost 20 years ago, playing Jess, a teenager who discovers herself on the football pitch, while navigating her Indian heritage and British life. Is it annoying that people still talk about Bend It? “No,” says Nagra, “because it’s such a huge part of my life. I’ve just gotten older. I keep thinking people are going to think I still look the same, when I don’t. But I’m still proud of the film. It’s probably what I’m most recognised for.”

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Neighbours: more actors come forward with allegations of racist slurs and discrimination on set

Exclusive: Sharon Johal left the Australian soap last month but says she endured a ‘painful’ four years, alleging ‘direct, indirect and casual racism’ from fellow cast members

One of Neighbours’ longstanding cast members has claimed she endured “direct, indirect and casual racism” on set, including racial slurs and mockery, saying the past four years starring in the long-running Australian soapie were “painful and problematic”.

In a detailed 1,500 word statement provided to Guardian Australia, Sharon Johal said she tried to “deny, bury and ultimately survive” racist taunts allegedly from some of her colleagues. She also claimed that the television show’s production company, Fremantle Media, failed to take any effective action to rein in the alleged behaviour and left her feeling powerless, isolated and marginalised.

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