Rapper Drakeo the Ruler dies at 28 after stabbing at music festival

Cult Los Angeles lyricist reportedly attacked by group of people at Once Upon a Time festival in his home city

Drakeo the Ruler, the critically acclaimed Los Angeles rapper, has died after a reported stabbing at a music festival. His press representative confirmed his death to the Guardian but did not give further details.

The 28-year-old, whose real name was Darrell Caldwell, had been scheduled to perform at the Once Upon a Time festival in Los Angeles. A source speaking to the LA Times said Caldwell had been attacked on the festival site by a group of people on Saturday evening. He was taken to hospital in a critical condition, where he later died.

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Shane MacGowan: ‘Describe myself in three words? I’m bloody great’

The Pogues frontman on vanity, a horrible heckle and why he became a vegetarian

Born in Kent, MacGowan, 63, won a scholarship to Westminster school, but was later expelled. In 1982, he became frontman of the Pogues; the band’s albums include Rum Sodomy and the Lash and If I Should Fall from Grace with God. MacGowan co-wrote the song Fairytale of New York, which he performed with Kirsty MacColl; released in 1987, it remains a festive classic. He has launched his own line of merchandise on his website. He lives in Dublin with his wife, the writer Victoria Mary Clarke.

Which living person do you most admire, and why?
Myself – why not?

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Rod Stewart and his son plead guilty to battery in 2019 Florida altercation case

The singer entered the plea to ‘avoid the inconvenience’ of a high profile court trial. Neither will do jail time or pay any fines

British rock icon Rod Stewart and his son have pleaded guilty to battery in an assault case stemming from a New Year’s Eve 2019 altercation with a security guard at an exclusive Florida hotel.

Court records released on Friday show that the singer and his son, Sean Stewart, 41, entered guilty pleas to misdemeanor charges of simple battery.

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Eric Clapton wins legal case against woman selling bootleg live CD for £8.45

Rock star wins case against German woman who says her late husband bought the disc at a popular department store in the 80s

Eric Clapton has won a legal case against a 55-year-old German woman selling a bootleg live CD for €9.95 (£8.45), Deutsche Welle reports.

The woman, known as Gabriele P, claimed she was unaware that she was committing copyright infringement by listing the CD titled Eric Clapton – Live USA, which contains recordings of performances from the 1980s, on eBay. She told the court that the listing was removed after one day.

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Go easy on me: why pop has got so predictable

Adele, Ed Sheeran, Abba, Lana Del Rey and Drake all found success in 2021 by delivering more of the same – a result of how our chaotic lives, on and offline, are informing our taste

The biggest album launch of 2021 began with a social media statement tacitly assuring fans that nothing had changed. Adele was once more in a state of heartbreak – “a maze of absolute mess and inner turmoil … consumed by my own grief” – and that the contents of her album 30 would reflect that, as mired in romantic misery as its predecessors, 25 and 21. It was the musical equivalent, she said, of a friend who comes over “with a bottle of wine and a takeaway” to discuss the disastrous state of your love life.

The second-biggest album launch of 2021 was preceded by its creators proudly announcing they had written it “absolutely trend-blind”. Abba had traversed a considerable musical distance over the course of their original career, buffeted by the shifting musical trends of the 70s and early 80s – from the clompy Europop of their debut album to the sophisticated, chilly electronics of The Visitors, by way of glam and sleek disco – but Voyage would offer them preserved in amber, exactly as they were in the late 70s, unspoiled by any musical trends from the 40 years since their split.

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‘BTS taught me that I am worthy’: readers on why they love the K-pop superstars

Guardian readers from Scandinavia, the Philippines, Morocco and beyond explain their fandom, which has helped rejuvenate them, heal racial trauma and understand their identity

K-pop boy band BTS swept the American Music Awards last month, making history as the first Asian act to win artist of the year; they were also nominated for a Grammy for best pop duo/group performance for their single Butter.

The seven-member band has a huge global following and their fans, known as Army, are known for their passion and loyalty. Here Guardian readers, who are BTS fans, speak about why the band means so much to them.

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Billie Eilish: I would have died from Covid-19 if I hadn’t been vaccinated

The pop star told Howard Stern that she had the virus in August: ‘I want it to be clear that it is because of the vaccine I’m fine’

Billie Eilish has revealed that she had Covid-19 in August, and said that she felt sure she “would have died” had she not been vaccinated.

Appearing on Howard Stern’s US radio show on Monday, Eilish said: “The vaccine is fucking amazing and it also saved [her brother/musical collaborator] Finneas from getting it; it saved my parents from getting it; it saved my friends from getting it.”

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Mexicans pay tribute to Vicente Fernández, icon of ranchera music

Family, friends and fellow musicians pay their final respects to the man known as ‘El Rey’ (the King) following his death at age 81

Mexicans are in mourning for Vicente Fernández, the elaborately mustachioed icon of ranchera music, whose ballads of love and loss, golden baritones and singular stage presence captured the raw emotions of a nation.

Fans flocked to his ranch in western Jalisco state, where family, friends and fellow crooners paid their final respects to the man known as “El Rey” (the King) – and often just by the diminutive “Chente.”

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Golden Globes 2022 tries to do better as Lady Gaga brings the outrage

After a year of criticism over diversity, the Golden Globes have come up with a decent slate of nominees, with Gaga surely the favourite for best actress

Full list of 2020 nominations

The Golden Globes nomination list has been announced with a solemn introduction from the Hollywood Foreign Press Association’s president Helen Hoehne, to the effect that the Globes’ much-criticised controlling body was “trying to be better” and that its constituent membership was more diverse than at any other time in its history. Which is better, I suppose, than being less diverse than at any time in its history.

At any rate, leading the pack are Belfast, Kenneth Branagh’s unashamed heartwarmer about the home town of his early childhood, with seven nominations and Jane Campion’s stark, twisty western-Gothic psychodrama The Power of the Dog, set in 1920s Montana with Benedict Cumberbatch as the troubled, angry cattleman who begins a toxic duel with his new sister-in-law played by Kirsten Dunst and her sensitive teenage son, played by Kodi Smit-McPhee.

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‘I never worked in a cocktail bar’: How the Human League made Don’t You Want Me

‘Philip turned up to meet my parents fully made up, with red lipstick and high heels. My dad locked himself in the bedroom and refused to come out’

I had intended to recruit just one female backing singer but when I walked into the Crazy Daisy nightclub in Sheffield, the first thing I saw was Joanne Catherall and Susan Ann Sulley dancing. They somehow looked like a unit while being clearly different individuals. I knew they were right.

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Charlie Watts remembered by Dave Green

2 June 1941 – 24 August 2021
The Rolling Stones drummer’s childhood friend and fellow musician recalls a home-loving connoisseur and collector of ephemera

I first met Charlie Watts in 1946, when I was four and he was five. We moved into new prefabs built after the war in Wembley Park – we were number 22, he was number 23 – and our mums hit it off pretty much straight away. We were very close, Charlie and me, throughout our lives. There was one point after he joined the Stones when we didn’t see each other for years, but when we did eventually reconnect, we picked up where we left off. Our relationship never really changed.

From an early age we were both interested in jazz. It was a mutual thing. I used to listen to records in Charlie’s bedroom, discovering musicians such as Charlie Parker, Duke Ellington and Jelly Roll Morton. Later, when his dad bought him a drum kit and I got a double bass, we’d only been playing for a few months when we heard that a jazz band was doing auditions for a drummer and bass player. We did the audition and as we were the only ones that turned up we got the gig with the Jo Jones Seven and started doing weekly sessions at the Masons Arms pub in Edgware.

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Supermodel Karen Elson on fashion’s toxic truth: ‘I survived harassment, body shaming and bullying – and I’m one of the lucky ones’

She has been at the top of the industry for decades. Now she’s speaking out about the dark reality of life behind the scenes

When Karen Elson was a young hopeful trying to make it in Paris, a model scout took her to a nightclub. After long days on the Métro trekking to castings that came to nothing, and evenings alone in a run-down apartment, she was excited to be out having fun. The music was good and the scout, to whom her agent had introduced her, kept the drinks coming. She started to feel tipsy. A friend of the scout’s arrived, and the pair started massaging her shoulders, making sexual suggestions. “I was 16 and I’d never kissed a boy,” she recalls. “It was my first experience of sexual – well, sexual anything, and this was sexual harassment. They both had their hands on me.”

She told them she wanted to go home, and left to find a taxi, but they followed her into it, kissing her neck on the back seat. When they reached her street, she jumped out, slammed the taxi door and ran inside. The next day she told another model what had happened, and the scout found out. “His reaction was to corner me in the model agency and say: ‘I’ll fucking get you kicked out of Paris if you ever fucking say anything ever again.’”

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‘This is our voice’: The Uyghur traditions being erased by China’s cultural crackdown

Ancient shrines, oral folklore and hip-hop cyphers are all part of a rich artistic heritage being ‘hollowed out’ in Xinjiang, say Uyghur exiles and scholars

On Thursday, the Uyghur Tribunal delivered its damning judgment on the human rights abuses allegedly committed by the Chinese state in Xinjiang. Over the past months this London-based people’s tribunal has heard testimony from international scholars as well as survivors of Chinese detention and “re-education camps”.

While the ruling has no legal standing, the aim is to highlight the treatment of Uyghurs, Kazakhs and other Turkic Muslims in north-west China. Rachel Harris, a British ethnomusicologist and Uyghur specialist, has described the state’s strategy as an attempt “to hollow out a whole culture and terrorise a whole people”.

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George Michael’s 30 greatest songs – ranked!

With Last Christmas sailing up the singles charts again, now’s the time to reappraise Michael’s best tracks, from sublime pop to haunting elegies

Tucked away on the B-side of The Edge of Heaven, Battlestations is a fascinating anomaly in the Wham! catalogue. Raw, minimal, and influenced by contemporary dancefloor trends – but still very much a pop song – it gives a glimpse of what might have happened had the duo stayed together and taken a hipper, more experimental direction.

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Belgian pop sensation Angèle: ‘When we speak about feminism, people are afraid’

A million-selling superstar at home and in France, she discusses her confrontation with Playboy, growing up in a famous family and being publicly outed as bisexual

A few years ago, a popular pub quiz question involved naming 10 famous Belgians. The answers often revealed more about British cultural ignorance than Belgium’s ability to produce international celebrities, given that the fictional Tintin and Hercule Poirot were the best many could come up with.

The game has got easier since the rise of Angèle, a stridently feminist Belgian pop singer-songwriter who shot to fame in 2016 after posting short clips singing covers and playing the piano on Instagram. She was young, talented and not afraid to make fun of herself, pulling faces and sticking pencils up her nose. Her 2018 debut album, Brol, sold a million copies; by 2019, she was a face of Chanel. “I’d always wanted a career in music, but I was thinking more of working as a piano accompanist,” she says, folding into an armchair at a five-star boutique hotel near the Paris Opéra. “I really didn’t expect it to happen like that.”

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‘The Wizard of Oz of entertainment’: the incredible career of Robert Stigwood

He managed the Bee Gees and created Saturday Night Fever but the closeted impressario ‘never felt that sense of success’ according to a new documentary

According to film director John Maggio, two types of executives run the entertainment industry – one far rarer than the other. “The vast majority of them don’t know what’s good, or what will be a hit, until ten other people tell them,” he said. “But a few can tell you right away. They’re the visionaries.”

For an extended time, one of the most clairvoyant was Robert Stigwood. Yet no one had made a feature documentary about him until now. Mr Saturday Night lays out the rocket-like trajectory of this manager turned producer turned impresario who scored hits in the worlds of music, theater, concerts and film. Stigwood’s projects ranged from managing the Bee Gees to running a record label featuring artists like Eric Clapton to producing two of the biggest movies of all time – Saturday Night Fever and Grease, as well as the successful movie version of the Who’s Tommy – to bankrolling smash plays like Jesus Christ Superstar and Evita. “For a time, he was the Wizard of Oz of entertainment,” said Maggio, who directed the film, to the Guardian. “Between 1970 and 1978, he could not not make a hit.”

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60s psych-rockers the Electric Prunes: ‘We couldn’t sit around stoned!’

Discovered in an LA garage, the band rode a psychedelic wave into Easy Rider and a trippy Latin mass – even if they didn’t actually take acid. As a box set revives the music, their lead singer looks back

“I guess I’m part of history,” says James Lowe, lead singer of the Electric Prunes, of the band’s oeuvre being gathered into a box set this month. “It suggests the idea we had for the band was viable – at least for a while.”

Indeed, the Los Angeles quintet were, if only briefly, one of psychedelic rock’s pioneers. Ironically, as Lowe confirms, the Prunes weren’t particularly interested in hallucinogenic drugs – “we had no support crew, no tour bus; we couldn’t sit around stoned” – and no Prune possessed the dark charisma of fellow LA psychedelic shamans Arthur Lee or Jim Morrison. Initially a surf-rock outfit, a passing real-estate agent heard the band rehearsing in a garage and suggested a friend of hers might be interested in them. Lowe gave his phone number but thought nothing of it, because “everyone in LA knows ‘someone’ in the film or music industry”.

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Drake withdraws his two 2022 Grammy nominations

The star pulled his nominations for best rap album and best rap performance after consultation with his management

Drake has decided to withdraw his two Grammy nominations.

Though his motive remained unclear, Variety reported the 35-year-old artist withdrew his two nominations – best rap album for Certified Lover Boy and best rap performance for his song Way 2 Sexy, featuring Future and Young Thug – after consultation with his management.

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Joni Mitchell: ‘I’m hobbling along but I’m doing all right’

Singer discusses health difficulties in rare public speech as she accepts Kennedy Center award

Joni Mitchell addressed her health difficulties in a rare public speech as she accepted her Kennedy Center Honor, one of the most prestigious awards in American cultural life.

At a ceremony attended by Joe Biden – in a show of support for the arts after the awards were snubbed by Donald Trump – Mitchell discussed the issues she’s faced in the wake of an aneurysm in 2015 that left her temporarily unable to walk or talk.

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‘I could have done with eight more hours’: readers on the Beatles documentary epic Get Back

Peter Jackson spent four years editing down 60 hours of unseen footage into the new three-part documentary series. Was it worth the wait?

As a younger Beatles fan who grew up with the idea that the band were falling apart in January 1969, Get Back was a joy. My immediate thought was how bright and vibrant everything looked, compared with the graininess of the original Let It Be film. It could have been shot yesterday – apart from the outfits and hairstyles. While not exactly a big revelation for those of us who never believed that Yoko Ono broke up the Beatles, it’s great to see that her presence here didn’t upset Paul, George and Ringo nearly as much as it seemed to upset commentators. We see absolutely no evidence of her “interfering”, as has been claimed over the years, and I loved McCartney’s prescient remark that in 50 years’ time people would be saying the Beatles broke up “because Yoko sat on an amp”.

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