Category Archives: Books

The Kid and The Choirboy – the harrowing story of George Pell’s victims

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In this extract from Cardinal: The Rise and Fall of George Pell, one boy’s family tell Louise Milligan the cataclysmic effect abuse had on him

This is the story of two teenage boys sent on scholarships from what were then Melbourne’s inner suburbs to a Catholic boys’ school – St Kevin’s College. St Kevin’s is in Toorak, Melbourne’s most exclusive precinct.

The school is wedged between the Kooyong Tennis Club and the Yarra River, and closed behind grand iron gates with gilded lettering. The boys wear boater hats and navy blazers, candy-striped with emerald and gold. While the area the boys came from has now gentrified, in the 1990s it might as well have been a different planet.

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‘White privilege is used by women against black men as a tool of oppression’

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Young black men have long been expected to submit to being exoticised by white women – and when they don’t, they are often punished. One writer calls for an honest discussion

I’m going to talk about something that, until now, I have largely kept to myself. It’s odd, as I consider myself a writer of extreme honesty, and I try to carry that over into real life. And yet, even now, I’m hesitating, and I realise to some degree I have procrastinated even more than usual about the thinking, and writing, of this. The committing of a hidden life event to the written word. That’s always a scary act.

I used to wonder if my reluctance was driven by shame, or simply my incredulity at what took place all those years ago. Now, I think that it is those things mostly, but also a hell of a lot more. Over the last few years, particularly in the recent crosswinds of our racial and cultural political climate, this life event bubbled to the surface of my memory, never quite boiling over. I’ve talked about it to a few of my close male friends, but that’s it. I almost never mention it to women.

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‘No, I’m a Londoner’: Top Boy’s Yann Demange on his tussle with identity in the US

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Filmmaker was born to French-Algerian parents and made his home, and his name, in multicultural London. But he never felt a sense of belonging. Then Hollywood called …

Where are you from? It’s a question I’ve always had a hard time with. And since moving to the US four years ago, I’m asked it on a regular basis. Maybe it’s the combination of a brownish face, London accent and French names that throws people off. Who knows? But this question, hearing it asked over and over these past few years, has forced me to confront unresolved questions I have about identity: how I grew up and how those experiences led me to being a director.

People tend to like things compartmentalised and simple, but it’s never been that simple for me. I’ve never had any sense of a “national identity” or, for that matter, a sense of belonging to any one tribe. I’m mixed race: French white mother, Algerian father. So “I’m a Londoner” is my standard go-to short response when the question comes up. That’s the simplest answer I feel comfortable giving without getting into it.

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Marlon James: ‘You have to risk going too far’

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In 2015, James became the first Jamaican writer to win the Man Booker. His new novel is a hotly anticipated African fantasy epic and here he talks about loving the X-Men, coming out and writing about violence

It’s two days before the US release of Marlon James’s much-hyped fourth novel, Black Leopard, Red Wolf and the prizewinning Jamaican author has an air of baffled, exhausted ebullience about him. He’s no stranger to critical success: he won the 2015 Man Booker prize for his violent, multi-voiced epic, A Brief History of Seven Killings. But it feels like this new book will propel James into a new galaxy of literary stardom.

We’ve arranged to have lunch – on a balmy Sunday in early February – at the Commodore, a carefully shabby Williamsburg diner near his Brooklyn apartment. Brawnily broad-shouldered, his dreadlocked hair tied back in a ponytail, James has arrived before me. We’re shown to seats at the bar where low winter sun slants through the blinds on to the bar top. James tells me it feels like summer to him – he spends much of his time teaching creative writing at Macalester College in Minnesota – and as if to prove it asks the waiter for an Aperol spritz.

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James K Baxter: venerated poet’s letters about marital rape rock New Zealand

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Collection of writings just released includes references to rape of then-wife Jackie Sturm, herself an acclaimed poet and author

A new collection of letters from one of New Zealand’s most significant poets, James K Baxter, that includes a blunt admission of marital rape is causing shockwaves through the literary community.

Baxter died in Auckland in 1972 but remains one of New Zealand’s literary giants. He achieved international attention in the late 1950s after Oxford University Press published his poetry collection, In Fires Of No Return.

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New AI fake text generator may be too dangerous to release, say creators

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The Elon Musk-backed nonprofit company OpenAI declines to release research publicly for fear of misuse

The creators of a revolutionary AI system that can write news stories and works of fiction – dubbed “deepfakes for text” – have taken the unusual step of not releasing their research publicly, for fear of potential misuse.

OpenAI, an nonprofit research company backed by Elon Musk, says its new AI model, called GPT2 is so good and the risk of malicious use so high that it is breaking from its normal practice of releasing the full research to the public in order to allow more time to discuss the ramifications of the technological breakthrough.

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Albert Finney, cinema’s original ‘angry young man’, dies aged 82

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Celebrated actor who rose to fame in the ‘kitchen sink’ era before evolving into one of the screen greats of the postwar period, has died

• Albert Finney – a life in pictures

Albert Finney, who forged his reputation as one of the leading actors of Britain’s early 60s new wave cinema, has died aged 82 after a short illness, his family have announced. In 2011, he disclosed he had been suffering from kidney cancer.

A publicist told the Guardian that Finney died of a chest infection at the Royal Marsden hospital, which specialises in cancer treatment, just outside London. His wife, Pene, and son, Simon, were by his side.

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Second AJ Finn novel on way despite Dan Mallory scandal, says publisher

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Revelations that the author of The Woman in the Window lied repeatedly about having cancer have not dissuaded HarperCollins from publishing a followup

Dan Mallory’s publisher HarperCollins has said that it intends publish a second novel by him, despite revelations that he had lied about having cancer.

Mallory, who wrote the bestselling thriller The Woman in the Window under the pseudonym AJ Finn, admitted in a statement this week in response to an extensive New Yorker investigation that “on numerous occasions in the past, I have stated, implied, or allowed others to believe that I was afflicted with a physical malady instead of a psychological one: cancer, specifically”.

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Jill Abramson accused of plagiarism in new book Merchants of Truth

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Ex-New York Times editor disputed allegations after Vice reporter listed passages that resemble material from other publications

The former New York Times executive editor Jill Abramson is facing allegations that she lifted material from other sources for her new book, Merchants of Truth.

Related: Merchants of Truth by Jill Abramson review – journalism’s troubles

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Fightback against the billionaires: the radicals taking on the global elite

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When Rutger Bregman and Winnie Byanyima spoke out about taxes at Davos they went viral. They talk with Winners Take All author Anand Giridharadas about why change is coming

Rutger: Winnie, why did the comments you and I made about billionaires and taxes at Davos go viral? Why do things seem to be changing right now?

Winnie: Why did we go viral? I think we said things that people have wanted to hear, especially on a big stage where powerful politicians and companies are represented. And they are rarely said. People go there and speak in coded words and praise themselves and spin out the stats that suit them, but for once we spoke plainly about the challenges that people face.

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‘An insult’: French writers outraged by festival’s use of ‘sub-English’ words

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Prominent writers including Leila Slimani have spoken out against the Salon du Livre in Paris’s use of phrases including ‘young adult’, a ‘bookquizz’ and ‘le live’

A celebration of the “Scène Young Adult” at the Salon du Livre in Paris next month has drawn the condemnation of dozens of French authors and intellectuals, who have described the adoption of English terminology as an “unbearable act of cultural delinquency”.

The proliferation of English words on display at the book fair, where the “scène YA” was set to feature “Le Live”, a “Bookroom”, a “photobooth” and a “bookquizz”, spurred around 100 French writers into action, among them three winners of the country’s Goncourt prize – Lullaby author Leïla Slimani, Tahar Ben Jelloun and Marie NDiaye – and the bestselling writers Muriel Barbery and Catherine Millet. Together they have issued a scalding rebuke to organisers over their use of that “sub-English known as globish”.

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‘Identity is a pain in the arse’: Zadie Smith on political correctness

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At Hay Cartagena festival author questions role of social media in policing personal development

The writer Zadie Smith laid into identity politics in a headline session at the 14th Hay Cartagena festival, insisting that novelists had not only a right, but a duty to be free.

Asked how she felt about cultural appropriation, she told an audience of nearly 2,000 at the festival in Colombia on Friday: “If someone says to me: ‘A black girl would never say that,’ I’m saying: ‘How can you possibly know?’ The problem with that argument is it assumes the possibility of total knowledge of humans. The only thing that identifies people in their entirety is their name: I’m a Zadie.”

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JD Salinger’s unseen writings to be published, family confirms

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Exclusive: The Catcher in the Rye author’s son tells the Guardian estate will publish ‘all of what he wrote’ over next decade

JD Salinger’s son has confirmed for the first time that the late author of The Catcher in the Rye wrote a significant amount of work that has never been seen, and that he and his father’s widow are “going as fast as we freaking can” to get it ready for publication.

Salinger died in 2010, leaving behind a small but perfectly formed body of published work that has not been added to since 1965’s New Yorker story, Hapworth 16, 1924. Rumours have circulated for years that the creator of one of the 20th century’s most enduring characters, Holden Caulfield, continued to write over the ensuing decades he spent in the New Hampshire village of Cornish, far from public view.

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Angie Thomas, author of The Hate U Give: ‘Books play a huge part in resistance’

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The author’s young adult novel became a publishing sensation and an acclaimed film. Here, she answers questions from readers and famous fans on activism, social media and coping with rejection

In book publishing, it seems, they still do fairytales. Really not very long ago, Angie Thomas was a secretary to a bishop at a megachurch in Jackson, Mississippi. At nights – and during quiet periods in the day, she furtively admits – she worked on a young adult novel inspired by the Black Lives Matter movement. She had previously written a children’s book, but hadn’t had any interest from agents. “Yeah, I had more than 150 rejections for that one,” says Thomas matter-of-factly.Thomas’s break came when she cold-contacted a literary agent who was doing a Twitter Q&A. The story speeds up now: the novel became The Hate U Give (THUG), a YA sensation about a 16-year-old girl called Starr who witnesses her friend Khalil being shot by the police and turns to activism. THUG, published in early 2017, went straight into the bestseller chart in the US and stayed there for a year. It was a hit here too, and named overall winner of the 2018 Waterstones children’s book prize. It has now sold more than 2m copies globally. Last year, a film adaptation was released, which has been a critical and commercial success.

“Oh, it’s definitely surreal,” says the 31-year-old Thomas, on the phone from Jackson. “I still can’t believe it. It does feel like a dream I’m going to wake up from.” Her agent now is one of the 150-plus who turned down her first book. “So I hold that over his head,” she says, and giggles.

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Cat Person author Kristen Roupenian: ‘Dating is caught up in ego, power and control’

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Her short story was read by millions online – then things got weird. The writer talks about viral fame, power games and her new collection of twisted tales

Kristen Roupenian’s short story Cat Person was published by the New Yorker in December 2017 and, to the author’s best recollection, it went up online on a Monday. The 37-year-old was living in Ann Arbor, Michigan, while completing a fellowship in writing, and for three or four days after the story came out, enjoyed the world’s customary reaction to most fiction, and all short stories – complete indifference – while basking in the achievement of it having been published at all. “I was thinking, ‘Wow: that was the greatest thing to ever happen, and now it’s over.’” She smiles. “Then it was Friday.”

By the standards of true global celebrity, there is only so far a piece of fiction can go; as David Foster Wallace used to say, the most famous writer in the world is about as famous as a local TV weatherman. Still, what happened with Cat Person remains singular to the extent that, for what seemed like the first time in publishing history, it slammed together two alien worlds, social media and serious fiction, in a way that stretched the boundaries of literary fame.

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Europe ‘coming apart before our eyes’, say 30 top intellectuals

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Group of historians and writers publish manifesto warning against rise of populism

Liberal values in Europe face a challenge “not seen since the 1930s”, leading intellectuals from 21 countries have said, as the UK lurches towards Brexit and nationalists look set to make sweeping gains in EU parliamentary elections.

The group of 30 writers, historians and Nobel laureates declared in a manifesto published in several newspapers, including the Guardian, that Europe as an idea was “coming apart before our eyes”.

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Oyinkan Braithwaite’s serial-killer thriller: would you help your murderer sister?

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The Nigerian author’s darkly comic debut novel, My Sister, the Serial Killer, has become a literary sensation. She explains her struggle with the moral ambiguity of her writing

When Oyinkan Braithwaite sent an early draft of her debut novel to a few friends, one of them told her it was the best thing she had ever written. “I was offended,” Braithwaite says, her voice heavy with irony. “I knew how I had written it.” She might not have thought much of it at the time, but this quick draft ended up unlocking deals with publishers in the UK and the US, as well as an option from the film company Working Title.

My Sister, the Serial Killer arrived in a feverish month, from a writer in a hurry and never looking back as she poured out a novel in an attempt to break a block. She shakes her head at the memory: “I was a bit mad during that period.”

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Want to transform your life? Stop chasing perfection

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Give up the rat race, accept reality and have the courage to be disliked – the latest self-help trend is not about self-reinvention but finding contentment in the life you have

By tradition, this is the season for personal reinvention, but these days it’s hard not to feel cynical about the idea of a triumphant liberation from the past. In the news, Brexit provides an hourly reminder that merely wishing to bring about a glorious fresh start is no guarantee that calamity won’t be the result. Meanwhile, other dark developments – from the erosion of American democracy and the resurgence of the European far right, all the way to climate change – fuel a sense of foreboding that isn’t exactly motivational when it comes to self-improvement: the creeping fear that you might be living in the end times is a poor basis for making a new beginning. In any case, the never-ending debate on nature versus nurture seems to be drifting toward a gloomy acceptance that there’s much about ourselves we’ll never change. “DNA isn’t all that matters,” writes the geneticist Robert Plomin, whose book Blueprint epitomised this mood last year, “but it matters more than everything else put together in terms of the stable psychological traits that make us who we are.”

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The money, job, marriage myth: are you happy yet?

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The ‘success’ narrative is at the heart of our idea of wellbeing, but the evidence tells a different tale, argues behavioural scientist Paul Dolan in this extract from his new book

There are countless stories about how we ought to live our lives. We are expected to be ambitious; to want to be wealthy, successful and well educated; to get married, be monogamous and have kids. These social narratives can make our lives easier, by providing guidelines for behaviour, and they might sometimes make us happier, too. But they are, at their heart, stories – and ones that may not have originated with present-day people in mind. As such, many of these stories end up creating a kind of social dissonance whereby, perversely, they cause more harm than good.

Since we’re talking about stories, let’s start with an experience of mine. It’s about a working-class kid who becomes a university professor and who is expected to change his behaviour in accordance with a (harmful) narrative about how academics ought to behave. A couple of years ago, I took part in an interesting panel discussion on “emotion versus reason” at the HowTheLightGetsIn festival in Hay-on-Wye. Walking across the field to get some food, I was approached by a man in his 50s. Our interaction started with him saying how much he liked my first book, Happiness By Design. Then he asked, pointedly: “But why do you have to play the working-class hero? You do it in your book and, look at you, you’re doing it now.”

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