Charles Strouse, Tony award-winning composer of Annie, dies aged 96

Over the course of an illustrious career, Strouse composed music for Broadway shows such as Bye Bye Birdie and Applause but was best known for Annie’s evergreen songs

The composer Charles Strouse, a three-time Tony award-winner whose hits included Annie, has died at the age of 96. His death at home in New York on Thursday was announced by his four children.

Over the course of a long and illustrious career, Strouse composed music for the Broadway shows Bye Bye Birdie, Golden Boy, Applause, Rags and Nick & Nora. But he was perhaps best known for his score for Annie which opened in New York in 1977 and ran for almost six years. The story of the plucky red-headed orphan featured evergreen songs (with lyrics by Martin Charnin) including Tomorrow, You’re Never Fully Dressed Without a Smile and It’s the Hard-Knock Life, which was sampled by Jay-Z in a 1998 single. Annie received seven Tony awards, including best musical and best original score, and won the Grammy for best cast show album. It was adapted as a film in 1982.

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Ted Kotcheff, director of First Blood, Weekend at Bernie’s and Wake in Fright, dies aged 94

Prolific Canadian director also made one of the country’s first internationally successful films, The Apprenticeship of Duddy Kravitz, starring Richard Dreyfuss

Ted Kotcheff, the prolific Canadian director of films including First Blood, Weekend at Bernie’s, Wake in Fright and The Apprenticeship of Duddy Kravitz, has died aged 94. His daughter Kate Kotcheff told the Canadian Press that he had died of heart failure on Thursday in Nuevo Vallarta, Mexico, where he lived. His son Thomas said: “He died of old age, peacefully, and surrounded by loved ones.”

In an amazingly varied career, Kotcheff’s work ranged from hardhitting TV plays and low-budget features in the UK, to hit Hollywood comedies and prestige-laden award-winners and cult films. Kate Kotcheff said: “He was an amazing storyteller. He was an incredible, larger than life character [and] he was a director who could turn his hand to anything.”

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Olivier awards 2025: Giant, Benjamin Button and Fiddler on the Roof triumph

John Lithgow, Imelda Staunton, Romola Garai and Layton Williams are among the winners at the annual stage awards

The play Giant, which portrays children’s author Roald Dahl amid an outcry about his antisemitism, has triumphed at the Olivier awards on a star-studded night at the Royal Albert Hall in London.

US star John Lithgow took home the best actor prize for his performance as Dahl, Elliot Levey won best supporting actor (for playing publisher Tom Maschler) and Mark Rosenblatt received the award for best new play.

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Olivier awards 2025: Giant, Benjamin Button and Fiddler on the Roof triumph

John Lithgow, Imelda Staunton, Romola Garai and Layton Williams are among the winners at the annual stage awards

The play Giant, which portrays children’s author Roald Dahl amid an outcry about his antisemitism, has triumphed at the Olivier awards on a star-studded night at the Royal Albert Hall in London.

US star John Lithgow took home the best actor prize for his performance as Dahl, Elliot Levey won best supporting actor (for playing publisher Tom Maschler) and Mark Rosenblatt received the award for best new play.

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Lesley Manville calls for better funding for UK regional theatre

Actor, who won an Olivier for Oedipus, says her ‘bugbear’ is that venues outside London do not get enough money

Lesley Manville has called for better funding for theatres around the UK, saying her biggest “bugbear” with the stage industry was “there is not enough money thrown into regional theatre”.

Manville was speaking on Sunday night at the Olivier awards in London, where she was named best actress for her performance as Jocasta in Oedipus at Wyndham’s theatre.

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Lesley Manville calls for better funding for UK regional theatre

Actor, who won an Olivier for Oedipus, says her ‘bugbear’ is that venues outside London do not get enough money

Lesley Manville has called for better funding for theatres around the UK, saying her biggest “bugbear” with the stage industry was “there is not enough money thrown into regional theatre”.

Manville was speaking on Sunday night at the Olivier awards in London, where she was named best actress for her performance as Jocasta in Oedipus at Wyndham’s theatre.

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Richard Chamberlain, hero of Dr Kildare and ‘king of the miniseries’, dies aged 90

The actor died on Saturday night in Waimānalo, Hawaii of complications after a stroke, his publicist says

Richard Chamberlain, the hero of the 1960s television series Dr Kildare who found a second career as an award-winning “king of the miniseries,” has died. He was 90.

Chamberlain died on Saturday night in Waimānalo, Hawaii of complications after a stroke, according to his publicist, Harlan Boll.

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‘It’s very much relevant today’: the one-woman show on Charlottesville

Priyanka Shetty combines personal and political in #Charlottesville, a play that explores the deadly 2017 white supremacist rally

She had moved from India to live the American dream. Priyanka Shetty came to study acting at the University of Virginia in Charlottesville, a liberal place of clipped lawns and classical architecture rated in one survey as the happiest city in America.

But what she found was isolation and discomfort because of her race and, as the era of Donald Trump dawned, a nation on the cusp of hostility towards immigrants like her. Then came a white supremacist march through Charlottesville and an explosion of racist violence that left one woman dead.

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‘Expressing your pain in artistic form is not easy’: exiled Russian theatre director builds bridges in London

Dmitry Krymov, who fled Moscow after the Ukraine invasion, plans Dickens hybrid with UK and Russian actors

The acclaimed Russian stage director Dmitry Krymov the winner of many of Moscow’s top theatre prizes before his exile due to public criticism of the invasion of Ukraine, has spoken angrily of the impact of the war ahead of his first work with British actors. The Moscow-born director, 70, plans to use Dickens’s two stories Great Expectations and Hard Times to create a new performance.

Arriving in London this weekend for a short stay, Krymov, who is regarded by many western theatre pundits as among the best directors in the world, told the Observer he wants to link British and Russian performers and audiences, despite the divisions caused by President Vladimir Putin.

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Performing arts leaders issue copyright warning over UK government’s AI plans

In a statement, 35 signatories from dance, theatre and music industries express concern about ‘fragile ecosystem’

More than 30 performing arts leaders in the UK, including the bosses of the National Theatre, Opera North and the Royal Albert Hall, have joined the chorus of creative industry concern about the government’s plans to let artificial intelligence companies use artists’ work without permission.

In a statement they said performing arts organisations depend on a “fragile ecosystem” of freelancers who rely on copyright to sustain their livelihoods. They also urged the government to support the “moral and economic rights” of the creative community in music, dance, drama and opera.

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US playwright ak payne wins Susan Smith Blackburn prize

Furlough’s Paradise, a ‘lyrical’ journey about grief, scoops award for female, transgender and non-binary playwrights

The Susan Smith Blackburn prize for female, transgender and non-binary playwrights has been awarded to the US writer ak payne for their poignant and funny two-hander Furlough’s Paradise.

The play has been described by payne as a “lyrical journey about grief, home and survival”. It follows two cousins, one of whom is on a three-day release from prison, as the pair attend a funeral in their childhood town.

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Athol Fugard, South African political dissident playwright, dies aged 92

A giant of political drama, Fugard captured the injustices of apartheid in works such as Sizwe Banzi Is Dead and The Island

The South African playwright and director Athol Fugard, whose works included the play Sizwe Banzi Is Dead and the novel Tsotsi, has died at the age of 92. The actor John Kani paid tribute on X on Sunday, saying “I am deeply saddened by the passing of my dear friend”. The mayor’s office in Cape Town said: “Athol Fugard was not just a luminary in the world of theatre; he was a teller of profound stories of hope and resilience about South Africa.”

A major political dissident playwright of the 20th century, Fugard wrote more than 30 dramas including Statements After an Arrest Under the Immorality Act (in 1972) and “Master Harold” … and the Boys (1982). Both of those drew upon the time in the 1950s when he could only find employment as a clerk in one of the courts where black South Africans were charged (and inevitably convicted) of breaches of the “pass laws”, designed to control the movements of a racially segregated population under the apartheid system. There, he witnessed hourly the dehumanisation of those who had chosen the “wrong” streets or people.

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Hopeful or ‘hate-fuelled’? Film of controversial play about Israel gets London premiere

Director says Seven Jewish Children by Caryl Churchill, which provoked fury at its first production in 2009, is a ‘family story’ at heart

The premiere of Caryl Churchill’s short play Seven Jewish Children at the Royal Court theatre 16 years ago proved to be one of British theatre’s most controversial opening nights.

Audiences were immediately divided by the British playwright’s deliberately stripped-back treatment of Jewish generational fear and Israel’s history of conflict.

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Chichester Festival theatre announces first Hamlet, starring Giles Terera

Justin Audibert’s production with the Hamilton star is part of season including Top Hat, Natalie Dormer’s Anna Karenina and new play Safe Space

Since opening in 1962 under its first artistic director, Laurence Olivier, Chichester Festival theatre has hosted some of the world’s greatest Shakespearean actors. But surprisingly it has never produced its own version of Hamlet. “It’s unbelievable, isn’t it?” says Justin Audibert, who in 2023 succeeded Daniel Evans as the theatre’s artistic director. “We’ve done three Antony and Cleopatras!”

Audibert is now preparing to direct Hamlet himself, with the tragic prince played by Giles Terera, who won an Olivier award when he starred as Aaron Burr in the London premiere of Hamilton. The play will open in September in Chichester’s smaller Minerva theatre. “We are imagining that Old Hamlet [the prince’s father] has let the kingdom decline,” says Audibert, whose production will explore the “leadership vacuum” that comes from an older generation “clinging on to power for a really long time”. Hamlet’s father “has definitely got some Biden vibes” says Audibert, and the director has also been reflecting on the succession of Syria’s Bashar al-Assad from his father, Hafez. Terera, who starred as Othello at the National Theatre in 2022, will play a Hamlet who is similar in age to his stepfather, Claudius.

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Mark Ravenhill reveals 10 new plays to be performed over two days

The writer of Shopping and Fucking will direct cycle of bawdy comedies inspired by scenarios from a 17th-century Italian collection

A premiere by Mark Ravenhill has been an event ever since the British playwright’s explosive debut 30 years ago with Shopping and Fucking. But Ravenhill is now set to unveil a staggering 10 new full-length plays over two days, performed by a cast of 80 actors and directed by Ravenhill.

An epic cycle of bawdy modern comedies, the plays borrow from scenarios collected in a 1611 publication by the Italian commedia dell’arte actor and manager Flaminio Scala. Ravenhill said he had been attracted to the “generosity of spirit and comic energy” of the scenarios. “They are sexually frank, with the women given as much agency as the men. They are socially acute, depicting the newly rich mixing with the urban poor and new migrants from the countryside. They are grounded in money, sex and the body.” Collectively, the storylines depict a world “in which we are all fools and we all need to find a way to get along”. His aim, Ravenhill said, was not to make a historical reconstruction but “to write plays that allow contemporary audiences to laugh and to celebrate our shared humanity”.

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Jack Lowden joined by Martin Freeman in alcoholism drama The Fifth Step

Lowden first appeared in David Ireland’s two-hander in Edinburgh last year. For its West End run, he is paired with his ‘hero’ Freeman

Slow Horses star Jack Lowden is to reprise his role in The Fifth Step, a play about addiction, faith and masculinity, in a new West End production co-starring Martin Freeman.

Lowden first appeared in the drama, written by David Ireland, at the Edinburgh international festival last year and drew acclaim for his performance as an alcoholic, Luka, who joins the 12-step programme. The two-hander starred Sean Gilder as Luka’s older mentor, a part that will be played by Freeman in the production at @sohoplace in London, running from 10 May until 26 July. Finn den Hertog will again direct.

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‘She would have been in awe of him’: how Laurence Olivier gave Margaret Thatcher private seduction lessons

New drama, When Maggie Met Larry, reveals exactly how the world’s most famous actor coached the fledgling Iron Lady

In 1972, a nervous Margaret Thatcher went to Laurence Olivier’s London home for a lesson on presentational skills. The most famous actor of the 20th century told the then education secretary to put a book on her head and walk around to improve her deportment. He also advised her to take long confident strides, and to use her eyes to seduce and flirt.

The future prime minister went on to visit Olivier’s house for a further five lessons, details of which are revealed in a new Radio 4 play, When Maggie Met Larry. Starring Derek Jacobi, who joined Olivier’s fledgling National Theatre when only 24, and Frances Barber as Thatcher, the drama tells of the previously unknown advice on style and voice offered to the Tory politician.

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Joan Plowright, celebrated star of stage and screen, dies aged 95

Actor helped shape British postwar theatre through her performances at the Royal Court, National Theatre and in the West End

Michael Billington: Plowright was a dynamic force
Joan Plowright: a life in pictures

The actor Joan Plowright, who was celebrated for her long career in theatre and film, has died at the age of 95, her family have announced.

Plowright won acclaim for performances during the early years of the English Stage Company at the Royal Court and the National Theatre when it was based at the Old Vic and led by her second husband, Laurence Olivier.

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Plan to cut Berlin arts budget will ‘destroy’ city’s culture, directors warn

Leading theatre figures warn ‘drastic’ reduction in funding will cause bankruptcy and harm city’s tourism appeal

Plans to slash Berlin’s culture budget by tens of millions of Euros have led to a huge backlash, with leading venues saying they have been forced to cut performances and others warning they will be pushed into bankruptcy.

About 450 institutes that are reliant at least in part on state subsidies, from theatres and opera houses to nightclubs and galleries, have formed an alliance in an attempt to force a rethink over the €130m (£108.6m) cuts. At around 12 to 13% of the current annual budget, they have been described even by those proposing them as “brutal”.

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‘A very brave thing to do’: all-nude play about boomers v gen Z to premiere at Sydney’s Griffin theatre

An influencer on the run crashes a community of naturalists, in one of five new Australian plays premiering at the theatre in 2025

Boomer naturists will face off with a gen Z influencer in an all-nude comedy at Sydney’s Griffin Theatre Company next year, one of five new Australian plays premiering in its 2025 season.

Naturism, by Sydney playwright Ang Collins, is a comedy about a gen Z eco-influencer (played by Camila Ponte Alvarez) on the run who crashes a remote, off-grid bush eco-paradise created by a group of nudist baby boomers. The entire cast will perform nude for most of the play’s duration.

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