Category Archives: Television

Exterminate! Exterminate! Why it’s time for Doctor Who to die

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After 16 years, the BBC’s flagship sci-fi show is tired and suffering. It should go away to save itself

Three series is the usual tenure for an actor playing the Doctor, so rumours are rife that Jodie Whittaker is about to step down. Michaela Coel, Olly Alexander and Richard Ayoade are among those tipped for the role. But what if, instead of a new Doctor, the show actually needs something a doctor might prescribe to an exhausted patient – a rest.

The current run started in 2005, and even with such a flexible format as Doctor Who, there aren’t many TV dramas that can sustain 13 series in 16 years. (Call the Midwife is probably the best BBC attempt at that in the past decade.) Soap operas can manage it, but then soap storylines generally don’t revolve around such cataclysmic events as the universe being destroyed.

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Looking for love? Dress as a shark! Is Sexy Beasts a new low for dating shows?

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A disturbing new Netflix series makes dates dress up as animals – from rhinos to insects – so that choices are made on personality not looks. So why is everyone involved so hot?

“Ass first, personality second,” says a deadpan beaver at a bar. Meanwhile, a panda with pleading eyes says she wants a baby by the age of 26. A rhino in a dress shirt chips in with “Vulnerability is our biggest muscle” – and gets a high five from a delighted dolphin.

What fresh hell is this? Are we not, for just one moment, deserving of a rest? Netflix says no. After holding us hostage for three weeks with Love Is Blind – in hindsight, not a good use of our last days before the pandemic – the evil-genius algorithm has come up with another “dating experiment”.

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‘I couldn’t talk about her for years’: my godmother, Amy Winehouse

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She cooked, watched Countdown and was mentored by the legendary singer. Now, 10 years after her death, Dionne Bromfield has finally addressed the grief she couldn’t deal with aged 15

Dionne Bromfield is leaning into the screen as we talk on Zoom, recounting the moment 10 years ago when she received the news that would change her life for ever. On a sunny July day, the 15-year-old singer was waiting to go on stage. She was supporting the boyband The Wanted on tour in Wales, the atmosphere backstage fizzing with energy before each show. However, that day something felt off. People were unusually quiet, and no one would meet her eyes. Eventually, she was told something was wrong: “It’s Amy.”

Amy Winehouse, whose remarkable, all-too-brief career ended with her death a decade ago this month, had been the teenager’s godmother, friend and mentor. Winehouse had nurtured Bromfield’s burgeoning vocal skills and helped her break into a notoriously competitive industry. For years after her death, Bromfield couldn’t listen to Amy’s music, let alone think about her. After two albums and a stint presenting the CBBC show Friday Download, the singer who had been marked out by many as one to watch and performed on live television with Winehouse, stepped back from music.

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Jean Paul Gaultier on couture, conical bras and condoms: ‘‘No sex please, we’re British?’ Au contraire!’

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After 50 years in fashion, the designer is having new adventures. He discusses love, work, Madonna – and why Eurotrash couldn’t be made now

Jean Paul Gaultier is waving his hands and talking nineteen to the dozen in French with a smattering of heavily accented English. I’ve only been with him for a few minutes, and already he is tearing through his thoughts on love, life, death and London, punctuated with self-deprecating comments and shrieks of laughter, as if we have known each other for ever.

We are supposed to be talking couture; he is after all fashion’s anointed “enfant terrible”, the designer celebrated for dressing Madonna in a conical bra corset, popularising skirts – well, kilts – for boys and turning the French navy’s famous marinière striped T-shirt into a wardrobe classic.

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Ken Burns: ‘I felt that Hemingway’s uber-masculinity was a mask’

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The acclaimed documentary-maker on his six-part portrait of Ernest Hemingway, his 40‑year career, and working during a golden age of storytelling

Ken Burns, 67, is a veteran and celebrated American film-maker who has made more than 30 documentaries in a career lasting more than 40 years. Among them is a much lauded history of the American civil war and an equally rapturously received history of the Vietnam war. His six-part documentary on Ernest Hemingway is currently on BBC Four and iPlayer and there is a forthcoming series on Muhammad Ali.

What attracted you to Ernest Hemingway as a subject?
We’d been thinking about doing Hemingway for an awfully long time – Geoffrey C Ward, Lynn Novick [writer and co-director, respectively] and me – for literally decades, since the 1980s. We needed all that time to sort of ruminate. We knew there was a lot of new scholarship that would help complicate the picture, that it isn’t just this toxic masculine guy with a bunch of wives and a literary legacy, but even more interesting dimensions that would permit us to explore things at a greater depth. There’s a tendency, particularly in our media world, for everything to be binary: good, bad, yes, no, up, down. And we found Hemingway tantalisingly complicated, which is what we like, because it is faithful to human beings.

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Mo Gilligan: ‘I did bake biscuits in lockdown, but it’s too much faff’

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The comedian and Masked Singer panellist on his fascination with chicken, mum’s Caribbean specials and the secret to great mac and cheese

At home, my mum did the cooking. It was me, my two sisters and my mum. She mainly cooked Caribbean dishes: mutton and rice, curry chicken and rice, sometimes curry goat, rice and peas, but that would be for a wedding or something. You wouldn’t have curry goat all the time. It’s mad when I think about it, because when you’ve got kids and you’ve just come back from work, I can see how easy it is to put some chips in the oven. But my mum was always cooking from scratch. To this day, she still does it.

We couldn’t afford the supermarket. My mum would get a lot from the markets, predominantly East Street or Brixton Market. We’d eat a lot of fish: snapper, sometimes red bream. It’s only since I’ve gotten a bit older that I’ve had other fish, like sea bass for example. Yeah, we weren’t eating sea bass.

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‘An American riddle’: the black music trailblazer who died a white man

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A fascinating new podcast delves into the life of Harry Pace, forgotten founder of the first black-owned record label in the US – and unlocks a shocking and prescient story about race

There are, according to the academic Emmett Price, “six degrees of Harry Pace”. He is referring to the man born in 1884 who founded America’s first black-owned major record label; desegregated part of Chicago; mentored the founder of Ebony and Jet magazines and spearheaded the career of blues singer Ethel Waters. Pace is a figure who is seemingly everywhere at once, yet his name has been suspiciously absent from the history books.

“This story encapsulates how progress comes about in America – and it is never in a straight line,” says Jad Abumrad. “It is often a cycle – one that contains hope and despair, smashed together.”

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Fiona Shaw: ‘I got to Hollywood at 28 and they said: You’re very old’

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The thrilling star of stage continues her TV takeover. As she joins mercilessly dark drama Baptiste, Shaw talks about Fleabag, American burnout – and marriage as a cure for chaos

There is a man outside, doing something to the windows of Fiona Shaw’s house in London, and he appears to be following her from room to room. No sooner has she laughed, apologised, picked up her laptop (we’re speaking on Zoom) and sought peace elsewhere than – scrape, tap – the top of a ladder appears again, and his face looms behind her.

No wonder. I feel like following Shaw around everywhere too. She is such fun, bracing company. She can swing from references to Freud to word-perfect renditions of Yeats lines learned in childhood, and makes some lovely observations: describing lunch with Phoebe Waller-Bridge, she says the Fleabag creator is “like April or May. She’s blossoming on all fronts, all her fingers are light green.” Even the man working on Shaw’s windows is likened to something out of Rapunzel. She seems to delight in everything.

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It’s time to stop making movies about Ted Bundy | Adrian Horton

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The trailer for American Boogeyman, yet another film to cast a handsome actor as a serial killer, faces backlash. Who is asking for more Bundy content?

Ted Bundy, the serial killer convicted of murdering more than 30 women in the 1970s who probably killed upwards of 100 whose names receive little attention, once mused, in interviews on death row, that he hoped his story would sell. Thirty-two years after his death by electric chair, Bundy seems to have been prescient about a curiosity with the mild-looking sociopath. The past couple years has seen a veritable “Bundy binge” in true crime content: a two-hour Oxygen special, too many podcasts to list, the Netflix docuseries Conversations with a Killer: The Ted Bundy Tapes and the biopic Extremely Wicked, Shockingly Evil and Vile, starring Zac Efron as a suave Bundy.

Related: Just another pretty face: should Hollywood stop giving bad guys a face-lift?

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Emily in Paris but no Small Axe? This year’s Emmys snubs and surprises

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An exciting selection of newcomers can’t fully take away the sting of some egregious snubs, such as Steve McQueen’s acclaimed anthology series

I just have to point this out upfront: there is a chance that Emily in Paris is going to win an Emmy this year. Emily in Paris, for crying out loud. A show so mesmerisingly awful that, when it was nominated for a Golden Globe this year, it caused such a crisis that it almost permanently ended the Hollywood Foreign Press Association as an entity. At least that nomination could be racked up to good old-fashioned jury manipulation. But this one – an Emmy nomination for best comedy series, no less – can’t be written off so easily. Did … did people actually like Emily in Paris? If so, this is not a world I want to live in.

Related: Emmys 2021: The Crown and The Mandalorian lead nominations

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‘I’d let you bite me!’ Shark Beach With Chris Hemsworth is dangerously flirty TV

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Never mind that the Hollywood star has never encountered a great white – this documentary has Thor, his perfect jawline … and flirting so full-on it could crack the camera lens

There are only three reasons why you would watch the new documentary Shark Beach With Chris Hemsworth: you love sharks, beaches or Chris Hemsworth. Hopefully it’s the latter, because that’s clearly what the producers have anticipated.

The opening scene sees the Hollywood actor gazing out to sea at sunrise, surfboard under his arm, blue-steeling the horizon. “There’s nothing quite like the ocean at first light,” he murmurs, as if auditioning for an aftershave commercial. Waves crash. Hemsworth smoulders. A didgeridoo blows.

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Raffaella Carrà, Italian cultural institution and LGBT icon, laid to rest in Rome

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Thousands in streets to mourn television star, actor and singer as funeral is broadcast live on TV

In Italy’s week of mourning for Raffaella Carrà, one image summed up her universal appeal: a rainbow flag – the symbol of the LGBT movement – next to her coffin in a Catholic church.

Carrà, who died on Monday aged 78, was a cultural institution in her home country, regarded as its “best-loved woman”. The queen of light entertainment TV, she also acted and topped the music charts of Europe and South America with pioneering, sex-positive pop music.

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I Think You Should Leave: the sketch show exposing our online egomania

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Digging deep into the nonsensical and narcissistic – yet apparently acceptable –ways that we behave online, Tim Robinson’s Netflix series is ahead of the curve

In the first season of I Think You Should Leave, Tim Robinson’s superlative Netflix show, there’s a sketch that made me laugh more than any joke I have ever seen on social media. In it, a trio of brunching women decide to post an attractive picture of themselves on Instagram, accompanied by an obligatory and utterly transparent self-deprecating caption, “so it doesn’t look like you’re just bragging”. But one of the party can’t get to grips with this odd internet etiquette. “OK, got it,” she grins earnestly. “Slopping down some pig-shit with these fat fucks, and I’m the fattest of them all. If I died tomorrow no one would shed a tear. Load my frickin’ lard carcass into the mud, no coffin please, just wet, wet mud. Bae.”

You might think the vortex of narcissism, desperation and mindless rote behaviour that characterises many people’s Instagram use would be an obvious, not to say rather tired, subject for satire by now. In fact, TV comedy that mines laughs from the warped ways people behave online is vanishingly rare. But I Think You Should Leave – which returned for a much-lauded second season this week – does it in practically every sketch, drilling down into the absurdity of online interaction, and, in doing so, exposes the half-obscured egomania and self-interest that drives it.

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Rainn Wilson: ‘I had agents who were, like: You need to get your teeth fixed, build loads of muscles’

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He may have an impressive film CV, but the actor is destined to be remembered as The Office’s resident dork. He talks about why he was perfect for the role, his new movie, Don’t Tell a Soul – and his love for Steve Coogan

Some actors associated with a signature role will tire of talking about it. No such preciousness from Rainn Wilson, who appears on camera from his Los Angeles home wearing a grey T-shirt emblazoned with the word “Scranton”. That Pennsylvania city provided the setting for the US version of the mockumentary sitcom The Office, which ran for nine widely adored, award-winning series. Wilson earned three Emmy nominations for playing the livid, disagreeable Dwight, the Rust Belt equivalent of Mackenzie Crook’s Gareth. Today’s beard and baseball cap, as well as his chipper demeanour, banishes all memory of the pasty face, DIY haircut and startled expression he wore in that show.

Wilson has starred in everything from Juno to Transformers: Revenge of the Fallen and the Jason Statham shark thriller The Meg, but he knows that any conversation will inevitably lead back to The Office. “Dwight is the part I’m best known for and always will be,” says the 55-year-old. “And that’s fine with me.” First, though, there is his new thriller to discuss. In Don’t Tell a Soul, a cross between A Simple Plan and Paranoid Park, he plays an unassuming security guard who gives chase after encountering two teenage brothers (Fionn Whitehead and Jack Dylan Grazer) stealing from a house in rural Kentucky. During the pursuit, he plunges into a hole in the forest floor, which leaves the boys with absolute power over him. The question is not whether they will use it, but how.

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Raffaella Carrà, Italian entertainment icon, dies aged 78

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Star of music, TV and film who had UK Top 10 hit in 1978 with Do It, Do It Again had been suffering an undisclosed illness

Raffaella Carrà, the pop singer and actor who was an entertainment icon in her native Italy, has died aged 78.

Her long-term partner, Sergio Iapino, announced her death, saying: “Raffaella has left us. She has gone to a better world, where her humanity, her unmistakable laugh and her extraordinary talent will shine forever.” He said she had been battling an unnamed illness for some time.

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Feel Good’s Mae Martin: ‘If you put a teenage girl in any industry, people will take advantage’

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The non-binary comedian’s hit TV show draws heavily on an often troubled life. They talk about addiction at 14, the loving parents who kicked them out, the older men who abused their trust – and the happiness they eventually found

At the beginning of the pandemic Mae Martin’s first TV series, Feel Good, was broadcast on Channel 4 to great acclaim. Just recently, the second series came out on Netflix to even greater acclaim. While most of us have disappeared in lockdown, Martin has become a star.

Feel Good is a disarmingly autobiographical love story. It tells the story of a character called Mae struggling with relationships, addiction, identity and life on the comedy circuit. Mae is attracted to men and women, but to women more, particularly women who identify as straight. The first series focuses on Mae’s relationship with Georgina, a teacher who had previously only slept with men and is reluctant to admit to her super-straight, super-posh friends that she and Mae are living together. Mae is a mix of streetwise and naive – reckless, precocious, promiscuous, self-absorbed and a bag of nerves.

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Sweet Tooth: the prescient pandemic hit bringing joy to the masses

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Centred on a killer virus, Sweet Tooth could have been the most troubling TV to watch during Covid. Instead, as its creators and star Nonso Anozie attest, the Netflix show has become a smash because it’s so redemptive – and happy

The pandemic might not be over yet, but you can already trace a line through the culture it has produced. The overenthusiastic “let’s put on a show!” mania of cast reunions filmed over Zoom quickly gave way to the gnawing listlessness depicted in Bo Burnham’s comedy special Inside. Another part of the line, however, happened by accident.

Netflix’s Sweet Tooth is a series about a devastating global pandemic that kills millions of people and resets humanity. It was filmed last summer, in that brief golden gulp between Covid lockdowns. However, Sweet Tooth wasn’t rush-produced to reflect the situation; instead, it is based on a decade-old graphic novel and has been in development for five years.

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Ghislaine Maxwell began to share ‘little black book’ with Epstein as early as the 1980s

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New documentary reveals sex offender used socialite for access to her famous and rich friends years from the 1980s onwards

Ghislaine Maxwell’s association with Jeffrey Epstein began years earlier than previously understood, according to a documentary investigating the socialite who became an alleged procuress for the paedophile financier.

The new information challenges the common assumption that Epstein stepped into a vacuum in her life after the death of her father, the newspaper tycoon Robert Maxwell, who was found in the sea near the Canary Islands in 1991.

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‘The thought is unbearable’: Europeans react to EU plans to cut British TV

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EU media critics say post-Brexit plans could pave way for more homegrown content

It was during a trip to Brighton for an English language course in 1984 that the young German student Nicola Neumann first discovered British television.

“The elderly couple who put me up tried really hard to educate me further, so we’d sit in front of the telly together every evening and then talk about the programmes afterwards,” she said.

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Love Island earns ITV £12m before new series as advertisers jostle to take part

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The most commercialised show on British television has signed up nine official partners

Love Island has netted ITV more than £12m in revenues even before the first episode of the new series of the hit reality show airs on Monday, as sponsors and advertisers rush to attach themselves to the most commercialised show on British television.

With uncertainty over Covid restrictions scuppering holidays abroad for a second successive year, the arrival of the feelgood summer juggernaut could not be more perfectly timed to tap into a viewer and advertising boom.

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