‘Death of the suit’: V&A exhibition explores evolution of menswear

From Harry Styles in a dress to gender-neutral dressing and ‘dad bods’, Fashioning Masculinities embraces past and present trends

From the death of the suit during the pandemic to Harry Styles appearing on the cover of US Vogue in a dress, the conversations around masculinity and fashion appear to be contemporary, however a new exhibition at the Victoria and Albert Museum aims to link modern men’s fashion to its storied past.

Fashioning Masculinities: The Art of Menswear, which opens on 19 March, will feature a host of contemporary fashion designers (Versace, Calvin Klein, Martine Rose) alongside historical examples of the way men dressed (from Bowie to Beau Brummell). There are more than 100 pieces which the curators hope will illustrate how glacial the trends around men’s fashion actually are.

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Outdoor weddings legalised permanently in England and Wales

Temporary measures introduced during Covid crisis will be made made permanent from April

Outdoor weddings and civil partnerships are to be legalised permanently in England and Wales, ministers have announced.

Since last summer, couples have been able to hold their civil wedding or ceremony outside under temporary measures introduced during the coronavirus pandemic.

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Bermuda’s ban on same-sex marriage is allowed, UK judges rule

JCPC overturns decision by lower court that ban was unconstitutional, in setback for LGBTQ rights

British judges have ruled that Bermuda’s ban on same-sex marriage is permitted under its constitution, in a setback for gay rights in the British overseas territory.

The UK’s judicial committee of the privy council (JCPC) – the ultimate court of appeal for Bermuda and dozens of other British overseas territories, dependencies and Commonwealth states – on Monday overturned a decision by Bermuda’s highest court, which ruled the ban to be unconstitutional.

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Black Women Photographers on what International Women’s Day means to them

We hear from a some of the members of the Black Women Photographers collective, a group facilitating greater diversity in editorial photography

The Black Women Photographers collective, established via a Covid-19 relief fund, is approaching its second year of promoting and empowering Black female photographers, as well as increasing the visibility of their work.

In March, a virtual summit supported by Adobe will feature Raven B Varona, Kimberly Douglas, aka @kihmberlie, Audrey Woulard, Lola Flash, Lola Akinmade Åkerström, Amanda J Cain, NHL’s first Black woman team photographer, Whitney Matewe, DeLovie Kwagala, Cheriss May, Sade Ndya, Chaya Howell and Idara Ekpoh.

2017: My friends Dara and Isioma, who I have known since 2008 in boarding school. This photo was taken at one of our many mini alumni meetups. After spending six years of the most formative parts of our adolescence in a remote school campus – loving, hating and knowing each other – we can say that we come from each other.

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And now for a song about the clitoris! The joy of sex education

With gags, tunes and dance, The Family Sex Show celebrates sexual pleasure, equality and independence. What is there to be embarrassed about, asks theatre-maker Josie Dale-Jones

‘I remember the tampon dipped in Ribena,” says Josie Dale-Jones, her fingertips pressed together as if holding on to the string. “The way it swelled up immediately.” In school, Dale-Jones recalls her sex and relationships education as being “near to non-existent”. There was the purple-soaked tampon, the classic condom rolled on to a banana and the “general fear-mongering” of pictures of STIs pinned up on a board. “But never a mention of why you might want to have sex,” she says, rolling her eyes. “Never anything about empathy or pleasure, or how any of it might impact other people.”

With a team of eight performers, Dale-Jones is making a show about sex and relationships for ages five and above. Accompanied by workshops and panel talks, The Family Sex Show tackles topics including boundaries, gender, relationships and masturbation. Through a series of artistic responses and conversations, the group want to help make it easier for anyone, of any age, to talk about these sticky, tricky topics. “I don’t know another subject that we only talk about once and then we tick it off as if it’s done,” Dale-Jones says. “The learning is never over.”

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Going places: 10 inspirational female adventurers

To mark International Women’s Day on Tuesday, these great women offer inspiration on how to power up your own adventures

Rhiane launched the non-profit organisation Black Girls Hike in Bolton in 2019 to create a safe space for Black women to explore the outdoors and connect with nature. It’s now a nationwide organisation hosting hikes, training events and activity weekends, and she won a positive role model award for gender at the National Diversity Awards in 2021.

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‘I went from basic to flamboyant overnight!’ The people who transformed their style – in their 50s, 60s and 70s

Growing older can mean getting bolder – so why shouldn’t this be reflected in our clothes? Meet four people who refuse to blend into the background

Our style evolves as we move through life; trends come and go. When we get older, the phrase “age-appropriate” is suddenly everywhere. But not everyone is content to blend into the bland smart-casual background. Some choose to tear up their old wardrobes for something entirely different.

What is it that prompts people to revolutionise their styles later in life, to swap streetwear for flouncy skirts or trousers for kilts? And how does it feel to disregard the fashion rulebook?

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Next stop, Sylvia Plath! Why it is time to redraw the London Underground map

The official London tube map has only three stops named after women. Together with the actor Emma Watson and the author Rebecca Solnit, I’ve been working on a feminist alternative. Here’s the story behind our contribution to International Women’s Day

When I was a baby feminist, I would argue with friends that public space was political. I had been radicalised by my teenage years, sick to the back teeth of street harassment from men who seemed to think that the streets were theirs to roam freely, while women were relegated to decoration. It wasn’t a regular occurrence, but it happened enough times to enrage me. Walking home from school in London, in uniform, I had been followed, had my arm snatched and had been approached at least once by a man who displayed stalking tendencies. As I grew older, I understood these actions as displays of dominance and I was disgusted. Alongside my indignation, I was crushingly disappointed. I had been raised in this city and hated that this kind of behaviour was an impediment to my teenage desire for autonomy and freedom.

I had been navigating public transport by myself for years at that point, and it took me everywhere I wanted to go. Once I had exhausted my immediate surroundings on foot, I’d take the Piccadilly line to gigs at the now bulldozed Astoria on Charing Cross Road. I’d jump on the Hammersmith and City line, a portal to dancing all day at Notting Hill carnival. The Circle line made me feel like an intellectual in the museums of South Kensington. There was no option back then to outsource travel plans to a clever little app, so in order to go anywhere I, like everyone else, would have to study the tube map to find out how to get to my destination. If I was feeling brave, I’d sometimes jump on the tube at Turnpike Lane and work it out as I went along, peering at the mini maps inside the train carriage and looming awkwardly over whoever was sitting in the seat beneath. I didn’t need a car. The map in my pocket opened up my city.

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‘Good times? I was out of it’: The Dropout’s Naveen Andrews on booze, drugs and baffling the world in Lost

He found fame in The English Patient before becoming a huge TV star. Now he is tackling the Theranos fraud scandal. But addiction in the 90s nearly cost him everything

If your abiding image of Naveen Andrews is as Sayid from Lost – the soulful Iraqi officer whose sad eyes, powerful biceps and luxuriant hair set many mid-00s hearts a-flutter – you might be in for a shock seeing him in The Dropout. Paunchy, bespectacled, greying, with shockingly normal-length hair, he is less a strapping man of action and more a middle-aged man of business – and not a very good one at that. Andrews portrays Sunny Balwani, the partner and alleged co-conspirator of Elizabeth Holmes, who was once the world’s youngest female billionaire and is now a convicted corporate fraudster.

On a video call from his home in Santa Monica, California, Andrews, 53, looks more Sayid than Sunny. His black gym vest exposes reassuringly well-toned biceps; the hair is returning to its trademark resplendence. He gained 9kg (1st 6lb) for The Dropout, he explains, to make his face fuller and his belly paunchier. He also modified his movements to seem slower and older. “Well, I did at least want to resemble the character I was playing,” he says, a little sting of sarcasm in his inflection.

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Reasons to be cheerful: optimists live longer, says study

Those with a positive attitude to life may lower their anxiety levels by avoiding arguments

People who have a rosy outlook on the world may live healthier, longer lives because they have fewer stressful events to cope with, new research suggests.

Scientists found that while optimists reacted to, and recovered from, stressful situations in much the same way as pessimists, the optimists fared better emotionally because they had fewer stressful events in their daily lives.

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Harry Potter star Jessie Cave in hospital after catching Covid while pregnant

The actor, best known for her role as Lavender Brown, says her symptoms have lasted for weeks


Harry Potter star Jessie Cave has been admitted to hospital after testing positive for Covid-19 while pregnant with her fourth child.

The actor, best known for her role as Lavender Brown in the film adaptations of the hit books, said the virus had hit her hard and her symptoms have lasted weeks.

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I wrote the original miserable marriage memoir – and I have no regrets

Bookshelves today are full of true-life stories of marital discord but a former Observer columnist pioneered the genre 25 years ago

It’s 25 years since I accidentally turned a travel article for the Observer about a “romantic” weekend in Bruges into a niche journalistic genre – the misery travel memoir. The trip was scheduled a few days after my (spoiler alert!) soon-to-be-ex-husband had told me he was leaving me… and we went anyway. This tiny slice of misery-memoir histoire was entitled “By Waterloo Station I Sat Down and Wept”.

While the travel-article-as-anatomy-of-a-marital-breakdown sub-genre never really caught fire, the article went off to live its best life out in the journo-sphere. After reading it, I heard subsequently, plenty of people specifically booked Suite 50 at Die Swaene hotel in Bruges. For a year or so after its publication, I documented the fallout in my weekly Observer magazine column, before being commissioned to turn it all into a book, The Heart-Shaped Bullet (Picador, 1999).

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Ten years of my art was lost in a fire I accidentally started – but I made better work from the ashes

A devastating fire in my studio forced me to approach painting and life in a new way

Two weeks before the first lockdown I was in my studio putting the finishing touches to my most ambitious body of paintings to date. The studio was packed with hundreds of works of art. For the past four years I had been working with the Syrian writer Professor Ali Souleman and the documentary filmmaker Mark Jones. Ali lost his sight in a bomb blast in Syria in 1997 and we had been attempting to translate his experiences of war and displacement into a collection of paintings – to make the unseen seen. Ali and Mark were coming the very next day for an unveiling. The studio was overstuffed, no pause or resting place for the eye anywhere. It was, in hindsight, a self-portrait of a restless mind.

I’ve always been driven by obsessive-compulsive tendencies: counting and control, endless tinkering, seeking a never-coming calm. A patch of work caught my eye. Could it be a bit more darkened and burnt? I felt an itch behind my eyelid, a twitching fidget. I should have waited until I could move the boxes. I couldn’t wait. I switched on the blowtorch and passed it over the surface. It would only take a moment. A moment was all it took.

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‘They took my world’: fashion giant Shein accused of art theft

Artists say firm with murky ethical record is stealing their designs

Vanessa Bowman paints the world around her: the 19th-century village church, her back garden, the leaves on the trees in the fields where she walks her dog.

Once she has chosen a scene from her rural Dorset idyll, she puts brush to canvas, sometimes poring over the details for days in her studio.

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Russian chef joins forces with Ukrainian best friend to serve food across frontiers

The London-based pair launch initiative to raise awareness – and funds – through shared love of traditional dishes

Alissa Timoshkina was brought up on a “beautiful diet” of Ukrainian and Russian dishes. Growing up, she remembers her great-grandmother – a Ukrainian Holocaust survivor who emigrated to Siberia following the second world war – pounding lard and frying vegetables to make a hearty beetroot borscht (Ukrainian soup).

Now the Russian chef has joined forces with her Ukrainian best friend, Olia Hercules, in a show of unity in the face of war. The London-based pair, both 37, are the force behind Cook for Ukraine, an initiative that uses food to raise awareness about the conflict and funds to support the humanitarian effort.

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Meet the ‘vegan bros’ here to bust the myth that real men eat meat

From plant-eating bodybuilders to role models like Lewis Hamilton, so-called ‘hegans’ are turning gender stereotypes on their head

It was a Sunday afternoon in the late 1980s and the house was filled with the fatty scent of roast lamb. I absentmindedly enquired about the origins of lunch and my brother pointed at the mewing sheep in the field adjacent to our house. I was a five-year-old boy, and I decided on the spot to become the first vegetarian in my family.

My parents, while broadly supportive, were understandably bemused – and concerned. It was a less enlightened time, and my lack of dietary protein was a constant worry. They assuaged this by occasionally feeding me Chicken McNuggets under the not entirely misplaced logic that they weren’t really meat. After I’d cottoned on, I would sheepishly order a cheeseburger “without the burger” whenever we went to McDonald’s.

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Afghan journalist Zahra Joya among Time’s women of the year

Now a refugee in the UK, Joya and the Rukhshana Media agency defied threats to report on life for women under the Taliban

The Afghan journalist Zahra Joya has been named as one of Time’s women of the year 2022 for her reporting of women’s lives in Afghanistan through her news agency, Rukhshana Media.

Now living as a refugee in the UK, Joya continues to run Rukhshana Media from exile, publishing the reporting of her team of female journalists across Afghanistan on life for women under Taliban rule.

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‘When I surf I feel so strong’: Sri Lankan women’s quiet surfing revolution

Women and girls have challenged conservative attitudes in the hallowed surf spot of Arugam Bay

Growing up in a small fishing village along the east coast of Sri Lanka, Shamali Sanjaya would often sit on the beach and look out at the boisterous waves. She would watch in envy as others, including her father and brother, grabbed surfboards, paddled out into the sea and then rode those waves smoothly back to shore. “I longed for it in my heart,” she said.

But as a local woman, surfing was strictly out of bounds for her. In Sri Lanka’s conservative society, the place for women was at the home and it was only the men, or female tourists, who were allowed to ride the hallowed waves in Arugam Bay, considered Sri Lanka’s best surf spot.

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‘A radiant expectant mother’: Rihanna and the rise of the power bump

Pop star challenges perceptions of pregnancy by wearing black negligee to Dior show at Paris fashion week

It was a moment of pure joy at a Paris fashion week sobered by the shadow of war. Rihanna sailed into the Dior show like a galleon in full sail, pregnancy bump lightly veiled in a sheer black negligee of lace-trimmed dotted Swiss tulle. The veteran fashion critic Tim Blanks, who quizzed the pop star backstage as to whether she was expecting a boy or a girl – she wasn’t telling – described her as “the most radiant expectant mother … a real ray of light on a dark day.”

In the month since the unofficial new “Queen of Barbados” announced her pregnancy by posing for the paparazzi photographer Miles Diggs on a snowy New York street with a vintage Chanel pink coat unbuttoned to reveal a naked bump crowned with a cascade of gold and gemstone jewellery, Rihanna has done more than push the boundaries of maternity wear. In characteristic form, she is challenging expectations of how women in the public eye should look and behave.

Rihanna, who wore a fluffy lavender coat over a black latex crop top at Gucci and a peach leather mini dress for the Off-White show, has not been the only expectant mother in the spotlight at this month of fashion shows. At the young designer Nensi Dojaka’s London fashion week show, the tissue-thin sequined slip worn by the model Maggie Maurer celebrated her four-month pregnant shape. “I think it’s quite shocking – in a good way,” Maurer told Vogue. “Women’s bodies are like superpowers.”

In the age of optics, announcing a pregnancy via the medium of fashion has established itself as a power move. A timeline shift toward ever more daring takes on bump-dressing can be tracked via the maternity fashion of a thought leader in this field, Beyoncé. When Beyoncé revealed her first pregnancy in 2011 at the MTV Video Music Awards during her performance of Love on Top – by unbuttoning her sequined blazer and turning to give the audience a profile view – the bump was demurely covered-up in a white shirt and high-waisted trousers.

By the time Beyoncé was pregnant with twins in 2017, the rules of engagement had altered. This time around, Beyoncé made the reveal wearing only a bra and satin knickers, cradling her bump in front of a flower arbour with a veil falling over her shoulders as softly as the hair of Botticelli’s Venus, in an image that set a new record for Instagram likes.

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