British Council launches inquiry after Kenyan staff allege racism

Senior white executives are accused of discriminating against BAME Kenyan-born staff

The British Council has launched an inquiry into allegations from black current and former staff members in Kenya who claim they were subjected to systemic racism.

Senior white executives at the organisation, which is the British government’s cultural arm abroad, have been accused of discriminating against BAME Kenyan-born staff, particularly as they were selected and assessed for redundancy.

A programme manager who worked at the British Council from August 2014 to 2019 who claimed they were put at risk of redundancy without adequate explanation.

Another complainant claimed they resigned as a senior official of the Kenyan office’s welfare association after a white executive frustrated efforts to channel staff concerns to the senior leadership team. “Staff have no confidence raising concerns through HR … for fear of being victimised,” the complainant said.

A manager for the professional skills centre in Kenya who claimed they were among a number of black employees who were unfairly targeted for redundancy.

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Charlie Sheen on making Platoon: ‘We screamed for the medic!’

‘Forest Whitaker macheted his thumb, Tom Berenger knifed his foot, Willem Dafoe got medivacked – and Oliver Stone jumped up and down with joy’

Charlie Sheen, played Chris Taylor

My brother Emilio Estevez and I were huge fans of Scarface and Midnight Express, which were both written by Oliver Stone. Emilio kept talking to me about Oliver’s new Vietnam film, which he was auditioning for. He got the lead part, Chris Taylor, but then couldn’t do it because of scheduling conflicts. When I auditioned, Oliver said I was “too mannered” and needed to do more work. So I did The Boys Next Door and Lucas – and I got the part, but only if Willem Dafoe approved. I didn’t meet Willem until we got to the Philippines. He ran past me in our hotel and gave me a hug. Later, Oliver came up to me and said: “Willem digs ya.”

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What’s new, pussycat? How feline film stars are trained to perform

From Stuart Little and Pet Sematary to new movie The Electrical Life of Louis Wain, cats can be scene-stealers. But how do you get such fickle and independent creatures to behave on camera?

Cats have been effortlessly stealing scenes from their human co-stars for decades. Who could forget Audrey Hepburn’s adorable marmalade tabby in Breakfast at Tiffany’s? Or Jinx, the toilet-flushing Himalayan in Meet the Parents? Behind every famous film cat, there is a dedicated trainer patiently teaching them to obey a command, making sure they’re happy on set, and grooming them fastidiously to maintain their fluffy good looks.

The film-makers behind The Electrical Life of Louis Wain, a British period biopic about the Edwardian artist and illustrator who became famous for his surreal portraits of cats, were adamant they didn’t want to use CGI for the shoot, so animal trainer Charlotte Wilde was brought in with 40 feisty felines. “It was organised chaos,” she says. “They had their own green room and were treated like royalty.”

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Apocalypse nowadays: the new wave of films about the end of the world

Armageddon once delivered thrills and megabucks spectacle. Now it’s the unnerving backdrop for satires and family drama

Which films kept you entertained over the holidays? Was it Silent Night, the sweary festive Britcom starring Keira Knightley? The courtroom drama Naked Singularity, with John Boyega as a crusading lawyer? Or did you watch Leonardo DiCaprio as a dorky astronomer in Don’t Look Up, a slapstick political satire? Whichever it was, I hope you poured yourself a large one, because none of those films are quite as light as they seem. All take place in the shadow of imminent Armageddon.

That’s right: the end of the world is nigh, and it’s no longer the preserve of megabudget disaster movies or bleak survivalist thrillers. These days the looming obliteration of our species can just as readily form the backdrop to some governmental mockery or a boozy country-house drama.

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We often fail to keep resolutions – but writing in a notebook brings great rewards

Scribbling down our thoughts is a great way to make sense of things – and very satisfying

In 1989, when I was 16, I moved into a pub with my parents and my younger brother, Matty. It was highly exciting. I took to barwork as I liked the chat, and also enjoyed the opportunities offered for eavesdropping. I was curious about the adult world and up until then had learned most of what I knew from books. Now I had all these real lives to study. I should write some of this down, I thought, and would scribble into my diary before bed.

We couldn’t believe how busy it was that first Christmas, culminating on New Year’s Eve, when everyone piled out into the main street at midnight and exchanged drunken embraces and warm wishes for 1990. After the pub had emptied and the mammoth job of clearing up was done, we gathered with our staff for a few drinks and the chat turned to resolutions. All the women wanted to lose weight. A couple of people wanted to stop smoking. I announced very firmly that I wanted to write a novel.

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Your attention didn’t collapse. It was stolen

Social media and many other facets of modern life are destroying our ability to concentrate. We need to reclaim our minds while we still can

When he was nine years old, my godson Adam developed a brief but freakishly intense obsession with Elvis Presley. He took to singing Jailhouse Rock at the top of his voice with all the low crooning and pelvis-jiggling of the King himself. One day, as I tucked him in, he looked at me very earnestly and asked: “Johann, will you take me to Graceland one day?” Without really thinking, I agreed. I never gave it another thought, until everything had gone wrong.

Ten years later, Adam was lost. He had dropped out of school when he was 15, and he spent almost all his waking hours alternating blankly between screens – a blur of YouTube, WhatsApp and porn. (I’ve changed his name and some minor details to preserve his privacy.) He seemed to be whirring at the speed of Snapchat, and nothing still or serious could gain any traction in his mind. During the decade in which Adam had become a man, this fracturing seemed to be happening to many of us. Our ability to pay attention was cracking and breaking. I had just turned 40, and wherever my generation gathered, we would lament our lost capacity for concentration. I still read a lot of books, but with each year that passed, it felt more and more like running up a down escalator. Then one evening, as we lay on my sofa, each staring at our own ceaselessly shrieking screens, I looked at him and felt a low dread. “Adam,” I said softly, “let’s go to Graceland.” I reminded him of the promise I had made. I could see that the idea of breaking this numbing routine ignited something in him, but I told him there was one condition he had to stick to if we went. He had to switch his phone off during the day. He swore he would.

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Female conductor takes the helm in first for Italian opera

Ukrainian Oksana Lyniv makes history with three-year posting at Bologna’s Teatro Comunale

A female conductor will take the helm at an Italian opera house for the first time in January.

The Ukrainian conductor Oksana Lyniv said she was surprised to learn she was making history after receiving the offer from the Teatro Comunale opera house in Bologna. The 43-year-old begins the three-year posting as musical director on 22 January.

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The BBC’s Ros Atkins: ‘I do a bit of body-boarding… posting videos is like catching a wave’

The journalist behind those ‘explainer’ videos on seeing his No 10 Christmas party video go viral, being a drum’n’bass DJ and wearing ‘an awful lot’ of blue

Ros Atkins, 47, grew up in Cornwall and the Caribbean before reading history at Cambridge. His BBC career began on Radio 5 Live shortly after 9/11. He now presents Outside Source on the BBC News Channel and recently went viral for his “explainer” videos, broadcast on BBC Breakfast and posted online. He lives in south London with his wife and two daughters.

How are you finding newfound fame?
Well, I’ve neither been mobbed nor chased down the street, but it’s always pleasant if people pay attention to what you do.

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Retrieved after decades: the painting supposedly ‘bought’ by the Nazis

A new book recounts one woman’s struggle to find looted art – and then convince a major museum to give it back

Fresh proof that the Nazis set up fake auctions and phoney paperwork to disguise their looting of art and valuable possessions has been uncovered by an amateur sleuth researching her own family mystery.

French writer Pauline Baer de Perignon’s investigation has revealed the fate of a missing collection of art that included work by Monet, Renoir and Degas and also exposed the reluctance of Europe’s leading museums to accept evidence of the deceit.

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Frozen in time: clock that tells tale of Jewish resistance in wartime Amsterdam

Artefacts from hideout of family sent to Auschwitz death camp with Anne Frank and her family are put on display in Netherlands

A clock that is the sole surviving object from a second world war Jewish hideout will go on display at Amsterdam’s Dutch Resistance Museum this year.

The round mantelpiece clock may have been one of the last things people saw as they were seized by the Nazis and sent to death camps.

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On my radar: Moses Sumney’s cultural highlights

The singer-songwriter on Balenciaga’s visions, the mountains of North Carolina, and the haunting power of Eve’s Bayou

Singer-songwriter Moses Sumney, 29, grew up between Ghana and California and studied creative writing and poetry at UCLA. His piercing falsetto and genre-defying music have brought him critical acclaim, starting with his self-recorded 2014 EP Mid-City Island, followed in 2017 by his debut album, Aromanticism, and the 2020 double album Græ. Sumney has collaborated with musicians including Bon Iver and James Blake and toured with Solange and Sufjan Stevens. His latest project is Blackalachia, a self-directed concert film created in association with WePresent, shot over two days in the Blue Ridge Mountains of western North Carolina, where he lives.

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The art of Yves Saint Laurent: design house marks 60th anniversary

Five Paris museums to display fashion designer’s creations with artwork that inspired them

Simultaneous exhibitions to mark the 60th anniversary of Yves Saint Laurent’s first collection are to be held by six leading Paris museums in an unprecedented tribute from the art world to the late French fashion designer.

The events at museums, among them the Louvre and the Musée d’Orsay, will reveal how the celebrated couturier was inspired by some of the 20th century’s greatest artists including Picasso, Matisse and Mondrian.

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Golden Girls star Betty White dies aged 99

The actor’s career spanned more than 80 years – but role as Rose Nylund on 80s sitcom cemented status

Betty White, the actor best known for roles in sitcoms The Mary Tyler Moore Show and The Golden Girls, has died aged 99.

White died at her home on Friday morning, just two weeks before she would have turned 100. Her agent Jeff Witjas told People magazine: “Even though Betty was about to be 100, I thought she would live forever.”

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Go bush for the books: Rosalie Ham reckons you never know who you’ll run into

The Dressmaker author says literary events in country Australia are all about ‘discussing, catching up and laughing’. Here are some planned for 2022

Rural readers are in for a bumper crop of established and emerging writers festivals taking place in country regions throughout 2022, a harvest that also offers plenty of flavour to city-dwelling book lovers seeking literary-themed getaways.

Jerilderie-born author of The Dressmaker, Rosalie Ham, says events in the bush have always provided a great excuse for a reunion of like minds. Her extensive literary circuit all began with an invitation to talk at a writers festival in country Victoria.

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Restored Big Ben to bong again at midnight to bring in new year

Clock face revealed for first time since 2017 to show conservation work and restoration of original colour scheme

London’s public fireworks display may be cancelled but new year revellers in Westminster will be treated to a view of Big Ben’s newly painted dials as the clock bongs 12 times to mark the end of 2021.

The 96-metre clock tower above the Houses of Parliament, which houses the Great Bell, known as Big Ben, has been mostly hidden from view since a £79.7m conservation projection began four years ago.

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Amy Schumer: ‘If you can just keep your family speaking to each other, that’s a win. Sometimes it’s not doable’

Along with her female co-stars, Schumer speaks about how making The Humans – and having a baby – helped her reassess her life. And, perhaps, a previous review written by her interviewer …

‘Talking about The Humans always becomes like a therapy session,” Beanie Feldstein says, a few minutes into a group chat about the oppressive and unsettling adaptation of Stephen Karam’s Pulitzer-nominated play about a family gathering at Thanksgiving. Karam’s haunting and quite brilliant directorial debut reimagines a quirky dysfunctional-family drama as an eerie, anxious horror movie set in the New York equivalent of a haunted house: a crumbling downtown apartment. It’s a place that forces his characters to confront the brutal realities of who they are, who they’re not and who they’re stuck with. It also forces us to do the same.

Amy Schumer and Feldstein play sisters, and Jayne Houdyshell, who won a Tony for playing the role on stage, their mother. Richard Jenkins, Steven Yeun and June Squibb round out the cast. “It evokes so much emotion,” Schumer says of the film. “And it made me feel better about my own family, our trauma and struggles. If you can just keep your family speaking to each other, that’s a win. And sometimes it’s not doable.” Feldstein refers to it as a drama that “gets in your guts”, while Houdyshell agrees that “it makes you feel raw”.

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The 10 best video games coming in 2022

George RR Martin joins forces with the makers of Dark Souls, ghosts take over in Japan and a Nintendo sequel you could be playing all year

More cultural highlights of 2022

(Xbox One/Series S/Series X, PlayStation 4/5, PC) The long-awaited fantasy epic from Dark Souls’ creators FromSoftware, with narrative input from George RR Martin. It combines a huge, detailed open world, inhabited by everything from dragons and wolves to trolls and patrolling soldiers, with the developer’s signature heart-in-mouth, swords-and-sorcery combat. An intriguing world to discover alone, or with other players.

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Only Murders in the Building to Cooking With Paris: the unsung TV heroes of 2021

Paris Hilton’s disgusting dishes! Martin Freeman as a bad dad! A history of swear words! Here’s another chance to discover the incredible shows of the year you may have missed

“The sci-fi murder mystery doctor dramedy Earth needs now!” That was the US marketing blurb for Resident Alien, a plucky attempt to turn the show’s audacious genre-mashing into a marketing angle. While it certainly has a lot going on – an alien crash-lands in small-town Colorado and attempts to evade detection by hijacking the identity of a big-city doctor – it only took a few episodes for me to realise why I was enjoying it so much. This story of a fusspot out-of-towner clashing with the rhythms of a town full of curious eccentrics is a spiritual descendant of 1990s fish-out-of-water touchstone Northern Exposure, complete with snowy setting and covetable local bar.

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‘It parodies our inaction’: Don’t Look Up, an allegory of the climate crisis, lauded by activists

Adam McKay’s end-of-the-world film is a ‘powerful’ depiction of society’s response to scientific warnings, campaigners say

Don’t Look Up, the latest celluloid offering from the writer-director Adam McKay, has become Netflix’s top film globally despite dividing critics and viewers.

The film, a satire in which two scientists played by Leonardo DiCaprio and Jennifer Lawrence attempt to warn an indifferent world about a comet that threatens to destroy the planet, is an intentional allegory of the climate crisis.

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