Tome raiders: solving the great book heist

When £2.5m of rare books were stolen in an audacious heist at Feltham in 2017, police wondered, what’s the story?

Everything went exactly to plan. Late on the evening of 29 January 2017, Daniel David and Victor Opariuc parked up and made their way towards the Frontier Forwarding customs warehouse in Feltham, less than a mile from Heathrow. After cutting a hole in the fence, the men made their way to the side of the building and scaled a wall to the roof. There, they cut through a skylight and lowered themselves on to shelving inside the building. The warehouse burglar alarms stayed silent; the men had carefully avoided tripping motion sensors positioned by the doors.

Once inside, with several lookouts posted around the surrounding industrial estate, the men took their time. Over the next five hours and 15 minutes, they broke padlocks off packing cases and placed items inside 16 large holdalls taken from inside the warehouse. The men escaped the same way they had entered: out through the skylight and back into the night.

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A Christmas Carol review – Nicholas Hytner delivers an ode to theatre

Bridge theatre, London
Simon Russell Beale stars in an economical Dickens adaptation that reminds us of the richness of live theatre

What has made this Victorian tale of child poverty, stalking apparitions and pathological miserliness chime across the ages? GK Chesterton cited the defeat of humbuggery and triumph of happiness. George Orwell wrote of its myth of moral transformation and the “good rich man, handing out guineas”. More recently Jack Thorne spoke of its resonance in our era of austerity.

Nicholas Hytner’s adaptation at the Bridge theatre certainly has an economy of scale. A powerhouse three-strong cast, Simon Russell Beale, Patsy Ferran and Eben Figueiredo, play every character between them alongside song, dance and nimble, poignant puppetry. But the show seems less concerned with austerity than reminding us of the richness of live theatre and offering an imaginative escape from our pandemic-scarred realities.

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Tina Turner: ‘When I was in the zone, it was like I was flying’

She was a rock’n’roll powerhouse who electrified audiences worldwide. As Tina Turner releases a guide to happiness, she talks to playwright V (formerly Eve Ensler) about how she found the strength to overcome illness, abuse and tragedy

The first time I experienced Tina Turner in the flesh, I was a 16-year-old hippy chick doused in patchouli oil. I didn’t just see and hear Ms Turner sing Proud Mary at the Fillmore East in New York City – I felt her in every cell of my teenage body. I was transfixed by the ecstasy of her thunderous hips and legs, the vibrating canopy of her shaking fringe, the irrefutable bidding of her sultry, raw voice.

She was female sexuality fully embodied and unleashed. She catalysed the same in me and in multitudes across the planet, selling more than 200m records in her lifetime. The queen of rock’n’roll seemed as much shaman as singer. I knew instinctively that she had suffered abuse and pain. We survivors have a kind of radar.

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‘It was a little awkward’ – how Rick Schatzberg shot his old friends topless

They grew up in a ‘nowhere’ suburb in the 70s, smoking skunk, going for rides and dating girls. The photographer reveals why he decided to capture the ravages of time on his old childhood gang

Rick Schatzberg had a dark epiphany a few years back, when two of his friends died in quick succession, one from a heart attack, the other from an overdose. “When two people you know and love die within six weeks of each other,” says the photographer quietly, “you realise that death is not just something that happens to other people, to the unlucky people. It’s something that is suddenly very present.”

Schatzberg’s response was to undertake a project about encroaching mortality – his friends’ and by extension his own. The result, several years in the making, is The Boys, a photobook that is both nostalgic and brutally realistic: a visual evocation of youth in all its instinctive carefreeness; and old age in all its debilitating inevitability. Composed of casual colour snapshots of his male friends in the 1970s, and large-format contemporary portraits of their ageing bodies, it lays bare what the novelist Rick Moody, in his accompanying essay, calls “the sobering action of time”.

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Roald Dahl’s family apologises for his antisemitism

Statement on author’s official website says his views caused ‘lasting and understandable hurt’

The family of Roald Dahl has apologised for his antisemitism in a statement buried deep in the author’s official website.

Dahl, who died 30 years ago, is described on the site as “the world’s No 1 storyteller”, whose books – including Charlie and the Chocolate Factory, Matilda and The BFG – have entranced children since the 1960s.

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Alex Wheatle: ‘I have nightmarish moments where my past comes back and hits me’

The prize-winning author’s life is now an episode of Steve McQueen’s hit series Small Axe. He talks about working on the project and his latest novel, based on a Jamaican slave uprising

Amid the brunchtime clatter of a busy south London cafe, Alex Wheatle is talking about how, lately, he has been considering 1970s pop culture and the way it has shaped and warped his perception of self. “I grew up with Tarzan on TV; Tarzan beating up all the black guys he came across and being able to talk to the animals while the black people couldn’t,” he says. “And I hate to admit it, but when I was 10 or 11, I actually cheered for Tarzan when he was fighting with a so-called ‘savage’. It was only later that I thought: ‘I think I’ve got that wrong.’”

In many ways, Wheatle’s 20-year writing career has been about correcting that wrong. Because if the focus of the author’s extraordinary early years was on mistruths around his heritage – about its history, its value, its implicit inferiority to a loin-clothed white saviour – then the intervening period has been all about creating the depictions of nuanced black heroism he was denied as a child.

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‘I am a pessimistic optimist’: Chimamanda Ngozi Adichie answers authors’ questions

Named the ‘winner of winners’ of the Women’s prize, Bernardine Evaristo, Maggie O’Farrell and others ask the author about the #EndSars protests in Nigeria, writing about Trump, and the culture that got her through 2020

In your Ted Talk in 2009, you warned of the danger of cultural misunderstandings arising from readers hearing only a single story. Do you feel that in the intervening years there has been an improvement in this regard, or are we still clinging to single narratives? Maggie O’Farrell
I think there is definitely some improvement. Among those who read and those who gatekeep what is read, there seems to be an awareness that multiple and different stories matter. But I worry that there is sometimes a bit too much moralising around the idea of multiple stories. We shouldn’t read or publish a diverse range of stories and writers in order to be “good”, we should do so because it is sensible and should really have been the norm a long time ago.

Do you read your reviews, and if not why not? If you do, do they in any way influence your writing and future books? Bernardine Evaristo
I don’t. And I look away (not successfully) from the nice bits that go on the back of books. I think it’s from self-preservation and from an anxiety of influence. The bad ones will infuriate me and the good might mislead me.

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Barefoot in thorns: Gaza through the eyes of a Palestinian photographer

My Gaza by Jehad al-Saftawi is a personal account of peoples’ suffering as they go about their lives under Israeli blockade

Working as a journalist in Gaza, says Palestinian photographer Jehad al-Saftawi, is like walking barefoot in a field of thorns. “You must always watch where you step. Each neighbourhood is composed of its own intimate social network, and travelling through them with a camera makes you a significant suspicion.

“You’re caught between the two sides of the conflict: the rulers of Gaza limit what you can photograph and write about, imprisoning and torturing those who disobey. At the same time, the Israeli army sees you as a potential threat that must be eliminated, as has been the fate of many Palestinian journalists.”

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‘He understands Washington’: Joe Scarborough finds echoes of Truman in Biden

The Morning Joe host, author of a new book on Harry S Truman, sees parallels in the two presidents’ efforts to rebuild

Joe Scarborough had been discussing Joe Biden’s cabinet, Donald Trump’s delusions and America’s battered claim to be the indispensable nation when the conversation took an unexpected turn.

“I knew yesterday morning it was Mika’s and my anniversary and she said nothing and about five o’clock in the afternoon I walked in and I said, ‘Is today a special day for you?’” Scarborough shared with his TV guests last Wednesday. “She goes, ‘Yeah, I guess, whatever.’”

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Camilla Pang: ‘You have to acknowledge the hilarity of what it is to be human’

Prize-winning author Camilla Pang talks about her autism and ADHD diagnoses and her desire to challenge myths about neurodiversity

This month Camilla Pang won the Royal Society book prize for her debut, Explaining Humans: What Science Can Teach Us about Life, Love and Relationships. She has a PhD in bioinformatics from UCL and works as a postdoctoral researcher. Dr Pang was diagnosed with autism spectrum disorder at the age of eight and attention deficit hyperactivity disorder at 26.

Why did you decide to write this book?
I inadvertently wrote the book in my PhD thesis on bioinformatics, and my supervisor, bless her, said this is great, but it doesn’t belong here. One of the things people on the autistic spectrum do is organise our world in a way that makes sense to us using objects and sequences. For me, those sequences involved looking at the fundamentals of matter, and what that meant in terms of science. Even if I was just kicking a pile of leaves, I would do it repetitively in order to find the laws about how things react, and how they can be predicted. So from kicking leaves to Post-it notes to eventually reading about science, I constructed a map to navigate the world. Over time, it became bigger and notebooks piled up, so I ended up with a piece of work that I thought might be useful to someone else. And that’s the ultimate goal, isn’t it? You want to connect with people.

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Russian Roulette: The Life and Times of Graham Greene review – addicted to danger

A new biography, by Richard Greene, insists there was more to the author than ‘sex, books and depression’

When Gabriel García Márquez, in the presence of Fidel Castro, asked Graham Greene if it was true that he’d played Russian roulette with a loaded revolver, Greene assured him he had, several times. Castro, one of several world leaders with whom Greene had audiences over the years (Gorbachev, Ho Chi Minh and Pope Paul VI were others), calculated the odds and said he shouldn’t be alive. Greene thought the same. He’d expected to die young (“I’d rather die of a bullet in the head than a cancer of the prostate”) but survived to the age of 86.

The Russian roulette story has been disputed; Greene may have played it with blanks or empty chambers. But Richard Greene (no relation) takes it as the central premise of his biography: the novelist as risk-taker and adventurer, with a history of self-harm and an addiction to danger. An early trip to Liberia, to investigate modern slavery, set the tone. Greene knew there were risks – being shot at by soldiers, bitten by snakes or infected by lassa or yellow fever – but they only spurred him on. He was accompanied by his cousin Dorothy, who found him frightening: “If you are in a sticky place he will be so interested in noting your reactions that he will probably forget to rescue you.”

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Encrypted apps and false names: new Taiwan book club takes no chances

Amid Beijing’s crackdown on Hong Kong, publisher says joining clubs to discuss free speech and democracy has again become an act of resistance

In the early 1950s in Taiwan, 19-year-old Tsai Kun-lin was arrested and jailed after joining a book club. The young man spent more than a decade on Green Island, building the prison that held him as a political enemy of the authoritarian rulers who would hold Taiwan under martial law until 1987.

Decades later, a 90-year-old Tsai is living in Taiwan’s thriving democracy, but says a book club has once again become an act of resistance.

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BBC’s A Suitable Boy rankles ‘love jihad’ conspiracy theorists in India

BJP reaction to depiction of Hindu-Muslim romance follows recent rows over interfaith marriages

When the BBC’s adaptation of Vikram’s Seth’s novel A Suitable Boy recently landed on Indian Netflix it did not take long for the fanfare to turn to controversy.

The series, it was claimed by politicians from the ruling Bharatiya Janata party (BJP), had “hurt religious sentiments” of Hindus by depicting the lead character, a Hindu girl called Lata, passionately kissing a Muslim boy against the backdrop of a temple.

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A Promised Land by Barack Obama review – an impressive but incomplete memoir

Gary Younge on a memoir with vivid detail and captivating pillow talk, but one that leaves out too much to give a clear view of Obama’s first term

“I guess the question for you, Mr President, is: ‘Do you feel lucky?’” In his new autobiography, Barack Obama recalls being asked this by his director of legislative affairs, Phil Schiliro, at a time when his options for passing comprehensive healthcare reform were narrowing.

“I looked at him and smiled. ‘Where are we, Phil?’”
Schiliro paused, assuming a catch. ‘The Oval Office?’
‘And what’s my name?’
‘Barack Obama.’
Obama beamed. ‘Barack Hussein Obama. And I’m here with you in the Oval Office. Brother, I always feel lucky.’

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Two polar bears come sniffing in the Arctic night: Esther Horvath’s best photograph

‘I heard from the ship that two bears were walking directly towards us. I told the scientists to pack up. When they said no, I showed no mercy’

In the autumn of 2019, I joined an expedition to the Arctic. We set sail from Tromsø, Norway, on 20 September, on the Polarstern icebreaker. There were 100 people on board – 60 scientists and 40 crew – but the ship was big enough that it never felt crowded. There were people you didn’t see for days.

The plan was to find the perfect ice floe to anchor to, then drift for one year through the central Arctic Ocean and the six-month long night of the Arctic winter – about which we have almost no scientific data. The study was the first time that this oceanographic, sea ice, atmospheric, ecosystem and biogeochemistry research had ever been done at this scale. On 4 October, the ship turned off its engine in order to become frozen into the sea ice. That was the last day of daylight. The days got shorter very quickly, and the darkness was intense. Mostly it was overcast. You couldn’t see the stars. You couldn’t hear anyone speak, either, because of the constant wind.

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British Library apologises for linking Ted Hughes to slave trade

The poet had been wrongly included among more than 300 figures whose collections were associated with wealth obtained from colonial violence

The British Library has apologised to Carol Hughes, the widow of the former poet laureate Ted Hughes, after it linked him to the slave trade through a distant ancestor.

Hughes’s name had been included on a spreadsheet from the library detailing more than 300 figures with “evidence of connections to slavery, profits from slavery or from colonialism”. Hughes’s link was through Nicholas Ferrar, who was born in 1592 and whose family was, the library said, “deeply involved” with the London Virginia Company, which was set up to colonise North America.

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Strewth, bloody, rooted: is there a quintessentially Australian swear word?

In this book extract, Amanda Laugesen says it’s hard to argue that Australians swear more than others, but we do our best, and we try to be inventive in the process

Linguist Geoffrey Hughes writes that “people swear by what is most potent to them”.

What is considered to be “most potent” changes across time, although taboo has often focused on the religious (hell), the sexual (fuck), and the excretory (shit). More recently racial, sexist and other discriminatory epithets have become our most taboo and controversial terms.

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