Category Archives: Culture

Zayn Malik denies hitting Yolanda Hadid, grandmother of his child

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Singer admits ‘harsh words’ but adamantly denies domestic violence in argument with mother of partner Gigi Hadid

Zayn Malik has denied hitting Yolanda Hadid, the mother of his partner Gigi Hadid and grandmother of their child, in a domestic argument.

The pop singer and former member of boyband One Direction issued a statement, saying: “I adamantly deny striking Yolanda Hadid and for the sake of my daughter I decline to give any further details and I hope that Yolanda will reconsider her false allegations and move towards healing these family issues in private.” TMZ had reported the alleged attack earlier this week.

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Billy Bragg: ‘Boris was trolling me the whole time. We’ve got a wind-up merchant as PM’

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As the bard of Barking tours a new album, he reflects on modern politics, his scraps with the Daily Mail and why he could do with listening a bit more

In an Exeter pub on a wet Monday morning, Billy Bragg is talking about a day at the Glastonbury festival in 2000. The BBC had signed up an unusual guest for its coverage – Boris Johnson. In the footage (still online), Johnson – then a year from becoming an MP – forgets to get off the train, gets a comedy henna tattoo in Sanskrit, and growls the Clash’s Bankrobber to Bragg in the car: “It’s your philosophy, isn’t it?” he says. “Leftwing approval of theft from capitalists?”

“He was trolling me the whole time,” Bragg remembers. “That’s what his MO still is. A wind-up merchant who became prime minister! How the fuck did that happen?” He shrugs. “Modern politics needs things he doesn’t have: accountability and empathy.”

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Holy bikini-clad Batwoman! Archive saves Mexico’s scorned popular films

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Permanencia Voluntaria has rescued hundreds of films and is seeking to challenge attitudes towards its legacy

From demons, ghosts and vampires to Martians, mad scientists and spurned lovers, the heroes and heroines of 20th-century Mexican popular cinema faced more than their share of enemies.

Few foes, however, have proved quite as formidable as the combined adversaries of time, critical snottiness and oblivion – not to mention the odd earthquake.

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Franz Kafka drawings reveal ‘sunny’ side to bleak Bohemian novelist

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Surreal drawings by author of The Trial – which he demanded be burnt after his death – to be published

Stricken with self-doubt, paranoia and existential despair, the writings of Franz Kafka have taken generations of readers on what the author called “the descent into the cold abyss of oneself”.

A trove of 150 drawings, retrieved from a Swiss bank vault in 2019 after years of legal wrangling and presented to the public for the first time on Thursday, offers a more cheerful interpretation of the term “Kafkaesque”, however.

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Do the Saigon twist! Meet Phuong Tâm, Vietnam’s first rock’n’roll star

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Playing raucous American pop in 1960s Vietnam, Phuong Tâm became a sensation – but turned her back on singing after emigrating to the US. Now she’s 76 and her incredible music can finally be heard after her daughter tracked it down

In early 1960s Saigon, Nguyễn Thi Tâm would appear on stage in the city’s vibrant phòng trà (tearooms) and nightclubs. She embodied quintessential young womanhood, with long, straight black hair and wearing a white áo dài, an elegant Vietnamese dress. But instead of traditional songs, she would belt out music that recalled American hot rods, hip-swinging dance crazes and even teenage abandon: using the stage name Phuong Tâm, she was one of Vietnam’s first rock’n’roll singers. “Back then, everyone was singing Vietnamese, some French, but no one else was singing American music,” says Tâm, now 76. “Just me.”

Lost for decades, 25 of the brilliantly crafted songs she recorded – all rich in verve and atmosphere – can now be found on Magical Nights, a landmark compilation that required an international collective effort to recover a lost era of early Vietnamese rock. Tâm and I speak in Vietnamese, logging on from our homes in two of the world’s largest Vietnamese-diaspora communities: she is in San José, California; I am in Sydney, Australia. Given that we are talking about events from more than half a century ago, I’m astonished by her vivid recall. “Of course, these are precious memories. I was lucky. I sang every night.”

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Mark Strong on acting, insecurity and life without a father: ‘I got angry as I got older. It took years to fix’

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After three decades on the stage and screen, the star is still worrying about where his next job will come from. Meanwhile, at home, he frets about letting down his family

Mark Strong has a good face for villainy – spare and inscrutable, with thin lips and “eyes like tunnels”, as Arthur Miller might have put it. On camera, he gives a sort of fractional disclosure, expressions altering in tiny increments, so that watching him perform is often an exercise in judging how much good can reasonably be seen in the bad. He specialises in antiheroes and authority figures, from gangsters (Kick-Ass, The Long Firm) to heads of intelligence (The Imitation Game, Body of Lies, Zero Dark Thirty). His latest incarnation – as a surgeon who operates in the criminal underground in the TV drama Temple, now in its second series – melds these roles as he crosses and recrosses the line between conscientious and cruel.

Although highly regarded for his work across stage, film and TV, Strong is not a big winner of awards (though he earned an Olivier for his outstanding portrayal of Eddie Carbone in Miller’s A View from the Bridge in 2015). He comes across as somehow outside the system. He is reputable rather than starry, plays parts rather than leads and has retained the air of a jobbing actor. Surely at 58, after 30 years of nearly constant work and more than 100 screen credits, with a voice so sonorous and distinctive it draws you to the depths, he deserves a bigger breakthrough. Is he frustrated by the lack of leading parts?

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‘You’ve got long hair, I’ve got long hair!’ The loud, joyful community of rock bars

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With strong drinks and stronger music, rock bars are fiercely independent havens for UK metalheads, who have been donating thousands to keep them alive after Covid

It’s Friday night in north London’s Black Heart, a rock and metal bar tucked away on a Camden side street. The walls and ceiling are – inevitably – painted black, the beer taps are furnished with antlers, and the speakers are blasting out Metallica’s Enter Sandman. As the chorus hits, the whole bar breaks into song, and the bartender turns down the volume so all that can be heard is a room full of joyous metalheads belting out: “We’re off to never-never land!”

As pints splash and voices echo, the scene feels poignant: pandemic lockdowns left rock fans wondering when they might have moments like this again, with the Black Heart nearly closing down until it was saved by a crowdfunding campaign with prize draws that raised more than £150,000 in seven weeks.

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The greatest songs about the climate crisis – ranked!

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As Cop26 opens in Glasgow, we provide the soundtrack, ranging from Gojira’s metal fury to gorgeous environmental paeans by Childish Gambino, Neil Young and Joni Mitchell

From its cover shot of a submerged bedroom down, 2019’s Titanic Rising feels like an album informed by the climate crisis, but the lyrics seldom address it explicitly. Something to Believe is the perfect example: a plea not to feel overwhelmed by or nihilistic about the challenges faced, beautifully steeped in the lush sound of early 70s Los Angeles.

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Last Night in Soho review | Peter Bradshaw’s film of the week

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Thomasin McKenzie, Anya Taylor-Joy and Matt Smith star in a horror-thriller that takes a trip to the sleazy heart of London’s past

A trip to the dark heart of London’s unswinging 60s is what’s on offer in this entertaining, if uneven, film from screenwriter Krysty Wilson-Cairns and director Edgar Wright, serving up a gorgeous soundtrack and some marvellous re-creations of sleazy Soho and the West End. There’s a tremendous image of the marquee for the 1965 Thunderball premiere in Coventry Street, and a show-stopping crane shot of Soho Square, apparently filmed from where the 20th Century Fox sign is now no longer to be found atop that company’s former premises.

Last Night in Soho is a doppelganger horror-thriller about a wide-eyed fashion student called Eloise (Thomasin McKenzie) who has brought her mum’s old Dansette record player and Cilla Black and Petula Clark LPs up to London from Cornwall on the train. Eloise has a fetish for the lost innocent glamour of the 60s but, moping all alone in her manky bedsit, finds herself stricken with neon phantasms. Like a ghost from the future, Eloise dreams her way through a portal in time back into 60s London clubland, where she witnesses Sandie (Anya Taylor-Joy), a blonde singer – exactly the kind of retro showbiz princess Eloise moonily idolises – who is being forced by her slick-haired manager Jack (Matt Smith) into having sex for money with creepy old men. Gradually, Eloise feels her identity merging with Sandie’s. Is she having a breakdown, or is this nightmare really happening?

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Rust shooting: officials say single bullet likely caused injury and death after Alec Baldwin fired gun on set

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Officers say Alec Baldwin is ‘active part’ of investigation but have yet to determine if they’ll bring charges against the actor or others

Officials confirmed on Wednesday that live bullets, including the round it is believed killed cinematographer Halyna Hutchins and injured director Joel Souza, were found on the set of the movie Rust last week after actor Alec Baldwin fired a gun during a rehearsal – but no decisions have been made yet about any criminal charges.

“We believe that we have, in our possession, the firearm that was fired by Mr Baldwin. This is the firearm we believe discharged the bullet,” said Santa Fe’s county sheriff, Adan Mendoza, said at a press conference on Wednesday.

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Two lovers kiss behind a tree: Clifford Prince King’s best photograph

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‘It’s a private moment but in a wide open public space. It made me think about how queer Black men struggle to be seen for our true selves’

In 2018, I was visiting my cousin in Dallas when I remembered that a friend from Portland had moved there. I hadn’t seen him in a while and heard he had a new partner, so I asked if he wanted to catch up. The minute I saw him and his boyfriend, I wanted to photograph them. They were both wearing similar clothes, and something about the matching colour palette made them feel like a pair. We took a walk through Como Park, where I spotted this tree. I asked them to stand behind it and embrace each other, with their faces obscured.

What struck me was the interplay of intimacy and anonymity. It’s this tender moment, slightly hidden. We can see that it’s an embrace, but we can’t see who it is. It’s a private moment but in a wide open public space. It made me think about how they – and I – as queer Black men, struggle to be seen for our true selves in different spaces.

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‘Joyously subversive sex goddesses’: the artists who gave witches a spellbinding makeover

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Thousands of women were slain after being accused of witchcraft. Don’t they deserve more than the evil cackling hag stereotype? A powerful new book blows away the satanic baby-eating myths

We all know what a witch looks like. A gnarled old face full of warts with teeth missing and bright green skin. Then there’s the long black coat, the tall black hat and let’s not forget the sizable crooked nose, sniffing the fumes rising from a bubbling cauldron in a room festooned with cobwebs.

But that’s not what witches look like at all, or at least not according a hefty new art book being published in time for Halloween. In this compendium of witchy women, from Renaissance paintings to modern Wicca, the caricature of the evil hag is turned upside down. Witchcraft, the latest volume in Taschen’s Library of Esoterica, finds evidence from artists as diverse as Auguste Rodin and Kiki Smith for its revisionist view that witches are typically young, glamorous practitioners of highly sexualised magick. The cover painting, by Victorian artist JW Waterhouse, depicts the ancient enchantress Circe in pale, red-lipped pre-Raphaelite ecstasy – and the fun just keeps coming. The witches here are powerful feminist sex goddesses whose rites and incantations are joyously subversive.

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Gil Scott-Heron changed my life – and his humane message still resonates

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The ‘godfather of rap’ is being inducted into the Rock and Roll Hall of Fame this week alongside Jay Z and LL Cool J, and remains an inspiration for how he lifted up the downtrodden

In 1986, as the Rock and Roll Hall of Fame was being inaugurated in Cleveland, Ohio, I was touring Europe with the artist, poet, author and civil rights activist Gil Scott-Heron. At that time, you wouldn’t have readily associated someone like Gil with the term rock’n’roll. In fact, people were struggling to find any genre name that could encapsulate this urban griot’s unique and diverse repertoire. Gil would often joke that if you wanted to find his music in the record store, “look for a category that says miscellaneous”; true innovators don’t fit into established genres but create them.

Nevertheless, Gil is being inducted this year, a mark of how the Rock and Roll Hall of Fame has diversified and incorporated other musical forms, including hip-hop. Public Enemy were inducted in 2013 and this year Jay-Z and LL Cool J will join the ranks along with Gil.

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World exclusive: Super troupers! Abba on fame, stress, ageing backwards – and why they’ve returned to rescue 2021

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World exclusive: Here we go again! After nearly 40 years, Benny, Björn, Agnetha and Anni-Frid are back together. We get the inside story of the greatest reunion in pop

It started with a mysterious image on billboards all over the world (and the internet). The sun rising above four dark planets; the only words Abba: Voyage. By the time an announcement was made on 2 September, it had fair claim to call itself the most anticipated comeback in pop history.

And the details exceeded expectations. Not only was there a new album, Voyage, the first in 40 years: 10 new songs that brought the original band together in the studio for the first time since a split that had been precipitated by the couples in the band divorcing. Not only that, but there was to be a new “immersive live experience”, in a bespoke stadium in London – nobody seemed to have noticed the planning application being published online – featuring futuristic de-aged “Abbatars” playing a potentially never-ending series of gigs. In the depths of a miserable year, it seemed, Abba were coming to rescue 2021.

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Rust film set shooting: prosecutor says criminal charges possible

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Santa Fe county district attorney tells New York Times weapon Alec Baldwin fired was ‘legit’ antique gun

Criminal charges have not been ruled out in the fatal accidental shooting by Alec Baldwin on the Rust film set, the local district attorney handling the case has said in an interview.

Speaking with the New York Times on Tuesday, the Santa Fe county district attorney, Mary Carmack-Altwies, also said it was incorrect to refer to the firearm used in the incident as a “prop gun”, as media reports have.

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Donnie Darko at 20: the soulful student favourite comes of age

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Richard Kelly’s unusual sci-fi drama made a star of Jake Gyllenhaal and introduced emo teens to a brave new world

Midway through Donnie Darko, a creative young English teacher played by Drew Barrymore repeats the old maxim – recycled over the years by linguists, scholars and writers including JRR Tolkien – that the simple, banal phrase “cellar door” is the most purely, pleasingly harmonious combination of words in the English language. There’s something to be said for that, but one wonders if writer-director Richard Kelly was offering a challenge to the claim by naming his protagonist Donnie Darko – an irresistible, perfectly ridiculous name for an ordinary suburban schoolboy that nonetheless encapsulates his fey, eccentric aura. His new girlfriend says the name aloud, lolling it like a mint in her mouth, before observing that it makes him sound like “some kind of superhero”. “What makes you think I’m not?” he replies, deadpan.

Well, what indeed. Kelly’s sci-fi-tinted tale of adolescent isolation came out six months before Spider-Man, the film that kick-started the now all-consuming superhero movie revival, and the two have more in common than you might initially assume: both are stories of an awkward teenage boy coming to terms with what appear to be otherworldly abilities, and assuming responsibility for the world around them. For plucky Peter Parker, that means standard-issue feats of derring-do and defeating evil; for downcast Donnie Darko, it means ending and altering the very timeline in which he exists, ultimately dying so that others may live. As superhero origin stories go, it doesn’t have much franchise potential: Donnie’s legend begins and ends in one fell swoop. But it has an eerie, enduring power: would that many comic-book heroes’ stories were so noble and haunting and finite.

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The last laugh: is the television sitcom really dead?

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From Friends to The Thick Of It, the TV sitcom has evolved – but it’s no longer in rude health. Enter offbeat shows like Stath Lets Flats, bringing joy and potential redemption

The sitcom has a long history of being dead. According to the former NBC president of entertainment, Warren Littlefield, in the early 1980s many people believed the sitcom was over. In 1999, Entertainment Weekly noted the genre’s demise. In 2005, so did Victoria Wood. The following year, the former ITV director of programmes, David Liddiment, made a programme called Who Killed the Sitcom? In the decade and a half since, similar questions have been posed repeatedly by publications on both sides of the Atlantic. Declaring the sitcom dead now seems more like an annual ritual than a convincing take on the state of comedy. But what if this time it’s actually true?

There are a few reasons why the sitcom seems, if not comprehensively deceased, then at least less responsive than it has ever been. In terms of the comedy zeitgeist, the sadcom – a frequently bleak drama hybrid – continues to rule (see: I May Destroy You, Feel Good, This Way Up, Insecure). Streaming giants increasingly shape our viewing habits, and they don’t tend to make sitcoms (their discrete episodic plots mean they are not very bingeworthy, for a start). The newly established National Comedy Awards, meanwhile, doesn’t include a sitcom category, while Bafta dropped its sitcom award in 2015 and replaced it with one for scripted comedy: this year’s winner, the comedy-horror anthology Inside No 9, in no way fits the sitcom mould.

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Sex: Unzipped review – perverse Sesame Street is a TV disgrace

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In this fascinatingly terrible Netflix show, presenter Saweetie cannot contain her cringing as sex-positive puppets masturbate constantly in front of her. What an agonising watch

I blame myself, really. I have made repeated pleas in these pages that British people be entirely kept away from any shows about sex or anything remotely sex-adjacent, because of our inability to face cameras or genitals without collapsing in mortal embarrassment. In doing so, I implied that Americans were better suited to the job. I apologise unreservedly. For Sex: Unzipped, billed erroneously by Netflix as a comedy special and presented by rapper Saweetie, has been inflicted upon us all to give the lie to my under-researched claim.

Saweetie is, especially for someone used to performing, fascinatingly terrible as a presenter. Uncomfortable, self-conscious and with a relentlessly flat delivery – it’s quite agonising. Perhaps she would be better off without the sex-positive puppets? Then again, perhaps we all would.

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Why people believe Covid conspiracy theories: could folklore hold the answer?

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Researchers use AI – and witchcraft folklore – to map the coronavirus conspiracy theories that have sprung up

Researchers have mapped the web of connections underpinning coronavirus conspiracy theories, opening a new way of understanding and challenging them.

Using Danish witchcraft folklore as a model, the researchers from UCLA and Berkeley analysed thousands of social media posts with an artificial intelligence tool and extracted the key people, things and relationships.

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