‘It’s a therapeutic genre for me’: Iceland’s PM releases debut crime novel

Katrín Jakobsdóttir joins long list of fiction-writing politicians with book that came together during Covid pandemic

For 30 years, the disappearance of teenager Lára Marteinsdóttir from the windswept island of Víðey, off the coast of Iceland’s capital, tormented the nation. Until 1986, when Valur, a rookie reporter on a local newspaper, decided to investigate …

So far, so Nordic noir. But Reykjavík, published to promising reviews in Iceland this week, is a crime novel with a difference – it was written by the prime minister, albeit with the help of one of the country’s international bestselling authors.

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Shehan Karunatilaka wins Booker prize for The Seven Moons of Maali Almeida

Judges described the Sri Lankan author’s second novel as a ‘rollercoaster journey through life and death’ and praised its audacity and ambition

The Seven Moons of Maali Almeida by Sri Lankan author Shehan Karunatilaka has won the Booker prize for fiction. The judges praised the “ambition of its scope, and the hilarious audacity of its narrative techniques”.

Karunatilaka’s second novel, The Seven Moons of Maali Almeida comes more than a decade after his debut, Chinaman, which was published in 2011. The Booker-winning novel tells the story of the photographer of its title, who in 1990 wakes up dead in what seems like a celestial visa office. With no idea who killed him, Maali has seven moons to contact the people he loves most and lead them to a hidden cache of photos of civil war atrocities that will rock Sri Lanka.

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Cutting his teeth: how Bram Stoker found his inner Dracula in Scotland

Author’s method acting approach to writing terrified local people in Aberdeenshire as he perched on the rocks like a bat

In August 1894, at the end of a month-long stay to research his embryonic novel, Bram Stoker wrote in the visitors’ book at the Kilmarnock Arms on the Aberdeenshire coast that he had been “delighted with everything and everybody” and hoped to return soon.

According to new research, though, the feeling was not entirely mutual. Stoker, a genial Irishman usually known for his cheeriness, was experimenting with what would become known as “method acting” to get under the skin of his new character, one Count Dracula. Local historian Mike Shepherd, who has spent seven years researching Stoker, says the author’s links with the London theatre inspired Stoker to try inhabiting his character in a different way.

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‘Miracle find’: rare Don Quixote and short stories could sell for €900k

Sotheby’s describes 17th-century Cervantes editions as a ‘once in a lifetime’ opportunity for collectors

One day in the early 1930s, a young Bolivian diplomat named Jorge Ortiz Linares walked into the illustrious Maggs Bros bookshop in London to ask if they might have a particularly fine edition of Don Quixote for sale.

But even for Ortiz Linares – a dedicated bibliophile who also happened to be the son-in-law of Simón Patiño, the Bolivian tin magnate nicknamed the Andean Rockefeller – the answer was a polite no.

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Leïla Slimani: ‘Attack on Salman Rushdie shows why we must not censor ourselves’

The bestselling author fears she too could be a target but says terrorists cannot be allowed to win

The bestselling author Leïla Slimani says the knife attack on Salman Rushdie has left her and other writers afraid, but that they have a “duty” to keep making public appearances and resist censoring themselves, despite the dangers.

The French-Moroccan writer, whose novels include Adèle, Lullaby and The Country of Others and is Emmanuel Macron’s personal representative for the promotion of French language and culture, said defending her freedom as a writer “feels even more important than before” and was an act of resistance.

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Jennifer Down wins 2022 Miles Franklin award for Bodies of Light

Book prize judges have praised ‘ethical precision’ of Melburnian’s second novel, a poised unpacking of the horrors of institutional failure

Jennifer Down missed the call telling her she’d won the Miles Franklin. She was in a hotel room on a Zoom call for work, and rang back later with no idea of the news waiting for her. “I was quite speechless,” she tells Guardian Australia. “I was so shocked.” We get that a lot, the chair told her dryly.

Bodies of Light is the Melbourne writer’s second novel. Her debut and subsequent short story collection saw her named best young Australian novelist by the Sydney Morning Herald in 2017 and 2018, and she’s been awarded several fellowships. But the 31-year-old is still processing the “immeasurable impact” of the $60,000 prize – the country’s richest literary award, alongside the Stella – on her writing life. It goes deeper than book sales and overseas readers, though both are now likely.

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Kwame Alexander to present new reality show America’s Next Great Author

Contestants will enter a writers’ retreat and be given 30 days to write a novel while completing ‘live-wire’ challenges

Reality TV producers have exhausted singers, dancers, drag artists, potters, tailors, and beautiful young people hoping to find love. Now, it seems, the spotlight has fallen on writers. This week, a call has appeared on social media for contestants to apply to be on the pilot of a new show called America’s Next Great Author (ANGA).

Billed as “the groundbreaking reality TV show for writers”, ANGA will give its contestants one minute to pitch their novels to a panel of judges that includes New York Times bestselling author Jason Reynolds, Fox5 TV presenter Angie Goff, and stage writer and comedian Marga Gomez.

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Novelist and former Guardian journalist Susie Steiner dies at 51

Author of Manon Bradshaw detective series was diagnosed with a brain tumour three years ago

The novelist and former Guardian journalist Susie Steiner, known for the Manon Bradshaw detective series, has died aged 51.

A tweet posted from her account on Sunday said: “Susie died yesterday after being diagnosed with a brain tumour three years ago. She lived with her illness with courage and good humour. She was much loved and will be much missed.”

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Parts of John Hughes’ novel The Dogs copied from The Great Gatsby and Anna Karenina

Australian author denies he is a plagiarist and says he has been ‘influenced by the greats’ of literature

The Australian novelist John Hughes, who last week admitted to “unintentionally” plagiarising parts of a Nobel laureate’s novel, appears to have also copied without acknowledgment parts of The Great Gatsby, Anna Karenina and other classic texts in his new book The Dogs.

The revelation of new similarities follows an investigation by Guardian Australia which resulted in Hughes’ 2021 novel being withdrawn from the longlist of the $60,000 Miles Franklin literary award.

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Miles Franklin prize removes novel from longlist after author apologises for plagiarism

Exclusive: The Dogs by John Hughes withdrawn from $60,000 prize after novelist admits he used parts of nonfiction work of Nobel laureate Svetlana Alexievich ‘without realising’

Australia’s most prestigious books prize, the Miles Franklin literary award, has pulled The Dogs by John Hughes from its 2022 longlist, a day after Hughes apologised for plagiarising parts of the work of a Nobel laureate “without realising” in his acclaimed novel.

Following a Guardian Australia investigation that uncovered 58 similarities and instances of identical text between parts of Hughes’ 2021 novel The Dogs and the 2017 English translation of Svetlana Alexievich’s nonfiction The Unwomanly Face of War, Hughes apologised to Alexievich and her translators Richard Pevear and Larissa Volokhonsky “for using their words without acknowledgment”.

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Unseen works by ‘queen of gothic fiction’ Shirley Jackson published

Two previously unseen short stories by Jackson, rated by Stephen King as one of the great horror fiction writers, are to appear in US magazine the Strand

Two previously unpublished short stories by Shirley Jackson, the queen of gothic fiction, have been released.

Charlie Roberts and Only Stand and Wait were both published on 9 June in Strand magazine, a US-based print magazine that publishes short fiction and interviews.

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‘Unflinching’ debut written ‘for something to do’ during lockdown wins top book prize

Diana Reid’s Love & Virtue wins book of the year and literary fiction category at Australian Book Industry Association’s annual awards in Sydney

First Nations writers and female authors have dominated the 2022 Australian Book Industry Association’s (Abia) annual awards, with a debut novel by one of the nation’s most promising young writers taking out top honours.

Diana Reid’s Love & Virtue won the Abia book of the year and literary fiction book of the year at a ceremony in Sydney on Thursday night. Judges praised the novel as “a darkly funny yet unflinching glimpse of early adulthood”. In her review for Guardian Australia, Zoya Patel praised Love & Virtue as “a multilayered page-turner on power, unrequited love and campus rape culture, wrapped in a coming-of-age narrative”.

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Bernardine Evaristo fears publishers may lose interest in black authors

Diversity in book industry must be sustained, and start at the top, Booker prize-winning author tells Hay festival

The Booker prize-winning author Bernardine Evaristo says she fears that publishers’ interest in black authors may be only a “trend or fashion” that could wane unless the business becomes more diverse.

Evaristo, who was the first black woman to win the literary prize for her novel Girl, Woman, Other in 2019, said that the Black Lives Matter movement and the murder of George Floyd in 2020 “really did shake the industry to the core” and had marked a turning point in previously “excluded” authors getting book deals.

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How to Murder Your Husband writer found guilty of murdering husband

Portland jury finds Nancy Crampton Brophy guilty of killing chef Daniel Brophy in June 2018

A jury in the US city of Portland has convicted a self-published romance novelist who wrote an essay titled How to Murder Your Husband of fatally shooting her husband four years ago.

The jury of seven women and five men found Nancy Crampton Brophy, 71, guilty of second-degree murder on Wednesday after deliberating for two days over Daniel Brophy’s death, according to reports.

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Booker winner Ben Okri rewrites published novel to drive home message on slavery

The author tells why he spent five years on a new draft of his 2008 novel Starbook to give more emphasis to one of its key themes

Self-criticism, perhaps even regret, is common among writers looking back at old work, but the novelist Ben Okri has now gone so far as to rewrite a whole published novel. And it is a book he already liked quite a lot.

The Booker-prize-winning Nigerian author has spent much of the last five years re-crafting his 2008 story Starbook, a mystical romance set in his homeland. A new version, complete with a new title and cover, is to be published this summer as The Last Gift of the Master Artists, and Okri believes that he has given more emphasis to transatlantic slavery, and will now offer his readers a “more considered” narrative.

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‘I felt different as a child. I was nearly mute’: Elena Ferrante in conversation with Elizabeth Strout

The author of the Neapolitan quartet and the Pulitzer prize-winning novelist discuss identity, ambition, truth – and the ‘convulsive’ urge to write

Thank you for all of your work. I am a huge fan, and I have read all your books, and by reading them I was able to take new risks with my own work. So thank you for that as well. In this new book you go deep, deep into the things that matter for readers and writers alike. I am very glad to be in a conversation with you about it.

“And your novel?”

“Oh, I put in my hand and rummage in the bran pie.”

“That’s what’s so wonderful. And it’s all different.”

“Yes, I’m 20 people.”

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Viet Thanh Nguyen: ‘I didn’t notice the racism of Tintin’

The Pulitzer prize-winning novelist on the depiction of Vietnamese people, the fun in Voltaire’s Candide and memorable masturbation scenes

My earliest reading memory
The first books I remember reading were from the public library in Harrisburg, Pennsylvania, where my family came as refugees from Vietnam in 1975. I vividly recall Maurice Sendak’s Where the Wild Things Are, which I read at six years of age, but unlike most children, I didn’t like it. The story of a boy who flees home on a boat and finds himself among foreign creatures was too dark for me. Perhaps it was too close to reality.

My favourite book growing up
The Tintin series by Hergé. The books were so beautifully drawn and told, with memorable characters and adventures in exotic lands. The stories were captivating.I loved the exoticism but didn’t notice the racism and colonialism. I’ve given the books to my eight-year-old son and he loves them, too, but I make sure we discuss the problems.

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‘A certain pleasant darkness’: what makes a good fictional sex scene?

The novelist Niamh Campbell on why describing intimacy is so difficult and how creative writing about sexuality is changing. Plus, she picks 10 of her favourite examples

One of my favourite literary sex scenes is a swift and quiet one. In Colm Tóibín’s The Pearl Fishers, a gay man having dinner with a former lover and this lover’s – fanatically Catholic – wife thinks, with a flash of candidness, of anilingus past. It doesn’t read like a calculated shock, just pleasure; the story moves on and the image melts out. No point is made, nobody humiliated, no corny gotcha! occurs. There are only three people: one deceiving (husband), one pious (wife) and one emboldened but alone. The point is nuanced humanity. It’s hot.

It has been remarked upon that recent writing about sex by, in the main, young women tends towards the squalid, abject and confrontational. I can tell you that this partly down to the fact that app-based erotic culture in the metropolises of late capitalism really can be squalid, abject and confrontational. If people’s lives become miserable mills of boredom and humiliation they will tend to take it out on one another. I know this because I am Irish. People think this country was deranged for most of the 20th century by the church, but it was also deranged by poverty and, relatedly, shame. #NotallIrish of course; some people belonged to a more sex-positive cosmopolitan elite class, some were able to smuggle in condoms. And yet, the fact that it still feels impossible to discuss sex and Ireland without mentioning penitentiary laundries says a lot.

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The Great Gapsby? How modern editions of classics lost the plot

F Scott Fitzgerald’s masterpiece is the latest title to appear in a cheap modern version after copyright expires

“So we beat on, boats against the current, borne back ceaselessly into the past.” It is one of the most memorable literary payoffs in history, the end of F Scott Fitzgerald’s defining novel of the 20th century, The Great Gatsby.

Yet this famous ending will be lost to many readers thanks to the proliferation of substandard editions, one of which loses the last three pages and instead finishes tantalisingly halfway through a paragraph.

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I was shooting coke between chapters of Dostoevsky – but eventually books would save me from addiction

At first, I could hardly get through a novel. But slowly reading – and writing – saved me from a life of drugs, rehab and jail

When I was in tenth grade in Tampa, Florida, I was, like millions of other high school students, assigned to read The Catcher in the Rye for English class. Like millions of other high school students, I was extremely fragile. I was holding on by a thread. I was 15 and spent much of my time at school, on the days I would go, doing OxyContin, Xanax, cocaine and speed in the bathroom. I jittered and itched through class, and my internal life was, to say the least, stifled. It would continue to be stifled for the next few years, until it became so claustrophobic that I attempted suicide. Needless to say, I was pretty hit or miss with school assignments. But I had always liked to read. I decided to crack Salinger’s book and read a chapter or two. I stayed up all night and finished it. I came into class the next day wired, eyes wide: it felt as if I had been hooked up to a car battery. I remember walking into the classroom and saying to my English teacher, “What the hell was that?”

I didn’t know anything about the book. I didn’t know that the men who shot John Lennon and Ronald Reagan were both obsessed with it. I didn’t know that it was the subject of endless think pieces debating the ethical ramifications of Holden Caulfield’s character. I didn’t know Salinger stormed the beaches on D-Day, carried scars from his years in war. I just got sucked in. It is a funny, polarising little book. I remember my girlfriend at the time saying she hated it, that she couldn’t get through it. But my teacher told me that every year at least one person does what I did, gets hooked up to the car battery. Looking back, it makes sense that someone in my particular situation would have this reaction to it. In fact, it is almost embarrassing just how cliched it is. But that’s what happened. And, in what would become a theme of my life, what stuck with me more than any of the particular content of the book was the feeling of being sucked in, of losing time trapped in someone else’s words and turbulent emotions.

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