Hurry up and wait: the joys of slow culture

In the streaming age, sleeper hits such as Schitt’s Creek and The Morning Show have replaced quick successes, confirming culture is a marathon not a sprint

If one thing guarantees a TV hit in 2021, it’s a lukewarm reception. Take Ted Lasso, a sitcom about a perky, naive American football coach transplanted on to British soil. Its first season premiered last summer to barely any fanfare – but little by little came mass critical reconsideration. The show ended up a smash hit, breaking the record for most Emmy nominations for a first season of a comedy. Its second series, concluding next month, has made it one of the most talked-about shows of the year.

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The proof is in: TV really does rot your brain

A new study reveals the terrifying truth that too much television lowers your volume of grey matter. But TV is the defining art form of our age – so I refuse to quit

Until now, claims that television makes you stupid have only been backed up by anecdotal evidence. True, at a certain point it does seem that people who watch vast amounts of TV do become so intellectually impaired that they start involuntarily clapping along to theme tunes like imprisoned sea lions performing for fish, but that isn’t anything you could write a medical paper about.

Now, sadly, science has trundled along to back it up. According to Dr Ryan Dougherty, from Johns Hopkins Bloomberg School of Public Health in Baltimore, the more television you watch in middle age, the lower your volume in grey matter. Examining the viewing habits of 599 American adults between 1990 and 2011, Dougherty found that those who watched an above average amount of television showed reduced volume in their frontal cortex and entorhinal cortex. Basically, your mum was right: TV really does rot your brain.

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From Schitt’s Creek to Kevin Can F**k Himself: the perils of swearing in your TV show title

Once seemingly a fast track to cancellation, TV shows are again dancing around the censors with almost-curse words in their titles. But do they still make viewers go WTF?

When Eugene and Dan Levy were first pitching their idea for a comedy about a wealthy family who go broke, there was one major stumbling block: the name. When several channels asked them to change the title from Schitt’s Creek to something less vulgar, the Levys doubled down. They pulled out pages from a phone directory to prove that there were actual people with the sweary surname. “If CBC was doing a news broadcast with the name Schitt, would you not use it?”, Eugene Levy told the Toronto Star. “They said: ‘Yes, we would air the name.’” After throwing it at the network’s wall, they finally got Schitt to stick.

But when it aired in 2015, the series was not without its issues. NPR had to spell out the word when talking about it; some channels, such as CBS, had to flash up what’s known as “the lower third” – subtitles literally spelling it out – every time they mentioned it on air. Some TV and radio stations were reduced to simply calling it “Creek”, presumably confusing both Dawson’s Creek and Jonathan Creek fans in the process.

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‘I got the shotgun. You got the briefcase’ – how The Wire’s Omar changed TV

He was the terrifying stick-up man who loved his gran, shopped in his pyjamas and tenderly kissed his boyfriend. We remember Omar’s great scenes – and pay tribute to Michael K Williams, the actor who brought him to life

Playing stick-up man Omar Little on The Wire, Michael K Williams was tough, frightening and brutal – his face scarred, his smile wide, toting a shotgun and wearing a long trenchcoat. So viewers of David Simon’s intricate TV portrait of Baltimore’s streets, docks, schools and politics felt the rug pulled from under them when they first saw him kiss his boyfriend in episode four of season one.

It was a moment that subverted audience expectations and signalled the complexity, ambition and depth that The Wire – which is often placed at or near the top of lists of the all-time greatest TV shows – was aiming to achieve. This is not a character you’ve seen before, the show seemed to be saying. These aren’t your usual stereotypes and cliches. A similar moment saw Idris Elba’s drug chief Stringer Bell attend a business studies class.

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The Wire star Michael K Williams dies aged 54

The actor was best known for his role as Omar Little in the HBO series, and also starred in Boardwalk Empire

The actor Michael K Williams, best known for his role as Omar Little in The Wire, has died at the age of 54.

Confirming his death to the Hollywood Reporter, Williams’s representative said that it was “with deep sorrow that the family announces the passing of Emmy-nominated actor Michael Kenneth Williams. They ask for your privacy while grieving this unsurmountable loss.”

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‘I went to school drunk in a bikini’: how Sophie Willan turned her chaotic life into sitcom gold

She won a Bafta for Alma’s Not Normal – and that was just the pilot episode. As the full series launches, the ex-standup talks about growing up in care, getting the comedy bug in Ibiza and finally hitting the big time

Earlier this year, Sophie Willan went through an extraordinary run of extreme highs and lows. She was filming her sitcom Alma’s Not Normal, a project she started working on years ago, when her grandmother died. She had brought Willan up for part of her childhood and inspired a character in the show. The day after, Willan found out she had been Bafta nominated for comedy writing.

A few weeks later, while she watched the ceremony on a laptop on a picnic bench outside the converted barn she was staying in, Willan was named the winner. Her response, posted on Instagram by castmate Jayde Adams, is the most joyous thing you may see all year: Willan takes off on a victory lap, magnificent red sequinned dress matching a tractor in the background, sprinting and shouting “What the fuck?” over and over. “I woke up all the kids that had been put to bed in the house next door,” says Willan, laughing. “It was fabulous. It was surreal.”

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Sarah Harding, singer with Girls Aloud, dies aged 39 from breast cancer

Fans and figures from show business pay tribute to pop star who was diagnosed in August 2020 and wrote memoir during her illness

The pop singer and TV personality Sarah Harding, who had 21 UK Top 10 singles as a member of Girls Aloud, has died aged 39 from breast cancer.

Her mother, Marie, announced her death on Instagram, prompting a flood of tributes from fans and figures from show business. Geri Horner, the Spice Girls singer and a judge on the TV talent show that created Girls Aloud, wrote: “Rest in peace, Sarah Harding. You’ll be remembered for the light and joy you brought to the world. X”

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‘Images were suddenly powerless’: how the arts responded to 9/11

On the 20th anniversary of the attack on New York’s Twin Towers, we consider how artists, writers, film-makers and comedians have attempted to grasp that momentous day and it’s legacy

As the world clustered, transfixed, around television screens, watching and rewatching footage of a plane gliding into the top of New York’s twin towers and a tiny, anonymous man plummeting to earth, another scene was unfolding on the ground, as panic-stricken families stumbled through the smoke and rubble to gather up their children from schools and kindergartens.

Art Spiegelman and Françoise Mouly stood four blocks away with their daughter, watching the second tower fall “in excruciatingly slow motion”. As art director of the New Yorker magazine, Mouly knew that she would have to come up with a rapid response. “I felt that images were suddenly powerless to help us understand what had happened. The only appropriate solution seemed to be to publish no cover image at all – an all-black cover. Then Art suggested adding the outlines of the two towers, black on black. So from no cover came a perfect image, which conveyed something about the unbearable loss of life, the sudden absence in our skyline, the abrupt tear in the fabric of reality,” she later recalled.

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Life, death and gabagool: how The Sopranos explains everything

Ahead of the release of prequel The Many Saints of Newark, a look at how David Chase’s classic mob drama saw the world in a grain of parmigiano

In 1999, a 40-year old Italian-American man started a course of therapy and created a new template for prestige television. The Sopranos, David Chase’s smash-hit TV series, was about the nasty inner workings of the DiMeo crime family. It was also about a mafioso’s midlife crisis, his children and his marriage, his debilitating anxiety and lurid nightmares.

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The D’Amelio Show: what do you do with TikTok fame?

The new reality show on Charli and Dixie D’Amelio attempts to transfer one kind of gargantuan fame into another with mixed results

“I get asked why I’m famous a lot,” says Charli D’Amelio, the most followed person on TikTok, early in the third episode of her family’s new Hulu reality show. Just two years ago, she was a high school sophomore in suburban Connecticut posting snippets of dances and jokes with friends to the app. Now 17, she has 123.6 million followers on the app; she and her sister Dixie, 20, are two of the most recognizable faces among Gen Z, superstars on the most culturally influential social media platform in the country right now.

Yet “I don’t consider myself famous,” she says. “I’m just a person that a lot of people follow for some reason. I think it was right place, right time. I think it was a vibe, maybe, that I give off.”

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Why is Spike Lee’s 9/11 docuseries so controversial?

His new HBO series has been re-edited after backlash over featuring 9/11 ‘truthers’ – but a thread of distrust remains

Spike Lee is no stranger to controversy, but pre-emption is new for him. His incendiary work has inspired scandals both righteous (Do the Right Thing frightened a complacent America with its vision of urban unrest) and regrettable (the Jewish club owners in Mo’ Better Blues attracted charges of antisemitism), and now, his new docuseries NYC Epicenters 9/11 —> 2021½ has landed him in the same hot water that never seems to cool.

Related: Two decades after 9/11, the real threat to the US is our own far right | Harsha Panduranga

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Frank Oz on life as Fozzie Bear, Miss Piggy and Yoda: ‘I’d love to do the Muppets again but Disney doesn’t want me’

He played some of the most memorable characters of all time on The Muppet Show and Sesame Street - then became a brilliant comedy director. What is he most proud of?

I ask Frank Oz if he feels like the Paul McCartney to Jim Henson’s John Lennon, the one left behind to carry the flame after his revered creative partner suddenly and shockingly died. Oz takes a deep breath and turns his head to the side, thinking.

If you grew up in the 1970s and 80s, your childhood was shaped by Henson and Oz and their work with the Muppets, just as the kids who grew up in the 50s and 60s did so in the shadow of Lennon and McCartney. Even if you weren’t a devoted fan of the Muppets themselves, you couldn’t help but take in their influence osmotically, what with The Muppet Show, Sesame Street, the Muppets movies and Labyrinth swirling in the atmosphere. I was pretty much raised on the Muppets, just as I now raise my own kids on them, and I cannot remember a time when Henson and Oz’s creations were not stamped in my mind’s eye.

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Ed Asner, who played Lou Grant in two hit shows, dies aged 91

  • Actor shone in The Mary Tyler Moore Show and spin-off
  • Spell as Screen Actors Guild president ended over liberal views

Ed Asner, a burly and prolific character actor who became a star in middle age as the gruff but lovable newsman Lou Grant, first in the hit comedy The Mary Tyler Moore Show and later in the drama Lou Grant, died on Sunday. He was 91.

Related: Ed Asner obituary

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Sex Education’s Aimee Lou Wood: ‘I was in so much pain underneath it all’

As the high school comedy returns for a third series, its Bafta-winning star talks about stage fright, embarrassing scenes, and the torment that lay behind her desire to please people

In June, Aimee Lou Wood, 26, won a Bafta for best female performance in a comedy programme for her role as another Aimee (a teenager) in the hit Netflix show Sex Education, about a set of sexually active high school students, now returning for a third series. Even before the Bafta, Wood was always being stopped in the street. Fans wanted to talk to her, about Sex Education, about everything, because they related to her so strongly. Wood is naturally so friendly, she’d engage in conversation and make herself late. Then she starred opposite Bill Nighy in the forthcoming Oliver Hermanus film, Living: “Obviously, every single person recognises Bill Nighy, and he handles it with such grace,” Wood says, when we meet to talk in a north London photo studio. “With people in the street, I was like [she mock hyperventilates]: ‘Did I say the right thing? Was I nice enough?’ Now I’m learning to be: ‘Thank you so much!’ and carry on walking.”

It’s easy to see why fans relate to Wood: never mind the dazzling prettiness, she’s sparky, warm and expressive. She comes from a working-class family in Stockport, Greater Manchester, and although, following her parents’ divorce, her mother’s new partner paid for her to attend a private secondary school, she kept her rich Mancunian tones: “I sound like my mum and I like that. I like that I sound like where I’m from.”

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Vinnie Jones: ‘My career flew off the rails. The wheels were going. There wasn’t a spare seat!’

The footballer-turned-movie hard man is back, starring in a new Footsoldier film. He talks about how his film and TV career exploded and refinding his dignity

I am, obviously, scared of Vinnie Jones. Even though he is calling from New York, 3,000 miles and five hours away, I keep expecting him to click his neck three times and pull me into a breathless headlock. But instead, he is sleepy and then charming, and doesn’t threaten to kick my face in once.

He is sleepy because he was up until 2.30am shooting Law & Order: Organized Crime, in which he appears in the recurring role of Albanian gangster Albi. “Going toe-to-toe with Christopher Meloni,” he smiles, “a legend in the acting world.”

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Cancel Me: John Cleese to present Channel 4 show on ‘woke’ thought

Comedian to interview ‘cancelled’ subjects while examining ‘all aspects of political correctness … there’s so much I don’t understand’

John Cleese will take on the topic of “cancel culture” in a forthcoming television series for the UK’s Channel 4.

The new documentary will reportedly explore “why a new ‘woke’ generation is trying to rewrite the rules on what can and can’t be said”.

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Nicole Ari Parker to join Sex and the City reboot in place of Kim Cattrall

Boogie Nights star reportedly cast as Carrie Bradshaw’s best friend in HBO Max series And Just Like That …

Nicole Ari Parker has been billed to replace Kim Cattrall in the Sex and the City reboot, following the backlash that accompanied the news that the era-defining show’s most iconic character was done with the series.

Ari Parker, known for starring in the acclaimed series Empire as well as Paul Thomas Anderson’s Boogie Nights, will reportedly replace Cattrall as the fourth member of the New York friend group. According to the Mail on Sunday, Ari Parker, 50, will play Carrie Bradshaw’s new best friend, documentary-maker Lisa Todd Wexley.

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The Handmaid’s Tale: will the TV hit break its cycle of cruelty?

Season four of the drama based on Margaret Atwood’s novel has seen Elisabeth Moss’s June in near-constant peril. However, it seems her latent rage could be the thing that sets her free

I find myself wondering why I am still so invested in The Handmaid’s Tale on a weekly basis, as the camera slowly closes in on Elisabeth Moss’s face, her character June pained and broken by cruelty after cruelty. The apocalyptic drama is coming to the end of its fourth run, and when this season began, it found itself boxed into an inevitable corner. How could it sustain the story far beyond Margaret Atwood’s novel, without keeping its characters in a cage, and becoming an unrewarding display of relentless misery?

It had begun to go around in circles. June would defy the rules, escape the authorities, get captured, undergo torture, and then begin the whole cycle again. It made it hard for viewers to feel satisfaction in her victories. What was the point in rooting for her, if she would inevitably end up back at the start?

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‘It’s hot right now to have an Asian lead’: Manny Jacinto on The Good Place, Nicole Kidman and Tom Cruise

The role of DJ Jason Mendoza catapulted the 33-year-old to fame. Now he’s starring with Kidman in Nine Perfect Strangers – and being entranced by Cruise in the Top Gun reboot

On YouTube, you can see Manny Jacinto getting the surprise of his life. During a break from filming, the stars of The Good Place are informed of the smash-hit comedy’s mind-boggling plot twist. Castmate Jameela Jamil covers her face with her hands. William Jackson Harper shouts out loud. Jacinto jerks his head around frantically, as if trying to make sense of this astonishing development purely through the power of repetitive neck movement.

“I wish I could bottle up that feeling and have everybody experience it,” says Jacinto wistfully, five years later. “It was incredible.” Fans of the heaven-set sitcom will know what he means: the revelation was up there with the best plot twists of all time (spoiling it would be a crime). Yet for Jacinto the show did far more than pull the rug from under him. Winning the role of nice-but-ridiculously-dim DJ Jason Mendoza sent shockwaves through his entire life, catapulting the 33-year-old from relative obscurity to the kind of stardom that invariably accompanies a Netflix success story.

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The White Lotus review – a magnificently monstrous look at how the other half live

Rich guests – including a spaced-out Jennifer Coolidge – rub shoulders with downtrodden workers on a holiday from hell, in Mike White’s superb satire about inequality

The White Lotus is Big Little Lies with another two and a half turns of the screw – an equally sumptuously set miniseries with a mystery fatality at its heart. But this time, its subject is the monstrousness of affluence rather than mere snobbery.

We open with newlywed Shane (Jake Lacy) batting away questions from a friendly couple in an airport departure lounge about where his wife is, as he gazes down at cargo labelled “Human remains” that is being loaded on to their flight. Then we flash back a week to his arrival (with his starry-eyed wife Rachel – Alexandra Daddario) at the exclusive White Lotus spa in Hawaii, as part of a similarly Waspy group of guests.

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