Category Archives: Art and design

A microcosm of segregated America: Michael von Graffenried’s best photograph

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‘The people of New Bern liked the fact my ancestor founded their town. But the atmosphere changed when they realised I was there to show reality, not promote a touristy vision’

The guy on the left is Frank Palombo, the former chief of police of New Bern in North Carolina, a town I have spent the last 15 years photographing. In 2006, an organisation called Swiss Roots invited me to document New Bern as part of their mission to promote a positive image of Switzerland – my country – in the US.

They approached me partly because my ancestor is the settler Christopher von Graffenried, who founded New Bern in 1710 after conflict with a Native American tribe known as the Tuscarora. I knew nothing about him and, initially, neither the project nor my family history interested me. But a month later, I changed my mind – it was a chance to find out whether Swiss-held prejudices about George Bush’s America were true.

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‘We want dignity’: the vanishing craft of Kashmir’s papier-mache artists

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Award-winning artist Maqbool Jan is one of a handful still practising the ancient artform, but without government help he fears it could be lost

Kashmir’s ancient papier-mache artworks are famous throughout the world. The art form is a staple of the luxury ornamental market, and has a rich and long cultural lineage. It is closely associated with the advent of Islam in Kashmir, and depicts scenes from the Mughal court, Arabic verses from the Qu’ran, Persian poetry, as well as Kashmir’s iconic tourist attractions.

However, this ancient art form is vanishing, with only a handful of artisans left practising.

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‘I didn’t really watch any tennis’: how Martin Parr captured the Grand Slam’s real champions

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The photographer toured the four tournaments shooting thrilled fans instead of sweaty stars. He talks about why street photography is becoming impossible – and life after his cancer diagnosis

It’s the morning after the night before at the US Open and the sports sections contain images of triumph and defeat. Ecstatic Emma Raducanu lying prostrate on the tennis court. Bereft Novak Djokovic sobbing into his towel. The photographer Martin Parr would have liked to have watched the finals, but he’s been unwell and incapacitated, stuck on one floor of his house with the TV on the other. He briefly considered watching on his laptop but it just seemed too much bother. “I like tennis tournaments,” he says, a little sheepishly. “That doesn’t necessarily mean that I like tennis per se.”

In this, one suspects, he is not alone. Parr’s new book Match Point offers a vivid globe-hopping tour of the four grand slam tournaments, bounding from Melbourne to Paris to London to New York and mingling with the spectators as they ogle their iPhones or sunbathe on the grass or guzzle iced coffee at the refreshment stand (the book was commissioned by the Italian coffee firm Lavazza). Most people, he points out, visit Wimbledon in the same spirit that they would attend Ascot or the Chelsea flower show: it’s a social event, an excuse to dress up. They might spend the entire day in the grounds at SW19 and go home without seeing a single ball being served.

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‘People arrived for work and got vaporised’: how Kikuji Kawada captured the trauma of Hiroshima

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The holy grail of Japanese photobooks, Kawada’s Chizu was five years in the making and changes hands for £25,000 a copy. Now a new edition revisits his personal archeology of a nation’s pain

Kikuji Kawada was 25 when he visited Hiroshima for the first time. It was July 1958 and he had been assigned by a Japanese news magazine to assist Ken Domon, a renowned photographer 14 years his senior. As Domon worked in and around the Hiroshima Peace Park, Kawada found himself drawn to the ruined shell of a once ornate, steel-framed building that had been badly damaged, but somehow remained standing, when America dropped the first atomic bomb on the city at 8.15 am on 6 August 1945, obliterating everything else within a mile radius.

“That’s when I found them,” he would later recall, “the stains on the walls of the rooms beneath the dome.” The bomb had been dropped from almost directly above the building, which was then called the Hiroshima Prefectural Industrial Promotion Hall. Alone in the dank ruins, Kawada realised that the stained walls held the only traces of some of the dead. “When the place was destroyed,” he told Aperture magazine in 2015, “there were about 30 people (who) had arrived for work and ended up vaporised. The place had a horrible atmosphere. Just looking at it was overwhelming.”

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Embracing vitiligo: Ugandan artist dispels skin stigma with portraits

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People with the condition can face being seen as ‘cursed’ in the east African country, says Martin Senkubuge, whose art aims to make them proud of their skin

It was a confrontation with a female Michael Jackson fan that first drew Martin Senkubuge’s attention to the skin condition vitiligo.

Senkubuge, a Ugandan artist, was describing his tattoo of the musician to the woman at an art exhibition in Kampala in 2019, when he accused the pop star of bleaching his skin.

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Anish Kapoor on vaginas, recovering from breakdown and his violent new work: ‘Freud would have a field day’

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Why has the artist painted scenes of bloodletting, decapitation and a woman with 10,000 breasts? He’s scared to talk about it – but he can explain his fascination with vaginas and the world’s blackest black

At 67, Anish Kapoor, with a knighthood, a Turner prize and a retrospective due at the Venice Biennale next year, appears determined to strip away his own artistic skin. Like Marsyas – the satyr flayed alive by Apollo, whose gory fate Kapoor once commemorated in a 150m-long, 10-storey-high sculpture – the artist is exposing his innards. That’s the only way to describe his latest works. One of the world’s most renowned sculptors is about to go public as, well, a painter. Yet it is the content of the works he’s about to unveil that may disconcert. “They’re very, very violent,” he confesses. “And I just wonder what the hell that has to do with what’s in me. I can’t sit here and psychoanalyse them. I don’t know how to. But I recognise that it’s there.”

The works, about to go on display at Modern Art Oxford, are beautifully painted yet brutal: full of images of bloodletting, decapitation and disembowelling. Kapoor seems to have taught himself to paint the human figure in order to desecrate it. At his London studio, there are stacks of these blood-soaked canvases depicting huge wounded bits of bodies and purple organs spattered on the walls.

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Leonard Cohen goes to the doctor: Ian Cook’s best photograph

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‘He said he had to see a throat specialist then added: “Do you want to come along?” Later, we drove to a party with me sitting on his lap in a limo’

In 1979 Leonard Cohen was in London for a few days on a European tour and I had been assigned to photograph him by the US magazine People. I arrived at the Dorchester Hotel and was shown up to his room. He announced that he had picked up some sort of larynx infection on the plane and that he might not be able to perform. He said that he had an imminent appointment with a Harley Street specialist. My heart sank and I thought: “There goes the assignment.” Then he said brightly, “Do you want to come along with me?”

We hopped in a taxi and I followed him into the surgery. The doctor examined him, sat him in a chair and gave him a nebuliser. With his dark glasses on, a scarf wrapped around his neck and a large silver-coloured mask covering his nose and mouth, he looked quite bizarre but it made an unusual photograph, not like any others I’d seen of him. Forty minutes later, much to his relief – and mine – he said he felt much better.

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Danish artist delivers empty frames for $84k as low pay protest

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Denmark museum of modern art says Jens Haaning’s Take the Money and Run violates legal agreement

In an unexpected reinterpretation of an earlier work, a Danish artist has left a museum with empty frames, a depleted bank account and red faces all round.

Rather than applauding Jens Haaning’s artistic commentary on modern capitalism, the Kunsten Museum of Modern Art in northern Denmark has said the artist is in violation of a legal agreement – and in possession of more than $84,000 belonging to the institution.

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Earliest European portraits of African men on show together for first time

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Rijksmuseum says change in focus prompted by renewed interest in wake of Black Lives Matter

The two earliest portraits of men of African descent in the history of European art are being exhibited together for the first time in their 500-year history, reflecting a change of focus championed by the Black Lives Matter movement, curators at the Rijksmuseum have said.

Among more than 100 portraits by Renaissance artists being showcased by the museum in Amsterdam from Tuesday are Albrecht Dürer’s 1508 sketch, discovered in the German painter’s workshop at the time of his death, and Jan Jansz Mostaert’s portrait, dating from about 1525.

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‘I think about everyone I save’: the mine clearance hero of Kurdistan

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Hoshyar Ali has cleared more than 750,000 landmines in 104 villages, despite having lost both legs to landmines. Iraqi Kurdistan is one of the most contaminated countries for landmines and explosive remnants of war, according to a report by the United Nations Office for the Coordination of Humanitarian Affairs

A dust cloud trails behind a metallic grey Kia Sportage as it meanders along a rocky dirt road toward the last town on this thoroughfare before reaching the Iraq-Iran border.

People walk along the road, waving at independent deminer Hoshyar Ali as he drives by, recognising him by the red flag on his antenna, indicating the vehicle is transporting explosives, and by the stickers of various landmines on his vehicle.

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The Man Who Sold His Skin review – tattooed refugee story offers up art-world satire

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Serious themes are undercut by the flippant tone of this story about a Syrian refugee who becomes a conceptual art object

Here is a muddled caper of movie that doesn’t know what it wants to say; it doesn’t work as a satire of the international art market, nor as a commentary on the racism of white European culture. And its attitude to Syria is undermined by a silly and unconvincing ending that leaves a strange taste in the mouth. It is inspired by the Belgian conceptual artist Wim Delvoye and his human artwork called Tim: in 2008, Delvoye tattooed an elaborate punk-crucifixion scene on the back of a Zurich tattoo parlour owner named Tim Steiner, who in return for a cash payment agreed to sit still with his tattooed back on show in galleries for a certain number of times a year and have his tattooed skin surgically removed and put on display after his death. And of course it is this macabre destiny that lends fascination to the ongoing live events.

This movie from writer-director Kaouther Ben Hania imagines a Syrian man, Sam Ali (Yahya Mahayni) in love with a well-born woman Abeer (Dea Liane). But when he is wrongfully arrested by the tyrannical Assad government, Abeer’s family pressures her into marrying a smooth diplomat, Ziad (Saad Lostan), who takes her to live with him in Brussels where he is an embassy attache. Sam Ali manages to escape from police custody (the least of the film’s implausibilities) and get over the border into Lebanon where, hungry and hard up, he gatecrashes art exhibitions and gobbles the free canapes. And this is where he is approached by a preeningly arrogant artist, Jeffrey Godefroi (Koen De Bouw), who looks like Roger De Bris, the theatre director in Mel Brooks’s The Producers. If Sam will agree to the humiliation of having a massive “Schengen visa” tattooed on his back, then Jeffrey will be legally able to transport him to Brussels as a conceptual art object rather than a human being, as part of a show about the commodification of humanity, and Sam will be able to see Abeer.

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Sci-fi script and a cage-shaped mosque: Islamic art gets subversive

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From subtle riffs on traditional script-based decoration to a late father’s letters to his lover, the artists vying for the Jameel prize generate deep emotion from meticulousness

Words have had outsize importance in Muslim culture since the beginning. The Qur’an, which literally means “recitation”, was of course revered as the word of God. But, crucially, images of human beings and animals were disapproved of because they could distract people from prayer; as a result, artists poured all their creativity and imagination into calligraphy. Facing the same restriction, craftsmen and architects created dazzling geometric forms into which words were often incorporated. The discipline imposed by not being able to depict living things gave rise to some of the most beguiling decoration on the planet.

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China’s ugliest buildings: contest to celebrate unsightly architecture begins

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This year’s contenders include a violin-shaped church and a ‘welcome to hell’ glass bridge joining two mountains

An infamous “hall of shame” listing of China’s top 10 “ugliest” buildings has kicked off with 87 bizarre designs in the running, including a violin-shaped church and an Inner Mongolia hotel in the form of a monstrous babushka doll.

Over the past 11 years a Chinese architecture website, archcy.com, has been inviting people to vote in the lighthearted annual contest that it hopes will encourage people to ponder the flexible notion of beauty.

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La Palma’s Cumbre Vieja volcano erupts – in pictures

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A surge of lava has destroyed about 100 homes on Spain’s Canary Islands a day after a volcano erupted, forcing 5,000 people to leave the area. Cumbre Vieja erupted on Sunday, sending vast plumes of thick black smoke into the sky and belching molten lava that oozed down the mountainside on the island of La Palma, one of the most westerly of the Atlantic archipelago off the coast of Morocco

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‘The cover is like a piece of art in itself’: 32 years of Guardian Weekend magazine

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Since its creation in late 1988, the Guardian’s Saturday supplement has been lauded for front covers and features that have caught the eye and sparked joy or sometimes controversy. As its final edition is published, some of the team who worked on it explain how they brought the magazine to life

In 1988, Guardian editor Peter Preston was feeling jealous. The recently launched Independent had a new supplement on Saturday. Edited by the late Alexander Chancellor, it was shot artfully in black and white, and was receiving praise for its inventive use of photography. Meanwhile, the Guardian had barely any feature writers; interviews usually ended up buried in the middle of the paper.

“Saturday had traditionally been the weakest day of the week in terms of circulation,” says former Guardian editor Alan Rusbridger who was, at the time, the parliamentary sketch writer. “The Guardian had experimented with some not very successful newsprint sections – one called Friday had flopped. The Independent had broken the mould with their magazine and it had given them a massive boost in circulation. Something had to be done.”

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Pencil drawing of old man identified as Van Gogh work

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Drawing has been in private hands since around 1910 and is now going on display in Amsterdam

A pencil drawing of a broken old man, head in hands looking utterly exhausted, has been identified as a work by Vincent van Gogh.

The Van Gogh Museum in Amsterdam said on Thursday that it had authenticated the drawing as being the work of the man himself. Teio Meedendorp, a senior researcher at the museum, said it was a “spectacular” discovery shining light on Van Gogh’s early career as an artist living in The Hague, a time less well known than his years in Paris or the south of France.

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Sebastião Salgado receives Praemium Imperiale 2021 award – in pictures

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The Brazilian photographer Sebastião Salgado has been named as one of four winners of a £400,000 award given by the Japan Art Association. Amazonia, an exhibition by Salgado, opens at the Science Museum in London from 13 October. An exhibition of collectors prints, organised by the Photographers’ Gallery, is on show at Cromwell Place Art Centre from 20 October

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Work begins on wrapping Arc de Triomphe for Christo artwork

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Operation combining art and engineering on a massive scale fulfils dream of late artist couple

Shortly after the sun rose over central Paris, the first of the orange-clad rope technicians hopped over the top of the Arc de Triomphe and began to abseil down the landmark unrolling a swathe of silvery blue fabric that shimmered in the early light.

Someone clapped as the first abseiler went over the top – 50 metres from the ground – but most in the crowd of onlookers just held their breath. It was a slow and meticulous operation, requiring them to stop make adjustments to the folds in the material every few metres while avoiding touching the arch itself.

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