A few good massaman: Tom ‘two curries’ Cruise shows us how it’s done

Tom Cruise doesn’t just have a single chicken tikka masala when he goes to Birmingham – he has another one straight after. Has any man ever been more on-brand?

When Tom Cruise commits to something, he commits. When a Mission: Impossible stunt called for him to climb up the outside of the world’s tallest building, he actually climbed up the outside of the world’s tallest building. When Collateral required him to become an invisible assassin, he temporarily became a Fed-Ex driver to teach himself anonymity. When he fell in love with Katie Holmes, he did it with such couch-leaping intensity that it derailed his career for half a decade.

So when Tom Cruise went to Birmingham to have a curry, he really went to Birmingham to have a curry. When Tom Cruise went to Birmingham to have a curry, he did it with the same vigour that he uses to ride motorbikes or jump out of planes or scream at crew-members for not following Covid compliance protocols. Which is to say that when Tom Cruise went to Birmingham to have a curry, Tom Cruise went to Birmingham and had two curries, one after the other.

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More than Friends? Are David Schwimmer and Jennifer Aniston really dating?

The Friends reunion seemed pointless – until now. If it paved the way for Ross and Rachel to get together in real life, the world might explode with joy. So why do I have a sinking feeling?

Initially, this year’s Friends reunion didn’t exactly offer much in the way of entertainment. There was Justin Bieber dressed as a potato, and there was that meme about Matt LeBlanc looking like someone’s Irish uncle. Apart from that, the whole thing felt like an elaborate attempt to give James Corden even more air time.

But that was then. Because now that David Schwimmer and Jennifer Aniston are dating, the Friends reunion has become an important historical document and must be preserved for ever.

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Lily Allen: from chart-topping handbag kid to the heart of London’s West End

The singer is back in front of a live audience this week, playing ‘a woman with a real point of view’ in a spooky new play, 2:22 – A Ghost Story

There, in the background, wearing drop pearl earrings, is 13-year-old Lily Allen dressed up as a little lady-in-waiting. Cinema audiences watching Cate Blanchett as Elizabeth when the film of that name came out in 1998 might have been concentrating on the queen’s courtly dancing in the middle of the frame, but yes, it really was Allen playing a mini royal favourite in director Shekhar Kapur’s lavish production.

Now, more than two decades later, the 36-year-old singer-songwriter is taking centre stage as an actress in the West End, appearing in a spooky new play, 2:22 – A Ghost Story, which opens this week.

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Billie Eilish: Happier Than Ever review – inside pop stardom’s heart of darkness

(Darkroom/Interscope)
On perhaps the most anticipated album of 2021, Eilish uses subdued yet powerful songwriting to consider how fame has seeped into every corner of her life

“I’m getting older,” sings Billie Eilish, who’s 19, on Happier Than Ever’s opening track. “I’ve got more on my shoulders”, she adds, which is certainly true. Her debut album When We All Fall Asleep, Where Do We Go? wasn’t just a huge global hit, but an album that significantly altered mainstream pop music. Two years on, streaming services are clotted with bedroom-bound, teenage singer-songwriters dolefully depicting their lives: anticipation for what the genuine article does next is understandably running very high.

When We All Fall Asleep … was an album that turned universal teenage traumas – romance, hedonism, friendship groups – into knowingly lurid horror-comic fantasies, in which tongues were stapled, friends buried, hearses slept in and marble walls spattered with blood. That playfulness is less evident on its successor. It flickers occasionally, as on Overheated’s exploration of stardom in the era of social media, complete with death threats (“You wanna kill me? You wanna hurt me?” she mumbles, before giggling: “Stop being flirty”) or on NDA, where the “pretty boy” she entices home is required to sign the titular legal agreement before he leaves. But the overall tone is noticeably more sombre.

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Famous, but not ultra famous: meet the internet’s ‘in-betweeners’

They’re known by their faces, work, or names, and live a life of semi-stardom – all because they showcased their craft on the internet

You probably know Sarah Bahbah by her name, or her work – but you probably wouldn’t be able to pick her out in a crowd. You may have seen her recent cover shot of DJ Khaled for GQ; or you may know her other visual art work – like her subtitle series, which uses cinematic stills with her inner dialogue as captions, featuring big names like Noah Centineo and Dylan Sprouse. But a few years ago, the 29-year-old was relatively unknown. Then, all of a sudden, she posted a collection of photographic stills based on sex and takeout, and woke up to find herself near famous.

Now she has more than a million followers on Instagram, but Bahbah first recognized her new level of fame when she started to pass the barbecue test – that is, when you are invited to a gathering where you don’t know anyone, and a stranger asks if you’re familiar with your own work. “It’s happened numerous times,” she says. “I would just be sitting there listening to someone talk about my work, in this room full of strangers. That’s such a cool feeling to have – knowing that no matter where you are in the world, because of the internet, people discover you on their own terms and connect to your work.”

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Cameo founder on why celebrities offer video shoutouts: ‘Not all talent are motivated by cash’

Earlier this year, shoutout service Cameo earned itself a $1bn valuation by connecting fans with their favourite celebrities. Its founder, Steven Galanis, discusses modern fandom

What do Ghostface Killa, James Van Der Beek and Carole Baskin of Tiger King fame have in common? They’re all available through Cameo, an online “shoutout” service where subscribers can book a personalised video message from a growing army of actors, athletes, entertainers and more.

The brainchild of founder Steven Galanis, Chicago-based Cameo has been around since 2017, but it was during the pandemic that it struck gold. Providing a much-needed revenue stream for performing artists hit hard by lockdown, and offering users a safe and memorable way to send some love, it boomed. Right now there are over 40,000 celebrities ready to say happy birthday to your mom, or give your boyfriend a pep talk, with roughly 1.3m messages sent last year alone.

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Could Chrissy Teigen just try sending a text next time? | Harron Walker

After apologizing on Monday, Teigen was accused of bullying Michael Costello, who then was accused of bullying Leona Lewis. Maybe it’s time to pause the posts

In 2018, the New Republic deputy editor Katie McDonough wrote a piece for Jezebel that I spiritually consult to this day. (Full disclosure: I was a Jezebel contributor at the time.)

“Why tweet when you can text?” she asked, and … well, that’s basically it. Sometimes, you can just text the thing you want to tweet.

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Bennifer’s rebooted! Why is Ben Affleck and Jennifer Lopez’s reunion so cheering?

They were a tabloid dream, the super-cool fly girl and the eyeliner-wearing Caped Crusader. Now, 17 years on, Ben and Jen are together again. But what do the ultimate 00s couple mean to the TikTok age?

Brangelina. Kimye. Tomkat. Gyllenspoon. Each pairing is yet another note in the long, sad dirge of failed Hollywood romances. Blending famous monikers has been a showbiz tradition for decades, even if most of these fusions fizzle out quicker than you can say “Vaughniston” (you remember: Vince Vaughn dated Jennifer Aniston for about a minute after her breakup with Brad Pitt). But back in the early 2000s, there was one couple whose tumultuous affair and melded nickname towered above the rest, all but consuming the tabloid press for three whole years, until their abrupt, dramatic breakup just days before their planned wedding. And now, 17 years later, in a plot twist worthy of a Nancy Meyers romcom, those same not-so-young-any-more lovers have shocked the world and delighted the media by getting back together.

That’s right: like the cicadas, Bennifer has risen anew. The details of the Ben Affleck-Jennifer Lopez reunion are still a bit sketchy. There was a New York Post item in April reporting that the two had been observed entering the restaurant at the Pendry hotel in West Hollywood with “arms wrapped around each other”. A few days later, Affleck was spotted making an early-morning departure from Lopez’s LA home (“with a smirk” on his face, the Page Six article noted). A month after that, multiple outlets broke the news that the couple had spent a weekend at a resort in Montana. Then celebrity mag Us Weekly made it semi-official with a quote from an anonymous source: “Jen and Ben are both very happy with each [other] and excited to see where the relationship goes.”

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Leigh-Anne Pinnock of Little Mix: ‘Being Black is my power. I want young Black girls to see that’

In her early days with the girl band, Pinnock felt invisible and couldn’t understand why. Then the role of race became clear

Leigh-Anne Pinnock has been living the pop star dream ever since she was 19 and stepped on to a stage to audition for The X Factor, singing Rihanna’s Only Girl (In the World). She has now spent almost a decade in one of the UK’s biggest girl groups. But she had a difficult start with Little Mix, and not because she didn’t get on with her bandmates. She felt “invisible”, and would regularly cry in front of her manager. “I just couldn’t seem to find my place, and didn’t know why,” she said in a magazine interview in 2018. “I didn’t feel like I had as many fans as the other girls. It was a strange feeling.” She had, at that point, finally realised what the trouble was. “I know there are girls of colour out there who have felt the same as me,” she said. “We have a massive problem with racism, which is built into our society.”

If she expected the interview to change anything, she was disappointed. “I really did feel as if it fell on closed ears,” she says today, speaking from the Surrey mansion she shares with her footballer fiance, Andre Gray. “It was almost like people just weren’t ready to talk about race then.”

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Glenn Close’s magnificent Da Butt and superb flirting: key Oscars moments

An impromptu dance masterclass became an instant highlight, but Steven Soderbergh’s directorial shakeup delivered a ceremony with few highs and frequent depressions

In a skewiff ceremony of overlong speeches, quiet applause and a downsized red carpet, one moment effortlessly stole the show: Glenn Close doing the dance to the 1988 funk hit Da Butt.

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Oscars 2021 live: Minari’s Youn Yuh-jung wins best supporting actress

At the 93rd Academy Awards, Chloé Zhao wins best director for Nomadland and Daniel Kaluuya wins best supporting actor for Judas and the Black Messiah

Oscar winners 2021: the full list – updating live!

Oscars 2021: predictions, timetable and what to expect

Angela Bassett is here to introduce the In Memoriam segment. This has been a genuinely miserable year, and the faces of people we lost are speeding through at a genuinely unprecedented rate, which only really serves to make the whole thing even sadder.

The culmination of the pub station is Glenn Close twerking. Glenn Close twerking during a pub quiz in a train station. And to think people probably aren’t watching this.

GLENN CLOSE DOING "DA BUTT" #Oscars pic.twitter.com/AwhR46pmWX

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Shadow and Bone star Jessie Mei Li: ‘Fans find out everything’

The actor is about to hit the TV big time as a girl with special powers in Netflix’s new young adult fantasy. And the internet is in a frenzy

Jessie Mei Li currently inhabits a weird stratum of celebrity. At 25 years old, her biggest screen credit to date has been a single episode of the Channel 5 docudrama Banged Up Abroad. She hasn’t worked for a year. And yet, at the same time, a growing portion of the internet has become borderline hysterical about her.

Search for her name and you’ll get the idea. There are tweets declaring things like “Jessie Mei Li you have my whole heart” and “I believe in Jessie Mei Li supremacy”. There are more than a dozen Jessie Mei Li stan accounts on Instagram – fan-based accounts dedicated to a particular celebrity – many of them shrieking their obsession in frenzied all-caps captions several times a day. Tumblr, as you might expect, is an almighty mess.

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The secret to being Tom Cruise? Three days of chocolate cake

Little by little, the way for everyday mortals to become more like the world’s most extraordinary movie star becomes clearer. And this latest stage may be easier than expected

Tom Cruise is arguably the most intimidating movie star in existence. He’s less a human being and more a physical manifestation of human willpower. He does his own stunts. He flies his own planes. Back when everyone was worried that Covid would permanently bring the world to its knees, he offered hope; first by driving an actual motorbike off a literal cliff to prove to the world that no virus could stop him from doing loads of knuckleheaded stunts, and second by screaming blue murder at his crew whenever they got closer than two metres to each other.

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How Leslie Jordan made it big: ‘If you want to get sober, try 27 days in county jail’

After starring in Will & Grace and American Horror Story, his life took a twist in lockdown and he became an Instagram superstar at 65. He discusses fame, fun and sharing a cell with Robert Downey Jr

For a man of such diminutive stature – 4ft 11in in shoes – Leslie Jordan loves a tall tale. A cursory question at the start of our interview about where he is calling from, for example, results in this glorious flight of fancy: “I got on a bus in 1982, from the hills of Tennessee. I had $1,200 sewn into my underpants by my mother and I arrived in LA and found West Hollywood, which is where I currently live.”

Such vivid storytelling – delivered in a honey-thick southern drawl, accentuated perfectly by a knowing campness – is part of the reason for Jordan’s unexpected career boost at 65. A jobbing actor best known for his role in American Horror Story and his Emmy-winning turn as Beverly Leslie, the acid-tongued rival of Megan Mullally’s Karen in Will & Grace, Jordan spent most of 2020 becoming an accidental internet sensation, racking up 5.6 million Instagram followers – including the likes of Rihanna and Lily Allen – thanks to his charmingly chaotic videos.

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Hollywood Down Under: stars flock from US to film in Covid-free Australia

Blessed with sunny weather, diverse locations and a ready-made film industry, Sydney and the Gold Coast have become movie powerhouses

On a warmish Wednesday evening early in the year, Paul Mescal was celebrating his birthday and everybody seemed to know. The Irish actor, famous for his neckchain and his leading role in Normal People, was in Sydney, Australia, for a new film, and the word was spreading. He was photographed running in Centennial Park. He was sighted at Tamarama Beach. He popped into an inner-city pub.

But on the list of stars now working in Australia, Mescal – in Sydney for a musical film adaptation of Carmen – is comfortably mid-level. Thanks to its relative freedom from Covid-19 and associated restrictions, Australia – blessed with diverse locations, sunny weather and a ready-made film infrastructure – has become Hollywood Down Under.

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Allen v Farrow is pure PR. Why else would it omit so much?

The new HBO documentary in which Mia and Dylan Farrow revisit their 1992 allegation against Woody Allen claims to be an even-handed investigation. But its failure to present the facts makes it feel more like activism

“HBO Doc About Woody Allen & Mia Farrow Ignores Mia’s 3 Dead Kids, Her Child Molester Brother, Other Family Tragedies” was the headline on one US showbiz site, above its review of the four-part documentary, Allen v Farrow, about the continuing battle between Woody Allen and Mia Farrow, now entering its fourth decade. But this review was very much an outlier. In the vast main, reaction to the strongly anti-Allen series has been overwhelmingly positive, with Buzzfeed describing it as a “nuanced reckoning” and Entertainment Weekly comparing it to the recent documentaries about Michael Jackson and Jeffrey Epstein. This reaction is more of a reflection of the public’s feelings towards Allen – particularly in the US – than of the documentary, which sets itself up as an investigation but much more resembles PR, as biased and partial as a political candidate’s advert vilifying an opponent in election season.

Related: Allen v Farrow review – effective docuseries on allegations of abuse

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Lady Gaga’s bulldogs returned unharmed after kidnapping

Dogs were dropped off at a police station in Los Angeles, while dog walker shot in the attack is recovering

Two French bulldogs belonging to Lady Gaga that were stolen at gunpoint earlier this week have been recovered unharmed, police in Los Angeles have said.

A woman brought the dogs to the LAPD’s Olympic community police station on Friday evening, said Jonathan Tippett, commanding officer of the robbery-homicide division.

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Britney Spears: another pop princess trapped in a man-made fairytale

One contributor is notably absent from the new film about Britney: herself. But from Rihanna to Beyoncé to Taylor Swift, female stars have always struggled to tell their stories

In the closing song of Lin-Manuel Miranda’s Hamilton, we are invited to ponder the question: “Who lives, who dies, who tells your story?” It is a powerful message about legacy and ownership, as relevant to any modern public figure as it is about one of America’s founding fathers.

I think about this lyric whenever my mind strays to Britney Spears, who has found her life back under the microscope following the release of the documentary Framing Britney Spears. The story the film chooses to tell is contextualised by what we now understand as the rampant misogyny of the mid-to-late 00s, painting an empathic portrait of a woman who had not previously found much sympathy in the mainstream.

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