David Attenborough: ‘The Earth and its oceans are finite. We need to show mutual restraint’

At 94, what has the world’s most-travelled naturalist learned? He talks garden birds in lockdown, the eerie silence of Chernobyl – and tackling the climate crisis

Before the stay-at-home orders of 2020 kept him in one place for months on end, David Attenborough had never sat in his garden and listened to the birds. Not properly, he says, not determinedly “swotting up with a notebook and keeping a bird list”. The foremost figure in natural-world broadcasting (so admired by naturalists around the planet, he has three types of plant as well as a spider, snail, grasshopper, frog, lizard, marsupial lion and shark-like fish named after him) hardly paid attention to the wildlife on his doorstep until lockdown forced his hand. From spring through to autumn, he says, he sat outside with a pencil and made a determined effort to identify every species he could hear. Blackbirds. Thrushes. Jays. Blue tits and great tits. Swifts.

“Actually, I couldn’t really hear the swifts,” the 94-year-old admits. Something to do with their pitch, and his failing ears. “My hearing,” Attenborough growls, using the breathy, mournful voice that often accompanies footage of an ageing alpha getting supplanted by a younger fitter animal, “is not what it was.”

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Barbara Windsor, star of Carry On films and EastEnders, dies at 83

Husband says ‘final weeks were typical of how she lived her life. Full of humour, drama and a fighting spirit until the end’

Dame Barbara Windsor, best known for her roles in EastEnders and the Carry On films, has died aged 83, her husband Scott Mitchell has said.

Mitchell said in a statement: “It is with deep sadness that I can confirm that my darling wife Barbara passed away at 8.35pm on Thursday 10 December at a London care home.

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‘Boys can be fairies – it’s the 21st century’: How Fate: The Winx Saga finds the reality in fantasy

The writer and star of the new Netflix series explain the myriad challenges of turning a manga-style kids’ cartoon into a live-action teen drama

How do you make teen TV magic? You call Brian Young. The writer cut his teeth on The Vampire Diaries, a supernatural teen drama that emerged from the Twilight era of sexy-horror fandoms, but it soon established its own identity, resulting in a successful eight seasons. So, when Netflix wanted to turn Winx Club – the hit Italian cartoon about fairies – into a live-action fantasy series for young adults, they recruited Young.

To him, the challenge of re-imagining the Winx world for a more mature audience was clear: “Tone. It’s trying to figure out how we ground this show in real character moments, things that any audience member would relate to. And this is coming from a massive fantasy fan – I had my Dungeons & Dragons character when I was a kid – but it is very easy to spiral off into absurdity with stuff like this.”

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Craig Revel Horwood: ‘I’m a baddie in panto but on Strictly I’m just being honest’

The Strictly Come Dancing judge reveals which contestant surprised him the most and why he’s looking forward to getting booed twice a day in Robin Hood

You’re a panto regular – what do you enjoy most about it?
I love live theatre – it’s where I started my career back home in Australia and I got into it as soon as I arrived in the UK. As much as I love my screen career, you simply can’t beat helping an audience to suspend their disbelief for a few hours and enjoy a shared experience live and in real time. While we all take it seriously and it’s hard work, panto is fun, festive and lets me show audiences what I can do when I’m not sitting behind my Strictly desk.

Panto has never fully been exported to Australia. When did you first see one?
The first ever pantomime I was in! Our producers, Qdos Entertainment, once called offering me the job of directing one of their productions, but due to filming commitments I couldn’t make it work. They called back five minutes later and asked me if I wanted to be in the panto instead and I jumped at the chance. It was a baptism of fire – wearing a dress, ridiculously high heels and getting booed twice a day. But I loved it, and I still do.

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Carole Baskin: ‘After Tiger King, my phone rang every two minutes for months’

The animal sanctuary owner was catapulted to fame by the Netflix series – and became an unlikely fashion trendsetter

Carole Baskin watched the Netflix documentary series Tiger King as many of us did: she binged it, devouring all seven episodes in one sitting as soon as it was released in March. “It was like watching a dumpster fire, you just couldn’t turn away from it,” says Baskin on a video call. “It was just mesmerising that there could be this many crazy people doing so many wretched things to animals.”

Of course, one of the “crazy people”, the show implied, was her. Baskin, a 59-year-old owner of the Big Cat Rescue sanctuary in Florida, she she had been told by the film-makers that Tiger King would be an exposé of the mistreatment of the animals by private owners in America. Instead, the series mainly focused on a long-running feud between Baskin and Joseph Maldonado-Passage, a mulleted, polygamous, country music-loving zoo owner from Oklahoma who calls himself “Joe Exotic”.

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Woman seriously hurt by tiger bite at Carole Baskin big cat sanctuary

  • Volunteer taken to hospital after incident early on Thursday
  • Big Cat Rescue in Tampa made famous by Netflix’s Tiger King

A female volunteer who regularly feeds big cats was bitten and seriously injured by a tiger Thursday morning at Carole Baskin’s Big Cat Rescue sanctuary in Florida, which was made famous by the Netflix series Tiger King, officials said.

Hillsborough county fire rescue received a trauma alert call about 8.30am Thursday from the sanctuary, agency spokesman Eric Seidel told the Associated Press.

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The Crown has slipped: how the Netflix epic captures our relationship with the royals

While the fourth series has come under fire for factual inaccuracy, it is just one of many series to reflect the royals long history of mythmaking

‘Let’s get it over with,” sighs Prince Philip as he reluctantly prepares to venture towards a crowd of adoring subjects. On the one hand, this moment in The Crown has the ring of truth: realistically, why would members of the royal family be enthusiastic about meeting yet another mob of curtsying, awestruck plebs? It must be tremendously boring. And yet, on the other hand, how dare they? Who pays their wages?

A few things have become clear during the fourth season of Peter Morgan’s Netflix epic. Firstly, it’s just as well The Crown isn’t on the BBC. Because if it was, the nation’s enraged rightwing culture warriors would have descended upon Broadcasting House and stormed it. Secondly, this is a portrait of managed decline. And finally, The Crown means The Queen. But Olivia Colman’s Elizabeth II is more Canute than Britannia – not ruling the waves but nobly, if eventually absurdly, trying to hold them back.

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The Prom review – is Ryan Murphy’s musical the first film of the Biden era?

Taste the treacle as Nicole Kidman’s Broadway liberals rebuke a rural high school – and learn a few things about themselves

Like High School Musical on some sort of absinthe/Xanax cocktail, The Prom is an outrageous work of steroidal show tune madness, directed by the dark master himself, Ryan “Glee” Murphy, who is to jazz-hands musical theatre what Nancy Meyers is to upscale romcom or Friedrich Nietzsche to classical philology.

Meryl Streep and James Corden play Dee Dee Allen and Barry Glickman, two fading Broadway stars in trouble after their latest show closes ignominiously; it is called Eleanor!, a misjudged musical version of the life of Eleanor Roosevelt with Dee Dee in the title role and Barry as Franklin D Roosevelt. Barry also has financial difficulties (“I had to declare bankruptcy after my self-produced Notes on a Scandal”). After unhelpful press notices turn their opening night party at Sardi’s into a wake, Dee Dee and Barry find themselves drowning their sorrows with chorus-line trooper Angie (Nicole Kidman) and unemployed-actor-turned-bartender Trent (played by The Book of Mormon’s Andrew Rannells). How on earth are they going to turn their careers around?

Then Angie sees a news story trending on Twitter: a gay teenager in Indiana has been prevented by her high school from bringing a girl as a date to the prom. The teen in question is Emma (a nice performance from Jo Ellen Pellman, like a young Elisabeth Moss), her secret girlfriend is Alyssa (Ariana DeBose) and it is Alyssa’s fiercely conservative mom (Kerry Washington) who is behind the ban. Our heroic foursome declare that they will sweep into hicksville with all their enlightened values and glamorous celebrity, and campaign against this homophobia, boosting their prestige in the biz. They gatecrash a tense school meeting, declaring dramatically: “We are liberals from Broadway!”

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Helena Bonham Carter says The Crown should stress to viewers it’s a drama

Actor who plays Princess Margaret adds her voice to calls for Netflix to add a disclaimer

Helena Bonham Carter has said The Crown has a “moral responsibility” to tell viewers that it is a drama, rather than historical fact, in the wake of calls for a “health warning” for people watching the series.

The actor, who played Princess Margaret in series three and four of the Netflix hit drama, told an official podcast for the show that there was an important distinction between “our version”, and the “real version”.

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Hugh Grant’s Undoing: how romcom leading men embraced the dark side

No more Mr Nice Guys! With his role in the HBO miniseries, Grant – like Richard Gere and Vince Vaughn – has swapped charm for smarm, reflecting a changing society

Hugh Grant made his name in the 90s as a squeaky-clean charmer, but anyone who has been keeping tabs on his career will not have been surprised to see him show up in the HBO miniseries The Undoing as an unhinged philanderer, attacking a man with his bare teeth in a prison-yard brawl. For a while now, the actor who used to warm our hearts has been doing his best to chill our blood. And he has been doing it pretty well: as a scheming politician in A Very English Scandal, as a scheming investigator in The Gentlemen and, best of all, as a scheming theatre impresario in Paddington 2. As mid-career renewals go, Grant’s has been one of the best and The Undoing, six hours of top-notch trash that wraps up tonight, has made the most of its newly depraved star.

The reinvention of the romantic lead is hardly a new phenomenon – it is more than 75 years since Murder, My Sweet turned Dick Powell from a fresh-faced musical star to a whisky-addled noir antihero, but in recent years it has become an especially popular trope. Richard Gere, who, like Grant, found screen stardom by flirting faux-modestly with flattered young ladies, has lately gone to great pains to show off his ugly side. He forged a career from playing wealthy, winsome suitors, but his recent turns as a hedge-fund magnate (Arbitrage), a moneyed philanthropist (The Benefactor), a high-flying politician (The Dinner) and a Murdoch-esque media mogul (MotherFatherSon) have all helped to flip the twinkly-eyed archetype on its head. Gere’s message is clear: I’m not the white knight you all thought I was.

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Culture secretary to ask Netflix to play ‘health warning’ that The Crown is fictional

Oliver Dowden says younger viewers might take historical drama’s portrayal as fact

The culture secretary plans to write to Netflix and request a “health warning” is played before The Crown so viewers are aware that the historical drama is a work of fiction, he said in an intervention that prompted criticism.

Oliver Dowden said that without the caveat younger viewers who did not live through the events might “mistake fiction for fact” following complaints that the fourth series of the drama had abused its artistic licence and fabricated events.

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How the Late Late Toy Show became an unlikely Irish TV institution

Annual special – where garish sweaters meet unrestrained children – airs on Friday evening

It is possibly the most anticipated moment in Ireland’s cultural calendar, a television event that draws huge ratings, unites the diaspora and is parsed as a barometer for the mood of the nation.

Expectation builds months in advance, rumours about the theme, leaks about participants, sometimes alarm that the formula may change.

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The Great British Bake Off final review – flawed gems worth celebrating

In a series where being put in a Covid bubble meant a reduction in the talent available, it was the failures that stood out

  • This article contains spoilers

This year needed The Great British Bake Off like never before, and The Great British Bake Off delivered. The programme has always been comfort food but, at times this year, it almost transcended television. It felt like a hug. It felt like medicine.

I have a theory about this. The context of this year’s series – with all the participants agreeing to abandon their loved ones and bubble up in a hotel – meant that the talent pool was smaller than usual. And this meant that the contestants weren’t quite as good as usual. And this meant that we got to witness more mistakes than usual. This wasn’t a demonstration of wall-to-wall technical wizardry by any means. Instead, what we got this year was a presentation of well-meaning but flawed humanity. And that’s what we’ve all been crying out for.

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Police investigate I’m a Celebrity over fears non-native bugs may be escaping

Rogue creatures from bushtucker trials including ‘ultimate survivor’ cockroaches could threaten Welsh countryside

Police are investigating I’m a Celebrity … Get Me Out of Here! over concerns non-native wildlife could have escaped into the Welsh countryside during bushtucker trials, the Guardian can reveal.

Rural crime officers from north Wales police are looking into complaints that non-native creatures such as cockroaches, maggots, spiders and worms could threaten wildlife in the 100-hectare (250-acre) estate surrounding Gwrych Castle in north Wales, where the show is being held this year.

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‘Biggest sin in the programme’: How a coat from The Undoing divided the internet

The ugly green coat in the HBO drama The Undoing has usurped a starry cast that includes Nicole Kidman and Hugh Grant. But what are the show’s makers trying to say, exactly?

The real star of The Undoing, HBO’s absurd marital melodrama, is not Hugh Grant, the Manhattan skyline or even the pair of David Hockneys hanging inside a vast penthouse in episode one. It’s a coat.

Sludge-green, calf-length, with wide lapels and a hood, this coat is worn again and again by Nicole Kidman’s character, a gnomic therapist called Grace, as she floats down Madison Avenue, through Central Park and even into the prison on Rikers Island, brooding over her marriage to a man who may, or may not, have just murdered his lover with a lump hammer.

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Enlightened: Laura Dern’s best role was smart, brave and ahead of its time

The series was cancelled in 2013 but its biggest crime was being born too soon. Now streaming in Australia, here’s hoping it gets the audience it deserves

What happens when an annoying narcissist has a spiritual awakening? Do they become different? Better? Or does real change require much more than learning how to meditate?

Enlightened, starring Laura Dern, aired for two seasons on HBO from 2011 to 2013. Critics loved it, a third season was on the cards – but it never got the mainstream viewership it deserved and was cancelled due to poor ratings.

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Could Steve McQueen start a lovers rock revival with Small Axe?

Streaming services expect rise in searches for the 70s pop-reggae genre, a staple of the blues parties that shaped UK music

One of the most memorable moments in Steve McQueen’s Lovers Rock – the latest film in his five-part anthology series Small Axe – comes when a room full of young revellers sing Janet Kay’s classic Silly Games with their eyes closed, lost in the music, as they imitate her signature falsetto.

A staple of the lovers rock genre, which emerged in the 70s and was a blend of pop, reggae and disco, Kay’s song is the centre piece of McQueen’s film, which is itself an ode to the house parties, or “blues”, that his auntie attended as a young woman.

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Laurence Llewelyn-Bowen: ‘I’ve been trying to get sacked from television for years’

Changing Rooms’ flamboyant master of maximalism has made a great living out of being himself. But is lockdown altering him? Is he suddenly dressing down, or brooding on the tragedy that marked his childhood? And does he have any decor tips for our interviewer?

If curating your surroundings for a Zoom call is an art, then Laurence Llewelyn-Bowen is its maximalist master. Immersed in the dark colours of his 17th-century manor-house living room, he sits with enviable poise, one arm cocked and propped on his thigh, as though modelling for a portrait. Flanked by a medley of blue velvet and patterned cushions, the latter matching his William Morris-inspired sofa, he is lit by an assortment of lamps.

It is a stark contrast to my more modest framing – a single pine bookshelf and a large houseplant. I show him the rest of my living room: pale blue walls, a navy/charcoal sofa, a single cushion with Julianne Moore’s face, a coffee table, a few more palms and a TV unit. Britain’s best-known interior designer doesn’t spare my feelings.

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Widow criticises The Crown over avalanche episode

The wife of Hugh Lindsay, who was killed while skiing with Prince Charles, had asked show not to feature the disaster

The widow of a British army major who died in an avalanche while skiing with Prince Charles has criticised the producers of The Crown as “unkind” for dramatising the disaster against her wishes.

Major Hugh Lindsay, a former Queen’s equerry, was skiing off-piste at the Swiss resort of Klosters in 1988 with a group including senior royals when disaster struck, with his friend the Prince of Wales and others reported to have dug snow with their hands in a vain attempt to save his life.

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Prep talk: ‘yindies’ revive 80s Wall Street look for generation Z

Ironic take on corporate attire reboots yuppie look in age of The Crown and new Gossip Girl

In the ultimate moment of fashion revival, the 80s yuppie look is back – but with a difference. The “yindies” (young ironic nostalgic dresser), is bringing back the suited, Wall Street look but with a touch of knowing self-reference and elements of preppy style too.

The first cast photograph of the new Gossip Girl reboot, the current season of The Crown, which features Diana Spencer’s 1980s Sloane Ranger chic and the navy suit jacket of Donald Trump impersonator Sarah Cooper, have all riffed on the classic powersuit silhouette.

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