‘The music industry kills artists’: Damso, Belgium’s biggest rap star

With multi-platinum No 1 albums including topics such as suicide and the psychology of paedophiles, the Congolese-Belgian MC has carved his own lane with total determination

‘The questions that I ask myself about death aren’t about dying, they’re about death in this life.” Damso doesn’t really do small talk. Engaging and magnetic even through a computer screen, the 28-year-old Congolese-Belgian rapper is sporting a flamboyant shirt and a considerable amount of jewellery as he ponders the nature of existence. “There are people who are alive, but live like they’re dead,” he says. “They don’t strive to go further. But I know life is really short because I’ve seen people die just like that, in the street. So this question speaks to me: how can we be absent from our own lives?”

This is Damso’s first interview for an English-speaking audience, but we barely mention any of the achievements his team send over to illustrate how successful he is. When his fourth album, QALF, dropped in September 2020 without a whisper of promotion, it generated 14m streams in 24 hours, making him the most streamed artist in the world that day. “The music won,” he says simply.

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‘The humanity of black characters is often forgotten’: behind Oscar-tipped One Night in Miami

In an acclaimed new film, the story of a night between four major figures – Malcolm X, Sam Cooke, Jim Brown and Muhammad Ali – is brought to life

One thing is certain: vanilla ice cream was eaten. The rest? If only we knew.

The year is 1964 and activist Malcolm X, singer-songwriter Sam Cooke and American football player Jim Brown gather in Miami, Florida, to cheer boxer Muhammad Ali – then Cassius Clay – to his first world heavyweight championship. No celebration is planned because he was not expected to win, so the four repair to Malcolm’s hotel room in the segregated African American part of town.

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Olly Alexander on success, sanity and It’s a Sin: ‘All those hot guys. I loved it!’

The Years & Years frontman is starring in Russell T Davies’ new drama about the Aids crisis. He talks about bulimia, his ‘dark’ clubbing days – and how he learned to enjoy filming sex scenes

Olly Alexander was so certain he was destined for success that he saw a therapist to help him prepare for his future fame. It was 2014 and his band Years & Years had just signed to Polydor when he visited the shrink.

“I said: ‘The album’s coming out and I really want it to be successful,’ and he said: ‘What happens if it isn’t?’ I said: ‘Well, that’s not an option because I have planned it in my diary since I was a teenager.’”

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Nick Kent: ‘I was in the right place at the right time, on the wrong drugs’

The rock critic who revived British music writing at the NME in the 70s is back with his first novel – a caustic tale of rock megalomania

Nick Kent, who is as close as British music journalism ever came to producing a legend, finally stopped writing about rock in 2007. “There was really nothing around that sparked my imagination,” he tells me. “There was no mystery, and rock’n’roll needs mystery.”

So ended a singular odyssey that had begun 35 years earlier, in 1972, when Kent joined a then struggling NME and, within a year or two, had helped push its weekly readership to near the 300,000 mark. Back then, a tall, stick-thin fop in leather trousers, matching biker jacket, a dangling earring and eyeliner, Kent was as sartorially stylish and – to borrow one of his own phrases – as “elegantly wasted” as the dissolute rock stars he profiled. And he walked it like he talked it, hanging out with the Rolling Stones and Led Zeppelin, befriending Iggy Pop, stepping out with Chrissie Hynde (briefly a fellow NME writer) and even playing guitar in a very early incarnation of the Sex Pistols.

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Billy Porter: ‘My church said I would never be blessed if I chose to be gay’

The actor and singer on RuPaul’s Drag Race, learning how to be loved, and why no actor could play him in the film of his life

Born in Pennsylvania, Billy Porter, 51, studied drama and moved to New York in 1991 to appear in Miss Saigon. He went on to star in Kinky Boots, winning the 2013 Tony award for best actor in a musical, and a Grammy for the soundtrack. In 2018, he was cast in Netflix’s Pose, which will return for a third series. He is married and lives in New York state.

What is your greatest fear?
That I will be forgotten and my legacy won’t matter.

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‘His life is a rebuke to cynicism’: what five years without David Bowie has taught us

In his song Five Years, Bowie imagined a dying Earth. Five years on from his death, it seems to have come true – yet he continues to uplift us

On 11 January 2016, in pitch darkness, I turned on the radio at 7am and heard the news that David Bowie had died. I switched rapidly between stations hoping to find a parallel universe in which he was still alive, but there were only the halting voices of presenters choking back tears alongside snippets of Bowie’s incomparable musical world, collapsing into collective grief.

My first reaction was to think magically: “But he can’t be dead!” Bowie had just released his 25th album, Blackstar, only three days previously, on his 69th birthday. His official website had recently posted new photographs of him, sharp-suited and yelling playfully into the camera. Occasional news of what the critic Paul Morley called Bowie’s “cheering, ongoing life” – especially in the decade after Bowie suffered a heart attack on stage in 2004 – had been enough to reassure me and his millions of fans that he was still around. Not that he owed us anything, but a world that still had David Bowie in it couldn’t be all bad. And now he was gone from it.

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New Order’s 30 greatest tracks – ranked!

With the 40th anniversary of their debut single approaching, we rate the band who blend dance and rock like no other

You can see why Movement is viewed less as New Order’s debut album than a footnote to Joy Division’s career – that is really what it is – but that doesn’t mean it is not good. The surges of The Him would have made a great Joy Division track; the lyrics, which attempt to understand the death in 1980 of Ian Curtis, Joy Division’s frontman, are powerful and heartbreaking.

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‘A legend in her own right’: Carolyn Franklin, Aretha’s forgotten sister

She was a genius songwriter and singer but could never escape her sibling’s shadow – and died at just 43. Family and friends including Martha Reeves and Bettye Lavette celebrate the life of a cruelly overlooked artist

Some of the most remarkable footage of Aretha Franklin was taken in 1968, as she rehearses Ain’t No Way, written by her youngest sister, Carolyn. Diminutive and tomboyish in appearance, Carolyn is clearly in control of the session: she anchors the beat with a church clap, teaching her sister the melody while Aretha holds down chords on the piano. For the woman who ferociously demanded respect, Aretha appears meek, almost sheepish. Carolyn’s commanding presence and musicality are what shine.

Yet it was Aretha who would go on to become the Queen of Soul, and whose story will be depicted this year in the biopic Respect, while Carolyn has been mostly overlooked, known – if at all – for a few songwriting credits. Her life and career as a songwriter, backing vocalist and solo artist, though cut short, is one of frustrated opportunity, hidden identity and fantastic accomplishment.

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Grammy awards postponed weeks before ceremony over Covid concerns

The biggest night in US music is being pushed back as a result of virus spread in California

The 2021 Grammy awards will be postponed after a steady increase in Covid-19 cases in California.

The ceremony was scheduled to take place on 31 January hosted by Trevor Noah and while a new date has yet to be confirmed, sources suggest that it could be pushed back until March. A limited show had already been planned without an audience and only performers and presenters allowed on stage with nominees accepting awards remotely.

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21 things to look forward to in 2021 – from meteor showers to the Olympics

From finally seeing the back of Donald Trump to being in a football stadium – the new year is full of promise

You probably found a few things to enjoy about last year: you rediscovered your bicycle, perhaps, or your family, or even both, and learned to love trees. And don’t forget the clapping. Plus some brilliant scientists figured out how to make a safe and effective vaccine for a brand new virus in record time.

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How You’ll Never Walk Alone came to define Liverpool FC’s spirit

The Rodgers and Hammerstein number became a football anthem via the late Gerry Marsden, bringing euphoric determination to every era of Liverpool FC from Shankly to Klopp

“It never stops creating goosebumps,” is how Liverpool manager Jürgen Klopp describes it. “It never stops feeling really special.”

Our team’s anthem – Gerry and the Pacemakers’ You’ll Never Walk Alone – was not the reason Klopp came to Liverpool, but he’s talked about the moment he first heard it ringing out around the ground, and how that reassured him that he’d made the right choice to move to Merseyside. Indeed, if you could condense Klopp’s entire philosophy into one song – sticking together when times get tough, trust in the abilities of others, a conviction that better days are ahead – it would be You’ll Never Walk Alone. It’s been the club’s anthem since it topped the UK charts in 1963, providing joy and comfort during the triumphs and tragedies of the decades that have followed. Fans are now mourning the death, at 78, of the man who sang it – Gerry Marsden.

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Gerry Marsden, frontman of Gerry and the Pacemakers, dies aged 78

Singer known for hits You’ll Never Walk Alone and Ferry Cross the Mersey dies after short illness

Gerry Marsden, the lead singer of Gerry and the Pacemakers, known for hits including You’ll Never Walk Alone and Ferry Cross the Mersey, has died at 78 after a short illness.

He shot to fame in the 1960s as the leader of the Merseybeat band at a time when Liverpool was the centre of the musical universe.

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Flea: ‘There is joy in obsession. But I’m not sure it’s healthy’

The musician and actor, 58, on falling in and out of love with his band, growing from pain, and writing lessons from Patti Smith

I’ve always viewed life as an opportunity. That might be to explore or to learn. I’m never more excited than when I find a new thing to be excited about. That might be something as simple as table tennis – but if I get excited about table tennis, I want to become really good at table tennis! There’s no midpoint with me. I’m always searching for new ways to develop myself, whether they’re physical, spiritual, emotional, intellectual or whatever. I like my drive.

My generation had an unhealthy relationship with drugs. This is going to sound like real old-man shit, but regarding the young generation, I don’t worry about them doing that. I worry about how much time they spend in front of computers and phones. I worry that living in the moment has been lost.

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Battle for Brixton’s soul as billionaire Texan DJ plans 20-storey tower block

Residents vow to stop Taylor McWilliams’s scheme to develop a site that looms over the famous Electric Avenue street market

The outcome of the fight may help shape London’s future skyline. In one corner is a Texan millionaire DJ and property developer who has put forward plans for a 20-storey office block in Brixton, next to a conservation area and the district’s famous Electric Avenue.

Taylor McWilliams’s property company Hondo, which owns most of Brixton market, claims the proposal will “deliver” 2,000 jobs in the area and generate £2.8m every year for the local economy.

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‘All that mattered was survival’: the songs that got us through 2020

Butterflies with Mariah, Bronski Beat in the Peak District, Snoop Dogg on a food delivery ad … our writers reveal the tracks that made 2020 bearable

When it came to lockdown comfort listening, there was something particularly appealing about lush symphonic soul made by artists such as Teddy Pendergrass and the Delfonics. But there was one record I reached for repeatedly: Black Moses by Isaac Hayes, and particularly the tracks arranged by Dale Warren. Their version of Burt Bacharach’s (They Long to Be) Close to You is an epic, spinning the original classic into a nine-minute dose of saccharine soul. But their cover of Going in Circles, another Warren exercise in expansion, is their masterpiece, reimagining the Friends of Distinction original as a seven-minute arrangement with stirring strings and beatific backing vocals that builds into a story about lost love that transcends the genre’s usual parameters. A perfect, if slightly meta, balm for the repetitive lockdown blues. Lanre Bakare

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Boris Johnson stopped me getting fit – but he couldn’t come between me and my guitar

I’m still no Jimi Hendrix, but after a year’s solid practice I have just about mastered one R&B track

This year, my original new year resolution was to be a two-pronged attack on my unhealthy lifestyle in the form of restrictions on booze and food. Sadly, that was waylaid by the unavoidable catastrophe of coronavirus, paired with the wildly avoidable catastrophe of Boris Johnson being prime minister.

Given that we have been trapped in our homes, I had to rapidly reimagine my ambitions. Without the assistance of chicken so deep fried it practically becomes a sedative, or the sweet embrace of red wine, I suspect I would not have been able to cope with 2020.

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Patti Smith: ‘As a writer, you can be a pacifist or a murderer’

As she prepares to ring in 2021 with a performance on screens at Piccadilly Circus, the punk poet explains why she’s optimistic amid the ‘debris’ of Trump’s years in office

Patti Smith talks about her first poetry performance – in 1971 at St Mark’s Church in New York’s Bowery – as if it were yesterday. “I remember everything,” she says over the phone from her home in New York. Smith was in her early 20s, working at a bookshop and living in the Chelsea Hotel with her then lover, the playwright Sam Shepard. She had attended poetry readings before, most of which put her into a deep sleep. “I wanted to do something that wasn’t boring,” she recalls. “Sam said that since I sang to myself all the time, I should try singing a song, or maybe do something with a guitar.” And so she called on the musician Lenny Kaye to provide “interpretative” noises on guitar while she half-read, half-sang her poems.

The show was an instant hit. “It seemed to make a big impression on people – which I really didn’t understand,” she says. The producer Sandy Pearlman approached her afterwards and suggested she front a rock band. She eventually took his advice, making the landmark album Horses in 1975, and an icon of American punk was born.

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Jazz trumpeter Keyon Harrold claims woman assaulted his son after false theft accusation

New York attorney investigates incident in which black teenager was accused of trying to steal a white woman’s phone in a hotel lobby

A confrontation in which the jazz trumpeter Keyon Harrold said a woman tackled his 14-year-old son in a New York hotel lobby as she falsely accused the teen of stealing her phone is under investigation, prosecutors said.

Harrold posted a widely viewed video of the confrontation that took place at the Arlo hotel on Saturday. He alleged the unidentified woman scratched him and tackled and grabbed his son, Keyon Harrold Jr, who is black, at the lower Manhattan hotel where the pair were staying.

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‘Your worries disappear!’ East 17’s Tony Mortimer on discovering reading – as a 50-year-old

Until lockdown hit the singer – who won an Ivor Novello for songwriting – had never read a full book. Now he has galloped through 70 and is writing his own. He talks about his life-enriching habit

Should the government ever need to hire a reading tsar to raise the country’s literacy skills, then they should look no further than Tony Mortimer. Sure, the former East-17 star had made it until almost 50 years of age without ever reading a novel – perhaps not ideal credentials for the role. But listening to him talk about the wonder of books, and the journey he’s been on since picking up his first one last March, is such a pleasure that I’m convinced he could sweep anyone along.

Mortimer is emblematic of the reading boom brought on by lockdown this year – Bloomsbury reported its best half-year profits in more than a decade – and his social media posts documenting his new hobby made national headlines, with sweet, awestruck tweets that proved to people that you’re never too old to embark upon a new, life-enriching project.

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Holocaust survivor Anita Lasker-Wallfisch: ‘No memorial can come anywhere near what happened’

The cellist believes that plans for a UK Holocaust memorial are ‘counter-productive’. What matters most, she argues, is education

Have you, I ask the cellist Anita Lasker-Wallfisch, ever seen a memorial to the Holocaust – or to any atrocity – that was effective?

“It’s difficult to say how effective it is on the person who looks at it,” she says. “I mean I was in it, after all, I’m a survivor of it. Nothing really can come anywhere near what actually happened, you know.”

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