Joker ‘a betrayal’ of mentally ill people, says David Fincher

Mank director rails at the risk-averse production strategy of major Hollywood studios

Mank director David Fincher has described Todd Phillips’ Oscar-winning Joker as “a betrayal” of mentally ill people.

In an interview with the Daily Telegraph, Fincher was reflecting on Joker’s surprise success at the box office in a wide-ranging attack on the risk-averse production strategy of the major Hollywood studios. Saying that studios “don’t want to make anything that can’t make them a billion dollars”, he also suggested that occasionally “challenging” material can get support, if there is solid previous evidence of commercial potential.

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Free willy: are film and TV finally growing up about male nudity?

Belgian film Patrick showcases the average male form, setting it apart from movies that often present it as comedy or combat

In terms of an attention-grabbing tagline, the Belgian movie Patrick had me at “Naturist campsite handyman loses his hammer”. Don’t expect anything saucy, though: Patrick, out on digital platforms on Friday, is a spare, sombre character study, set in a woodland community where everybody happens to be naked. After a few minutes, you stop noticing, even though the film occasionally embraces the absurdism, especially in a fight scene between two angry naked men in a flimsy mobile home.

Related: The Guide: Staying In – sign up for our home entertainment tips

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Ethan Hawke on regrets, race and surviving Hollywood: ‘River Phoenix was a big lesson to me’

Hawke could have been a superstar to rival Leonardo DiCaprio or Matt Damon. But, as he turns 50, the actor is thinking more about the dangers he avoided than the opportunities he turned down

“Do you mind if I do something not attractive?” Ethan Hawke asks. In a vintage T-shirt, with his hair in a half-ponytail, he looks every inch the artsy Brooklyn dad that he is. “I’m starving. Would it be very rude if I eat lunch? I’ll try to be neat and orderly about it.” We’re talking by video chat and I tell him I’ll forgive his lunch if he forgives the noise of kids and dogs in my background. “Never apologise for kids. My two younger ones are Zoom schooling now, so I’m hiding in my office where the dogs are, so we’re even,” he says, tucking into his takeaway.

On the day of our interview, Hawke’s 50th birthday is a week away; if that makes those of us who remember him as a smooth-cheeked schoolboy in Dead Poets Society feel old, imagine how Hawke feels. “Forty-nine sounds a lot younger than 50,” he says with self-mocking mournfulness. Will he celebrate? “My older kids are coming over, so I’ll do a dinner with the six of us, which is about as much fun as we can have these days,” he says.

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Steve McQueen: ‘It’s rebel music that moves me’

The director on the reggae-fuelled house parties he witnessed as a child - lovingly recreated in his new film, Lovers Rock – and how their raw energy shaped his taste in music

Reggae music is the beating heart of Steve McQueen’s Small Axe series, which traces Black British experience from the late 1960s to the early 1980s. In the 1970s, when the characteristically defiant Bob Marley song that gives the series its title was released, McQueen’s aunt, Molly, used to regularly sneak out of her family house in Shepherd’s Bush, west London, on weekend nights to go to “blues parties” – all-nighters usually held in someone’s house.

Back then, the blues party was a staple of West Indian immigrant life in England, a makeshift club-cum-shebeen, usually held in someone’s front room or basement, where, as the night progressed, the sweet smell of ganja merged with the lingering aromas of West Indian home cooking. As an escape from her strict, religious upbringing, Molly would dance until dawn to roots reggae, sweet-sounding “lovers rock” and floor-shaking dub instrumentals.

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Matrix party ‘disguised as film shoot’ to bypass German Covid rules

Keanu Reeves among 200 people at studio party where guests came as extras, says report

German health authorities say they plan to speak to the studio where the latest Matrix film was shot after a party allegedly attended by the Hollywood actor Keanu Reeves was held to mark the end of filming, despite coronavirus restrictions.

About 200 people were at the party disguised as a film shoot, with the guests invited to come as extras in an apparent attempt to bypass health regulations, according to the German tabloid Bild.

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‘It was just a bunch of thugs’: how Collective uncovered a web of state corruption in Romania

A tenacious team of sports journalists and a persistent whistleblower turn this documentary into a newsroom drama as thrilling as All the President’s Men

Collective begins with profoundly upsetting footage filmed by clubbers on their phones of the fire that broke out in 2015 at a crowded Bucharest nightclub, Colectiv. A Romanian band is singing angrily – “Fuck all your wicked corruption. It’s been there since our inception” – before stopping abruptly to ask if anyone has a fire extinguisher. What appeared to be a striking firework display above the heads of the musicians turns out to be a fire, and within seconds flames have engulfed the building and teenagers are running for their lives.

It is a shocking sequence, but it is not the most disturbing element of an extraordinary documentary that reveals a staggering degree of corruption running through Romania’s health system. The fire left 27 dead and 180 injured, but in the weeks that followed another 37 people died from wounds that should not have been life-threatening, many killed by infections picked up in hospital.

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From Burna Boy to Beyoncé: how black culture is embracing its African roots – video

In recent years, Africans on the continent and in the diaspora have become leading voices in black culture – in music, film, fashion, social media, comedy and even our memes. When Grace Shutti was growing up, black culture usually referred to African Americans. But from Beyoncé's visual album, Black is King, to Marvel's Black Panther and musician Diddy executive producing the Nigerian pop star Burna Boy's album, the shift to embrace African art has been seismic. Grace investigates how this came about

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Katharine Hepburn’s 20 best films – ranked!

With the Hollywood legend’s classic romcom The Philadelphia Story turning 80 next month, here is our critic’s rundown of her finest performances

Katharine Hepburn is exactly the kind of star who should be in a Frank Capra picture. This presidential election drama was a great talking point in its day – not least because it daringly made mention of real-life contenders of the time such as Thomas Dewey and Robert Taft. Hepburn plays Mary Matthews, the estranged wife of an industrial tycoon (Spencer Tracy) who is running for office on the Republican ticket, a campaign secretly bankrolled by his wealthy mistress (Angela Lansbury). Mary agrees to return to his side because of his manifest idealism, but wobbles as he appears to get slowly sucked in to the cynical political world.

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Wild Mountain Thyme trailer blamed for Irish accent emergency

Storm of paddywhackery cliches in promo for Hollywood film stuns critics – and even the leprechaun museum

A trailer is all that Ireland has seen of Hollywood’s latest romantic comedy, but that has been enough to declare an Irish accent emergency.

Wild Mountain Thyme stars Emily Blunt and Jamie Dornan as star-crossed lovers – and farmers – on an emerald isle posing as Ireland.

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‘She made music jump into 3D’: Wendy Carlos, the reclusive synth genius

She went platinum by plugging Bach into 20th-century machines, and was soon working with Stanley Kubrick. But prejudice around her gender transition pushed Wendy Carlos out of sight

This summer, an 80-year-old synthesiser pioneer suddenly appeared online. She had been silent for 11 years, but now something had appeared that she just wouldn’t tolerate. “Please be aware there’s a purported ‘biography’ on me just released,” wrote Wendy Carlos on the homepage of her 16-bit-friendly website, a Siamese cat and a synthesiser behind her portrait. “No one ever interviewed me [for it], nor anyone I know,” she went on. “Aren’t there new, more interesting targets?”

Given that Carlos is arguably the most important living figure in the history of electronic music, it’s remarkable that Amanda Sewell’s Wendy Carlos: A Biography is the first book about her. This is the musician who pushed Robert Moog to perfect his first analogue synthesiser, from which pop, prog, electronica and film music flourished. Her smash-hit 1968 album Switched-On Bach made the Moog internationally famous and became the second classical album ever to go platinum in the US. Then came her extraordinary soundtracks for A Clockwork Orange, The Shining and Tron. She made an ambient album five years before Brian Eno did, and jumped from analogue machines to do leading work in digital synthesis, but worried that her status as one of the first visible transgender artists in the US would overshadow it.

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The show the military couldn’t stop: Luca Guadagnino on We Are Who We Are

His new TV series about wild goings-on at an army base near Venice horrified the US Department of Defense. Did it also cost him his relationship? The Call Me By Your Name director reveals all

Lockdown was a nightmare for Luca Guadagnino. His dad died, his partner left and his myriad film projects had to be put in mothballs. As soon as restrictions were lifted, he jumped in his car and drove south from Milan, along empty motorways, right through the May night. He realises now he was in search of home.

Guadagnino, true to form, immortalised the trip on his iPhone and the resulting film is a lovely thing: part travelogue, part elegy, rattling around the director’s old village in Sicily. At one point Guadagnino stands outside his former house and inhales the smells from the open window – humidity, old grapes – like Proust with his madeleine. He wonders what kind of world the pandemic has left behind. He asks friends and colleagues for advice and support. “For a forest to stay healthy,” one tells him, “it has to periodically burn down.”

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Stanley Kubrick and Kirk Douglas wanted Doctor Zhivago movie rights

Director wrote to Boris Pasternak in late 1950s, previously unpublished material reveals

It is one of the greatest British films of all time, directed in 1965 by David Lean with an A-list cast that included Julie Christie, Omar Sharif and Alec Guinness. But the epic adaptation of Doctor Zhivago, Boris Pasternak’s classic love story set against the Russian revolution, might never have happened if a planned US production had got there first.

James Fenwick, a British film historian, has discovered that two of cinema’s most revered film-makers – Hollywood star Kirk Douglas and director Stanley Kubrick – had tried in vain to acquire the movie rights earlier, in the late 1950s.

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Gabriel Byrne: ‘It’s an obscenity to tell innocent children they’re going to hell’

The actor’s autobiography confronts the abuse he experienced at the hands of the church. But he has just as much contempt for Hollywood – and US presidents from Obama to Trump

Forget the pollsters. If you wanted to know the outcome of last week’s US election, you just had to ask Gabriel Byrne. I did, a month ago. I wish I had gone to the bookies.

Byrne was in London on the way back to his farm in Maine, where he lives with his wife and three-year-old daughter. It’ll be wafer thin, he said, Biden’s margin is miles slimmer than anyone predicts. He called it in 2016, too.

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Johnny Depp says he has been asked to resign from Fantastic Beasts franchise

Actor has announced he will be exiting the Harry Potter prequel series after losing his libel case over allegations of assault towards ex-wife Amber Heard

Johnny Depp is set to exit the Fantastic Beasts franchise after being asked to resign by Warner Bros.

The actor announced the decision in a statement on Instagram, one that comes just days after he lost his libel case against the Sun over claims he abused his ex-wife Amber Heard.

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Singer, activist, sex machine, addict: the troubled brilliance of Billie Holiday

A new documentary uncovers lost tapes to tell the intimate real story of the jazz singer – one with terrible resonance today as the US continues to fight institutional racism

There’s an electrifying moment in Billie, a new documentary about Billie Holiday, when Jonathan “Jo” Jones, a tempestuous, influential African American drummer who played with Holiday from the 1930s to 50s, challenges his white interviewer. “You don’t know what we was going through then,” he says, referring to travelling through the deep south on Count Basie’s tour bus. “What were you going through?” asks the interviewer, Linda Lipnack Kuehl. “We was going through hell!” he shouts. “Miss Billie Holiday didn’t have the privilege of using a toilet in a filling station. The boys at least could go out in the woods. You don’t know anything about it because you’ve never had to subjugate yourself to it. Never!”

James Erskine’s film is constructed entirely from such interviews by Kuehl, a high-school teacher and Holiday fan with a sideline in arts journalism. In 1971, she began plans for a biography: Holiday had died aged 44 in 1959 and, 11 years on, Kuehl wanted to speak to those who were there throughout her life. She interviewed and interviewed and was still finding people in 1978 – almost 200 of them in all. The project overwhelmed her and she never finished it, and in 1979 she was found dead on a Washington sidewalk. Police deemed it suicide, Kuehl having supposedly jumped from her hotel room, although there was no proof of this.

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Lucky Grandma review – gambling granny goes on fun knockabout caper

Former Bond girl Tsai Chin confounds expectations brilliantly as an older woman who gets mixed up with the Chinese mafia

Sentimentalising, patronising and generally disrespecting our elders is by now enough of a movie trope that any title including the words “grandma” or “grandpa” causes an involuntary shudder. That Lucky Grandma isn’t one of those films is mostly down to its star, Tsai Chin, whose many attributes include the ability to conduct full conversations with a lit cigarette suspended from her bottom lip. One look at Grandma’s stern face tells us she did not come to play.

Related: Tsai Chin: 'What was it like being in bed with Sean Connery? Fine'

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Luxor review – beautifully sparse character study amid Egypt’s ancient glory

Andrea Riseborough stars as a war-zone medic going through a low-key mid-life crisis as she tries to recover by visiting the famous archaeological site

Slow, delicate and sparse, Luxor is coming out on digital this week just as all the cinemas close down again. If you have a chance to see it, try to view it in the dark, without distractions, on the biggest screen you can in order to approximate a cinema setting and to best appreciate its deep-breath pacing and dry-heat beauty.

Writer-director Zeina Durra’s feature, her second after the evocatively titled The Imperialists Are Still Alive!, follows English surgeon Hana (an unusually subdued Andrea Riseborough, giving a great, slow-burn performance) as she recovers from the horrors of working in a Syrian war zone for an aid organisation. As she rests up at a plush hotel in Luxor, the open-air museum of a town in Egypt she used to live in years 20 before, she passes the time visiting the sights and having polite interactions with other guests and tourists, all the while considering what may be an even more traumatic assignment in Yemen.

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Heard lost public sympathy for standing up against Depp assaults, says QC

Abused women expected to be ‘meek and subservient’ to receive public sympathy, says QC

Amber Heard’s stand against Johnny Depp’s assaults should not have deprived her of public sympathy for suffering the ordeal of domestic violence, a leading human rights lawyer has said.

Heard was subjected to death threats and misogynistic attacks on social media during the libel trial that left her feeling “down and beleaguered”, according to Helena Kennedy QC, who met Heard while the case was before the high court.

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Tsai Chin: ‘What was it like being in bed with Sean Connery? Fine’

From Bond girl to badass grandmas, Tsai Chin has had an extraordinary career. She talks about her battles with racism, predatory producers – and farting leopards

‘I have lived on my own since 1963,” says Tsai Chin down the phone from her home in Los Angeles. “It doesn’t mean I haven’t had a sex life.” But it does mean that the 88-year-old actor brings something special to her latest role as a beguilingly irascible, chain-smoking widow who faces down triad thugs over stolen money in the comedy Lucky Grandma. Apart from the smoking, Grandma Wong is my new role model.

“I’m tough but my heart is very soft,” she says. And that is the key to Grandma Wong, a woman who projects to the world the opposite of what she is inside. In the film, she has a shrine to her late husband in her meagre Chinatown apartment in New York. She’s alone and impoverished but isn’t quite ready to give up her independence and move in with her sweet if bougie son in his brownstone.

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The fall of Johnny Depp: how the world’s most beautiful movie star turned very ugly

In the 1990s, he was a different kind of film star – eloquent, artistic and cool. But this week, with the loss of his court case against the Sun, the dream has decisively soured

Johnny Depp is “a wife-beater”. This is the verdict of the UK courts. Just writing that sentence feels genuinely shocking, and yet, by now perhaps, it should not. For a start, the allegation that he was physically abusive to his ex-wife Amber Heard emerged more than four years ago, after she applied for a temporary restraining order against him following their divorce, citing domestic abuse. It should also not be a shock, given how many other hugely famous men have been accused of abusing women. Sean Connery was alleged to have beaten his first wife and frequently defended hitting women. His death this weekend sparked online arguments about how much the coverage should focus on the professional achievements of a man who repeatedly insisted it was fine to hit women, “if the woman is a bitch, or hysterical, or bloody-minded continually”, as he said in 1965.

But Depp is a very different figure from Connery. The latter represented alpha masculinity and aggressive sexuality. No one ever said it explicitly, but Connery’s defences for beating women fit in, on some level, with his image, and so that side of him was never going to be a problem with his audience. Depp, however, represented something else. He sued the Sun for defamation when it described him as “a wife-beater”, something Connery would never have done, and it’s also why for a certain kind of fan (me), this feels like the death of yet another childhood hero.

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