Why stars should think twice before calling out their critics

From Lizzo to Lana Del Rey, celebrities have taken umbrage with reviews online. But arguing with journalists only warps the public’s view of the media, and puts writers under siege

In 2018, while working as a freelance writer, I travelled three hours outside of London on a train, and then a coach, to review a music festival. I camped in the cold and the rain, waking up at 8am each morning to make sure I didn’t miss anything. When I got home, I filed what I thought was a generous review. I did not expect the organiser and the founder of the festival to find me on Twitter to tell me that I clearly hadn’t attended, or that my three-star review was full of lies. They were hurt that I hadn’t given it five stars. I was hurt that my hard work – complete with blood blisters, swollen glands and glitter that took two weeks to wash out of my hair – was now seen as a declaration of war.

As an editor and sometime critic specialising in pop culture, differing perceptions are par for the course. I find it skull-crushingly boring to see the same TV show or album receive near-identical reviews across the board, or read identikit reviews of the same film. I inhale people’s opinions – the good and the bad, the funny and the touching, the flippant and the problematic – and exhale them. I don’t internalise them. I don’t agree with a lot of what I read, but I take something from it: someone else’s views. I go to certain people because I know, nine times out of 10, we think very, very differently (here’s looking at you, Camilla Long). Reviews can serve as a guide but they are also an artform in their own right. They entertain, inform and challenge readers. The writer AO Scott described criticism in his 2016 book Better Living Through Criticism as “art’s late-born twin”.

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Here Are the Young Men review – Anya Taylor-Joy and the bad boys

Three Dublin lads and their super-smart classmate face an uncertain future in a tale that only hints at dark possibilities

Here is an ensemble coming-of-ager in which someone actually says the line: “That summer may have changed everything …” It’s in a style I associate with the 90s: movies such as Trainspotting or Human Traffic, with people clubbing and yearning and discovering the value of friendship together as the sun comes up. There’s certainly an impressive cast lineup for this one, but there’s also something weirdly formless and frustrating about it as well; the film gestures at some dark and disturbing possibilities in human nature without quite knowing if or how to follow through.

Matthew (Dean-Charles Chapman), Kearney (Finn Cole) and Rez (Ferdia Walsh-Peelo) are three Dublin lads who leave school without much idea of what they want to do – not like their super-smart classmate Jen (Anya Taylor-Joy) who has some ambitious life plans figured out and on whom sweet, sensitive Matthew has a massive crush. But then the boys witness something horrible that shakes them up and reveals a sinister side to Kearney, who has a creepy attitude to Jen and a droog-like enthusiasm for torturing homeless people.

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80-year-old review wrecks Citizen Kane’s 100% rating on Rotten Tomatoes

The critics’ aggregator site has recently added a demurring 1941 write-up that wishes the Orson Welles film ‘let a little sunshine in’

An 80-year-old pseudonymous review appears to have wrecked Citizen Kane’s 100% rating on reviews aggregator site Rotten Tomatoes.

A Twitter user pointed out the change in Citizen Kane’s rating, due to the addition of a negative review from 1941. It is not clear exactly when the change happened, but website Boing Boing suggested it must have been between 25 February and 15 April, after comparing archived screenshots.

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Oscars 2022: who might triumph at next year’s ceremony?

After a year of delays, the next 12 months offers a wealth of big, awards-aiming movies from intimate dramas to historical epics

It’s not often that the word unusual gets attached to the Oscars, one of the most staid and predictable nights of the year, as sober as the Golden Globes is drunk. But after an unusual year, the awards season followed suit, extended by two months, films dropping in and out of the race and some that might otherwise have been ignored instead taking centre stage.

Related: And this year’s Oscar for inclusivity goes to … the Academy!

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Identifying Features review – horror and heartbreak in Mexico’s borderlands

First-time director Fernanda Valadez conjures up a vision of real evil in her story of the terrors faced by migrants into the US

There is unbearable heartbreak in this migrant drama from first-time Mexican film-maker Fernanda Valadez – and also a vision of real evil. At times, it looks something like social-realist folk horror. Mercedes Hernández plays Magdalena, a middle-aged woman from Guanajuato in central Mexico whose teenage son Jesús left home three years before, with a friend, on a bus bound for the border, where he’d hoped to take his chances on disappearing into the US as an illegal. But the body of Jesús’s friend has been found on Mexican territory, in an unspeakably grim holding area where the corpses of teen runaways are routinely kept in container boxes awaiting identification – though there is still no proof that Jesús himself is dead.

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Sheep Without a Shepherd review – perky Chinese thriller that toes the line too carefully

A father uses his obsession with the movies to help his daughter when she is unjustly suspected of murder

It turns out that cinephilia is a productive use of time after all. When his computer is searched, Li Weijie, protagonist of this perky Chinese thriller, has watched 838 films in a year – and he uses his superior knowledge of the seventh art to get his family out of a pickle. Chinese but living in northern Thailand, he scrapes by as an internet technician, but his daughter finds herself at the centre of a murder investigation after she accidentally kills the son of a police chief who was trying to blackmail her with smartphone-filmed rape footage.

A remake of the 2013 Malayalam film Drishyam, this big Chinese hit ultimately doffs the cap to Korean cinema: it is Jeong Keun-seob’s 2013 film Montage that inspires Li when he has to provide his family with an alibi.

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Glenn Close’s magnificent Da Butt and superb flirting: key Oscars moments

An impromptu dance masterclass became an instant highlight, but Steven Soderbergh’s directorial shakeup delivered a ceremony with few highs and frequent depressions

In a skewiff ceremony of overlong speeches, quiet applause and a downsized red carpet, one moment effortlessly stole the show: Glenn Close doing the dance to the 1988 funk hit Da Butt.

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Historic wins for Nomadland – and surprise victory for Anthony Hopkins – at odd Oscars

Chloé Zhao made history as the first woman of colour to win best director with her drama about van-dwellers as Hopkins and Frances McDormand won top acting honours

During an unusual Oscars ceremony, on-the-road drama Nomadland triumphed with a win for best picture, best actress and a historic victory for Chloé Zhao, becoming the first woman of colour to be named best director and only the second woman ever.

The film, starring Frances McDormand as a woman living out of her van and interacting with real-life nomads, took home the top trophy near the end of a delayed night and a delayed season amid the pandemic. The ceremony played out in person but with safety precautions and a modest guest list.

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Oscars 2021 live: Minari’s Youn Yuh-jung wins best supporting actress

At the 93rd Academy Awards, Chloé Zhao wins best director for Nomadland and Daniel Kaluuya wins best supporting actor for Judas and the Black Messiah

Oscar winners 2021: the full list – updating live!

Oscars 2021: predictions, timetable and what to expect

Angela Bassett is here to introduce the In Memoriam segment. This has been a genuinely miserable year, and the faces of people we lost are speeding through at a genuinely unprecedented rate, which only really serves to make the whole thing even sadder.

The culmination of the pub station is Glenn Close twerking. Glenn Close twerking during a pub quiz in a train station. And to think people probably aren’t watching this.

GLENN CLOSE DOING "DA BUTT" #Oscars pic.twitter.com/AwhR46pmWX

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Youn Yuh-jung wins best supporting actress Oscar for Minari

South Korean follows her Bafta win with an Academy Award for Minari, in which she played a ‘grandma’ living on a farm in Arkansas

South Korean performer Youn Yuh-jung has won the best supporting actress Oscar for her role in Minari at the 93rd Academy Awards, which are taking place in Los Angeles.

In Minari, Youn plays Soon-ja, “grandma” to young David, who comes from Korea to stay with the family on their farm in Arkansas. She brings with her the “minari” seeds that gives the film its title.

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Guardian film Colette wins Oscar for best documentary short

Film about a former resistance fighter travelling to visit the concentration camp where her brother died wins prize at the 93rd Academy Awards

Watch the Guardian’s Oscar winning film, Colette

Colette, a film released by the Guardian, has won the Oscar for best documentary short at the 93rd Academy Awards in Los Angeles.

Written and directed by Anthony Giacchino, and produced by Alice Doyard, Annie Small and Aaron Matthews, Colette tells the story of 90-year-old former French resistance member Colette Marin-Catherine, who visits the concentration camp where her brother was murdered during the war with a young history student, Lucie Fouble.

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Real-life plot twists leave Oscars struggling to adapt to new reality

Lockdowns, the rise of streaming and demands for diversity are forcing change on the 93rd Academy Awards

No full-blown red carpet, no outfit questions, no after-parties – many involved in Sunday’s Oscars are happy to take a break from a four-hour seated ceremony that, some argue, has long put the movie industry’s in-house favourites, the promotion of luxury lifestyles and virtue-signalling ahead of peer-reviewed creative recognition.

The event has been under reconstruction since the #OscarsSoWhite campaign forced an expansion of the voting body’s membership and drafting of inclusivity requirements that will come into effect next year.

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Joanna Lumley: ‘I love Patsy because we’re such polar opposites…’

The actor, 74, on Ab Fab, recycling, President Clinton and why you can’t be happy all the time

The nuns at convent school wore black stockings under their long habits and wimples. They were part of the Blue Stockings teaching community, and more concerned with turning us into interesting, strong women than anything holy.

We followed my father’s regiment in the Gurkhas from India to Hong Kong and Malaysia. My memories are of a bungalow that looked out over a little air strip where biplanes would land and the spotlight from a prison camp that flicked through my bedroom windows.

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Rudy Giuliani wins a Razzie for his role in Borat Subsequent Moviefilm

Singer-songwriter Sia picks up three Golden Raspberry Awards for her controversial film on autism

The former mayor of New York, Rudy Giuliani, has been awarded a Razzie for one of the year’s worst performances for his unwitting appearance in Sacha Baron Cohen’s sequel to Borat.

The Golden Raspberry Awards, colloquially known as Razzies, are an annual prize for Hollywood’s lowlights, taking place the day before the lavish Oscars ceremony.

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And the winner should be … Peter Bradshaw’s predictions for the 2021 Oscars

Will Nomadland clean up this year? Will Anthony Hopkins get best actor? Our film critic gives the low down on the contenders for the Academy Awards

Will win: Nomadland
Should win: Nomadland
Shoulda been a contender: Quo Vadis, Aida?

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The Oak Room review – bar-room tales brew up a storm

A father’s legacy is in dispute when wayward son RJ Mitte decides to spar with the barman who guards the man’s ashes

Several men walk into several bars in this interlocking suite of tales, and the repeating permutations of barman and barfly, blue collar and white collar, father and son, raconteur and listener pile up pleasingly into a kind of oppressive, Coenesque cosmic joke. RJ Mitte, Breaking Bad’s Walter White Jr, plays college boy Steve, who turns up in a snowstorm at a bar owned by the irascible Paul (Peter Outerbridge). He owes the latter money – and without it, Paul won’t give up the ashes of Steve’s recently deceased dad, Gord, whose funeral the youth failed to attend. And then this arrogant sadsack – whose very presence aggravates Paul – offers to pay him with a story.

Steve’s yarn is a slack spin on his own: a freezing wayfarer walks into The Oak Room, a pub in a neighbouring town, and puts a set of demands to an irked barman. Unimpressed, Paul tells him that he must learn to “goose the truth” to hold an audience, and then sucker-punches him with a story about Gord, with another story inside. Or he thinks it’s a sucker-punch – Steve reveals that he had only told the ending of his, and the start will transform everything.

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The secret to being Tom Cruise? Three days of chocolate cake

Little by little, the way for everyday mortals to become more like the world’s most extraordinary movie star becomes clearer. And this latest stage may be easier than expected

Tom Cruise is arguably the most intimidating movie star in existence. He’s less a human being and more a physical manifestation of human willpower. He does his own stunts. He flies his own planes. Back when everyone was worried that Covid would permanently bring the world to its knees, he offered hope; first by driving an actual motorbike off a literal cliff to prove to the world that no virus could stop him from doing loads of knuckleheaded stunts, and second by screaming blue murder at his crew whenever they got closer than two metres to each other.

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How we made Christiane F – the shocking cult film about a child heroin addict

‘Filming was banned at the station we shot at. So the cinematographer sat in a wheelchair, concealed the camera on his lap, and I pushed him around, following Natja cruising’

The director Uli Edel and his team came to my school. I was sitting there eating an apple. Uli’s assistant came up and said: “We’re looking for girls for a film. Do you want to try out?” I said: “OK, since you’ve asked me, I’ll come.”

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