Creepy-crawlies usually signify death, decay and evil in films – there’s a vast canon going back decades. But has the ‘When Insects Attack’ sub-genre had its day?

In Quentin Dupieux’s Mandibles, a pair of chuckleheads called Manu and Jean-Gab (think Dumb and Dumber, but French) steal a Mercedes and find, in the boot, a housefly the size of a pitbull. They name it Dominique and train it to rob banks. At no point do they find it scary, even after it eats a dog. It’s so endearing, you will share their feelings.

This is a turn up for the books, since flies in cinema are more usually signifiers of death, decay and evil. Sometimes, as when Annie Graham goes up to the attic in Hereditary, their presence presages the discovery of a cadaver. They buzz symbolically around the grubby cheesecloth-wrapped bundle in Bring Me the Head of Alfredo Garcia, while Father Delaney’s attempts to bless the cursed house in The Amityville Horror are thwarted by demonic bluebottles. In Phenomena, Jennifer Connelly plays a schoolgirl insect-whisperer who can summon flies for protection, but that doesn’t save her from getting submerged up to her neck in maggots. In the bonkers Indian action-fantasy Eega, a man murdered by his love rival is reincarnated as a vengeful housefly, but fusing your molecules with those of a Musca domestica is more likely to end in loss of vital anatomical parts, as happens in both the 1958 and 1986 versions of The Fly. (Help meeee!)