Dolly Parton announces Broadway musical: ‘You’ll laugh, you’ll cry, you’ll clap’

Hello, I’m Dolly, a stage show inspired by the superstar’s life, will include her classics and new songs

Dolly Parton is heading to Broadway with the musical Hello, I’m Dolly.

The star is writing new songs to go along with some of her past hits and co-writing a stage story inspired by her life – a stage show that she hopes to land on Broadway in 2026.

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Melbourne Fringe drops the Butterfly Club over allegations of verbal abuse and threatening behaviour

Exclusive: Fringe investigation finds complaints from two performers about Simone Pulga’s behaviour to be substantiated

Melbourne Fringe will not use the Butterfly Club as a festival venue this year, after complaints alleging verbally abusive, intimidating and threatening behaviour made against its owner by two artists were found to be substantiated in an investigation conducted by the festival.

Since the club opened in 1999, it has been renowned as a home for new and alternative performers, making it a popular Fringe venue. The club, where the likes of Tim Minchin, Sammy J and Eddie Perfect started out, estimates that it hosts about 1,200 performances each year.

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George Clooney to make Broadway debut in Good Night, and Good Luck

The actor will play the lead in a stage adaptation of his Oscar-nominated journalism drama from 2005

George Clooney is set to make his Broadway debut in a stage adaptation of his 2005 journalism drama Good Night, and Good Luck.

The actor’s sophomore feature as director will be transformed into a play set to premiere in spring 2025. Clooney, who played Fred W Friendly in the original, will now take on the role of Edward R Murrow.

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Prunella Scales returns to role of Queen Victoria for Edinburgh fringe show

The Fawlty Towers actor has often played the monarch in the past and has now recorded audio for a new production at the festival

At the age of 91, Prunella Scales has reprised one of her favourite roles. The actor, who was diagnosed with vascular dementia 10 years ago, has recorded the part of Queen Victoria for a production at the Edinburgh fringe this summer.

She played the character more than 400 times in An Evening With Queen Victoria, a play written for her by Katrina Hendrey in 1979. She returned to the show on and off in performances around the world until 2007 and brought it to an end only because she was finding it hard to remember the lines.

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Rufus Wainwright blames UK’s ‘narrow outlook’ after Brexit for Opening Night’s flop

Exclusive: Audience had ‘vitriolic reaction’ to European tone of musical, forced to close early

Rufus Wainwright has defended his musical Opening Night, which was forced to close early after mixed reviews, saying West End audiences lack “curiosity” after Brexit and the British press had turned on the project because it was “too European”.

Opening Night was Wainwright’s first musical and is an adaptation of John Cassavetes’ 1977 film about an actor struggling to cope, who is played by Sheridan Smith. Directed by Ivo van Hove, it opened in March at the Gielgud theatre but a month later announced it would be closing two months early.

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‘An exceptional experience’: Adrian Dunbar to curate Samuel Beckett festival in Liverpool

Line of Duty actor will oversee classic plays as well as new pieces inspired by the Irish author in Beckett: Unbound 2024

Adrian Dunbar is to curate a festival in Liverpool dedicated to the work of Samuel Beckett. The programme includes four specially commissioned productions, one involving prisoners at HMP Liverpool.

The Line of Duty actor said of Beckett: Unbound 2024: “Engaging with Beckett makes you think about the fundamentals of life. Those fundamentals are sometimes hard to engage with, but at the end, when he drives everything to a conclusion, he also makes you feel something that is liberating.”

Beckett: Unbound, Liverpool and Paris, 30 May–7 June

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Admit women or we quit, Sting and Stephen Fry tell Garrick

In letter ahead of vote, signatories including Mark Knopfler say relations with female colleagues have been damaged

The musicians Sting and Mark Knopfler have co-signed a letter with leading theatre producers and actors, warning that they will be obliged to resign their memberships of the men-only Garrick Club if members refuse to approve a decision to admit women in a vote next Tuesday.

The letter, seen by the Guardian, was also signed by the actor Stephen Fry, the West End and Broadway theatre producer Karl Sydow, and Matthew Byam Shaw, an executive producer on The Crown television series and co-founder of Playful West End theatre production company.

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London’s Central drama school axes audition fees to end elite grip on the arts

The institution hopes to ‘shift the dial’ and encourage a more diverse range of students to apply

A key obstacle in the path of poorer aspiring actors is to be removed at one of the UK’s leading drama schools, the Observer can reveal. The Royal Central School of Speech and Drama, one of the country’s top drama schools, where Dame Judi Dench, Andrew Garfield, Riz Ahmed, Jason Isaacs, Cush Jumbo and Martin Freeman all learned their craft, is to scrap audition fees for prospective students in an effort to broaden its intake.

“None of us want drama schools to be the preserve of the well off. Ideally, they are places where people from all backgrounds can come together and learn from each other,” said Freeman, a Central graduate and star of The Responder, Sherlock and The Office. “Without my grant from Richmond council many years ago, I would never have been able to enjoy my three years at Central. That seems to have become harder and harder in recent years; who knows how many young actors are lost to us, due to lack of funds. I hope this inspires others to follow suit in trying to make attending drama school fairer for all.”

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Joanna Scanlan among actors backing gender equality push in theatre

Women in Theatre Lab will act as incubator for playwriting and acting talent and address gender inequality

Gemma Arterton, Joanna Scanlan and Stella Kanu are some of the figures backing an initiative to promote women in the theatre, who are being overlooked across the industry, according to the project’s founder.

Women in Theatre Lab will primarily act as an incubator for playwriting and acting talent. Its founder, Jennifer Tuckett, said the group would also put pressure on Arts Council England (ACE) to launch a review of gender inequality across the arts.

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Kit Connor and Rachel Zegler to lead ‘brutal’ Romeo + Juliet on Broadway

Acclaimed director Sam Gold will adapt the Shakespeare tragedy with new music from hitmaker and Taylor Swift collaborator Jack Antonoff

West Side Story’s Rachel Zegler and Heartstopper breakout Kit Connor are set to play Shakespeare’s tragic lovers Romeo and Juliet on Broadway.

Romeo + Juliet will premiere later this year from Tony award-winning director Sam Gold, who has previously taken on other Shakespeare plays such as Macbeth, Othello and King Lear.

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Manchester theatre restores cancelled Palestinian event after artists protest

Home theatre apologises for upset caused by cancelling of Voices of Resilience

The organisers of a Palestinian literature event cancelled by a Manchester theatre last week, say they are “hugely grateful” the venue has agreed it can go ahead after a surge of support.

Home theatre apologised for the upset caused by cancelling Voices of Resilience, due to be held on 22 April, citing “recent publicity” and safety concerns for the organisers and those attending.

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James Corden to return to London stage in political drama The Constituent

Joe Penhall’s new play marks the talkshow host’s first theatre role since One Man, Two Guvnors and will see him star opposite Anna Maxwell Martin at the Old Vic

James Corden is to return to the London stage for his first role since the National Theatre’s blockbuster farce One Man, Two Guvnors.

The star, who last year left his US late-night talkshow after eight years, will appear in a new political drama by Joe Penhall. The Constituent, at the Old Vic theatre, is set in an MP’s constituency office. Corden will play “an ex-serviceman with a life in freefall” while Anna Maxwell Martin (Motherland, Line of Duty) is an opposition backbencher whose ideals of public office are tested by his demands. Zachary Hart completes the cast as a parliamentary protection officer. The play will be directed by the Old Vic’s artistic director, Matthew Warchus, and is said to explore “the conflict between public service and personal safety”.

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‘Laced with fear and a lot of fun’: Punchdrunk announce new ‘slumber party’ show

Company founder Felix Barrett says Viola’s Room, written by Daisy Johnson, will be an audio-driven production perfect for date nights

Punchdrunk’s last immersive production, The Burnt City, drew more than 600 masked theatregoers each night to spend three hours venturing around a sprawling saga based on Greek myths. Their next show, announced on Monday, will invite them to take off their shoes and socks for a slumber party.

“This whole thing is a bedtime story,” said the company’s founder, Felix Barrett, of Viola’s Room, which will open in May at their headquarters in Woolwich, south-east London. Audiences will wear headphones rather than masks and follow what Barrett called an audio-driven “linear story” rather than explore the “open world” of Punchdrunk’s trademark shows, which let you roam freely around the space. Theatregoers will, according to publicity material, “feel their way through a maze-like installation as an unseen narrator guides them on a sensory journey”.

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Ava Pickett’s drama of female friendship in Tudor England wins Susan Smith Blackburn prize

Pickett’s ‘very funny and very angry’ play 1536 follows three women as they discuss the arrest of Anne Boleyn

The British playwright Ava Pickett has won this year’s Susan Smith Blackburn prize for female, transgender and non-binary playwrights.

Pickett’s winning play, 1536, unfolds in Tudor Essex and follows three women as they discuss the news of Anne Boleyn’s arrest. Pickett called it a “very funny and very angry play” about female friendship. In a ceremony at the Royal Court theatre in London on Monday, she was awarded $25,000 (£19,900) and a signed print by Willem de Kooning.

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Rising festival 2024: theatre-maker to be drugged unconscious in ‘deeply unnerving’ show about date rape

A Brazilian artist will have her body manipulated while passed out, in a lauded work about sexual violence that headlines Melbourne’s winter festival

A theatremaker will be drugged unconscious on stage in Melbourne this year, in a controversial and highly lauded theatre work about sexual violence that will have its Australian premiere at Rising festival.

Cadela Força Trilogy: The Bride and the Goodnight Cinderella is directed by and stars Brazilian artist Carolina Bianchi, who recounts her experience of being drugged and sexually assaulted, before taking a drug on stage. Once unconscious, female performers then move her body around, even at one point inserting a speculum and camera into her vagina, with a live video feed shown to the audience in a simulation of a post-rape forensic examination.

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Jeremy Hunt ‘could adopt Labour tax-raising plans’ – as it happened

Chancellor reportedly considering energy windfall levy as well as scrapping the non-dom status

The Conservative peer and former MP Stewart Jackson has also made the point about Rishi Sunak’s comments yesterday echoing what Suella Braverman has been saying. (See 9.25am.) He suggests Sunak is a weathercock, “buffeted by events”.

Rishi Sunak is now saying what #SuellaBraverman rightly said four months ago, and for which she was sacked. Tony Benn astutely divided politicians as between signposts and weathercocks. One can think ahead, the other is buffeted by events. We know which one is which, don’t we?

We commend the prime minister on his powerful speech at the CST dinner last night, pledging more funding to protect the Jewish community, outlining a new protocol to safeguard our elected representatives and effectively police protests, and drawing a clear line between democratic dissent and mob intimidation.

The last few months have seen an extreme rise in antisemitic hate in the UK, which has had a significant effect on British Jews. The prime minister’s announcement has made it clear - those bringing chaos to our streets and academic institutions will no longer be allowed to act with impunity.

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Of death – and laughter: how to write plays in Ukraine during wartime

A dozen playwrights and directors meet in Kyiv and find comedy can be an important part of their creative process

In a studio theatre tucked into a courtyard behind Kyiv’s main Khreshchatyk Street, six playwrights and six directors were hammering out a fraught question: how to write plays about war, during the war.

One unexpected outcome of their workshops was: through jokes.

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Move over Abba: new ‘riskier’ wave of British musicals to challenge West End’s established order

Theatreland is taking a gamble on a wave of quirky little shows to challenge the big but tired box office beasts

A fresh kind of musical theatre show, set apart by having started life on the fringe or in a small-scale provincial production, is challenging the established order in London’s West End this season.

A wave of new, quirky productions will be taking their places alongside Phantom of the Opera-style classics and all those big, popular musicals that rework a familiar film title or milk a superstar legacy.

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Actor drives 150 miles to star in Evita after lead and understudy fall ill

Jessica Daley rushed to the rescue after Curve theatre in Leicester put out a call for someone who knew the role

An actor travelled more than 150 miles to ensure the show went on after both the lead and understudy became ill and could not perform in a musical.

Jessica Daley travelled from her home in Middlesbrough to the Curve theatre in Leicester to sing the starring role of Eva Perón in a 7.30pm performance of Evita on Saturday.

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‘A national emergency’: UK theatres fear closure after more local funding cuts

Windsor and Maidenhead scraps cultural budget in wake of similar moves in Suffolk, Bristol, Nottingham and Birmingham

The chill blast of damaging cuts to provincial arts venues has returned to Berkshire this weekend as the cash-strapped local authority becomes the latest to scrap its cultural budget.

Local MP and former prime minister Theresa May was among those to salute a reprieve back in February. But theatre lovers in the Royal Borough of Windsor and Maidenhead now fear their venues are in jeopardy again, since no cultural funds appear in the next budget.

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