‘I won’t allow myself to be broken’: Russia’s Eurovision candidate Manizha takes on ‘the haters’

The singer’s fight against domestic violence and homophobia and her body-positive posts on Instagram have led to a torrent of abuse – some from very powerful people

Russia’s 2021 Eurovision candidate breezes into a conference room, Channel One documentary film crew in tow, offering a simple tea of mint leaves brewed in hot water. “On days like today, I want something calming,” Manizha says, pouring two cups, as a boom mic hovers over us. No pressure.

The Tajikistan-born singer, who will perform her feminist ballad Russian Woman next month at the much-loved, much-mocked song contest in Rotterdam, is the target of a fiery conservative backlash for her foreign roots and her lyrics attacking female stereotypes.

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Merry Clayton: ‘Gimme Shelter left a dark taste in my mouth’

The singer who backed the Rolling Stones, Coldplay and more weathered a miscarriage, then the loss of her legs in a car accident – but her new album Beautiful Scars shows she refuses to give up

Merry Clayton has an excellent memory. The 72-year-old singer tells tales with such particular detail: the warmth of falling asleep between gospel legends Mahalia Jackson and Linda Hopkins in the pews of her father’s church in Louisiana; the recording sessions with Bobby Darin, Lynyrd Skynyrd and the Rolling Stones, for whom she delivered the searing holler of Gimme Shelter.

What Clayton has no memory of is the 2014 car accident that was so severe that doctors were forced to amputate both of her legs below the knee. She remembers waking up in hospital, but the incident itself, and much of the five months she spent recovering, is lost. “It was like I was in another place,” she explains, speaking from her home in Los Angeles. “I knew I was here in the world, but it was just like I was somewhere else. I was in la-la land.”

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Ballaké Sissoko: picking up the pieces after US customs broke his kora

Last February, Sissoko’s historic instrument was disassembled on a flight home to Paris. Bolstered by a new kora, his latest album revives their borderless journey

In the Malian language Bamanankan, djourou – the title of Ballaké Sissoko’s forthcoming album – means string. “It’s the string that connects me to others,” he says. For this master of the kora, it is also the string that broke.

Last February, Sissoko returned to Paris after a US tour with his trio 3MA to find that border officials in New York had dismantled his kora. The neck, bridge, strings and custom-built pickup had been removed from the body, made of calabash and parchment. The instrument was beyond repair, and made headlines around the world.

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Pino Palladino, pop’s greatest bassist: ‘I felt like a performing monkey!’

One of the world’s most celebrated bass players has worked with everyone from Adele to Elton John, the Who and D’Angelo. But the Welsh musician has hidden from the spotlight – until now

By his own admission, Pino Palladino is not a man much accustomed to giving interviews. “Very reticent,” he nods during a Zoom call, his accent speaking noticeably louder of his childhood in Cardiff than his current home in LA. “You know, there was a time when I was featured in all sorts of musicians’ magazines, and then I just thought to myself, ‘Move over, there’s people out there that actually need the publicity.’ Not to blow smoke up my own arse,” he adds hurriedly, “but really I just didn’t want to see or hear from myself.”

It’s a remark in keeping with the astonishing career of one of the most celebrated bass players in the world. It’s hard not to blanche when you consider the sheer number of records that have been sold featuring his work. He played on not one but two of the biggest selling albums of the 21st century: Adele’s 21 and Ed Sheeran’s Divide, as well as with Rod Stewart, Elton John, Bryan Ferry, Simon and Garfunkel and Keith Richards. They’re the biggest names in a startlingly diverse back catalogue of collaborations: Palladino’s playing is the thread that links Perfume Genius with Phil Collins, Harry Styles with Chris de Burgh, and Nine Inch Nails with De La Soul. Indeed, his versatility and omnipresence is a running joke within the music industry. When another fabled bass player, Pink Floyd’s Guy Pratt, got married, he opened his groom’s speech with the words: “I’m only here today because Pino couldn’t make it.”

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Ryley Walker: ‘Going two days sober was impossible since I was a kid’

He was hailed as the new Nick Drake, but addiction nearly destroyed him. Now he writes songs ‘in a state of joy’ and, after stacking shelves for minimum wage, has released his best work yet

Speaking on a video call from Massachusetts, Ryley Walker is obscured by a blaze of sunlight coming through a large open window as he filters out the air in his apartment. “I must give up smoking,” the singer-songwriter frowns, lighting up his third cigarette.

Given how much Walker has had to give up over the last few years – emerging from the drug and alcohol dependency that shaped his adult life – it’s hard to begrudge him one last remaining vice. Walker, who attempted suicide as a consequence of his addictions, says that being here today is “a miracle”. His career-best new album – the proggy, unexpectedly pretty Course in Fable – is the sound of an artist treating his life as such.

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The eggs factor: Belgian pop star finds fame again from rural Irish exile

Philippe Robrecht was living the quiet life with his wife and hens when stardom came calling back

Something odd happened to Philippe Robrecht while hunkered down in lockdown on Inishbofin, a tiny island with just 170 inhabitants off Ireland’s Atlantic coast: he became, again, a pop star.

The 55-year-old musician and singer had not made an album in almost a decade and was all but forgotten in his native Belgium when the Covid-19 pandemic reached Ireland last year.

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Karol G: ‘Why should I limit how I express myself because I’m a woman?’

The vastly popular Colombian singer is challenging outdated views of women in Latin pop – but her naive racial politics have sparked controversy

I catch Colombian singer Karol G in a rare moment of calm, while she is in a car on her way to a hotel. She has just landed in New York to film a music video, but home is Miami, she clarifies, the engine humming in the background. “I love it there because there are so many Latinos!”

Born Carolina Giraldo Navarro in Medellín, Karol G, 30, is one of Latin America’s biggest pop stars, an expressive performer who uses beautiful hooks for lyrics that explore female desire and sexual agency – a rarity in the male-dominated Latin music scene, where, she says, women have historically been treated like “products”.

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The Royal Albert Hall at 150: ‘It’s the Holy Grail for musicians’

It’s hosted opera greats, suffragette rallies, Hitchcock films, sports events, sci-fi conventions – and, of course, the Proms and countless rock gigs. Artists from Led Zeppelin to Abba recall their moments on the hallowed stage

The Royal Albert Hall is 150 years old today (and the Guardian was there to see it opened by Queen Victoria). With a design based on a Roman amphitheatre, stacked balconies pack the audience close to the action – and at a capacity touching 6,000, the number of visitors entertained at the London venue runs to many millions. But what is it like to play as a performer? We asked artists and sportspeople for their memories of being centre stage at the iconic venue.

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Tina review – celebration of a singer who is simply the best

Made with the full cooperation of its 81-year-old subject, this one-off about the astonishing life of Tina Turner is not a gritty documentary, but rather a loving swan song

Sky Documentaries’ two-hour film Tina, a retrospective on the now 81-year-old Tina Turner’s career is stuffed full of footage of her performances over the years. Black and white film of Anna Mae Bullock (as she was then) in the late 50s singing with Ike Turner’s Kings of Rhythm. Then on into the 60s, after he had realised what an asset he had on his hands and married the singer thus known as Tina Turner. Then flowering in the late 60s and early 70s, as the duo rose to greater and greater fame thanks to the Grammy-winning Proud Mary and the multimillion-selling hits River Deep – Mountain High and Nutbush City Limits.

Then come the 80s, when she made an astonishing comeback and dominated every stage she set foot on as a solo performer. And on into the 90s and the new millennium – including performing at the Grammys with Beyoncé and a 50th anniversary tour in 2008 – until she chose to step back. Apart, that is, from a second memoir, a Grammy lifetime achievement award, a musical about her life and a remix of What’s Love Got to Do With It that made her the first artist to have a top 40 hit in seven consecutive decades in the UK

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‘So much pressure to look a certain way’: why eating disorders are rife in pop music

A documentary series about Demi Lovato shows how brutally controlled the singer’s diet once was, and, as other pop performers attest, it’s control that underpins damaging behaviour

For eight years of her life, Demi Lovato was served a watermelon cake for her birthday. This wasn’t a watermelon-flavoured version of a proper cake with all the good stuff like butter, sugar and flour, but rather an actual watermelon with some icing on top.

The reason for this was that her team at the time were “trying to keep her weight down”, according to Lovato’s best friend Matthew Scott Montgomery, who is interviewed as part of Demi Lovato: Dancing With the Devil, the YouTube documentary series premiering this week. Her team would police what she ate, he says, and those she was with were also required to eat only when Lovato ate, with no snacking outside of meals, in an attempt to “keep her well” and avoid triggering a relapse into the restrictive eating disorders she struggled with as a teenager.

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System of a Down’s Serj Tankian: ‘If something is true, it should be said’

System of a Down’s political activism helped change the course of Armenian history. But – facing censorship, assassination threats and a divided band – at what price for its frontman?

Of all the nights Serj Tankian has stood on stage surveying a crowd of 50,000 faces roaring his own words back at him, there is one that the System of a Down frontman will never forget. On 23 April 2015, the metal band gave a two-and-half hour, 37-song set to a rapturous audience in Republic Square, in the heart of the Armenian capital Yerevan. For a band formed in the diaspora community of Los Angeles’ Little Armenia in 1994, the occasion could not have been more significant: they had been invited to perform in the country for the first time as part of events marking the centenary of the Armenian genocide, in which an estimated 1.5 million Armenians were killed between 1915 and 1922. “The overwhelming feeling was of belonging,” says Tankian, 53, speaking from his airy home studio in Los Angeles. “It felt like we were created 21 years earlier so we could be there that night.”

For Tankian, whose outspoken political activism often animates his songwriting, seeking international recognition of the Armenian genocide has been a lifelong and personal campaign. On stage that night in Yerevan he told the story of his grandfather Stepan Haytayan, who was just five years old when he saw his father murdered in the atrocities; he later went blind from hunger. Between songs, Tankian railed against Barack Obama’s resistance to using the term “genocide” to describe the atrocities after taking office, before turning his ire on Armenia’s authoritarian president, Serzh Sargsyan. “We’ve come a long way, Armenia, but there’s still a lot of fucking work to do,” Tankian told the audience, before calling out the “institutional injustice” of Sargsyan’s administration and demanding the introduction of an “egalitarian civil society”.

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Serpentwithfeet: ‘Nobody can take my joy. Not the government, not a random white person’

With his new album, Deacon, the US singer-songwriter has finally left heartbreak and anger behind. It’s been a journey

Across the long stretch of the pandemic, with formal face-to-face interviews replaced by cosy conversations over phones and laptops, we have become used to images of kitchens, living rooms and carefully selected bookshelves. For today’s conversation, though, singer-songwriter Serpentwithfeet has offered up a far more novel setting in the current locked-down climate: an airport. After struggling to connect, he appears, most of his face covered with a mask, his neck tattoos just visible through the compressed video image. “Can you hear me?” he asks, before a disembodied voice interrupts to announce that a flight is now boarding.

Related: The Guide: Staying In – sign up for our home entertainment tips

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Waiting for a Star to Fall: Boy Meets Girl on how they made a pop classic

‘We were at a Whitney Houston concert in LA. I glanced up and saw a shooting star. It felt like a sign from the heavens’

We’d written How Will I Know and I Wanna Dance With Somebody (Who Loves Me) for Whitney Houston, so were given tickets when she played the Greek Theatre in Los Angeles on her first tour in 1986. After she sang How Will I Know, I glanced up and there was a shooting star in the night sky above the amphitheatre. I pulled out my notebook and wrote down: “Waiting for a star to fall.” It felt like a sign from the heavens.

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Neuroscience, the cosmos and trees: going deep with composer Hannah Peel

From praise from Paul McCartney to writing music for Game of Thrones, the musician has had an extraordinary career so far. She discusses her next step - an album embracing the natural world through electronica

Paul McCartney knew Hannah Peel’s talent before the world did. He hands out pin-badges at every degree ceremony at Liverpool’s Institute for Performing Arts, which he co-founded, and where Peel studied music. In 2007, her graduation year, she’d been chosen to compose something to accompany each student walking on stage.

Peel had been advised to do a fanfare of trumpets, but refused; she wrote a minimalist miniature for vibraphone and marimba instead. “My principal hated it,” she says, laughing down the Zoom line. “But when I crossed the stage and shook Paul McCartney’s hand, he whispered in my ear, ‘I really like your music. Well done!’”

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‘It’s the way she owns her body’: how Megan Thee Stallion rode to Grammys glory

Last week’s triple triumph capped the glorious rise of a rapper who has inspired a generation of women with her confidence and sublime talent

In 2014, a then-unknown Megan Thee Stallion tweeted: “I need a team [because] I promise this rap shit gone take off for me.”

That promise has been fulfilled in quite spectacular fashion. The 26-year-old, born Megan Jovon Ruth Pete, is now one of the world’s most famous and respected rap stars, with her three Grammy awards at last weekend’s ceremony marking the peak of her career thus far.

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Beyoncé’s 30 greatest songs – ranked!

After she became the most awarded woman in Grammys history this week, we attempt to whittle down the best of her wildly varied and brilliant catalogue

As far removed as you can get from the innovations of the Beyoncé album or Lemonade, The Closer I Get to You is a slick cover of a 1977 Roberta Flack-Donny Hathaway duet, with Luther Vandross filling the Hathaway role. It’s lovely: a great song, beautifully sung, with Beyoncé admirably uncowed by the presence of a soul titan.

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Why bands are disappearing: ‘Young people aren’t excited by them’

Maroon 5’s Adam Levine was scoffed at for suggesting there ‘aren’t any bands any more’ – but if you look at the numbers, he’s right. Wolf Alice, Maximo Park and industry insiders ask why

“The moment that we started a band was the best thing that ever happened,” sings Matty Healy on the 1975’s recent single Guys. The song is an ardent love letter to the band, and to the romance of bands in general: the camaraderie, the solidarity, the joyous fusion of creativity and friendship. It’s an old sentiment but an increasingly rare one.

“It’s funny, when the first Maroon 5 album came out [in 2002] there were still other bands,” the band’s frontman Adam Levine told Apple Music’s Zane Lowe this month. “I feel like there aren’t any bands any more … I feel like they’re a dying breed.” Levine was quick to clarify that he meant bands “in the pop limelight” but the internet doesn’t really do clarification, so his remarks sparked bemusement and outrage among the literal-minded, from aggrieved veterans such as Garbage (“What are we Adam Levine? CATS?!?!?”) to fans of newcomers such as Fontaines DC and Big Thief.

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The Grammys’ diverse winner list isn’t box-ticking – these are terrific artists | Alexis Petridis

While questions rightly remain over its shadowy nominations process, Grammy voters should be praised for honouring a large number of women and people of colour

The Grammys always attract a degree of controversy. This year, there was singer Teyana Taylor protesting that “all I see is dick” in the all-male nominations for best R&B album, and a slightly peculiar statement from Justin Bieber, asking to be considered an R&B artist rather than a pop singer. More headlines were grabbed by the Weeknd, understandably shocked that his double-platinum album After Hours, and its accompanying single Blinding Lights – a song so omnipresent that it recently celebrated an entire year in the US Top 10 – didn’t receive a single nomination: he subsequently announced he would stop his label submitting his music in future. The latter’s complaint revolved around a lack of transparency in the voting process: the presence of nomination committees that retain executive power over who makes the shortlists and who hold the ability to add artists who have received no nominations in many of the Grammys’ categories.

The argument about transparency isn’t going to go away – if your voting process involves a shadowy and apparently unanswerable cabal who exert control over the nominations, you should probably expect people to look askance at it – but, the absence of the Weeknd aside, the actual winners in the Grammys’ big categories brooked little argument.

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Gurrumul, Omar Souleyman, 9Bach and DakhaBrakha: the best global artists the Grammys forgot

From the Godfathers of Arabic rap to the father of Ethio-jazz, Grammy-winning producer Ian Brennan guides a tour through global music’s greatest

This week I wrote about the glaring lack of international inclusivity in the Grammys’ newly redubbed global music (formerly world music) category.

In the category’s 38-year history, almost 80% of African nations have never had an artist nominated; no Middle Eastern or eastern European musician has ever won; every winner in the past eight years has been a repeat winner; and nearly two-thirds of the nominations have come from just six countries (the US, the UK, Brazil, Mali, South Africa, India). The situation shows little signs of improving.

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Sean Paul’s teenage obsessions: ‘My Coventry grandmother cooked me bubble and squeak’

Ahead of two new albums this spring, the dancehall superstar recalls the poignancy of his first love, and how water polo took his mind off his imprisoned father

When I turned 13 my father had just gone to prison, so without a father figure I looked for heroes in music and sports. Both my parents had been champion swimmers and when I was four or five they would throw me in the water when other kids didn’t want to swim. From the age of 13 to 21 I represented Jamaica in water polo, which my father had played. We trained a lot: 5,000 metres a day, 7,000 to 9,000 metres on Thursdays. It consumed my life but in a good way. It took my mind off my father being in prison.

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